Showing posts with label Laurie Biagini. Show all posts
Showing posts with label Laurie Biagini. Show all posts

Dani Ramos - Deer Scout - Laurie Biagini

Photo by Francisco Barrachina
Dani Ramos - Dime Algo.

Sound of Berlin shares hypnotic video for Dani Ramos' "Dime Algo" Columbian Berlin-based producer and DJ Dani Ramos reveals Dime Algo EP via Sound of Berlin, digitally available everywhere now. 

Originally from Columbia, Dani Ramos lives in Berlin and embraced the electronic scene with performances alongside the likes of Luciano, Martin Buttrich, Nick Warren, Hiroko Yamamura, Clive Henry, Seth Troxler, Ryan Crosson, Shaun Reeves, and Guti at premiere events ranging from Circolocoin Cartagena, BPM in Costa Rica and venues such as Ministry of Sound, SONAR, Pacha in Ibiza, Watergate, CDV, Hoppetosse, and counting.

Infused with lean basslines, crunchy drums, and rapid-fire high-end jabs, Dime Algo EP aims for peak times and is an excellent addition to the current tech-house revival. With a higher BPM, the EP features jerky drums cutting through layers of static kick drums, while floaty vocals rise and fall in the background.

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Deer Scout - Synesthesia.

On Friday Deer Scout will release her debut LP Woodpecker on Carpark Records. Songwriter Dena Miller began writing songs under the Deer Scout name in her Philadelphia dorm room as a college freshman, before the project grew as she began popping up on DIY shows around New York and Philly, sharing stages with people like Waxahatchee, Joanna Sternberg, Gobbin Jr, Told Slant and Yowler while periodically putting out singles on Bandcamp and cassette. 

Six years on from those first singles her debut LP has proved worth the wait, with the pre-release tracks earning praise from places like NPR's All Songs Considered, Stereogum, NYLON, BrooklynVegan,  FADER, and a host of others. Now Miller is sharing a final single from Woodpecker, a track called "Synesthesia."

"'Synesthesia' is about associative memory and inexplicable connections between sounds, places, and experiences," Miller explains. "It was written on the train ride home from a show that absolutely captivated me and jogged a bunch of memories. It’s about different points in my life that share the same undercurrent for no clear reason."

Woodpecker is a record about memory and the subconscious. And like an unforgettable dream that keeps you puzzling over its riddles for days, it’s as packed with direct symbols as it is with ruminative haze. “I approach songwriting as a process of boxing things up, or putting away a time capsule,” Miller, who wrote the album over a period of six years. It’s a culminating collection of the project’s many sounds and influences to date, from Philly’s punk cooperatives to Oberlin’s conservatory experimentalism to New York’s DIY history. At the center is Miller’s assured guitar fingerpicking and boldly clear voice, firmly grounded even as it gently probes uncertain emotional and musical terrain.



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Laurie Biagini - Do What You Gotta Do.

Today we share our third taster from Laurie Biagini's forth coming album and once again it's a catchy addictive track full of good vibes. To recap Laurie is a songwriter-singer from Vancouver, British Columbia Canada, whose music would appeal to fans of 1960’s California sunshine pop.  Her sound and compositions have been compared to The Beach Boys, The Mamas and the Papas, Carol King, The Carpenters, and Jackie DeShannon. Her main influences include these artists along with The Beatles, The Byrds, The Monkees, The Turtles, and Jan & Dean.

Laurie has played piano by ear since age five, alongside ten years of classical piano training. She only started writing music in August 2006, after writing her first song which came to her with music and lyrics simultaneously one afternoon as she was commuting home from work. Since then, she has completed and released four albums.

Almost all of Laurie’s songs have been written, composed, performed and recorded by herself, with the exception of a few songs from her third and fourth albums which featured guest vocals, guitar tracks and lyrics.

Papercuts - Laurie Biagini - Palm Friends

Papercuts - Palm Sunday.

"Palm Sunday" is a dreamy, romantic indie rock track that feels like it could have come out any time since the first post-punk era, but is singularly Papercuts. The track contains blissfully dreamy guitars and a floating chorus. Papercuts primary member Jason Quever says of the song; “it’s about lost love and unfulfilled potential. It’s about someone you never quite forgot about, but left you feeling epically let down and full of longing.”

Jason Quever has been releasing timeless guitar-based dream pop as Papercuts since 2004, impervious to trends or micro genres that have come and gone around him. In that regard, his contemporaries are artists like Hiss Golden Messenger, Fruit Bats, Andy Shauf or Kings of Convenience – artists who are more concerned with song craft and perfecting their sound, and less concerned with gimmicks or fitting into a specific scene. Past Life Regression is his new album and it’s a journey into the dreamier reaches of psychedelic folk-pop that digs deep into influences as wide-ranging as The West Coast Pop Art Experimental Band, Spiritualized, Echo & The Bunnymen, Leonard Cohen and late 60s pop of various flavors.

Crafted shortly after Jason’s relocation back to the San Francisco Bay Area after several years in LA, the new album revels in the tensions between the pleasures of homecoming and the collective miseries of the pandemic and our current political upheaval. The return home and the enforced isolation of lockdown lend the album a mood of contemplation and immersion in memory. The results are beguiling, from the lush sunshine pop harmonies of first single “I Want My Jacket Back” to the trippy farfisa-driven space-pop of “Lodger” to the gorgeous, Bunnymen-tinged “Palm Sunday.” 

As always, Jason’s songcraft, arranging and production are immaculate, (Quever has been tapped to work with dream pop luminaries Dean Wareham and Beach House as of late) as evidenced by the elegant chamber-pop of “My Sympathies” and the epic flow of “The Strange Boys,” “Hypnotist” and “Remarry” in the album’s warbly second half. The mood of longing and recollection is a perfect match for the album’s dreamy textures and for the unusual times we’re living through. It’s a true testament to the resilience of the Papercuts project that after several acclaimed albums, Jason still has much that’s new to say, and is continually finding new ways to say it.


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Laurie Biagini - I'm Doing Fine.

Laurie Biagini (Bee-Ah-Genie) is a songwriter-singer from Vancouver, British Columbia Canada, whose music would appeal to fans of 1960’s California sunshine pop.  Her sound and compositions have been compared to The Beach Boys, The Mamas and the Papas, Carol King, The Carpenters, and Jackie DeShannon.   Her main influences include these artists along with The Beatles, The Byrds, The Monkees, The Turtles, and Jan & Dean.

Laurie has played piano by ear since age five, alongside ten years of classical piano training. She only started writing music in August 2006, after writing her first song which came to her with music and lyrics simultaneously one afternoon as she was commuting home from work. Since then, she has completed and released four albums: “Ridin’ the Wave” (November 2008) “A Far-Out Place” (March 2010)  “A Go-Go Girl in a Modern World” (November 2011) "Sanctuary of Sound" (May 8, 2013).

Almost all of Laurie’s songs have been written, composed, performed and recorded by herself, with the exception of a few songs from her third and fourth albums which featured guest vocals, guitar tracks and lyrics. Laurie is currently in production of her fifth album "Stranger In The Mirror."

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Palm Friends - Light Pink.

Minneapolis-based quartet, Palm Friends are today sharing "Light Pink", the final advance single to be lifted from their forthcoming EP, The Delivery which is set for release this Thursday, March 24 via Forged Artifacts. The group has found support for this EP so far from the likes of Under The Radar, FLOOD, The Alternative, Mindies, Here Comes The Flood and more. The new EP, mixed and mastered by Ben Etter (Deerhunter, Cate Le Bon) follows the band's 2019 debut EP, Nice Weather.

Palm Friends first came together as a means of healing. After his brother passed away, guitarist and singer Jesse Pedersen moved from New York back home to Minnesota to be with his family. As part of the grieving process, he called up some of his high school friends and asked if they wanted to start a band. With Jon Lindquist on drums, Will Burnton on bass and Jesse on guitar and vocals, the band quickly recorded their debut EP. The result was an ebullient indie rock six-song burst, the sound of a band in its early stages having a blast together. Soon after, Shawnna Stennes joined, and the final Palm Friends lineup was solidified.

The band wrote most of The Delivery together over quarantine before recording in three ten-hour sessions at The Terrarium in Minnesota. The result is a truly collaborative effort, on a songwriting level but then also on a deeper, emotional level. As a songwriting duo, Jesse and Shawnna play off of each other’s strengths, from Jesse’s indie rock songcraft to Shawnna’s warm yet melancholic lyrics but as a full group, this is really a collaboration centered around healing and friendship.

New single and EP-standout, "Light Pink" is a wistful remembrance of falling in love with someone so slowly and easily that you don’t realize how deeply you’ve fallen till you look up. Over raindrop-like guitars and swirling piano by Pat Horigan, Shawnna sings, “Warm me up like butter in a pan on low heat/Hardly noticed now I’m in deep.”

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Dana Gavanski - Papercuts - Laurie Biagini - Ursa Minor

Photo by Clementine-Schneidermann
Dana Gavanski - Under the Sky.

Arriving where introversion and extroversion meet, forthcoming new album When It Comes is Dana Gavanski’s most vulnerable record to date. A Canadian-Serbian artist unafraid of extremes, she seamlessly blends her love of music from the 50s-70s with mythology. 

Led by instinct in its purest form, Dana’s latest chapter is an ode to the voice as an instrument – its power, and how intricately it can deliver words to tug at, and tie knots in, every heartstring.

“Under the Sky,” the second single to be shared from When It Comes, was written as an end of summer tune. Dana wanted to create something innocent and love-y sounding but also plaintive and questioning: that hazy way we sometimes feel when looking back at the past and the memories that stick and wonder what really happened. Shifting perspectives, waves of emotion, chest full with that bottomless breath.

 
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Papercuts - Lodger.

This is the third track from the new Papercuts LP, 'Past Life Regression,' the album is due April 1 on Slumberland. "The song had a slight 60s pop inspiration, and I wanted to see if I could pull off a freakout in the middle that felt like an epiphany. Lyrically it’s inspired by a memory of feeling like a fling is just sort of passing through your life, and wondering if thats all you are to them.“ -Jason Quever

Jason Quever has been releasing timeless guitar-based dream pop as Papercuts since 2004, impervious to trends or micro genres that have come and gone around him. In that regard, his contemporaries are artists like Hiss Golden Messenger, Fruit Bats, Andy Shauf or Kings of Convenience – artists who are more concerned with song craft and perfecting their sound, and less concerned with gimmicks or fitting into a specific scene. Past Life Regression is his new album and it's a journey into the dreamier reaches of psychedelic folk-pop that digs deep into influences as wide-ranging as The West Coast Pop Art Experimental Band, Spiritualized, Echo & The Bunnymen, Leonard Cohen and late 60s pop of various flavors.

Crafted shortly after Jason's relocation back to the San Francisco Bay Area after several years in LA, the new album revels in the tensions between the pleasures of homecoming and the collective miseries of the pandemic and our current political upheaval. The return home and the enforced isolation of lockdown lend the album a mood of contemplation and immersion in memory. The results are beguiling, from the lush sunshine pop harmonies of first single "I Want My Jacket Back" to the trippy farfisa-driven space-pop of "Lodger" to the gorgeous, Bunnymen-tinged "Palm Sunday."

As always, Jason's songcraft, arranging and production are immaculate, (Quever has been tapped to work with dream pop luminaries Dean Wareham and Beach House as of late) as evidenced by the elegant chamber-pop of "My Sympathies" and the epic flow of "The Strange Boys," “Hypnotist" and "Remarry" in the album's warbly second half. The mood of longing and recollection is a perfect match for the album's dreamy textures and for the unusual times we're living through. It's a true testament to the resilience of the Papercuts project that after several acclaimed albums, Jason still has much that's new to say, and is continually finding new ways to say it.

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Laurie Biagini - Hey Mr. DJ.

Laurie Biagini is a songwriter-singer from Vancouver, British Columbia Canada, whose music would appeal to fans of 1960’s California sunshine pop. Her sound and compositions have been compared to The Beach Boys, The Mamas and the Papas, Carol King, The Carpenters, and Jackie DeShannon. Her main influences include these artists along with The Beatles, The Byrds, The Monkees, The Turtles, and Jan & Dean. 

Laurie has played piano by ear since age five, alongside ten years of classical piano training. She only started writing music in August 2006, after writing her first song which came to her with music and lyrics simultaneously one afternoon as she was commuting home from work. 

Since then, she has completed and released four albums: “Ridin’ the Wave” (November 2008) “A Far-Out Place” (March 2010) “A Go-Go Girl in a Modern World” (November 2011) "Sanctuary of Sound" (May 8, 2013). 

Almost all of Laurie’s songs have been written, composed, performed and recorded by herself, with the exception of a few songs from her third and fourth albums which featured guest vocals, guitar tracks and lyrics. Laurie is currently in production of her fifth album "Stranger In The Mirror" (release date TBA). Recent release 'Hey Mr.DJ' is a gorgeous smooth flowing song that fires out melodic musical  & vocal hooks in all directions, we love it!

 

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Ursa Minor - Stardust.

Ursa Minor originated in NYC in the late 90s, coming out of the fertile downtown scene of musicians transcending the usual boundaries of folk, rock and jazz. Michelle Casillas worked as a sound engineer in the late 1990s and early 2000s at Tonic, the now defunct home of New York’s underground music scene. As an artist she sang on scores of films by Elliot Sharp and productions by Anton Fier (Feelies, Golden Palominos) while playing sideman, collaborating and recording with other local artists. Inspired by the freedom and diversity of the music she was hearing, Michelle formed Ursa Minor with guitarist Tony Scherr (Bill Frisell, Feist, Willie Nelson, Lounge Lizards), drummer Robert DiPietro (Elysian Fields, Norah Jones), and bassist Rob Jost (Imogen Heap, Bjork).

Ursa Minor’s debut LP Silent Moving Picture - a stark Fender Rhodes based record - was released by Sonic Youth’s Steve Shelley, on Smells Like Records. Their second album, Showface (Anthemusa), took a punchier rock turn with driving guitar rhythms and expansive arrangements.

Ursa Minor’s current LP release, Sian Ka'an (Mayan, pronounced See-AHN KHAN, meaning “origin of the sky”) was inspired by a visit to the protected biosphere reserve on the Yucatán peninsula. Travels along the coast inspired a series of songs and photographs brought on by the raw intensity and untouched beauty of the region. The wonder of this place heavily influenced the writing and sound of the album.

 Sian Ka'an is a return to the barebones vulnerability of the first album, with new resolve, tranquility, ferocity. The band ranges from feral polyphony to hushed stillness; a ballad of the mystery of the natural world. Sian Ka’an was produced by Tony Scherr, recorded analog to Otari 8 track by Derek Neivergelt, mixed by New York musician/producer/engineer Mark Plati (Bowie), and features special guests violist Caleb Burhans (John Cale, Yoko Ono, Steve Reich, the National, Arcade Fire) and organist Todd Caldwell (Crosby, Stills, Nash).

 

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...