Showing posts with label Linaire. Show all posts
Showing posts with label Linaire. Show all posts

Thursday, 27 August 2020

Linaire - Falcon Jane - Peach Kelli Pop


Linaire shares her beautiful new song 'No Part Of Me Ever Dies' where her vocals glisten above a sublime musical arrangement. We have to go back to 2016 when Anna Atkinson last graced our pages, her new manifestation as Linaire leaves me keenly waiting for more.  === Falcon Jane appeared on Beehive Candy a couple of times in 2018 and we are delighted to feature the new song 'The Other Moon' a melodic and dreamy piece. === Peach Kelli Pop have released 'Cut Me Off' and it's a catchy albeit quite short song that nonetheless digs some refreshing musical hooks in deep.
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Linaire - No Part Of Me Ever Dies.

Linaire is an album of ten tracks that luxuriate in the deceleration of time and allow for listeners to embrace complicated and conflicting emotions. It is an invitation to acceptance in an atmosphere created by moments both somber and warm. Anna Atkinson’s self-titled debut as Linaire finds the Montreal-based composer, multi-instrumentalist, and singer in a state of reflection, constructing room for herself and the listener to work through complex feelings surrounding circumstances of love, time, lineage, and loss.

For Atkinson, the adoption of the name Linaire signals a setting forth onto a new path of exploration and self-expression. She builds her musical worlds from layers of airy synthesizers, Omnichord, strings, and drum machines, approaching beauty and discomfort in a manner both direct and honest. Peeking into her soul and pushing her own boundaries, Atkinson uses lyrical repetition to slow down and magnify ephemeral moments, while the album’s thoughtful  instrumentation creates a sense of limitlessness to the atmosphere of each song. Each of these ten succinct and subtely engrossing tracks—none running longer than six-minutes—seems to contain a life beyond its lyrics. This is perhaps best demonstrated on songs like “No Part of Me Ever Dies” or “Best I Can,” which address the complex relationship of the past to the present, without ignoring the future, and all the while focusing less on ideas of resolution than on trying to understand the questions raised—the final line of ”Best I Can” rings through the ambiance like both a mantra and a summation: “wasting nothing.”

The methodical crafting of each sonic gesture on Linaire reflects the patient recording and production of the album by Atkinson and Alexander MacSween (drum machines & additional keyboards) at OBORO in Montreal in the Winter of 2019. From the fluttering electronics of “Snowshoe” to the luminous vocals on “The Inside, The Outside,” the music of Linaire breathes, floats and flowers, offering a space of welcoming and recognition, while enveloping listeners in a transcendent auditory experience, never letting them fall.

Atkinson guides listeners with a soft and gentle hand that soothes and makes a way for an unimpeded journey of emotional confrontation, naturally gliding them toward new possibilites. She weaves soundscapes that focus one’s energy on taking time, “wasting nothing,” allowing those who enter to do the same.

"No Part of Me Ever Dies is about accepting one’s most difficult emotions - the old lonesome ones that feel endless and overwhelming. The song also serves as a reminder that these states eventually pass, and that they pass more easily once they are embraced."

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Falcon Jane - The Other Moon.

Ontario-based project Falcon Jane – the moniker for primary songwriter of the group, Sara May – are to release their soaring new single, ‘The Other Moon’ via Pittsburgh-based label, Darling Recordings on August 26, 2020.

‘The Other Moon’, which is lifted from a larger body of material set to come from Sara May further down the line, finds the artist exploring deeply sentimental and personal themes, from death to memory, and the miscommunication that can take place between generations. May has a penchant for unpacking these emotions in succinct and comprehensible forms, making something so personal and idiosyncratic to her feel so familiar to the rest of us. Much of May’s forthcoming work found its source of inspiration in early 2019 when her songwriting synched up with a string of deaths that occurred in her immediate family; ‘The Other Moon’ pays a touching testament to her Nonna with May lacing the track’s stark honesty with swooning guitar and her enchanting vocal palette, a sound that co-director, van Olm visualized as May’s DIY journey through space.

Speaking about the new track, May says: “‘The Other Moon’ is a letter and tribute to my late Nonna whose death inspired me to start recording this album. Despite being from two completely different generations, and speaking two different languages, my Nonna and I had a very special connection. We understood each other and cared about each other, even if we couldn’t find the words to express it. My Nonna would always cheekily joke about her own death, and through her broken English, she claimed that when she died she’d be going to “The Other Moon”.

“This song is not a story about a happy-go-lucky relationship between grandmother and granddaughter,” May continues. “It accurately depicts the contrasting dynamic of a very loving friendship mixed with a lifelong trauma-ridden miscommunication. The big hole in my heart, the black cloud over our love. This song feels like the message I always wanted to send to her; pushing through the darkness to find the deep love we shared and continue to share now.”

The new single positions itself as a breathtakingly honest release from Falcon Jane, allowing her vulnerability to take center stage. We’ll have more information further new music shortly.

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Peach Kelli Pop - Cut Me Off.

Peach Kelli Pop is a musical project conceived of by songwriter Allie Hanlon, who has unveiled the first single from her upcoming EP.
Peach Kelli Pop has gained notoriety for the band's catchy melodies that bring to mind American female pop music singing groups of the late 50s and early 60s, but peel back a layer of saccharine film from her tunes and there is always a lot more to discover. "Searching for it in myself, this is eating up my mind and health", is the opening line of the single, previewing some of the angst that is floating just below the surface of the twee harmonies.

"This song is about lacking the strength to walk away from a situation you know is harmful to you." says Hanlon of the track. "It's about really wanting a relationship to work (whether it be romantic or a friendship) and hanging on, but knowing deep down that it won't work out."

In 2009, in her hometown of Ottawa, Canada, Hanlon taught herself to play guitar and bass, arrange songs and record them. The band is now based in Southern California, after Hanlon relocated in 2013. Peach Kelli Pop has toured extensively both domestically and internationally, making frequent trips to Japan. With four full-length releases and a handful of singles under her belt, Peach Kelli Pop is back with her Lucky Star EP on October 7th via Lauren Records. The EP features 4 brand new songs, including a cover of "Sing And Pretty" by Tokyo's The Pat Pats.

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Wednesday, 19 February 2020

Wilsen - Linaire - Brooke Annibale - Micra

Wilsen return with their new single 'Align' just ahead of the album 'Ruiner'. We have already shared a couple of tracks from the new collection and the latest again promises that we are in for a real treat. === We have to go back to October 2016 for the last time we featured Anna Atkinson, however she is back with her new project Linaire and the beautiful song 'Feeling' accompanied by her rich sounding Omnichord. === Another artist making her third appearance here is Brooke Annibale with 'I Will'. We don't feature that many cover versions but Brooke really does give this Beatles song her own stamp. === Micra have released 'Chemical Freedom' accompanied by a video, the dream pop duo really have created a gorgeous song (and it's welcome back here for a third time as well!).

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Wilsen - Align.

Today, the Brooklyn-based trio Wilsen released a new single "Align" ahead of their new album Ruiner out this Friday, February 21 via Secret City Records / Dalliance Recordings.

"'Align' is about the weight and occasional jolting effect of eye contact. That rare experience when connecting eyes throws you into a narrative," explains Tamsin Wilson. "The song was arranged with drummer Gabe Smith who helped us trim the excess and stabilize dynamics.  His involvement was crucial in our record-making process. We tracked the basics at Douglass Recordings and Johnny’s guitar overdubs at Black Lodge studio, using the original bedroom demo vocal percussion to kick off the song."

For the follow-up to their acclaimed debut I Go Missing In My Sleep, the trio comprised of Tamsin Wilson (guitar/vocals), Johnny Simon Jr. (guitar) and Drew Arndt (bass) partnered with acclaimed producer Andrew Sarlo (Big Thief, Bon Iver) and mastering engineer Sarah Register (Ariana Grande, Protomartyr, U.S. Girls).

For Tamsin Wilson, the album finds her moving towards personal self-acceptance. "I have an inherent shyness," she says. "I'm acknowledging and finding a way with it as I get older." Throughout the record, she comes to terms with her many sides, including her introversion and her inner, self-sabotaging monster to which the album title refers. On "Feeling Fancy," with her distinctively hushed vocals overpowering the track’s clamorous instrumentals, Wilson offers listeners a powerful, and celebratory, declaration that "Quiet’s not a fault to weed out."

"Making this record was somewhat of a coming of age process," Wilson explains. "We're getting older and becoming more deliberate, less precious, less measured. Overthinking less and trusting instincts more."

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Linaire - Feeling.

Linaire is the new songwriting project of Montreal-based singer, composer and multi-instrumentalist, Anna Atkinson. Linaire combines uncluttered electronic beats and ethereal synths with incandescent strings and poetically lucid lyrics to produce music that is at once spacious and full. Like plastic antiques, the songs feel both timeless and contemporary. Born out of Anna’s fascination with simple song forms and economic use of words, the songs explore themes of lineage, identity, time and anxiety.

In 2016, after a decade working as a freelance musician in Toronto, Anna took a break from performing and moved to Montreal. She took French lessons and spent months developing her knowledge of music production and live sound processing. She simultaneously began writing songs, examining the roots of her most debilitating emotions – anxiety, regret and depression. What emerged artistically was something very different from her previous records. Not only lyrically, but also stylistically, not least because of her use of the Omnichord in place of a piano or guitar. With its warm chords and simple beat box, the instrument pulled Anna in the direction of minimal electronic pop, a kind of crossing of Young Marble Giants and Harry Nilsson, two of her most significant sources of inspiration.

In the deep winter of 2019 Anna took ten songs and her Omnichord into a Montreal studio with co-producer and musician, Alexander MacSween (Bionic, The Nils). Three weeks later she emerged with an album that is certainly her most personally gratifying to date. From the very direct opener, Feeling, to the uplifting, Best I Can, and the darker meandering song, Oh Who, the album was made using a variety of synthesizers and drum machines and with an occasional appearance by Anna’s viola. The singing is at times nakedly intimate and at others almost anthemic, with floating layers of unison and harmony vocals. The album travels from beginning to end like a great collection of short stories.

In the last two years, Anna has performed Linaire in cities across Canada and in Japan and has been amassing a growing group of fans. She currently preforms solo and aims to add musicians to her live set as it becomes practical. Linaire’s eponymous album will be released later this year.

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Brooke Annibale - I Will.

Singer-songwriter/guitarist Brooke Annibale has this week released a rendition of The Beatles’ classic “I Will.” The new single arrives just ahead of her debut European tour date.

“I first learned this song over 10 years ago for my cousin’s wedding,” stated Brooke. “My cousin and his then fiancee each chose a song for one another. They kept the songs secret, until I played them during the ceremony as a part of their vows, one song from him to her and one song from her to him. It was a pretty special moment to be a part of. I’ve been covering the song ever since, every once in a while. I thought it would be cool to record and rearrange the song a bit, make it a little darker and dramatic, but still keep the song’s sweet and well, endearing qualities.

Her first ever European tour includes stops in the Netherlands, Germany, France, and the UK. For more information or to purchase tickets, visit www.brookeannibale.com.

Brooke’s latest album Hold To The Light has been met with critical acclaim from Billboard, Uproxx, The Wild Honey Pie, Under The Radar, and more, featuring production by Sam Kassirer (Josh Ritter, Lake Street Dive) and guest musicians Josh Kaufman (The National), Matt Douglas (Sylvan Esso) and Zach Hickman (Ray Lamontagne, Josh Ritter). Brooke is currently writing new material for her next album that she will debut on the upcoming tour.

Tour Dates:
04/15 - Amsterdam, NL @ Cinetol
04/16 - Nijmegen, NL @ Merleyn
04/17 - Cologne, DE @ Wohngemeinschaft
04/18 - Rodenberg, DE @ House Concert
04/19 - Berlin, DE @ Auster Club
04/21 - Paris, FR @ Sofar Sounds
04/22 - Laval, FR @ Le Lardin Bavarois
04/23 - Fontenay-le-Comte, FR @ La Chopine
04/24 - St-Aubin-du-Pavail, FR @ La Grange du Pavail
04/25 - Mellionnec, FR @ House Concert
04/26 - Rennes, FR @ Bistrot Cocagne
04/29 - Winchester, UK @ Railway
04/30 - London, UK @ Slaughtered Lamb.

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Micra - Chemical Freedom.

Sydney's Micra have today released their swirling and euphoric new single, 'Chemical Freedom' via Liberation Records. 'Chemical Freedom' marks the start of an exciting chapter for the rising dreampop duo and is a spellbinding example of their ability to turn a melting pot of influences into their own hallucinatory indie pop perfection.

A technicolor journey through #NSFW chemical-fuelled erotic encounters, the theatrics of 'Chemical Freedom' is presented in a stunning music video directed by Justin Ridler. Having worked in the past with Baz Luhrmann and Iraxta Ansa, Justin perfectly captures the essence of the track using motion capture animation through psych-tinged lens distortion. The song and video arrives as music lovers around Australia continue to battle with state governments over harm minimisation approaches to chemical consumption. Speaking on video, Justin said "I was really interested in Roger Penrose's theory of the fractal universe and I think that plays into the clip. There's also a kind of paradigm shift that's occurring in the contemporary cultural landscape around drug use which I wanted to reflect in the abstract narrative that plays out."

'Chemical Freedom' was recorded at the band's own studio and mixed by Grammy-Award winning producer Ben Allen (Deerhunter, MIA, Youth Lagoon). Speaking on 'Chemical Freedom', Micra said "It's been so frustrating to see the narrow minded attitude of Australian authorities towards pill testing and drug reform. We wanted to shine a light on that and highlight the ways in which the whole issue is actually bringing young people together."

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MF Tomlinson - Hippie Flowers - Little Low - Franklin Gothic

MF Tomlinson - Die To Wake Up From A Dream. MF Tomlinson shares the album's centrepiece and 9-minute title track, ‘Die To Wake Up From ...