Hobby Club serve up a bright indie pop song with some fabulous vocals and a crisp musical backdrop. Rue Snider has impressed us in recent years, his ideas and musical creations are always met with keen anticipation. London alt rockers Heavy Heart mix melodic vocals with some natural rock vibes. From Italy Amycanbe have a distinctive sound, with plenty of detail in the musical arrangement and soft enticing vocals gliding above. Last today we have our second track share from Lily & Madeline ahead of next months album release and it's another beautifully crafted and hook laden song.
Hobby Club - For Maurice.
London based indie-pop duo Hobby Club release their debut single ‘For Maurice’ from their first EP ‘Video Days’ released 8th March on Manchester tastemaker label Heist or Hit (Her’s, Pizzagirl).
Beth Truscott and Joe Rose’s sound is as unique as their vision of the world – sharing an unusual eye condition they only discovered after meeting each other. Inspired by Arthur Russell, The Beach Boys and Kate Bush, the duo craft a lyrical domesticity that evokes harbours and mills towns, polyester and chip wrappers, bus tickets and slate grey skies.
‘For Maurice’ is Hobby Club’s anthem for leaving home, named after a local celebrity in Joe’s hometown Barrow, the “brash and absurd, yet sensitive and creative” Maurice G. Flitcroft, who “at all times was striving for something more than his humble origins would allow by studying art and literature and becoming the self-professed best at anything he put his mind to.”
The track becomes the duo’s rebellion of limited small-town life: “Like my own Dad,” Joe describes, “Maurice begrudgingly worked in the shipyard but never let the narrow opinions of others corrode his delusions of grandeur.” Subverting this tradition, Joe now uses an abandoned canteen in the shipyard to record the jangle-pop of Hobby Club, proving “that no matter how absurd your goal is, you can just tell yourself you’re the best and that everybody else is wrong”.
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Rue Snider - Tripping On a Raft With Girls/Go Back To Carolina.
Go Back To Carolina is a brand new track by Brooklyn, NY based singer songwriter Rue Snider that has an indelible hook punctuated by biting electric guitars and organ reminiscent of the louder side of early alt country favorites like Uncle Tupelo, Whiskeytown, and Vigilantes of Love. The lyrics address the concept of psychological triggering, which in this story comes in the form of an Avett Brothers song.
“'Go Back To Carolina' is an attempt to illustrate the idea of psychological triggers in a funny, sort of profane way that most people will be able to understand even if they haven't been introduced to the concept before. Once I started to grasp the role that my past plays in my current life and began to have compassion for myself for some of my triggered responses, and once I started to really identify what those triggers were, I was able to begin the process of rooting them out."
Tripping On a Raft With Girls celebrates the need for community that feels built into human DNA. It details a psychedelic experience that the narrator undertakes with a group of friends. The lyrics are his inner monologue. It features Jon Estes on guzheng.
Both songs have lyrics that make a stab at humor and are a bit absurd but dig into serious topics. They fit together sonically as they're both loud rock songs and lyrically as they both take place inside of someone's brain.
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Heavy Heart - Bed Bug.
London alt-rockers Heavy Heart share deeply emotional new cut Bed Bug, the first of three tracks mixed and co-produced by Grammy Award-winning producer Gabe Wax (The War On Drugs, Fleet Foxes, Soccer Mommy).
Starting out as a bedroom project in a tiny South London flat, the quartet have since capitalised on their early promise with widespread praise throughout the online community (NME, The Line Of Best Fit) and across the airwaves (BBC Radio 1, BBC 6 Music, Radio X), with their introspective and intimate soundscapes earning plenty of fanfare.
Touching on profoundly relatable themes of love, loss and finding happiness, Bed Bug showcases elements of Alvvays and Wild Nothing nestled deep within their sound, coupling luscious melodies and cascading guitars with a vivacious blend of dreamy, atmospheric noise.
Detailing their upcoming single, the band stated: “Bed Bug is a nocturnal love song exploring obsession and lethargy, sex, blood and dirty sheets. It’s about staying in bed all day and staying awake all night, feeling your skin crawl and your nerves itch. It’s also about the beauty and agony of loving someone to the point of self-destruction; picking the wounds open again just to feel the way it felt the first time”.
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Amycanbe - White Slide.
Born and based in Cervia, Italy, Amycanbe was formed by Mattia and Marco until 2005 when they decided to add Francesca and Paolo to the lineup, and this the quartet Amycanbe was born. Amycanbe has had some slight lineup changes throughout the years, but they currently consist of Francesca Amati (vocals), Mattia Mercuriali (bass, guitars, keys), Marco Trinchillo (drums, keys) and Mattia "Matta" Dallara (keys). With 3 albums and several EP’s behind their name, their 2011 album ‘Mountain Whales’ garnered significant success with their hit ‘Buffalos’ gaining a lot of traction from fans and critics alike.
Inspired by legendary acts across the genre spectrum such as Nina Simone, Radiohead, Pink Floyd, Portishead, Aphex Twin, and David Bowie, it is clear that Amycanbe prefers to surround themselves with only the best influences. With dream pop being rooted in elements of alternative and psychedelic rock ‘n roll with a blend of pop, it’s evident that any fans of The xx, The Naked and Famous, or The Cocteau Twins will enjoy Amycanbe’s music as part of their collection.
‘White Slide’ reimagines the ethereal song with hard hitting bass while the wobble in the bassline ensures a groove between each bar. Francesca’s tender voice is only complemented by the intricate, yet subtle production elements that can be heard throughout. ‘White Slide’ demands multiple listens as the undiscovered concaves of this track are revealed to the listener upon every repeated listen. A stellar track that aims (and succeeds) in transporting the listener to a cosmic realm where Amycanbe controls every facet of this musical plane. True performers by nature, this live version is a testament to their electrifying performances.
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Lily & Madeleine - Analog Love.
US sister duo Lily & Madeleine are pleased to share their new single "Analog Love", which is taken from their forthcoming album Canterbury Girls - out on 22 Feb via New West. The album was recorded in Nashville and produced by Daniel Tashian and Ian Fitchuk, the team behind Kacey Musgraves' Golden Hour. Although the bulk of the album's songs are burdened by personal angst and the weight of expectations, "Analog Love" is a sweet romantic plea.
As Lily and Madeleine explain: "We wrote "Analog Love" with our dear friend, songwriter Lucie Silvas. The song is an attempt to capture the feeling of an uncomplicated and reassuring romantic relationship. Being on tour a lot of the time, nearly all relationships we have become long distance at some point. Communicating over the internet is a great way to continue to share your love, but after a while, its monotony makes you wish you could just be face to face with the person, communicating without any distractions. In the studio we wanted the song to feel whimsical and nostalgic with lap steel, acoustic guitar, and soft, tender vocals. We don't write many love songs, but "Analog Love" was written so easily with Lucie, and captures a special feeling of uncomplicated love."
Lily and Madeleine Jurkiewicz explore the conventions of 21st century womanhood on the ten-track Canterbury Girls, named after Canterbury Park, located in the duo’s hometown of Indianapolis, Indiana. The songs were all written or co-written by the sisters, which, despite the album's poppy veneer, boasts some of Lily & Madeline's densest and most intense lyrics to date.
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Showing posts with label Lily & Madeleine. Show all posts
Showing posts with label Lily & Madeleine. Show all posts
Rose Ette - Lily & Madeleine - The Prescriptions
Rose Ette - Ignore the Feeling.
What good is rock and roll without a love story? Even in 2018, among the uneven power struggles and problematic dudes, someone is going to look across the room at someone else and wish they could stand over there, instead of standing here alone. Pretty basic aspect of the human experience, yeah? But somehow, though we can define our political stances in unambiguous terms, our affection remains a mercurial subject for words. On some days, it’s easier to argue with a GOP granddad over the existence of global warming than to face that someone across the room and tell them just what magnetic force draws you near.
“Oh, boo hoo,” say the stable, the pairs coupled in high school, the loveless bachelors in IT. But in the realm of Rose Ette – ostensibly modern-day Houston, spiritually Olympia or London from two or three decades back (respectively) – the mental hurdles that block both parties from honest and true bonds are real struggles worth fighting for. With their proper debut Ignore The Feeling, our four romantics (led by singer/guitarist Teresa Vicinanza capture those challenges in a bell jar; even manic obsessions and unwanted stalkers shine with the opal glow of Lush, or Camera Obscura, or any of your favorite C86 tapes from your lost (or invented) youth.
Don’t let these bottled sprites deceive you, though - even with the sweet perfumes of girl groups and C86 tapes long gone, Rose Ette still bear claws. Three years ago, their first EP Jungle featured the unpolished diamond of “AH AH”, a shredded telegraph from a much murkier garage (and, admittedly, a completely different crew). That tempered snarl still comes out here on “Awake”, a hefty slice of Speedy Ortiz-sized fuzz to remind everyone that the battle’s not yet over: “I’m awake, but I’m running out of time.” You can’t stage a head-on assault when old enchantments still grip the blade, after all.
Mind you, Rose Ette can fire back with charms of their own when they take the stage. Back in August, the gang picked up a limited run of Ignore the Feeling LPs before their day show at Athens Popfest. Right after their blissful set at Little Kings Shuffle Club, folks piled up at the merch table for a copy, and the line backed up to the patio. Our protagonists have allured many a crowd in the past three years, jumping on bills with Deerhoof, Fred Thomas, Dressy Bessy, and La Luz, to name a few. Like a heart possessed by either desire or stress (or both at once), these illusionists don’t stand still.
Of course, all love-weary prose aside, Ignore The Feeling simply snaps a deceptively rosy thumbnail of a band in flux. And while Rose Ette might stand up for the silenced lover, don’t expect Vicinanza and her crew to soften their own voice any time soon. Facebook.
'Ignore The Feeling' is a steady alt rocker with beautifully engaging vocals, along with a vast array of enticing melodic hooks.
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Lily & Madeleine - Self Care.
Lily and Madeleine Jurkiewicz, sisters better known as New West Records duo Lily & Madeleine, fearlessly explore — and explode — the conventions of 21st century womanhood on the ten-track Canterbury Girls, due 22 Feb 2019. Co-produced by Daniel Tashian and Ian Fitchuk (Kacey Musgraves’ Golden Hour), the record is named after Canterbury Park, located in the duo’s hometown of Indianapolis, Indiana, and a place that's a breeding ground for these songs, all written or co-written by the sisters, which explore relationships, power imbalances, and the weight of expectation.
Canterbury Girls was recorded in Nashville over a feverishly-inspired ten days with Tashian and Fitchuk. Lily and Madeleine — now age 21 and 23 respectively — recently relocated to New York City and worked separately and together on musical ideas, a process that allowed their individual styles to shine. While Canterbury Girls contains plenty of the duo’s signature ornate arrangements and stunning blood-harmony, the album also finds them exploring new sonic vistas and delivering goosebump-worthy musical moments with quiet authority.
"This is the first record Lily and I have ever done where we have full control over all of the songwriting," says Madeleine. "By the end, I felt like the songs had their own life; they had their own energy. It was incredible to see them blossom so quickly."
Despite Canterbury Girls' understated veneer, the album’s lyrics are dense, vivid and intense. "Pachinko Song" gives voice to the feeling of being unable to escape another person’s gaze, even from halfway across the globe; and the deceptively breezy “Supernatural Sadness” confronts the pull of a toxic relationship.
Since the 2016 release of Keep It Together (New West Records), Lily & Madeleine have toured as a headlining act, opened for everyone from Dawes to Rodriguez, and in summer 2017, were invited to be backup singers on John Mellencamp's Sad Clowns and Hillbillies Tour, joining him onstage every night to sing harmonies every night. They will embark on an extensive headline tour in 2019 with dates to be announced soon. Website.
Gorgeous vocals with a simple piano backdrop opens 'Self Care' and as the rhythm kicks in the soundtrack expands ensuring that the song becomes a tasteful tease for the album due in February 2019.
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The Prescriptions - Cuts Like a Knife.
Nashville-based rock band The Prescriptions released a new single "Cuts Like A Knife," and announced a January 18 release date for their debut album Hollywood Gold.
"Cuts Like A Knife" follows previous singles "She Is Waiting" and "Hollywood Gold." Mother Church Pew said "With its bright harmonica-laced refrains, understated organ sizzles, and vintage, wide-open road feel, 'She Is Waiting' is sunshine from beginning to end."
The band recently partnered with the acclaimed Nashville-based YouTube channel GemsOnVHS to release a live video for "Hollywood Gold." East of 8th debuted the video stating "Their sound, influenced by the likes of Neil Young and Wilco, brims with a soothing ease that provides a balm for the ears and a salve for the soul."
While The Prescriptions may come by their Southern style of narrative songwriting honestly, they refuse to rest on the laurels of their musical heritage. Songs like “Hollywood Gold” reflect the band's deep appreciation for their musical heroes while also showcasing the commitment and drive towards something new. Website.
The musical arrangement is superb on 'Cuts Like a Knife' boasting plenty of originality whilst the sweeping and majestic vocals seal the deal.
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What good is rock and roll without a love story? Even in 2018, among the uneven power struggles and problematic dudes, someone is going to look across the room at someone else and wish they could stand over there, instead of standing here alone. Pretty basic aspect of the human experience, yeah? But somehow, though we can define our political stances in unambiguous terms, our affection remains a mercurial subject for words. On some days, it’s easier to argue with a GOP granddad over the existence of global warming than to face that someone across the room and tell them just what magnetic force draws you near.
“Oh, boo hoo,” say the stable, the pairs coupled in high school, the loveless bachelors in IT. But in the realm of Rose Ette – ostensibly modern-day Houston, spiritually Olympia or London from two or three decades back (respectively) – the mental hurdles that block both parties from honest and true bonds are real struggles worth fighting for. With their proper debut Ignore The Feeling, our four romantics (led by singer/guitarist Teresa Vicinanza capture those challenges in a bell jar; even manic obsessions and unwanted stalkers shine with the opal glow of Lush, or Camera Obscura, or any of your favorite C86 tapes from your lost (or invented) youth.
Don’t let these bottled sprites deceive you, though - even with the sweet perfumes of girl groups and C86 tapes long gone, Rose Ette still bear claws. Three years ago, their first EP Jungle featured the unpolished diamond of “AH AH”, a shredded telegraph from a much murkier garage (and, admittedly, a completely different crew). That tempered snarl still comes out here on “Awake”, a hefty slice of Speedy Ortiz-sized fuzz to remind everyone that the battle’s not yet over: “I’m awake, but I’m running out of time.” You can’t stage a head-on assault when old enchantments still grip the blade, after all.
Mind you, Rose Ette can fire back with charms of their own when they take the stage. Back in August, the gang picked up a limited run of Ignore the Feeling LPs before their day show at Athens Popfest. Right after their blissful set at Little Kings Shuffle Club, folks piled up at the merch table for a copy, and the line backed up to the patio. Our protagonists have allured many a crowd in the past three years, jumping on bills with Deerhoof, Fred Thomas, Dressy Bessy, and La Luz, to name a few. Like a heart possessed by either desire or stress (or both at once), these illusionists don’t stand still.
Of course, all love-weary prose aside, Ignore The Feeling simply snaps a deceptively rosy thumbnail of a band in flux. And while Rose Ette might stand up for the silenced lover, don’t expect Vicinanza and her crew to soften their own voice any time soon. Facebook.
'Ignore The Feeling' is a steady alt rocker with beautifully engaging vocals, along with a vast array of enticing melodic hooks.
--------------------------------------------------------------------------------------------------------------------------
Lily & Madeleine - Self Care.
Lily and Madeleine Jurkiewicz, sisters better known as New West Records duo Lily & Madeleine, fearlessly explore — and explode — the conventions of 21st century womanhood on the ten-track Canterbury Girls, due 22 Feb 2019. Co-produced by Daniel Tashian and Ian Fitchuk (Kacey Musgraves’ Golden Hour), the record is named after Canterbury Park, located in the duo’s hometown of Indianapolis, Indiana, and a place that's a breeding ground for these songs, all written or co-written by the sisters, which explore relationships, power imbalances, and the weight of expectation.
Canterbury Girls was recorded in Nashville over a feverishly-inspired ten days with Tashian and Fitchuk. Lily and Madeleine — now age 21 and 23 respectively — recently relocated to New York City and worked separately and together on musical ideas, a process that allowed their individual styles to shine. While Canterbury Girls contains plenty of the duo’s signature ornate arrangements and stunning blood-harmony, the album also finds them exploring new sonic vistas and delivering goosebump-worthy musical moments with quiet authority.
"This is the first record Lily and I have ever done where we have full control over all of the songwriting," says Madeleine. "By the end, I felt like the songs had their own life; they had their own energy. It was incredible to see them blossom so quickly."
Despite Canterbury Girls' understated veneer, the album’s lyrics are dense, vivid and intense. "Pachinko Song" gives voice to the feeling of being unable to escape another person’s gaze, even from halfway across the globe; and the deceptively breezy “Supernatural Sadness” confronts the pull of a toxic relationship.
Since the 2016 release of Keep It Together (New West Records), Lily & Madeleine have toured as a headlining act, opened for everyone from Dawes to Rodriguez, and in summer 2017, were invited to be backup singers on John Mellencamp's Sad Clowns and Hillbillies Tour, joining him onstage every night to sing harmonies every night. They will embark on an extensive headline tour in 2019 with dates to be announced soon. Website.
Gorgeous vocals with a simple piano backdrop opens 'Self Care' and as the rhythm kicks in the soundtrack expands ensuring that the song becomes a tasteful tease for the album due in February 2019.
------------------------------------------------------------------------------------------------------------------------
The Prescriptions - Cuts Like a Knife.
Nashville-based rock band The Prescriptions released a new single "Cuts Like A Knife," and announced a January 18 release date for their debut album Hollywood Gold.
"Cuts Like A Knife" follows previous singles "She Is Waiting" and "Hollywood Gold." Mother Church Pew said "With its bright harmonica-laced refrains, understated organ sizzles, and vintage, wide-open road feel, 'She Is Waiting' is sunshine from beginning to end."
The band recently partnered with the acclaimed Nashville-based YouTube channel GemsOnVHS to release a live video for "Hollywood Gold." East of 8th debuted the video stating "Their sound, influenced by the likes of Neil Young and Wilco, brims with a soothing ease that provides a balm for the ears and a salve for the soul."
While The Prescriptions may come by their Southern style of narrative songwriting honestly, they refuse to rest on the laurels of their musical heritage. Songs like “Hollywood Gold” reflect the band's deep appreciation for their musical heroes while also showcasing the commitment and drive towards something new. Website.
The musical arrangement is superb on 'Cuts Like a Knife' boasting plenty of originality whilst the sweeping and majestic vocals seal the deal.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...