Showing posts with label Lena Minder. Show all posts
Showing posts with label Lena Minder. Show all posts

Lena Minder - Christine Tarquinio - Sound&Shape - Chris Tavener - Kindsight - Christine Sweeney - Twain

Photo - Victoria Byt
Lena Minder - One More Time.

Together Alone is the name of the debut album by Lena Minder, which is about loneliness in relationships. In March 2020, her plans to move back to Switzerland were thwarted by the pandemic. Instead of finding her way back to her roots, she embarked on an inner search and confrontation with herself in isolation. 

In her memories, Lena revived past relationships and critically questioned them. She began to put these thoughts into songs and tells with melancholy, nostalgia, but also a pinch of irony about the complexity of interpersonal existence.

The album contains eight songs, some of which are stylistically very different from each other. The beginning is made by the reduced, folky waltz song «Stay Around», which stands out for its sophisticated vocal arrangement. «Stolen Love» or «One More Time» can hardly be assigned to the indie folk genre. They contain elements of soul and gospel and backing vocals reminiscent of the 30s. With the title track Together Alone Lena Minder bids a brilliant, almost anthemic farewell to the journey - time to let go and time to move on. Sometimes you're less lonely alone than as a couple.


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Christine Tarquinio - Falling Free.

Australia’s Christine Tarquinio release’s inspiring new pop single, ‘Falling Free’, available on all streaming platforms on Friday 25th February 2022.

‘Falling Free’ highlights the wonderment of life, love and everything in between, via an instrumental soundscape filled with resonating guitar lines, lush strings and a beat that is sure to have you grooving, combined with the hauntingly ethereal and captivating vocals of Christine Tarquinio. It’s a song that will motivate you to take chances, despite the fear of failure.

“I wrote this song just with an acoustic guitar and it was very introspective as we were in one of our many lockdowns. I wanted to express how I was feeling at the time.  The song was very easy to write and came together over a number of weeks.” Christine Tarquinio

Working with Producer, Joshua Hennessy of Pivotal Music Melbourne, during Covid-19 lockdowns, the pair were required to adapt their process, working through the process remotely. Melbourne, Australia based singer/songwriter, Christine Tarquinio has a passion for turning the experiences of life, into a creative, storytelling musical journey, inviting listeners join her for the ride.

Having released her first single, ‘Didn’t Even Try’ in 2014, and now with seven singles and an EP under her belt, Christine has spent the years exploring the unlimited possibilities of her creativity and the freedom potential of her music, both as a solo act and in collaboration with other artists.


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Sound&Shape - How The Light Gets In.

At a time when subgenres threaten to overwhelm, Sound&Shape make pure, unfettered Rock N’ Roll. Exploring every corner of stylistic possibility within that context, S&S’s songs range from the heavy and fierce to the soothing and gentle. Frontman/songwriter Ryan Caudle’s voice can easily lull you into a false sense of security, only to have his guitars come crashing in alongside drummer Ben Proctor’s herd-of-stampeding-rhinos drumming and bassist Pat Lowry’s soul rumbling low end.

Over the course of several self-released records and relentless national touring, Sound&Shape have honed a sound both familiar and forward thinking. With enough hallmarks of the rock n’ roll history book in which they are descendants of, they honor their heroes alongside a healthy dose of eyes-to-the-future originality. Currently, Sound&Shape has amassed a mountain of new material which they look forward to bringing to the masses for many years to come.

Always striving to expand as much as possible in all directions, the band’s new album, Disaster Medicine, melds the infectious melodies of their previous work with simultaneously the heaviest and most layered, atmospheric work of their discography. Nestled in the heavy riffing and huge choruses lie some of the most personal and heartfelt lyrics of Sound&Shape’s career, supported this time not only by the core instrumentation of guitar, bass and drums, but for the first time by synths and more carefully orchestrated backing vocals.

Sound&Shape has performed at Midpoint Music Fest in Cincinnati, OH (attendance approx. 30,000) as well as shared stages in support of notable bands such as Sparta, King’s X, Fishbone, Crobot, John 5, The Spill Canvas, Tremonti, Jeremy Enigk as well as many tours on their own.

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Chris Tavener- How To Truly Win At Life.

“Answer me this, are you happy?” So sings the online life coach in Chris Tavener's pop-rock satire song for the Youtube generation.

In a modern world often focused on fostering dissatisfaction, 'How To Truly Win At Life' is a song brimming with ironic humour, and soothing melodies hiding a darker truth.

It was written during the difficult era of UK Covid lockdown, when Tavener observed a new influx of online adverts from laughably brazen, so-called life coaches hoping to take advantage of the depressing times for financial gain. The almost surf-rock sounds with a powerful infectious chorus take you away to a tropical paradise, as the exaggerated lyrics speak of a dream lifestyle.

The incredibly uplifting, guitar-fuelled energy in 'How To Truly Win At Life' is matched with subtle minor undertones of deception afoot. There's an epic instrumental arrangement that creates a musical playfulness akin to Randy Newman or Elvis Costello, with a rousing choir and buoyant guitar riffs.

The single is the first from Tavener's upcoming EP 'Easy Ways To Be Happy' that focuses on millennial frustrations and modern measures of success. The new classic-rock-influenced, five-song EP will be released later this year.

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Kindsight - Hi Life.

Danish four-piece Kindsight make music that draws from 80’s and 90’s alternative rock and combines it with the shimmering Scandinavian pop that the region has become so renowned for, resulting in a sound that is both fuzzy and melodic in equal measure. Releasing their first material in 2020, the up and coming Danish four-piece have been quick on the rise, picking up steam with a series of new singles over the last 18 months. Now, they are announcing their debut album, Swedish Punk, will be released on March 25th, 2022.  New single Sun Is Always in My Eyes is out now alongside a DIY video made by the band.

Kindsight formed when front-woman Nina Hyldgaard Rasmussen and guitarist Søren Svensson bonded over a shared love of The Sugarcubes. They went on to recruit bass player Anders Prip and drummer Johannes Jacobsen and over the past few years have earned a reputation within Copenhagen’s thriving indie scene for their exciting live shows.

On the album’s title, Rasmussen says “Swedish Punk’ was an off the cuff term our producer, Adam, came up with when we needed a working title for a new song we wrote during the recording sessions. Our bass player, Anders, then wrote some lyrics based on the working title and we ended up liking the whole ‘Swedish Punk’-thing so much it became the name of the album”.

There’s a real coming of age charm to Swedish Punk. ‘Don’t You Grow Up’ was the first song the band ever wrote together. Written in “a time when we thought to be a sunny teenage rock band, you had to write songs about teenagers in the sun,” they say. Atop jangling guitars, Rasmussen’s distinctive voice dances somewhere between that of Mazzy Star’s Hope Sandoval and Alvvays’ Molly Rankin, leaving the listener drenched in the nostalgic optimism of summers gone by. Lead single ‘Sun Is Always In My Eyes’, an unrelenting indie-pop earworm, continues in that same vein. Recalling a time when life was carefree, the band say the track is about ‘stealing money from your mother and feigning to run away from home. Being blessed and unable to see because you've got too much sun in your eyes’.

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Photo - Shannyn KT
Christine Sweeney - Do You Have To Go?

Christine Sweeney has one of those rare voices that makes you stop whatever you're doing and pay attention--and she's got the songwriting, guitar, and bandleading chops to back it up, everywhere from a packed, sweaty rock club to a hushed listening room. I've seen it before: literally everyone in a place will turn their heads to see who's at the mic.

To her, the R&B vocal influence isn’t unnatural in settings ranging from hushed folk stages to full band rock shows. Her music reminds her fans of Susan Tedeschi, Brandi Carlile, Sheryl Crow, KT Tunstall, or Grace Potter with music that grooves and rocks but also reveals her story.

Her new album Heart In a Hurry, out April 22, generously dashes blues, pop, Americana, folk, and yes, R&B, in sharp, open-hearted songs, some drawn from hard-earned life lessons. The message has connected with her fans; she’s had people approach her after concerts to tell her hearing her song helped with something they were experiencing. Even when telling a deeply personal story, Christine has the ability to tap into universal feelings. Heart In a Hurry tells a tale of perseverance.

Musically, the album ranges from the rolling soul music of “Feeling So Low,” the message of self-love hidden in the howling blues of “Coyote,” the catchy character studies of “Denial,” full-on New York rocker “Do You Have To Go?,” and the swinging, grin-inducing “Better Parts” (out as a single March 22). In the cathartic, crashing “Down to The River” (single out April 5), she imagines a car driven off the road and into the water and the lightning-strike thoughts that would go through one’s mind. In the heart-rending “Anywhere, Anyway,” she powerfully likens the relationship to taking turns treading water.

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Photo - Wyndham Garnett
Twain - King Of Fools.

Twain releases a new song “King of Fools” with songwriter Mat Davidson sharing that “The premise of this song is that evil is a numbness; it wonders if numbness is worse than pain.”

Under The Radar premiered “King of Fools” yesterday, calling Twain “a songwriter of uncommon emotional weight” and elaborating, “Davidson fully inhabits the role of the prophetic folk troubadour, exploring the evils of past and present with warm pastoral melodies and raw emotive vocals. He ends the song with a poignant indictment of humankind’s everlasting greed一Now I watch the fighting over the womb of the earth / Spilling blood for proverbs that they neither side have learned / And I see a bunch of children fighting over toys / How long must they die and die and die / To satisfy the king of fools?”

Mat Davidson is a prolific contributor to beloved projects including Big Thief, whose latest album Dragon New Warm Mountain I Believe in You features Davidson on six songs. He's also a current member of Buck Meek’s band. Davidson is a former member of The Low Anthem, Spirit Family Reunion, and The Deslondes and has toured as part of Langhorne Slim and Courtney Marie Andrews' live bands. He made his label debut as Twain with Rare Feeling in 2017.

The album was aptly hailed by NPR as "at once human and otherworldly,” by Consequence of Sound as “devastating, delicate, meditative” and by UPROXX as “cosmic folk, bright and sparkling, but with all the caterwauling and rough bits that the most stoic traditionalist might desire.” Twain's music resonates a transcendental weight, his performances reliably noted as raw and intensely emotional. More to come from Twain in 2022.

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Touching - Lena Minder - Jennifer Hall - Nisa - Noir Disco

Touching - All I Need.

Touching is the artistic alias of songwriter and producer Michael Falk. From his home in Winnipeg, the multi-hyphenate musician has organized festivals, run a studio, and operated a record label, juggling countless roles within the local scene. As a performer, he has toured with acclaimed acts including Les Jupes, The Liptonians, and rapper/CBC host Ismaila Alfa. Yet since becoming a father, Falk has consolidated his lifelong pursuit into a renewed, singular focus: Get back to making music. And lots of it.

Spring 2020 saw the release of Touching’s debut album, Isolation Blues. Sharing 10 songs over 10 weeks, the project was unveiled serially with a one-shot video for each track filmed and released every seven days. With its relatable lyrical themes of loneliness, depression, and disconnection, Exclaim! described the collection as “a greatest hits of pandemic moods.”

Hot on its heels comes littleworlds, a new album aiming to disinfect the darkness with sunlight. The sophomore release from Touching is built on feelings of hope, simple joys found amidst conflict, and the anticipation and fear of becoming a parent. Its 12 songs were written during the same period as Isolation Blues as Falk stepped away from touring and various other collaborative projects. Using this opportunity to build a studio in his basement, he centered his
efforts on writing and recording.

“I bottomed out last year and had a desire to reconnect with my own path of self-fulfilment,” Falk explains. “The only way to become a role model for my son was to show him that I know how to walk the walk by living the life that I want to live. You can tell kids whatever you want, but in the end they’ll look up to what you actually do.”

At the heart of littleworlds is Falk’s rich baritone. His striking voice soars with the passion of Frightened Rabbit’s Scott Hutchison, coasts with the coolness of Marker Starling’s Chris A. Cummings, and plumbs the emotional depths of Richard Dawson. Musically, the album injects the downtempo electronic ambience of Massive Attack (“I’m inspired by their late career stuff that no one thinks about,” laughs Falk) into the high drama indie-rock of Editors, Manchester Orchestra, or We Were Promised Jetpacks.


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Photo - Tim Hoskey
Lena Minder - Fear Of Falling.

After her Spain tour in early October, Lena Minder is now ready with the fifth single to her new album! 

'Fear of Falling' describes the fear to go new ways - although you actually know that it is high time. Often we move in comfortable, familiar patterns, from which to break off we struggle. The song describes this conflict, but at the same time gives you the feeling that it is also ok to be in this dilemma.

Lena has been working on her debut album since early 2020. Her aspiration: to reinvent herself. Inspired by the decision to part with her former stage name (Liv Summer), she sets out to find her own personal sound and mostly produces herself. Together with Cameron Laing, she records her visions in 'The Famous Goldwatch' studios in Berlin. She calls her style "Nostalgic Pop" and experiments with vocal elements and self-recorded loops.

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Jennifer Hall - Why Cut Time.

Chicago based artist, Jennifer Hall, has released a brand new single/video titled “Why Cut Time” which creates quite an atmosphere between the desolate Chicago lakefront shots, the plucking/swelling synthscapes, and Jennifer’s powerful vocal delivery.

Artist Jennifer Hall aims to draw you into her musical landscape with no reservation, where emotions run high and vulnerability reigns.

Not one to shy away from sharing her pain and deepest secrets, Jennifer’s 2015 self-titled EP leans heavily into grief and loss, self doubt and inner turmoil, and unexpected love and her readiness (or lack thereof) to receive it.  Commonly identified as a vocal powerhouse, Jennifer masterfully brings to life the most raw and exposed of emotions.

Shortly after the release of Jennifer’s 2015 EP, the independent Chicago artist hit the road, touring for over 3 years and playing in 31 states, including beautiful Hawaii.  After years of touring and reaching digital milestones like 1 million Spotify plays, Jennifer went into a much needed creative hibernation to recharge.

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Pic - Angela Ricciardi & Silken Weinberg
Nisa - Cold.

New York City-based artist, Nisa, has just shared "Cold," the second single to be lifted from her new EP, Time To Plant Tears which is set for release on December 2, 2021. This new single follows recent tips from the likes of Consequence, Our Culture, Audiofemme and more with this body of work following on from her self-released debut EP, Guilt Trip which landed earlier this year.

Early in 2021, the 22-year-old – full name Nisa Lumaj – began work on a new collection of songs that would make up the forthcoming EP, Time To Plant Tears. The title takes its name from the final stanza of an Elizabeth Bishop poem called Sestina. Working together with collaborator and producer, Ronnie Di Simone, the songs were recorded between Brooklyn's Studio G and the Brick Box studio. The new EP demonstrates Nisa's penchant for intimate storytelling cast against the backdrop of glistening, cinematic soundscapes reminiscent of Angel Olsen, Indigo De Souza, Japanese Breakfast and Soccer Mommy. In describing the mood of the EP, Nisa has said that the songs are centered around “confrontation and focus; weathering internal and external changes; desire, and emotional rebirth.” Intersecting cinematic and poetic frames of reference, it lands between what is said and what is felt.

"Cold," which arguably marks the EP highlight and was written with frequent collaborator, Fritz Ortman, draws on 80s inspired guitar tones whilst further demonstrating Nisa's growing understanding of songwriting and melody. Speaking about the writing of the song, Nisa explains: "Fritz —my close friend and frequent collaborator—wrote “Cold” with the Cars’ “Just What I Needed” in mind. We demoed it a few different ways before deciding to fully lean into the 80s with the chorus, and brought it to Ronnie [di Simone], producer, who came up with the thunderous, Adrien Beluga-inspired solo."

The accompanying video was shot in Stony Point, New York with the director, Ben Klein. Speaking about the visual for "Cold", Nisa says: "For the "Cold" music video, Ben and I wanted to see what would happen if we combined the "hell hath no fury" trope with our favorite elements of classic Halloween slasher movies."

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Noir Disco - Los Angeles.

The Chicago-based project of brothers, Nolan and Carter Dickson, Noir Disco, share "Los Angeles," the latest track to be lifted from their forthcoming debut, NOW! 2073, which is out December 3, 2021, on Terrible Records. "Los Angeles" arrives following recent tips from Brooklyn Vegan, Northern Transmissions, Clash, Pigeons & Planes and more, further helping to portray the duo's genre-hopping approach to music, something they dub as Noir Disco – inspired by the Film Noir aesthetic – that fuses punk with modern psych-rock, indie rock and electronica.

The new single "Los Angeles" perpetuates this sense of cosmic country, nosedibing between genre to produce something that is truly idiosyncratic. Catapulting you into a different universe from the outset with the bombastic opening – "Los Angles! The city of shiny plastic faces, in shiny plastic places!" – the song then turns through warbling bass, fuzzy guitar and twinkling piano; at times summoning comparisons to The Doors and other times the funk-indebted electronica of Todd Terje. It's a unique fusion of neon-soaked electronica and syrupy psych.

Speaking about the new single, "Los Angeles", Nolan Dickson says: “Songs like “Los Angeles” were made with an awareness that every single person wants to feel like the main character in their own movie. If you close your eyes and listen to these songs then you’re going to star in a pretty cool piece of theatre, trust me!”

The pair, who sing and play alongside their friend, Henry Miller have developed something of a cult following over the year; NOW! 2073 marks their grandest project yet, signposting the band’s evolution into a new freeform way of creating. Taking direct inspiration from artists like David Bowie, Kate Bush and The Doors, the new music similarly submerges you in cartoonish art-pop landscapes (think “Happiness Is A Warm Gun” if it was made by Arcade Fire during their Reflektor era) that seem to evolve in real-time.

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Maddy Wood - The Shameless - Lena Minder - Mandolynne - Jenny Palacios

Maddy Wood - If I Could Move.

Describing herself as a “Rock ’n’ Roll glitter princess,” Maddy Wood combines her love for the classic rock sounds of Led Zeppelin and Stevie Nicks with modern pop sensibilities, soulful vocals and thought-provoking lyrics. 

However, this self-made artist should not be confused with any old rockstar — Wood’s most appealing aspect is how she grows beyond the boundaries of her idols. Maddy effortlessly dances through a myriad of genres to create a sound that is emotional, energetic, and all her own. Crafted in the pages of a songwriting notebook and perfected on the strings of her custom purple cheetah print Telecaster, every Maddy Wood piece is original as it is beautiful. 

Her process is a raw, sometimes painful, but ultimately deeply relatable. Poetic and dressed in purple, the 21-year-old singer-songwriter is well on her way to joining the ranks of fearless, no-nonsense icons like Phoebe Bridgers and Maggie Rogers. Bending to no one, she channels her emotions unapologetically as she forges her own path.

Here's what she had to say about it: "If I Could Move is about being with someone who you share so much history with and has put you through so much, and how as time goes on, you're both growing to resent each other. The toxicity of the relationship and the mental games you play keeps the excitement and spark there, but the thought of leaving almost seems worse than being alone". 


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The Shameless - Wonderful Times.

Wonderful Times, released this week is the new single for The Shameless, anticipating their second album Love Condemnation, due out on September 21st. 

The song is a stylish ballad filled with passion, feeling, torment and redemption. Dark atmospheres enlightened by a hint of hopefulness. Circular and blue piano chords move within the solid rhythmic structure and melt with the liquid guitar arrangements.

A balanced chemistry of commotion and style that lies in the songwriting tradition of Leonard Cohen, Nick Cave and The Bad Seeds, Piano Magic, The Walker Brothers, Cousteau.

The black and white video was conceived by The Shameless and Silvia Criscione, directed and edited by Silvia Criscione, and sees the debut as "actress" of the lovely daughter of one band's member.

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Lena Minder - Fall Again.

Lena Minder gave up everything in her home country four years ago and moved from Zurich to Berlin. Under the artist name 'Liv Summer', the singer/songwriter has already released two EPs in recent years and toured throughout Germany and Switzerland. 

She has also supported international artists such as Luka Bloom, Sarah Klang and Tyler Ward.

In the meantime, Lena Minder produces most of her own music. Together with Cameron Laing, she records her songs at 'The Famous Goldwatch' studios in Berlin.

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Mandolynne - Hands.

Mandolynne is an emerging indie-alternative artist from Hamilton, Ontario. Her unique, soulful tone floats over instrumentals like a moody wave. For lovers of Metric, Sharon Van Etten, Cat Power and Placebo, her music is sure to resonate.

From a young age, Mandolynne was met with a string of tragedies and used writing as a tactile way to explore her dark thoughts and verbalize her internal reactions to her surroundings. Her lyrics are a direct reflection of her lived experiences and have enabled her to face many demons, including sexual assaults, a tragic car accident, as well as her troubled upbringing. 

Mandolynne uses each piece as a way to process these events and has found healing during the process. Her raw and pointed approach to her upcoming project may help others to explore such thoughts and shared lived experiences within themselves.

Currently, Mandolynne is working on her debut E.P. that is a reflection of her trauma, survival, and uprising.

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Jenny Palacios - Noah.

Jenny Palacios a Canadian musician, singer/songwriter out of Toronto, Ontario, with a sound that blends influences from early 2000’s emo rock and modern alternative pop.

Growing up in a musically driven environment which was encouraged by her mother, a music teacher back home in Vietnam, and having spent a number of years involved in her local alternative music scene, Jenny has developed a sense of artistry through connectivity. 

She’s explored creative routes from working with various Rock and Pop Punk artists in the DIY community such as Lauren Babic (Crazy 88, Red Handed Denial), to fronting her own Pop Rock band, playing on Warped Tour and opening shows for touring bands like PVRIS, Hawthorne Heights, and I The Mighty. Drawing from her earliest memories of her mother’s teachings, and her emo roots, Jenny is driven to deliver a sound that is cathartic, and genuine, in every aspect.

She is currently using the time given in the recent flip of the world, to write and co-produce her first solo EP, while also staying an active member of her community, remotely co-writing and collaborating with other DIY artists.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...