We begin today with Native Harrow and her gorgeous new video for 'Happier Now' a superb and natural indie folk song. Benedict Benjamin share's a fresh and unpretentious rocker with the emphasis on melodic hooks and an upbeat pace. At the time of writing this, Alice Phoebe Lou's new video for 'Galaxies' has already had close to forty thousand views, which is unsurprising, both the song and the video are sublime and totally moreish. We have featured Lowland Hum just once before and they are more than welcome back with this subtle and catchy albeit rather short modern folk song. Grace Acladna mixes quite differing genres together in style, in what is a very pleasing, original and refreshing song. We finish today's round up with Kuri and an original sounding and catchy folk based song, I say 'based' as it morphs comfortably beyond that genre, sounding really good as it does so.
Native Harrow - Happier Now.
Indie folk-pop artist Native Harrow, out of New York's Hudson Valley, has released the official video for the title track off their forthcoming record Happier Now via Different Time Records.
"’Happier Now’ is essentially my own anthem," says singer-songwriter Devin Tuel. "I had this very powerful year of touring and making things happen for myself and feeling like I was getting out from under the waves, but people close to me would still say, ‘Do you ever sing any happy songs? Why are you so sad?’ and I think that that is such a shallow thought to have about any art."
"My songs aren’t meant to crush people, but I live in reality and sadness and struggle have a lot to do with the reality of the human experience. So 'Happier Now' is me saying I could be happier if it makes you feel good, but I won’t because this is who I am, these are my songs, and I like them melancholic."
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Benedict Benjamin - Aint Easy.
Benedict Benjamin is Ben Rubinstein, formerly of The Mariners Children and Peggy Sue. He has just released ‘Ain't Easy’, the first single from his forthcoming album ‘Truant,’ a driving and melodic piece of sixties influenced garage rock.
After writing and recording his debut, Ben turned to a more full band sound for his second album. The early sixties Everly Brothers influences are still present in the melodies, but now there is an urgency and grit to the instrumentation that sits somewhere between The Velvet Underground and Tom Petty or more recent forbears such as Kevin Morby and Angel Olsen.
Speaking on the release of 'Ain't Easy', Benedict said: "This song's about how much work you’ve got to put into anything in order to make it work. It’s about how hard it sometimes is just to keep things afloat and not pack it all in. You go through good spells where everything is great and bad spells where everything feels crap and difficult. When you’re in one of the latter you either persevere or you just give up, and this song’s about the persevering."
His songs undercut the dream-like beauty of early sixties pop music with lyrics both frank and poetic, creating a powerful Lynchian duality that makes the heart swell and the head spin.
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Alice Phoebe Lou - Galaxies.
Having been ensconced in the studio working on her forthcoming album, Paper Castles, Alice Phoebe Lou is pleased to release the new single, "Galaxies."
South African singer-songwriter, Alice has just announced a series of live shows in Europe, as well as North America, having sold out two Cape Town shows in February, which pre-empts her forthcoming album due 8th March. Overseen by Grammy winning producer Noah Georgeson (Devendra Banhart, Joanna Newsom), "Galaxies" follows previous track, "Skin Crawl," described by The FADER as ‘powerful and stunning,’ and is once again accompanied by visuals that portray Lou’s charm and elegant fragility.
The track, as Alice herself explains, “Happened on a rainy moody day in Berlin, my friend Harry Charles & I wrote this song while lying on the carpet of my room. Space had become such a theme in my life & music, not in a scientific way but more in a metaphorical sense; drawing parallels between a planet in the expansive universe & the way that one's tiny & seemingly insignificant existence interacts with the world.
This song is about being nothing & everything. Abut being overwhelmed by the weight of existence while simultaneously being in awe & wonder of it all. 'Galaxies' came to life the first time we played in the Planetarium in Berlin; we've played 13 shows there now & every time I see the visuals come to life & the audience being swept away by the combination of the song with the projections of flying through the galaxies, the song makes so much sense”.
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Lowland Hum - A Drive Through the Countryside.
Lowland Hum have shared a new single from their highly anticipated new album Glyphonic out May 10. Titled "A Drive Through the Countryside," the song is a serene rumination on nature's expanse with ominous undertones. The band tell us, "This one stems from a poem Lauren wrote after feeling both moved and disturbed by the beauty of a drive through the countryside in rural VA. It explores the glory of the landscape here and the horrors of our local history as it relates to slavery and exploitation."
Lowland Hum tour about 200 days out of the year and have done so with the likes of Josh Ritter, The Oh Hellos and more. The indie pioneers will headline a national album release tour this spring including key stops in Nashville, Los Angeles and and New York City. Shows begin this month and the full list of dates is below.
Today's release follows critically hailed singles including "Salzburg Summer," "Raise The Ring" and "Slow," all of which have proven to be steadily infectious. Since album announcement, Lowland Hum have shared the new music at captivating sessions like Paste Studios and City Winery and garnered attention from enthused tastemakers including Billboard, Garden and Gun, Popmatters, Atwood Magazine and more. Glyphonic is the band's fourth studio album and a masterful exploration of the power of restraint, to be released May 10.
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Grace Acladna - When I Saw You.
Grace Acladna, producer, singer, song writer and multi instrumentalist from Hounslow, London has released her long-awaited new single 'When I Saw You'. The first single to be lifted from new EP 'Phonophobia' out this Spring via Hometown Records, Grace has a unique pop sound of her own - fusing nu-house, soca, electronica and dub; partly inspired by her Egyptian, English and Bajan heritage.
Self-produced and written by Grace - ‘When I Saw You’ was written at a time when she had found herself part of a friendship group of overly serious and self conscious people.
"It was really hard to have fun without looking over your shoulder to see who was judging you for it," Grace said. "For me - fun and liberty go hand in hand - so finally I met someone who encouraged me to love and dance freely. This song is a celebration of that relationship and every joyful encounter I’ve had since."
Speaking on the video accompaniment, Grace said: "Our idea behind the video was to convey the soul of the song in an unadulterated way that didn’t take itself too seriously. I was looking at clips of Anna Karina dancing in ‘Vivre sa Vie’ & ‘Bande à part’ as my inspiration for being carefree and not letting anything or anyone steal away your confidence or joy."
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Kuri - Sort Sol.
The new single from British Columbia artist Kuri is entitled 'Sort Sol'. The cinematic folk tune features sweeping acoustic guitars, Irish laced fiddles and harmony rich soundscapes. Reminiscent of Sigur Rós meets Fleet Foxes, ‘Sort Sol’ combines earthy traditional folk and chamber pop for a stunning release.
Though he may be a singer, multi-instrumentalist, songwriter, and producer, Kuri chiefly describes himself as “an observer.” His keen insight and sonic curiosity thread together an intriguing framework of carefully constructed and composed alternative on 2018’s debut Human Nature EP [Nevado Music] and the forthcoming 2019 debut album. The foundation remains rooted in organic performances, classically infused orchestration, jazzy freeform spirit, cinematic ambition, and ultimately inspired observation.
“I like to watch, analyze, and create systems in my brain,” he affirms. “As a solo artist, I enjoy the freedom to express exactly what I want by drawing on what I see.”
Born and raised Scott Currie in the city of Abbotsford, British Columbia, he found himself constantly looking outward. The small Mennonite community he grew up in incited “a sense of questioning everything to figure out why we do what we do.” As the youngest of four brothers, mom bought him a drum set to jam with his guitarist siblings. Soon, he transitioned from behind-the-kit to an old piano in the house by the age of twelve. After a string of high school bands, he founded Oh Village and generated a palpable buzz even competing in “B.C.’s Best teen Band” competition.
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Showing posts with label Lowland Hum. Show all posts
Showing posts with label Lowland Hum. Show all posts
Tuesday, 19 February 2019
Friday, 19 October 2018
Chorusgirl - Lowland Hum - BLOW 3.0 - Twain - Faux Co.

London band Chorusgirl reveal their stunning new animated collage video for "In Dreams", which was created by renowned animator Ruth Barrett. The track is taken from Chorusgirl's forthcoming second album Shimmer and Spin due out on 16 November via Reckless Yes. The band will be heading out on the road in November.
The handmade stop motion video for "In Dreams" consists of an impressive 2500 manually cut out paper prints filmed using the strata stencil technique, an animation technique invented by Javan Ivey, and a further progression of the complicated strata cut technique first used by David Daniels. The video uses the red colour scheme of the album art for Shimmer and Spin and was inspired by the reverb-heavy shimmer of the band’s sound, rollercoaster rides, fireworks, dreams and all things spinning.
"In Dreams" is a song about feeling out of place. It’s a coming-of-age anthem about dreaming yourself out of the small town you grew up in; the place you never fit in. It is also the much more dreamy companion piece to the rather angry "This Town Kills" from the debut album, and describes someone who lives mostly in their dreams, day and night. It is about growing up, feeling unconnected and patiently waiting and vividly dreaming for your turn.
Shimmer and Spin by Chorusgirl is the album that overcame the odds. Their second full-length chronicles a tense year, created during a period of crippling anxiety and a relentless string of bad luck and bad news. On first listen these tensions are not immediately apparent but beyond the bright sparkling melodies there are beautifully crafted yet deceptively sharp icebergs lying in wait. WEBSITE.
We first featured Chorusgirl last month with their first single 'No Goodbye' and 'In Dreams' is also taken from their 'Shimmer and Spin' album set for release next month. Once again the melodic vocals are splendid as the bands distinctive indie rock sound hits the spot with plenty of refined hooks.
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Lowland Hum - Salzburg Summer.
Lowland Hum have debuted a new song and video and announced their fourth full-length album Glyphonic to be released February 22. The music video was created in collaboration with Pando Creative Co. and shot in the countryside near Charlottesville, VA, where the band is based. The band tell us "This song is in part an exploration of vanity, youthful frivolity, and femininity as it was internalized by Lauren’s pre-teen mind."
Lowland Hum are an art-folk duo composed of husband and wife, Daniel and Lauren Goans. Over their young but prolific musical career, the band have garnered critical acclaim from NPR, The Washington Post, The LA Times, Huffington Post, American Songwriter and more, their lyrics noted as poetic and evocative, their arrangements praised as minimal but dynamic. Creators of the #SupportQuietMusic movement, the band maintain that in an increasingly polarized and noisy cultural moment, vulnerability is a powerful offering and restraint stands in welcome contrast to new, bombastic norms. New album Glyphonic is the purest distillation of this thesis to date, a masterful exploration of stillness in rising chaos.
Lowland Hum are a dedicated touring act, existing on the road nearly 200 days out of the year. The pair just completed an East Coast run with Horse Feathers and in recent years, have played alongside the likes of Josh Ritter, The Oh Hellos, Jesca Hoop and more. They are known for cultivating meaningful connections with fans, crafting customized-to-order "songlets" through their own Send-A-Song service, passing out handmade lyric booklets at shows, and engaging audiences in unconventional Q&As. In every part of their art, these indie pioneers are committed to the human touch. Full headline tour to be announced. WEBSITE.
'Salzburg Summer' opens with a soothing and natural folk feel, the vocals are tender and pleasing and the understated yet catchy musical backdrop gradually adds depth creating a rather addictive vibe.
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BLOW 3.0 - Stella.
Belgium-based acoustic-electronic BLOW 3.0 just released their new single Stella. The track announces the mysterious three piece's upcoming second album, scheduled for release early 2019. Over the last two years the band has grown from a busking sensation to a true live-on-stage band that bursts with positive energy.
The masked musicians - two saxophone players and a drummer - started playing on the streets in Ghent, Belgium in 2011. Soon after, some of their videos went viral on social media and soon the three-piece was playing the streets of just about every city in Europe and eventualy, stages of Jazz- & Worldmusic festivals.
The two saxophones roar like guitars and pump like synths supported by a mesmerizing, groovy drum beat, creating the vintage BLOW 3.0-sound. Stella is now available on all streaming- and download services. The album will be released early 2019 via Dox Records. FACEBOOK.
'Stella' has plenty of unique attributes and it's not short on power or intensity. The musical arrangement is fabulous as the band defy any one genre categorisation, on this sublime instrumental piece that just begs for a second play.
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Twain - Young God (gotta lotta feeling).
Twain has released their first new music since 2017's critically-lauded Rare Feeling. Twain's singer and songwriter Mt. Davidson tells us "This song is about the freedom-feeling of allowing Love its natural Death." NPR All Songs Considered premiered "Young God (gotta lotta feeling)" this week, noting "Twain songs retain a live energy with little editing. Like an old cassette, the sounds on these records are limited to a mild and pleasant midrange and swathed in a lisping hiss. Even as "Young God" rises from its quiet, glimmering opening to a thumping, full band apotheosis, the coloring of that sound frames it like a photo in an album."
With the song, Twain announced a 12" double EP to be released January 25 on Keeled Scales. Titled 2 E.P.s, the 14-track collection represents two distinct moments in the artist's recording history. Side A is New Miami Sound, unreleased material from the Rare Feeling album sessions. Side B is Alternator, an intimate recording of Davidson performing a selection of his songs in a van; it is the first fully solo Twain music to be released on vinyl. The painting ("Margie") featured on the album jacket was made by the group's drummer, Peter Pezzimenti (@friendthathelps).
Over the course of a young but eventful career, Davidson has contributed his virtuoso musicianship to the likes of The Low Anthem, Spirit Family Reunion, Deslondes and more. He spent 2018 on the road, touring as Twain alongside Langhorne Slim, Horse Feathers and Buck Meek among others and making his Newport Folk Festival debut. Demand for his devastatingly raw stage presence continues to build nationwide. He'll begin another run through the South next month. BANDCAMP.
Live Dates:
November 24 | New Orleans, LA @ house show (w. Julie Odell)
November 26 | Gainesville, FL @ Limin Room
November 27 | Orlando, FL @ Gallery Space Called Home
November 28 | St. Augustine, FL @ Sarbez
November 29 | Atlanta, GA @ house show
November 30 | Athens, GA @ Flicker Theatre
December 05 | High Point, NC @ Centennial Station Arts Center.
There is something quite captivating about 'Young God (gotta lotta feeling)' a song that is winsome, creative and very catchy. It's also one of those songs that seems to just build and build and still manages to keep the same personable and beautiful vibe throughout.
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Chicago’s Faux Co. is the brainchild of songwriter Ben Mackey. Originally from Santa Rosa, California, Mackey has been writing 60's influenced Indie pop songs for a decade. After stints in the bands the Subtitles and Silver Ships, Ben moved to Chicago in 2012. He formed the Red Threads shortly after with Anna Holmquist (the Curls, Ester), Claire Wellin, Ben James and Jason Homyak. Trevor Pritchett (Lucille Furs) joined the band shortly thereafter and the group played around Chicago for a few years.
In 2015 The Red Threads disbanded as Ben decided to start a new group. Pritchett joined on lead guitar with local DIY legend Chris Lee (Beastii, Bloodhype) on drums and Faux Co. was born. The group played shows locally for a few years, crafting all the layers to Ben's melodic pop songs.
In 2016 the group headed to Downbeat Studios and Minbal Studios and recorded their debut album. Sean Mcconnell and Chris Lee split the engineering and producing duties and the group made a solid record reminiscent of classic 60's pop. After recording sessions spread throughout 2016 with notable guest appearances by Holmquist and Danny Cohen (Terriers), the group spent the next half year mixing and mastering (w/ Mike Hagler of Kingsize Soundlabs) the record. “Set the Record Straight” b/w “Prozac Spacemen” is the first single from the debut (release date TBD). FACEBOOK.
'Set The Record Straight' is a potent rocker, where everything feels energised and yet the musical arrangement leaves room for every musical and vocal element to have clarity. I guess it's a case of modern mixing techniques meet timeless rock and roll ideas, and combine to make some splendid music.
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