Showing posts with label Lauran Hibberd. Show all posts
Showing posts with label Lauran Hibberd. Show all posts

Lauran Hibberd - Pantayo - The Modern Society - Hostile Tribes - Beach Scvm

Lauran Hibberd is back for a tenth time on Beehive Candy with the song and video for 'Old Nudes', which sees the slacker pop artist in (as to be expected) splendid form. === Toronto by-way-of Philippines quintet Pantayo share 'V V V (They Lie)', where the driving beats are matched with some fabulous vocals and a haunting musical backdrop. === Our second helping of The Modern Society this year comes in the form of 'Liquid Love' and this annoyingly young band demonstrate plenty of musical maturity and the good humoured video is a bonus. === Hostile Tribes (Paul Baird) has just shared 'Locals' a rhythmic piece where his vocals sway in and out of the track and the video plays into the trippy vibe. === Beach Scvm have shared a new video for 'Forever Sunday' an upbeat dream pop song with a hint or two of shoegaze for good measure.
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Lauran Hibberd - Old Nudes.

Primed to capitalise on growing widespread acclaim, resident slacker pop specialist Lauran Hibberd continues her ascent towards the peak of the indie landscape with playful new cut ‘Old Nudes’, set for release April 23rd.

Producing her most infectious track to date, the hotly-tipped Isle of Wight native’s satirical approach and anthemic tendencies shine through once again, providing the perfect follow-up to pop-infused January release ‘Bang Bang Bang’ and subsequent sold-out UK tour, as she transitions towards bigger audiences and bigger stages.

Occupying a similar space to contemporaries including Phoebe Bridgers and Weezer, Hibberd’s popularity is certainly on the rise, with considerable support across the BBC Radio 1 airwaves (Annie Mac, Huw Stephens, Jack Saunders) and key champions at press (The Line Of Best Fit, Dork, Billboard, Clash, Gigwise) helping her notch gripping UK/EU support tours alongside US heavyweights Hippo Campus and The Regrettes in recent months.

With appearances on the BBC Introducing and The Line Of Best Fit stages at SXSW curtailed earlier this year, the newcomer will be looking to pick up where she left off with a slew of festival appearances and extensive UK dates in the autumn, where she’ll play some of her biggest shows to date.

Detailing her upcoming release, Hibberd revealed: “‘Old Nudes’ is unfortunately based upon a true story. We’ve all been there right!? The track looks back on the ‘mistake’, and almost mocks it using over confidence. It belittles the receiver, and oozes sarcasm and naivety. I keep writing songs about being young because I’m scared of getting too old to joke about these things”.

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Pantayo - V V V (They Lie).

Pantayo, the Vice-tipped Toronto by-way-of Philippines quintet, has just shared their new single, ‘V V V (They Lie)’. The new track is the latest in a string of singles to be lifted from their forthcoming self-titled debut album, set for release via Telephone Explosion Records on May 8, 2020.

‘V V V (They Lie)’ was put together over the course of a single day with the group finding inspiration, to an extent, in bubble tea. “The composition of the song was as a lot like a cup of bubble tea,” says the band. “We added 2 cups of blended percussion as the base, then some analog synth tapioca pearls to keep the texture interesting and fun, and finally topped it off with a few tablespoons of fresh tropical vocal fruits for some added sweetness.”

Pantayo is an audio diary of how the ensemble has grown together as writers and performers. The songwriting process started with members workshopping and performing traditional kulintang pieces whilst adapting kick drums and synths to the modal tuning of the gongs, further expanding Pantayo’s ability to incorporate modern musical expressions. “If you listen to the recordings of our rehearsals and songwriting sessions, you can hear us deconstructing the kulintang parts section-by-section and practicing our songs in different styles,” says keyboardist and vocalist Eirene Cloma.

Grounded in the interpretation of kulintang music, Pantayo can be a vehicle for discussions around diasporic Filipino identity. All five members have different experiences of settling in Canada and with that comes their relationships with music. Kat Estacio, co-founder of Pantayo, says “One way that we can make this world feel like home for folks like us is to mix the kulintang music that we learned with different sounds and song structures that feel familiar to us."


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The Modern Society - Liquid Love.

Cheshire alternative pop fourpiece The Modern Society have announced their new single Liquid Love, which is available to buy and stream now. Aged between only 17, 18 and 19-years-old and forming the band whilst still at school, The Modern Society have a unique sound that blends indie and rock with funk and pop alongside youthful and direct lyrics.

New single Liquid Love follows recently released debut single Bad Thoughts, which was the first introduction to the band’s sound. Produced by Simon Jones (The Verve), Liquid Love is a jazz-inspired indie pop song written about young love, with innocent lyrics backed by a catchy melody full of romance, hazy days and optimism. The track is backed by a humorous video shot in Brighton and featuring the band themselves. The band say;

“Liquid Love is inspired by the summertime & sunshine and the overwhelming power of young and innocent romance. It is a feel-good, organic, summer love song.”

The Modern Society have been building their local following playing shows in and around Cheshire over the last year, including a recent show at Manchester’s Band on the Wall and the Jacaranda Club in Liverpool. The Modern Society are Lucas Humpheys (vocals & piano), Declan Fowles (drums), Jack Varah (guitar & backing vocals) and Connor Loman (bass guitar and backing vocals).

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Hostile Tribes - Locals.

As a young Mancunian teenager, Paul Baird hung around at a recording studio often enough that they eventually gave him a job. This led to Baird being involved in (read: cleaning tape heads, answering the phone and making brews) the recording of Teenage Fanclub's album, Thirteen and the remixing of The Who's seminal live album, Live at Leeds.

Baird soon cut his teeth as a sixteen-year-old guitarist in Manchester punk band, Breather, receiving national press attention and gigging throughout the UK, including an official show at In the City, in Dublin, at the request of the late Tony Wilson, before suddenly departing the group, to paint abstract canvases and study philosophy, no less! Unintentionally scuppering Breather's plans (of signing with RCA Records) in the process.

Baird later went on to front Manchester dream-pop acts; Glass (Soviet Union Records & Caserta Red Records), I See Angels (Mimic This Records) & Just Everywhere (Ramber Records), chalking up A play-listed singles on the likes of NME radio, playing shows at venues such as the 02 Apollo Manchester and The Fuzz Club (Athens, Greece) and found himself the focus of interviews by the BBC, XFM and the Manchester Evening News, before retreating once more, this time to raise a family, just as things were beginning to look promising.

Ever the outsider, Paul Baird is Hostile Tribes these days… His swooning vocal instantly recognisable as it carries gorgeous melodies across otherwise digitally corrupted indie-pop, synth-pop and dream-pop. An accomplished singer, guitarist, and producer, amongst other things, Baird often throws several synth-led bouts of songwriting into his mixes, reverberated vocal loops and fragile harmonies surging alongside electronic loops and classic hip-hop influenced beats, pretty instrumental interludes, the aching hum of ambience and fuzzy guitars.

An aggressive acid eats away at Baird from the inside; his tracks play urgently as a result, whether they’re of the dreamy electronic variety, psychedelic pop, or short stabs of art-punk, periodically running riot with distortion pedals and protesting guitar squeal. Pin Baird down with any precision to a location and his momentum goes haywire. Track his speed and lose the man in space forever.

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Beach Scvm - Forever Sunday.

'Forever Sunday' the new video clip of dreampop band Beach Scvm definitely brings back memories of happier times. Of times when nobody talked about corona yet. When people in front of stage bounced their sorrows away. Moments in which life just raced by, for example when we were skateboarding. But «Forever Sunday» is as well about those worn-out moments when, after a night of partying and performing live, the sun falls through the windows of the small tour bus.

Beach Scvm are convinced that these times return – an optimism that seems specially authentic as they're a band from France, which has been particularly hit strong by corona-crisis. While others would be accused of spreading platitudes, Beach Scvm know perfectly well how to emphasise their wishes of a fun-filled world in musical ways.

Beach Scvm have wrapped their visions into tasty dreampop and shoegaze. They underline the choruses with their Beach Boys-inspired harmonies, which of course support their surfer image. No wonder that Beach Scvm were invited to play at big windsurfing festivals in their home country in the summer. Whether these events can actually really take place is unsure: it is likely that corona-pandemy will stop them.

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Steve Buscemi's Dreamy Eyes - Sobranie 8 18 - Lauran Hibberd - Sophie Morgan - Lev Snowe - Siobhán O'Brien

Steve Buscemi's Dreamy Eyes have released the new single 'Forever' a few weeks ahead of their 'Sweetie' album release. Comprising of twelve tracks the album is awash with great indie songs, we have already featured 'Moon' and 'Change Of Heart' and I have to say the rest are at the least on a par with these three tracks, it's an album to look out for! === Russian based duo Sobranie 8 18 have just released the dramatic and imaginative song 'Angels Fight', a genre defying and play again piece. === Since coming into our world in August 2017 Lauran Hibberd has become a firm favourite of Beehive Candy and the new single 'BANG BANG BANG' only confirms even more that the attention she has gained has been earned through delivering fabulous music. === It's been a while since we last featured Sophie Morgan however she has returned with the gentle, melodic and beautiful new song 'Marmalade' accompanied by a wonderfully matched video. === Lev Snowe has released an E.P. entitled 'Someday Soon' and although the Canadian artist music is broadly described as dream pop, he manages to add a layer or two of experimental and creative elements to some songs that add so much more to the material. === Ahead of her new album, fourth generation Irish musician Siobhán O'Brien has a new single 'The Kings Fool'. This song is no traditional Irish affair, in fact it's more Americana with some rock vibes, whatever the case it's crammed full of enticing hooks.   
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Steve Buscemi's Dreamy Eyes - Forever.

Behind the odd name Steve Buscemi’s Dreamy Eyes you’ll find one of the most promising bands on the Scandinavian indie scene. The band are now set to release their highly anticipated debut album 'Sweetie' on February 14th and will tour both Scandinavia and UK to coincide with it. Today, new single 'Forever' is released via Rama Lama Records.

The band - consisting of Siri Sjöberg, Tilde Hansen, Elias Mahfoud and Edvin Arleskär - formed in 2015 after bassist/vocalist Tilde tweeted out "Does anyone/anybody know someone who wants to play in a band together with a bassist and a singer that haven’t played in a band for a year and are dying of boredom?". Debut single Desire was released early 2016 and was followed by three more singles 2016-17, all receiving attention from both Sweden’s biggest music sites and influential international sources such as DIY, Billboard and CLASH - all hailing their dynamic and dreamy indie pop that constantly have been developing during the band's career.

The band made their festival debut at Umeå Open in 2017, a show which Swedish magazine HYMN hailed the show as "the festival's most energetic". Debut EP Four Waters with four brand new tracks was released on November 24th 2017, being described as “an illustration of the sonic genius of the little band with the great name, who in less than a year continue to leave us speechless with their music” by The Revue. After following their debut EP with two packed London shows and their biggest Stockholm show to this day, the band took some time off to write new material. In 2019, the quartet returned better than ever with the shimmering new tracks Change of Heart and Moon which is now followed by Forever, all taken from Steve Buscemi's Dreamy Eyes' long-awaited and just announced debut album Sweetie that will be released on February 14th via Rama Lama Records both digitally and on crystal transparent vinyl - pre-order here.

Steve Buscemi's Dreamy Eyes on the album: "It feels impossible to not portray the future. The album is a concoction of stories from our lives - what it means to be young today, with the challenges and dreams we have ahead of us. The songs are collections and fragments of thoughts about our future, what we can, should and want to do. We have written simple and we have written challenging. And we have finally landed in a collection of songs that formed our album. Our first. Sweetie."

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Sobranie 8 18 - Angels Fight.

Sobranie 8 18 is a union of two unique artists, Nastya and Kirill, who share personal and artistic interests - though based in Russia, they could just as easily have created their music on the surface of Jupiter, so strangely unearthly is their sound.

Formed in 2015, their early releases offered only a tantalising glimpse at their current prowess, the low-fi pop sound morphing into their current world of dark electronic whispers and ultraviolet screams. Their forthcoming self-titled album features ten tracks of transcendental melody; avant garde experimentation; retro pop and eternal truths – it is released on 3rd February 2020.

Sobranie in Russian means “meet together”, an appropriate word for the coming together of music, verse and minds of Nastya and Kirill, the masterminds behind Sobranie 8 18. Following in the wake of Sobranie 7 17 a now extinct dark electronics project and alongside Nastya’s solo project, Sobranie 9 19, Sobranie 8 18 has become the main effort of the duo. The figures 7 and 17 are sacred numbers - the other figures represent the artist’s intuitive associations with the variety of music genres. Influenced by dark techno, new euro pop, field recordings and experimental sounds, Sobranie 8 18 is the clearest manifestation of their musical manifesto.

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Lauran Hibberd - BANG BANG BANG.

Positioning herself at the forefront of the emerging indie landscape, slacker pop queen Lauran Hibberd kicks off 2020 with pulsating new single ‘Bang Bang Bang’, set to drop January 17th. Primed to capitalise on a whirlwind twelve months, the hotly-tipped Isle Of Wight native delves further into her indie rock cannon, producing her boldest release to date in ‘Bang Bang Bang’, a charisma-fuelled, sing-along-inducing anthem designed for bigger audiences and bigger stages.

With relentless acclaim across the BBC Radio 1 airwaves (Annie Mac, Huw Stephens, Jack Saunders) and loyal support amongst key tastemakers The Line Of Best Fit, Clash, Dork and Gigwise, the newcomer’s amplified potential has certainly ramped up expectations, sparking comparisons to contemporaries including Phoebe Bridgers and Weezer.

Having spent the majority of 2019 on the road, notching up extensive UK/EU support tours alongside US heavyweights Hippo Campus and The Regrettes, in addition to her debut appearance on Glastonbury’s BBC Introducing stage, Hibberd’s dazzling live show continues to woo audiences, and with a second UK headline tour lined up next month, her remarkable rise shows no sign of slowing anytime soon.

Discussing her first release of the year, Hibberd explained: “‘Bang Bang Bang’ is my ode to the teenage girl. It’s built for the prom scene in ’10 Things I Hate About You’. It’s the cycle of going back to the same person even when you know you shouldn’t and I guess the fallout of all of that”. Produced by Boe Weaver and mastered by Vlado Meller (Weezer, Rage Against The Machine, Oasis), Lauran Hibberd’s ‘Bang Bang Bang’ is out January 17th and will be available via all digital platforms.

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Sophie Morgan - Marmalade.

Sophie Morgan has announced brand new single Marmalade, which is out now and taken from the EP of the same name out on 20th March.

Singer-songwriter Sophie Morgan has established a loyal following for her gloriously spellbinding alternative folk sound over the past few years, through the release of two EPs Sons & Daughters and Annie and stand-out tracks Above You and Hey Annie. Over the past year, Sophie has been refining her sound and her new 4-track EP Marmalade was produced at Urchin Studios in London with Matt Ingham (Laura Marling) and features co-writes with Benjamin Francis Leftwich and long-term collaborator Simon Jones (The Verve).

Born and raised in Cheshire, 22-year-old Sophie began playing piano and songwriting at an early age, after being brought up on a musical education of Nick Drake and Van Morrison and later introduced to Joni Mitchell and Carole King. The influence of her father’s record collection led to recent covers of The Waterboy’s The Whole Of The Moon and The National’s Bloodbuzz Ohio, which is accompanied by a video inspired by the original.

New single Marmalade is the first introduction to Sophie’s forthcoming EP of the same name and it immediately transports you forwards to summer, with the aura of idyllic romance setting a vivid scene with delicate guitars, tender lyrics and Sophie’s warm honey-soaked vocal. It’s a song to make you pause, curl up and take in every word. The video is filmed in Provence in the South of France and echoes the meaning behind the song perfectly. She says;

"Marmalade is a romantic dream of this sumptuous life like you see in the old films. The title came from, when I think of luxury, I think of those little pots of jam and marmalade you get in fancy hotel breakfasts. Every time I sing the song, I imagine a big old house in the South of France with an abundance of fruit and pastries and wine. So, we flew to Provence to shoot the video and a handsome French neighbour named Vincent drove me around the village in his cool old orange Renault."

Following shows in Cheshire and London and support dates across the UK and Europe with The Waterboys, Sophie has announced a headline show at Liverpool’s LEAF on Thursday 9th April and will be announcing further live dates soon.

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Lev Snowe - Someday Soon (E.P).

Canadian dreampop artist Lev Snowe shares his sophomore EP Someday Soon. Through lush, hazy production that emerged from the confines of limited technology, Lev's voice swirls in and out of focus creating a surreal, dreamlike state for the listener. His lyrics are a foreign fantasy about needing to travel beyond his home in order to find traces of the next him as he juggles with memories that pull him backwards.

Lev Snowe on Someday Soon: "The whole EP is my study on how I evaluated time in the past and the new idea of living 'for the moment' that resulted. It was the summer of 2018, and as I had localized the mad freedom to live & experience, I in turn took a look through my past writing and inspired a creation to abolish all old insecurities. 'Someday Soon' is meant to cut to the chase — as if saying 'forget where you've been, you are done with it. It is time to be boldly you — the very person that songwriting has helped you discover!"

Lev Snowe spends his days tinkering away in his bedroom studio building up his psychedelic Xanadu. Raised on the warm hiss of '70s soul jazz recordings, the slack chill of the L.A. beat scene, and the nostalgic synth swaying of Boards of Canada, this Canadian songwriter/producer creates an atmosphere that is both washed out and danceable — pensive, yet uplifting. Like a wandering mind spent cooped up all winter, Snowe's music never sits still for too long. Lush electronics bloom around shimmering guitars and the wonky grit of '90s era hip hop grooves, all while Snowe's wistful lyricism drifts hypnotically in and out of focus—a carefree soundtrack fit for either chaotic house parties or those endless summer nights spent escaping reality.


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Siobhán O'Brien - The Kings Fool.

Conveying honesty and vulnerability, contemporary singer-songwriter Siobhán O'Brien releases new single "The King's Fool", off her new album You Can’t Run Out of Love. With heartfelt lyrics, O'Brien brings a compelling track about her assimilation into the US and combines it with the feelings of frustration in trying 'make it' as a musician.

Inspired by great American singer-songwriters such as Joni Mitchell, Bob Dylan, Neil Young, Leonard Cohen, Brandi Carlile,  Sheryl Crow, and Joan Baez, O’Brien creates emotive tracks inspired by changes throughout her life. "The King's Fool" is this introduction into her artistry and a bit of a tease for what is to come on her third full-length record, You Can't Run Out of Love, out late February 2020. Recorded in Austin, Texas, at Cicada Moon Studios, O’Brien worked alongside John Bush (percussionist for Edie Brickell &  New Bohemians) and Matt Hubbard (keyboardist for Edie Brickell &  New Bohemians). Together they brought to life 10 original songs, each documenting important moments in her life since she left Ireland for the US in 2016.

Her new single "The King's Fool" is the first step for O'Brien to show off her unique blend of rock and folk. Be sure to check out Siobhán O'Brien's latest single and follow her on social media for music updates.

As a fourth-generation Irish musician, music has always been an important part of Siobhan O’Brien’s life. At the age of 16, she threw aside the piano and fiddle, dedicating herself to the guitar. Her musical ambitions grew as she released her original music to the world. Her debut album Mumbo Jumbo Bla Bla, released in 1996, went on to garner praise and national airplay throughout Ireland. In 2008, Siobhan released her album I Grew Up To, which featured famed Irish musician Paddy Moloney of The Chieftans and led to a performance at the Boston Symphony Hall with them the same year. In 2016, Siobhan O’Brien made the move to America, deciding that was where she wanted to lay down her musical roots.

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Lauran Hibberd - Robert Jeffery - Carroll - Dante Mazzetti - The Soft Underground

Lauran Hibberd makes yet another (and most welcome) appearance on Beehive Candy this time with 'Sweat Patch' a slacker pop come rock song, something she is just so good at creating. === From Australia we have Robert Jeffery and 'This Time' a slick rocker of a song. === We have to go back to 2016 for our only other feature for Carroll, well now we have 'Fern' a gently paced psychedelic influenced pop song accompanied by a very colourful video. === Ahead of a new E.P Dante Mazzetti shares 'Ugly' which is a beautiful song with a rich musical backdrop and notably distinct vocals. === Last month we shared a track from The Soft Underground ahead of their new album 'Anemoia' and I am pleased to say we have the album in full to hear below from this creative art pop duo.
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Lauran Hibberd - Sweat Patch.

Effortlessly charismatic and dripping in sarcasm, Isle Of Wight’s indie sensation Lauran Hibberd caps off her phenomenal year with Sweat Patch, the latest addition to her colourful patchwork of sparkling slacker pop.

Arriving hot on the heels of critically acclaimed debut EP Everything is Dogs earlier this autumn, Hibberd’s prolific songwriting and playful personality is encapsulated once more in her newest fizzing cut, and drops in the midst of her extensive UK/EU support tour alongside US punk rockers The Regrettes.

With substantial praise across the BBC Radio 1 airwaves (Annie Mac, Huw Stephens, Jack Saunders) and throughout the online community (The Line Of Best Fit, Dork, Clash, Gigwise), not to mention notable comparisons to contemporaries Courtney Barnett and Phoebe Bridgers, it’s evident the singer-songwriter has made quite the statement over the last twelve months.

Having produced a rousing display on Glastonbury’s BBC Introducing stage, in addition to a slew of supports with Hippo Campus and her own biggest headline gigs to date, Hibberd’s reputation on the live circuit has grown significantly, and with a second headline tour already lined up for February 2020, the newcomer looks primed to bring her unique performance to even bigger audiences.

Discussing her upcoming single, Hibberd revealed: “Sweat Patch is arguably a song about drugs, but it’s not like I’m trying to be cool about it. I’m pretty much frigid with anything unprescribed. But because of that, this song is based on my idea of that world. There’s loads of songs about getting high, not as many songs about watching and I guess analysing other people do it. I guess this is me, soberly sat in a room watching all of my friends take drugs. I guess there’s also a nod to the elephant in the room, A DUDE. There’s always a dude! And I guess this song stemmed from me being into this guy, but he was pretty much into other things more.”

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Robert Jeffery - This Time.

Following up on the solo debut of Don’t Give Them Any Reaction, Robert Jeffery returns with a single a that simultaneously furthers the range of his songwriting and deepens the scope of his classic rock references in This Time. Tracing the tropes of 80’s classicism with re-invigorating entendre and refreshingly modern values, This Time is reflexive and rocking. Jeffery’s attention to detail and desire to suffuse confident energies with widely relatable themes fosters a dynamic entanglement of Muse and Supertramp.

Recorded at Valleysound Studios with producer Pete Dyball (Kasey Chambers) the track can be interpreted in a number of ways with the core theme surrounding preoccupation with a person or object and how exhausting it can be.

‘Sometimes there is something or someone in your life who you just cannot get out of your mind. It may be because you admire them or it could be because you despise them. Either way, they are riding your train of thought without a ticket and you can’t kick them off.’ - Robert Jeffery

His songwriting style of pushing for loud, thundering guitar riffs was suddenly met with a desire to explore old-school styles, tones and melodies. These desires grew as the influence of groups such as The Beatles, The Beach Boys and Foxygen pushed his creative comfort zone out into new territory which was eventually revealed in his 2019 introduction Don’t Give Them Any Reaction which received national airplay across Australia’s Community Radio Network and was also featured on international stations KOR and Uckfield FM in the United Kingdom Robert works out of a home-studio in Coffs Harbour, NSW. It is there that he composes music and records demos to provide a guide for when he takes his songs to a producer to be recorded properly. This has allowed him to hone in on his on a sound over time and focus on performance when it comes to recording.

After a car accident in 2013, he found himself taking everyday life and music a little easier. Robert is working towards expanding his release catalogue and is currently putting together a band to play shows in the Mid North Coast area. He looks forward to jumping back into live performance and sharing his music with the world however he can.

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Carroll - Fern.

Carroll presents "Fern" The first single from their third LP, out 2020 on Shattered Orb Records The first line of the song "Fern" by Philadelphia band Carroll provides an apt metaphor for the band's sound: "I'm a fern with the leaves curled up / in the light I extend and unravel." Over the course of two critically acclaimed LPs and an EP, Carroll continues to compose blossoms of psychedelic pop that unfurl and bloom as you listen.

"Fern" is the first single from the band's forthcoming third album (out 2020 on Shattered Orb Records). Recorded in the band’s subterranean bunker in Philadelphia and at Berlin Studios in New Jersey, the band is taking their outrospective sonic palate to glistening new heights and some of the murkiest depths of their career.

After years on the road and stints opening for the likes of Dr. Dog, Whitney, and Jessica Pratt, the four members of Carroll are learning to stay in place. “I get used to it / ivy grows when I'm not watching,” sings frontman Brian Hurlow on “Fern.” The vividly colorful video by Karl Cooney reflects this sense of settled unsettling. A fruit bowl signifies mise en place but the band members' faces float on the surface of moving liquid, suggesting something more uncanny. Underneath Hurlow’s plaintive delivery swirl the dense psychedelic landscapes the band is known for.

The propulsive, liquid bass lines of Charles McClung are a second narrator throughout the course of the song and Max Kulicke continues to create micro-climates and sonic storms with his atmospheric guitar. The single’s tasteful and varied synthesizers seem to bubble up from beneath the understated beats of drummer Charlie Rudoy, an indication that the band is working on some of the most enveloping grooves of their career.


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Dante Mazzetti - Ugly.

Singer-songwriter Dante Mazzetti recently announced his new EP Hotel Vol. 2, slated for release on November 22nd. Keeping with the themes and story-telling from his July EP, Hotel Vol. 2 continues the tale of a troubled man finding a new life and new challenges. Through 4 new original tracks, Dante Mazzetti tackles a darker tone, infusing his sound with somber vocals and bluesy undertones.

In preparation for his upcoming EP release, Dante dropped the first single “Ugly” in September. A combination of jazz, blues, and a slight Latin flair, “Ugly” conveys a story of an unpleasant encounter. Dante once again shows off his diverse artistry, while maintaining his notable songwriting skills.

Reflecting on “Ugly”, Dante Mazzetti offers a clear explanation, "I purposefully wrote ‘Ugly’ to be able to be interpreted in different ways. I like to let the listener make the decision on how they want to receive the meaning. Some people hear it as being about a man who is sponging off of an aesthetically unattractive woman. I like to think of it as a song about a woman who is beautiful on the outside, yet has an ugly soul. I hope to inspire the listener to question the meaning of ugliness and to search for more in my songs than the surface understanding of the lyrics."

In July, Mazzetti made his official return to music with Hotel Vol. 1. With four new original songs, the record brought together acoustic folk and soul, laced with lyrical storytelling. The EP was the first volumes that brought together various unreleased songs in folk and Americana, but emphasize Mazzetti’s ability as a songwriter to express struggles and triumphs in life. For the artist, a piece of music is a living organism - always evolving, improving, finding new creative avenues to explore.

Mazzetti says, “The music on this EP is a mixture of accessibility and wild imagery. I’ve always enjoyed making music that goes off on a tangent but doesn’t fall off the cliff.  The songs are doors that open easily into bizarre worlds rather than places of comfort.”

Now, through the introduction of “Ugly”, Dante Mazzetti takes listeners on a different journey. Whereas Vol. 1 incorporated higher energy and excitement, Vol. 2 ventures into the slow tempo darkness. Dante Mazzetti’s new EP Hotel Vol. 2 is set for release on November 22nd and will be celebrated at Rockwood Music Hall on November 19th, with tickets available now.

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The Soft Underground - Anemoia (Album).

NYC-based art rock duo The Soft Underground have been hailed as modern descendants of the touchstone bands from Seattle’s 90’s alternative scene, garnering strong international press and plays including a buzzy endorsement from Alt Nation.

Spearheaded by Andrew McCarty and Charlie Hickey (both 26-yrs-old), the duo was formed in 2010 when the two musicians met and bonded over their love of the jangly melancholia. Riffing on their love of the The Smashing Pumpkins and other alternative 90’s bands, the two struck up a friendship and eventually began to hone in on a sound that mined deep into 70’s psych rock, falling somewhere between My Bloody Valentine and The Velvet Underground.

Anemoia is the bands third LP, following 2015’s Lost in Translation and 2018’s Morning World. The LP is a clear indication of their intent to constantly reinvent themselves musically, replacing standard guitar rhythms with more exotic instrumentation, implementing flutes, violins, synthesizers and pots and pans. Anemoia was recorded at Andrew’s house in Memphis, TN, affording them the laid-back, off-the-clock vibe they were looking to capture. As usual, the two worked together to craft the arrangements and instrumentals and worked to cast singers for each song - this time working with guest vocalists Sam Reed and Lisa Mac.

“Thematically, it’s a happy album,” McCarty reflects, knowing that their material often boasts an impenetrably moody veneer. “We tried to capture that state of euphoria where you can appreciate all facets of life, including the lows.”

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Lauran Hibberd - UV - Seablite

Lauran Hibberd returns for a seventh time here with her brand new song 'Frankie's Girlfriend'. It's a full blown rocker and contrasts well with her previous material, her knack for creating hook filled tunes remaining intact.

Just over a month since she first appeared on Beehive Candy Marina Elderton aka UV returns with 'Blind Deities'. Her vocals are once again enticing and emotive and the ambient synth backdrop matches so well.

Seablite have a colourful new video for 'Pillbox' a zesty upbeat song that packs melodic energy into this sub three minute whirlwind of music.
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Lauran Hibberd - Frankie's Girlfriend.

Enigmatic Isle Of Wight sensation Lauran Hibberd continues her remarkable ascent with infectious new single Frankie’s Girlfriend, and announces the arrival of debut EP Everything is Dogs, set for release 20th September.

Exuding confidence and packed with her trademark charisma, the slacker-pop specialist’s newest effort heralds the next chapter in a whirlwind summer which has already included a rousing display on Glastonbury’s BBC Introducing stage, an EU tour alongside US indie rockers Hippo Campus and her own biggest headline shows to date.

Having earned enormous praise across the airwaves from BBC Radio 1’s Annie Mac, Huw Stephens and Jack Saunders, the rising musician’s witty persona and fuzzy anthems have also drawn widespread plaudits throughout the press landscape. Flattering comparisons to contemporaries Courtney Barnett and Phoebe Bridgers have followed, and with a debut EP incoming, attention around the indie newcomer is sure to intensify.

Discussing her irresistible latest cut, Hibberd explained: “Frankie’s Girlfriend is exactly why it can suck to be a nice person. This track is a story, based on true events and exaggerated for selling millions of (aka 600) records. It’s honestly about a pal of mine Frankie, I had a dream about him, like a weird one. And it spiraled. His chick at the time was a nightmare, I was lucky enough to witness that first hand. For me, it’s my darkest track yet. But not dark scary, dark as in three-week holiday to Mexico”.

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UV - Blind Deities.

Following a Sold Out show at St Pancras Old Church last week, Marina Elderton (aka UV) returns with more ethereal dream-pop; haunting vocals draped over interlaced harmonies, guitar strands, electronic textures and pulsing rhythms.

Supported by the PRS Women Make Music Foundation, and previously fronting ethereal-psych band KULL and electronic duo White Russia. UV is the solo project of London-based artist & award-winning composer Marina Elderton.

'Blind Deities' is the new track taken from the debut UV EP 'Defender', released alongside a sold out live launch at St. Pancras Old Church on 19th July 2019. Blind Deities weaves pitch bending analogue synths and an original space echo unit with layered vocals and pulsing rhythms, melting into a sun-drenched haze.

Previously fronting ethereal-psych band KULL and electronic duo White Russia, Marina Elderton is also co-founder of the female sound artist collective Erinyes, has also composed soundtracks for Film4, Royal Television Society award winning documentaries, and shorts, and commercially for the likes of Lynx, NBA and Cadburys.

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Seablite - Pillbox.

Bay area dreampop shoegaze band Seablite debut the brand new video for "Pillbox" off their hot buzzy debut album Grass Stains and Novocaine.  (Emotional Response Records)

After a gloriously received cassette EP, Emotional Response are proud to release the debut full length from this acclaimed and adored Bay area pop-band.

Seablite, (3 gals, one guy), spread their infectious pop-chops over 11 surefire winners, with a confident mix of shimmering and weightless female vocal melodies and blissed out guitar pop, providing a mix of UK ‘80’s DIY-indiepop coupled with an updated take on many of the greats of the shoegaze era, such as Lush, Pale Saints, and MBV.


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Hannah Rosa - Alex Spencer - Lauran Hibberd - Alejandra O'Leary

An all female line up today on Beehive Candy starting with Hannah Rosa and 'Fire,' a song that sees her captivating indie pop showcased with style and quality. The merging of jazz and folk music not only works, it's somewhat breathtaking on Alex Spencer's new album 'Shine' which you can stream in full below. 'Hoochie' is the sixth song we have featured by the very talented Isle Of Wight artist Lauren Hibberd, it's as good as any of the others, and we have raved about all of them! Alejandra O'Leary new album 'Everest' comprises of eleven tracks of which 'Wires' is the opener. A gorgeous rocker, it is but just one dimension of this variety packed collection, the musicians are impressive as are the songs and Alejandra's adaptive vocals.

Hannah Rosa - Fire.

Capturing hearts and commanding attention, Brisbane's indie-pop darling Hannah Rosa is back and better than ever with dreamy new single, 'Fire'.

Following up highly praised release 'Hollow', 'Fire' turns up the heat, combining heavenly melodies with a string of soaring synth and guitar lines. With production from  Tristan Hoogland (Golden Vessel, Woodes) and additional production flourishes by Jarryd Shuker (Art of Sleeping, Wyatt), Hannah Rosa's latest is more refined than ever, and nothing short of indie bliss.

Contrasting the upbeat soundscape beneath, lyrically Hannah embellishes on her struggles with self-judgement in the modern age. Hannah explains, “I wrote ‘Fire’ about that uncomfortable feeling you can get scrolling through social media. If you’re depressed, sad or unconfident, it can be confronting and isolating to see people looking happy and living life to the fullest. For me, the track is an antidote to negative self-talk and is a personal reminder that it is always possible to ‘catch alight’ again."

2018's 'Hollow' saw Hannah Rosa rocket to new heights, receiving praise from Pilerats, Blank GC and Wickedd Childd alongside spins on both triple j and triple j Unearthed, and a Highly Commended in the esteemed Queensland Music Awards. Going on to support the likes of Mosquito Coast and Kyle Lionhart, Hannah has also performed tastemaker festivals such as  Brisbane Festival, Queensland Music Festival and Bluesfest Byron Bay.

With more music set to be released later this year, Hannah Rosa will continue to amaze throughout 2019 with her illuminating and wholly refreshing sound.

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Alex Spencer - Shine (album).

Having been away from the active music scene for several years while raising her 4 children, Alex Spencer has returned with a compelling new album, Shine. Teaming up with the stellar Berlin jazz trio of Ben Lehmann (double bass), Martial Frenze (drums) and Paul Engelmann (alto saxophone), Spencer has produced work of change and transformation.

The songs explore juxtapositions between youth and aging, children and parents, technology and humanity – all underpinned by the group’s steady rhythms and mellow tones. Part feel-good jazz, part sophisticated folk, this album stretches its arms wide and brings its themes together around a kitchen table where everyone is welcome.

Growing up in a musical family amongst both the green hills of western England and the forests of southern Germany, Alex Spencer moved to the big city of Berlin after her studies in Philosophy in the summer of 2000.

Between her children and working as a teacher, she has also managed to keep her life and identity as an artist alive, releasing her first album, ‘Underwater’ in 2010 and following it up with ‘Shine’ in 2019. When she's not playing live on the Berlin singer-songwriter gig circuit, Alex can be found walking her dog through Görlitzer Park in her Kreuzberg neighbourhood.

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Lauran Hibberd - Hoochie.

Humorous, infectious and charismatic in equal measure, Isle Of Wight’s rising sensation Lauran Hibberd thrives once more with anthemic single Hoochie, firmly solidifying her growing status within the UK’s emerging indie elite.

Fresh from a widely acclaimed support UK/EU tour alongside US indie rockers Hippo Campus, the singer-songwriter’s care-free new offering arrives ahead of her biggest headline shows to date, festival appearances including Live At Leeds and Hit The North and a slot on the BBC Introducing stage at this year’s Glastonbury Festival.

Buzzing across the airwaves with BBC Radio 1’s Annie Mac, Huw Stephens and Jack Saunders all throwing their support behind the young musician, Lauran’s witty, off-kilter approach continues to attract glowing praise from the online community (The Line Of Best Fit, Clash, The 405) and welcome comparisons to contemporaries including Courtney Barnett and Phoebe Bridgers.

Discussing her slacker-pop single, Hibberd stated: “‘Hoochie’ is a 90’s slang term for a bit of a ‘loose’ woman. It’s also the name of my new hamster. For me, this track is kind of that three-month period, after you’ve stopped hanging out with someone and you realise that actually they were kind of a tool, and that maybe you are alright. I think there’s a confidence in this track lyrically that I’m yet to filter through to my actual life. I’m looking forward to that happening”.

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Alejandra O'Leary - Wires.

There are not many women in rock n’ roll music, let alone women equally confident in pop or rock, in English or Spanish. Alejandra O’Leary was born to a Colombian mother and Irish father and her birth name seemed to check those boxes appropriately. Having a different sounding name and being a woman of color both challenged and shaped her as she grew up listening to crashing waves and Beatles records. Specifically, growing up in Portland, Maine instilled feelings of being both a native and an outsider. “I’ve always been at home with messiness, big emotions and uncertainty,” Alejandra reflects. “I guess that’s why I like rock n roll.”

After moving to Santiago, Chile at age seventeen, Alejandra became infatuated with the idea of creating music and followed her muse across the world for a decade, releasing four albums of original songs, sharing the stage with Guster and Asobi Seksu, and drawing positive nods from outlets like No Depression, PopMatters and Magnet. The sound Alejandra cultivated during this time was an expansive mix of raw rock theatrics, anthemic Top 40 pop melodies, and soulful retro flourishes.

In 2016, Alejandra returned home with her newborn baby to Portland with the intention to record a new album. Never one to follow cookie cutter formulas, she rounded up a group of hand-picked local musicians and sent them demos of her new songs. No other instructions were given, and when they all showed up in the studio, it was made clear that they were going to improvise the song’s final arrangement. Alejandra refers to the band as a pop-up project, asserting “This improvisatory spirit keeps things fresh and thrilling. I find it to be the most enchanting way to create music.”

The resulting recordings have a live-wire feeling to them which reflects their on-the-spot creation. From the twangy 90’s Americana of “Undone” to the shoegazey twilight-rock of “Wires,” EVEREST is packed with a variety of distinctive ‘retronuevo’ sensibilities, yet it’s all indicative of its creators spunky and soulful spirit.

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Loaver - Lauran Hibberd - JJ Cale - Café Spice

Loaver shares a dreamy dark pop song that is beautifully atmospheric and irresistible. Lauren Hibberd makes her fifth appearance on Beehive Candy as the Isle Of Wight artist once again impresses us with a fabulous alt rocker. With the first posthumous album for JJ Cale due in April we have the first track and a really fine video accompaniment for one of musics true legends. Cafe Spice treat us to a mixture of gorgeous vocals & harmonies above a simple and beautifully matched musical backdrop.

Loaver - Out Of Town.

Malmö, Sweden, based singer-songwriter Linnea Hall started her solo project Loaver with a desire to be able to showcase all sides of her experiences and inspirations. The music that will be released as Loaver’s debut EP - experimental, smooth and dark pop at its finest - was written and recorded in Italy during 2017, in close collaboration with artists such as Giovanni Ferrario (PJ Harvey, John Parish etc.), who produced the tracks, and Emanuele Maniscalco. Through the six tracks we’re drawn between the uttermost boundaries of emotions - love, hate, dreams, doubt, chaos and naivety.

Apart from Loaver Linnea is also active in Malmö based band Kluster, a band that released their debut album, ”Civic”, on Rama Lama Records in June 2018.

Last month Loaver released the single "Therapy" - a track that got critical acclaim from Swedish and international media. "Out Of Town", a dreamy, slow building track, is out on all streaming services.


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Lauran Hibberd - Sugardaddy.

Kicking off 2019 with pulsating new anthem Sugardaddy, Isle Of Wight newcomer Lauran Hibberd sparkles in her latest release, moving further towards the forefront of the UK’s emerging indie landscape with aplomb.

Generating widespread acclaim throughout the online community (The Line Of Best Fit, The 405, Clash) in 2018 with her first few releases, in addition to extensive support at BBC Radio 1 (BBC Introducing Track of the Week), the rising talent’s expertly crafted blend of indie pop has already earned plenty of fanfare with her reputation certain to grow further over the next twelve months.

Recently named as one of Huw Stephens’ Top Tips for 2019 and confirmed to support US indie rockers Hippo Campus on a full UK/European tour this spring, plans are certainly shaping up nicely for the young musician whose off-kilter style has already earned comparisons to Courtney Barnett and Weezer, as well as lyricism reminiscent of acts such as Phoebe Bridgers and Soccer Mommy.

Detailing her upcoming release, Hibberd stated: “There’s a million love songs, but my dream is to live in a world where there’s a million songs about stuff like wanting a sugar daddy. I guess it’s a joke, it’s like wrapping bubblegum around depression. The idea stemmed from life being life, I have sort of a twisted humour so at some point my brain came to this as a comical solution. I wrote this track with Boe Weaver, my trusted day one producers. Don’t be alarmed”.

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JJ Cale - Chasing You.

Because Music will release 'Stay Around', the first posthumous album by beloved songwriter, guitarist, and singer JJ Cale, on 26th April. 'Stay Around' is compiled by those closest to Cale, his widow and musician Christine Lakeland Cale and friend and longtime manager, Mike Kappus. Because Music today released the official video for the album’s debut single, 'Chasing You', featuring footage of Cale touring (which he seldom did) and performing across the U.S. The video is a breezily bittersweet glimpse at the life of the artist who died in 2013 and left behind a vital, resounding legacy.

Cale spent his career as an “under-the-radar-giant” (New York Times) and influenced musicians as wide-ranging as Neil Young (who wrote in his autobiography, “J. J.’s guitar playing is a huge influence on me. His touch is unspeakable. I am stunned by it.”); Beck (who, speaking to the L.A. Times, referred to his “effortlessness…restraint and underplaying” as “very powerful”); Eric Clapton (who, in his autobiography, called Cale “one of the most important artists in the history of rock, quietly representing the greatest asset his country has ever had”); and many, many others.

All tracks on 'Stay Around' are previously unreleased, a fact that’s not unusual considering Cale’s modus operandi: often Cale would reserve outtakes from one album for later release on another. Mike Kappus, who managed Cale for 30 years and has worked with his estate since his passing, explains, “‘Roll On,’ the title track of Cale’s last studio album, was 34 years old. He would burn me CDs of demos, and one time I said, ‘You’ve got two good albums on here.’ Some of the tracks had detailed information, some of them had nothing. Some songs might be a full band of his buddies, others were him playing everything. These were songs he really did intend to do something with because they were carried to his typical level of production for release.”


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Café Spice – Bn2.

Bn2 (short for ‘Ballad number 2’) is the stunning second single to be released from new Manchester trio Cafè Spice. Taking the gorgeous Autumnal harmonies found on their debut single Lauren to a whole new level, the group’s soaring vocals on new track Bn2 are nothing short of exquisite.

Testament to their collective vocal prowess, the startling harmonies contain both a power and a velvety ethereal grace and are layered atop a gorgeous melody, acoustic guitar plucked and gently stirring. The sound is effortlessly sublime indie-folk that brings to mind contemporaries such as The Staves or HAIM.

Equally as emotive as the melody and vocals is the song’s heart-warming message of hope and comfort to a lovesick friend. As Cafè Spice explain: “(Bn2) was written for a friend struggling with unrequited love: a song of sleepless nights and swirling thoughts… ‘You’re half asleep but in your mind your fingers tie and unfold’”.

Cafè Spice are Georgia Gage, Eleanor Lang and Niamh Feeney. After spending time performing live around their hometown Manchester, the trio visited British Grove Studios, London to turn several live favourites into future singles with more to be released throughout 2019.

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Lauran Hibberd - Wooing - ElectroBluesSociety feat Michel Peters

Lauran Hibberd - What Do Girls Want? / Call Shotgun.

Background - Fresh off the back of her heavily coveted single ‘Call Shotgun’, a release that landed her praise at The Line Of Best Fit, Clash, BBC Radio 1, 6Music as well as a spot as BBC Introducing’s Track Of The Week, Isle Of Wight native Lauran Hibberd returns with the release of her new cut ‘What Do Girls Want?’ out now via Be-Known Music.

Continuing her brand of off-kilter indie-pop, ‘What Do Girls Want?’ channels the tongue-in-cheek lyrical flow of Courtney Barnett, as she soars through energetic guitar riffs and ironical content to deliver a wonderfully catchy return to the scene.

With influences stemming from bands like Weezer, the frontwoman’s latest single is a stern slap in the face for conventional attitudes. Treading her own path in the industry, this latest release cements her as one of the most exciting and divisive new names in British’s indie music.

Speaking about the new single, Lauran explained, “For me, ‘What Do Girls Want?’ is a good punch to the mouth. It’s sarcastic, and bleakly honest. It highlights what it feels like to be young, and obsesses over the ideas that come with being just that.” TWITTER.


We featured Lauren Hibberd three times last year and although it's been a while 'What Do Girls Want?' was worth the wait. Actually if we had picked up on 'Call Shotgun' a couple of months ago, this would be our second 2018 share, but better late than never so here are both splendid songs. Once again our Isle Of Wight musical favourite delivers her infectious brand of charming pop with style.

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Wooing - Could Have Been.

Background - Wooing has announced a new 7", The Clouds, due out November 9th via Kanine Records. It features singles "Could Have Been" and "In Her Head," the first two Wooing songs that were written collaboratively by all three members: multi-instrumentalist and lead singer Rachel Trachtenburg, guitarist JR Thomason, and drummer Rosie Slater.

The band have just shared a video for "Could Have Been," a song that examines the disappointment of shallow friendships and the need to move on from them. With a hazy, dream-like quality that matches the song's swirling, psych-tinged vibe.

Trachtenburg has been performing in the New York music scene since she was six years old, first with The Trachtenburg Family Slideshow Players and later in Supercute! (alongside Slater.) With Wooing, her haunting, etherial vocals float above echoing guitars, for a sound that mixes elements of '90s rock acts like Helium and Quasi with the sounds of '60s Syd Barrett. The band has shared stages with San Cisco, Black Lips, Dream Wire, Hinds, and more. WEBSITE.

Wooing has a string of live dates coming up with Wavves, along with a couple of hometown shows.
* w/ Wavves
10/18: Dallas, TX @ Deep Ellum Art Co*
10/19: Austin, TX @ Empire*
10/20: San Antonio, TX @ Paper Tiger*
10/31: Brooklyn, NY @ Elsewhere* (Elsewhere 1 year anniversary w/ Wavves, Beach Fossils & more)
11/6: Ridgewood, NY @ Trans Pecos (w/ Dehd & Patio).


'Could Have Been' is an expansive indie rocker packed with power, emotion and plenty of musical hooks. The trio have a distinct sound where potent rock is balanced with some melody, and a fine hint of psychedelic feel, and just a little loose rock and roll swagger.


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ElectroBluesSociety feat Michel Peters - I Got My Mojo Workin.

Background - ElectroBluesSociety is formed by Jasper Mortier and Jan Mittendorp: two guys and a bunch of junk with a broad taste and an open mind mixing the old with the new.

Modern technologies combined with 30+ years of live stage experience in the European blues / roots music scene. The musical input ranges from Alan Lomax to Roxy Music and from Charlie Parker to Led Zeppelin.

On stage you will find computers, a double bass, foot pedals, vintage amps, midi controllers, an old drumkit and lots of cables. All of this handled by the two band members.

This time they took a classic blues song and invited Michel Peters for the vocals, RECORD LABEL.

This is our third feature for ElectroBluesSociety this time the vocals are provided by Michel Peters on 'I Got My Mojo Workin'. Once again the mixture of timeless natural blues is performed with passion and the modern electro influences add another fabulous dimension to the song.

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Hero Fisher - Lauran Hibberd - KYLYPSO - Bartees & The Strange Fruit - Wild Child

Hero Fisher - I Let Love.

Background - "I wanted to write a song where the focus jumped from person to person, like a contagion. The idea was that each verse would be an ordinary “day in the life of” each character, and that whatever was going on was a banal and daily grind. Each character would be possessed with this spirit, making them push on through, and shake off their demons.”

Hero Fisher’s ‘I Let Love’ is a rare and powerful treat of rock and roll swagger and pointed observational songwriting. Her narrative lyricism is bolstered by her effortless feel for melodies and song progression. From the timbres of the toms and the smooth steely chorus-soaked guitars to Fisher’s own vocal line, every element forms a vibrant sonic fabric of unforgettable musical sentiment. It’s about rising above the banalities of quotidian life, escape through desire, and the reflective trappings of nostalgia. The accompanying video runs the gamut of emotions with a stellar performance by its donkey marionette star enjoying a day at the beach and the aquarium. ‘I Let Love’ reveals the tentacular nature of Hero’s songwriting powers, ever extending into new spaces and new ideas.

British-born, French-raised and London-based, Hero Fisher (yes, that’s her real name) is returning to release her sophomore LP Glue Moon. Hero’s career has so far seen her collaborate with Alison Mosshart and Boy George in the Mark Ronson-scored ballet Carbon Life, open for The Rolling Stones and Neil Young at Hyde Park, and get shortlisted for the 2014 Glastonbury Emerging Talent Prize. In 2015 she released her debut album, the critically-appraised Delivery which won her fans in The Horrors and Blur.

By turns a blistering rock and roller in the vein of Patti Smith and PJ Harvey, and an experimental folk storyteller à la Jeff Buckley, Hero Fisher resists easy generic categorisation with her protean and cinematic musical storytelling. Able to expertly strike a variety of different narrative poses, she is at once the spurned lover and the fired-up rabble rouser, predator and prey. With Glue Moon previous singles ‘Sylvie’ and ‘Push The Boat Out’, Hero’s lyrical imagination proved unique and bountiful. Anthemic latest single ‘I Let Love’ is the latest chapter in her development as an artist, and with fuller production and it She’ll reach many more milestones yet on her creative journey. WEBSITE, FACEBOOK.


We featured Hero Fisher back in July & are now really pleased to share her latest song 'I Let Love'. This is a refreshing and catchy track where her vocals are more energised, whilst the simpler musical backdrop allows her voice to shine through.


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Lauran Hibberd - Hunny Is This What Adults Do?

Background - “Adulting” takes on a new meaning with Lauran Hibberd’s new song, “Hunny Is This What Adults Do.” Lauran’s outside perspective distances herself from friends and peers who are starting families left and right, “dropping like flies.” It’s easy to compare oneself to others in our work, relationships and milestones in life. Lauran prioritizes her musical milestones including performances at Bestival 2017 and earning the support from Clash for her previous track “Eliza.”

In the style of Ingrid Michaelson and A Fine Frenzy, Lauran’s indie tune emphasizes the story of the song through her enchanting vocals. Thematically, it’s another fitting song for Lauran’s coming-of-age indie soundtrack imagined for the film, Juno, which follows the journey of teenage parents. The punctuated guitars and laid back tempo of the song feel like sleeping in on a rainy Sunday and happily spending the whole day indoors. That’s easy to do when you don’t have kids. Maybe around thirty she’ll think about doing what adults do, but until then Lauran will live by her own rules of adulthood.

Lauran says: “The track is coming of age, I think it’s the conversation everyone has to themselves one day, the question ‘am I an adult yet’? This song explores youth, and not wanting to leave it. But realising you don’t have to. It’s fun, brutally honest, and full of teenage fears. If you happen to be at the Isle Of Wight on the 16th December, you can catch Lauran Live at the Strings Bar and Venue. WEBSITE, FACEBOOK.


It's third time this year for Lauran Hibberd on Beehive Candy and once again the Isle Of Wight based artist continues to impress us in a big way, this time with 'Hunny Is This What Adults Do?' Her upbeat vocals almost dance above the soundtrack and as we have stated twice before this is a "fabulous, vibrant and lovable song"... 

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KYLYPSO - Nights.

Background - Nights is an old KYLYPSO song (one of the very first) that’s finally getting a studio airing. Inspired by the sounds they got out of a freshly purchased 90’s synthesiser, it’s a song about what could have been, set in the daydreams of a person who could have been a lover once but who chose another. Its nocturnal dance grooves lend it a late night show-stopping vibe, and it’s often the song they finish their live sets with, complete with a reverb heavy synth wig-out.

KYLYPSO’s debut EP Soon Fun is a celebration of the fact that we can usually find good in a bad situation. It’s a work that expresses lyrical vulnerability and doubt, in relationships and in ourselves, but through the sheer joy of the music and melodies it carries the life-affirming sentiment that the good times are just around the corner. Its slick production, unpretentious execution, and relatable human outpourings make it the kind of EP that speaks to a part of everyone’s experience: the tragedy and the fun of finding ourselves.

With their name inspired by a boat, KYLYPSO are an East London three-piece whose luxurious technicolour psych pop pierces through the dour gloom of autumn with its quirky and vibrant style. It’s the sound of an everlasting summer of hope and heartbreak. The teenage tennis playing lovechild of Tame Impala and Caribou, it’s airy, funky stuff, birthed from their hearts, minds and hard drives in various studios around London. Deceptively simple (it’s easy to listen to, but hard to make), KYLYPSO’s sound is vital and rooted in the deep exploration and cosmic wonder of music. FACEBOOK.


Back in May we featured 'Blame Love' stating then that the song "suggests Kylypso have a considerable amount to offer." Fast forward to the bands 'Soon Fun' EP and we can share the track 'Nights', a smooth flowing indie electronic affair with quite personal vocals and a hook laden melodic vibe.

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Bartees & The Strange Fruit - Going Going Ft. Rachael Balcanoff.

Background - “This song is about growing up in and eventually leaving Oklahoma, and looking back on people in the Black community who taught me key lessons on resilience and faith, and to not be afraid of who might be knocking on the door. The opening verse highlights some of those competing feelings of fear, hopelessness, and defiance, feelings Black people in the South understand very well.

I eventually left Oklahoma and struggled over the years, as I tried to forget about that place. It’s only now that I’m realizing that the lessons I learned there are what make me different. A lot of people who leave home to try new things probably feel this way, too. This song is for them.” — Bartees Cox

Bartees Cox, a songwriter and guitarist based out of Brooklyn, created Bartees & The Strange Fruit as a conduit to surface stories about people of color. The title of the debut album, Magic Boy, (out on December 8, 2017 via Pineapple Record Co.) is inspired by a lyric from the song “Hear My Train A Comin” that goes: “Well, I gotta leave this town, gonna be a Voodoo chile .. and try to be a magic boy.” 


This particular lyric has always resonated with Bartees since he made the decision to leave his home in rural Oklahoma for the East Coast, a change that is looked back on as being a pivotal moment in his life. This record marks Bartees’ obsession with analog recording, tape machines, space echoes, reel-to-reels and a number of other types of hi-fi recording gear. Each song was recorded to tape, or at least mixed to tape, to give it the warmth of a real performance.

“The “Magic Boy” is how my family sees me,” says Bartees. “Their kid that has made it work in New York, chasing a dream.” WEBSITE, FACEBOOK.


'Going Going' is a multi-layered song where the vocals and musical elements swirl around and intermingle with each other. It contrasts well with the other tracks on the album which are in some cases far more stripped back and reliant on Bartees vocal power and acoustic guitar playing. Always present is a simmering emotional feeling, where every note played and word sung, is fully committed.

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Wild Child - Think It Over / Expectations.

Background -  Austin-based band Wild Child have their fourth full-length, Expectations, due out in February 2018 on Dualtone. 

They have just released two singles, "Think It Over" and "Expectations," - a couple of shimmering indie-pop tunes that echo Jenny Lewis' solo work and when she fronted Rilo Kiley. Canadian music fans might hear Feist or the underrated Jenn Grant in there too.

They collaborated with an all-star cast of producer/musicians on this record, including Chris Walla (formerly Death Cab For Cutie), Matthew Logan Vasquez (Delta Spirit), Chris Boosahda (Shakey Graves), and Scott McMicken (Dr. Dog), and recorded in Norway, Philadelphia, and Texas. WEBSITE, FACEBOOK.


'Think It Over' is a catchy song where melodic vocals and harmonies are backed up by a lively and equally catchy musical arrangement. 'Expectations' steadies the pace with the bass up in the mix, until the song burst into power and energy levels rise. Indie pop with plenty of rock.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...