Layla Frankel - Charly Lowry + The Heart Collectors - Late TV - Ellis

Layla Frankel - Postcards From The Moon (E.P).

With a musical style that pays homage to the spirit of the late, great Etta James (according to the site Rock at Night), Layla Frankel moved to Nashville in 2017 when she was fresh off a cross-country tour. 

Her new EP Postcard From the Moon includes the single “You Can't Love Me Like I Loved You,” which was selected as a finalist in the John Lennon Songwriting Contest.

Postcard From the Moon was recorded at Startstruck Studios in Nashville, produced and mixed by Jim Kimball (who has toured and recorded with an extensive roster of artists that includes Reba McEntire, Faith Hill, Tim McGraw, and Justin Timberlake), engineered by Todd Tidwell and the executive producer was Mary Johnson. The EP also features some of Nashville's top session players.

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Charly Lowry + The Heart Collectors - Navigating to Hope.

The next video in Folk Alliance's Artists In (Their) Residences series is fromNorth Carolina songwriter Charly Lowry and Australia's the Heart Collectors. Each of the ten is a pairing between a US and global artist collaborating on music to reflect on the world during the pandemic and shines a light on Folk Alliance's COVID relief Village Fund: (HERE). Lowry is a singer-songwriter from Pembroke, NC with roots in the Union Chapel Community. Charly received a Bachelor of Arts in Communication Studies from UNC Chapel-Hill. Upon graduation, Lowry moved full-steam ahead in pursuit of a career as a professional musician.

For over a decade, Charly has attained regional and national success as both a solo artist and lead singer of alternative rock/ soul/ folk band, Dark Water Rising. In addition to performing with Dark Water Rising and The Ulali Project, she often shares the stage with funk/soul band, “The New Mastersounds”. In 2004, Charly had the opportunity to compete on the wildly popular television show, American Idol. She ventured through several rounds of auditions to make it to the Top 32.

Charly enjoys performing, meeting people, and educating others on the Native American experience. Charly served as a Lumbee Ambassador for the Lumbee people in 1997-98; traveling throughout the country to visit Tribal Nations while attending various conferences, powwows, etc. Her reign as Jr. Miss Lumbee was the catalyst that awakened her spirit to an inherent calling as a “Culture Bearer”. Lowry continues to work on her craft; immersing herself in the culture of American music and expanding her listening ear to various genres, all the while composing songs that give a personal account of her experience as an Indigenous woman walking in two worlds.

Of the Heart Collectors, John T Davis, author of ‘Austin City Limits: ’25 Years Of American Music, said, “Imagine Fleetwood Mac with more of an organic, Celtic-inflected lilt of vocals and melody and you have a rough idea of why Australia’s Heart Collectors are so instantly appealing. There is a vibrant and timeless allure to their music that is resistant to the fashion of the moment, and all the more enduring because of it. Kymrie’s voice is the stuff angel’s wings are made of.”

With the sentimentality of 70’s inspired harmonies, the Australian four piece ‘Epic Folk’ band has graced stages around the world, accomplishing three international tours and releasing four studio albums. Picked as one of the ‘Top Bands To See’ at SXSW (The Austin Statesman), this independent group have found creative ways of staying connected throughout the 2020 lockdowns and the cancellation of their USA and UK tours. The Hearts released their latest album Time To Say I Love You (2020) one single a fortnight, featured on Spotify with The Guardians “Australian Music for Isolated Times” and Sounds Australia’s “Sounds Australia Selects” playlists. In September 2020, The Hearts were selected to be 1 of 12 Australian artists for the Premier Event Global Music Match – a world wide initiative to connect musicians and industry in the face of COVID-19 restrictions.

The Heart Collectors have momentum in 2021, joining Folk Alliance International for ‘Folk Unlocked’ Private Showcases, ‘ISOL-AID Unlocked’, and the ‘Artists In (Their) Residence’ programme. Now as possibilities are opening for touring in Australia again, The Hearts embarked on a Statewide tour of Tasmania this January/February to Sold Out audiences. With soaring cello, intricate guitar, sparkling mandolin, boot banging banjo, passionate strikes of a tambourine and the thundering of the bodhran, these four charismatic performers create real musical synergy, marrying progressive folk/rock sensibilities and clean classical precision.

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Late TV - Night Tennis.

Having slimmed down from a 6-piece funk-factory to a 4-piece combo, Late TV have set about shifting their focus onto razor-sharp song-writing, atmospheric storytelling and tight shimmering grooves. The result of this attention to detail is in full force on the mooching urban fairytale Night Tennis.

Taking musical cues from Ken Nordine’s legendary ‘Word Jazz’, Cypress Hill’s soundtrack to late 90s shoot-em-up ‘Kingpin’ and the noir low-rock of Morphine, the band take disparate influences and seamlessly wrap them up into a concise 3.33 song. The track was recorded and produced by the band in London and mixed by Ed Longo (Ed Longo and Applied Arts Ensemble) at his Soundrays Studio in Berlin.

In the song, ‘Steve’ a lonesome everyman is seeking romance as he embarks on a date which gradually unravels revealing more about the trials and tribulations of his companion, rather than a moonlit walk back to hers for a nightcap. Considering the convention that love can be a game, Night Tennis rallies between two struggles, one man’s lascivious desires and one woman's ongoing battle to negotiate the cultural minefield of life in the big city.

Lyricist and Vocalist Luke J Novak explains: “I wanted to capture the electric moments of social interaction, the beats in a conversation where perceptions shift. Here we have a man who comes looking for one thing, but leaves with another; an insight into another’s perspective on the world that they both inhabit. The band laid down that bouncing groove and it was the perfect setting for the scene”.

Culling influences from jazz cats and art rockers, B-movies and trash television via Lynch and Tarentino, Late TV are the moonlighting house band for a surreal all-night dream club nestled amidst the cultural detritus of television’s after hours. Guitarist and vocalist Luke J Novak and drummer Richard ‘Beu’ Bowman left their hometown of Kidderminster and hooked-up with Chicago’s jazz obsessed Ryan Szanyi on bass and Parisian keyboard maestro Martin Coxall in London. Kick-started with the release of their brilliant Citizen single, the group then appeared at Standon Calling Festival in 2018 alongside Goldfrapp and spiritual forefather Bryan Ferry. Night Tennis is the first single to be taken from the band’s forthcoming debut album, where the group explore the postmodern wastelands of pop as high-brow/low-brow mutant junk dwellers, collecting the shards of our fragmented culture and building something both irresistibly dangerous and dangerously irresistible.

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Ellis - What if love isn't enough.

In April, Ellis announced her latest EP nothing is sacred anymore which is set for release on June 25th. Announced with the single "Hospital," the EP is the first new music from Ellis (the alias of Hamilton, Ontario musician Linnea Siggelkow) since the release of her debut LP Born Again, which arrived right as the pandemic began on April 3rd of 2020 and followed her breakout first EP The Fuzz. 

Like The Fuzz, her upcoming EP sees Ellis working as her own producer again, this time alongside Charlie Spencer (of the band Dizzy), and it is perhaps her most emotionally intimate work to date, a quality that is foregrounded on the EP's latest single "what if love isn't enough."

"I mean, this is a question I’ve asked myself a bunch, usually when I’m being a little bit dramatic which happens to be often," Siggelkow explains. "But I’ve also seen relationships fizzle out even when two people seem to really love each other. We place so much emphasis on love but I guess I just wonder about all the other stuff needed to make it last forever. I’m a hopeless romantic at heart but sometimes I’m just hopeless."

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Dive Bell - The Goa Express - Honey Moon - Oh, Rose - Late TV

From Sydney, Australia we have Dive Bell and a video for the song 'Lupine', a rich and unique sounding track where somewhat ethereal vocals are joined by a disparate musical arrangement yet they work beautifully together.

The Goa Express have shared 'The Day' an energised indie rocker where the vocals are enthused and the band tight and feisty.

It's our third feature for Honey Moon as once again the London jangle pop outfit impress us, this time with 'Magic' a timeless pop piece that is rammed full of hooks.

Oh, Rose new album 'While My Father Sleep' opens with '25, Alive' accompanied with a video, the song is a loose rocker, Rose's vocals ebb and flow with charm and feeling, it's a fine teaser for what's to follow.

We have 'I Gotta Pay' from Late TV another band making their third appearance here, in fact we have two versions studio and live to checkout, both are really fine as the band take us in another direction that is nonetheless just as pleasing as their previous songs.
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Dive Bell - Lupine.

Sydney’s Dive Bell exhibit their mysterious, divergent sound with ‘Lupine’, their cut through first release of 2019.

Shaping a truly vast and cinematic soundscape with their blend of alt-rock, electronica and trip-hop, ‘Lupine’ sees haunting harmonies effervesce around brutal guitar tones and shimmering synth lines. Initially striking with its raw digital crunch, this dissolves effortlessly to reveal a lush final quarter full of bright optimistic tones. “I was inspired by a doco I watched which delved deep into the territorial nature of wolves. It raised themes around belonging and entrapment, freedom and repression - which I explore lyrically in the track,” singer/keyboardist Aleesha Dibbs explains.

Voyaging to the wolves' nomadic habitat, the music video adds to the wonder, catapulting viewers into a seemingly ethereal world. Far from civilisation and shot on location in the Snowy Mountains, the clip sees Aleesha running amongst the wild. ”It involved the most intense cold I’ve ever experienced, a substantial amount of time on the freeway and a real-life 'Man from Snowy River,'” she jokes.

Having shared the stage with the likes of as Jonti, VOWWS, Body Type, Party Dozen, Lucianblomkamp, VOWWS, 100, Exhibitionist and A Swayze & The Ghosts, four-piece DIVE BELL have captivated audiences from all across the musical spectrum. Cementing themselves in both the local and national scene, their previous singles have seen support from the likes of FBi Radio and Rage.


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The Goa Express - The Day.

The Goa Express release their urgent new single 'The Day' on Friday the  5th of July. Recorded at Champ Zone with Nathan Saoudi (Fat White Family), it rattles with an unstoppable new wave rhythm, shudders with abrasive guitars and with vocals that sneer with the spirit of seizing the day while everything is falling apart around you, their sound may rustle with the ghosts of acts like The Stooges,  Psychedelic Furs and contemporaries like Shame, but the Goa Express possesses youthful energy, northern spite and ever-evolving sound all of their own.  The band's frontman James Douglas Clarke says ‘The new tracks are about moving out to university and getting caught for doing shit whilst there and also about the fake, social media platform of our society, lick arses and how everybody wants to pretend that they’re friends.’

Teenagehood, brotherhood and a love for an array of alternative music, across the years, has closely united Burnley and Todmorden's, The Goa Express. Although the intensity of their friendship has resulted in the occasional bust-up, along the way, it is outweighed by their chemistry, which the band offers collectively both on stage and on record. Together, James Douglas Clarke (Guitar + Vocals), Joe Clarke (Keys), Joey Stein (Lead Guitar), Naham Muzaffar (Bass) and Sam Launder (Drums), each contribute to a fuzzy wall of diverse sounds that become hard to pin down with their ever-changing, experimental sound.

Since coming to Manchester, The Goa Express have enjoyed support slots with international bands like The Murlocs, Moon Duo and Mystic Braves as well as performing live with domestic indie champions such as Cabbage, YAK and The Orielles. Whilst at university, The Goa Express have played headline shows at both Manchester's Band On The Wall and The Castle Hotel, as well as slots at Liverpool Psych Festival and the Leeds based, Karma festival. Their live sets are raw, and with expressive, outspoken mindsets, the band transform the hyper- communication and speed of modern life through hard-hitting, relatable lyrics.

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Honey Moon - Magic.

London jangle-pop crooners Honey Moon reveal new single ‘Magic’ ­– perhaps their most ambitious cut to date. It’s straight from the classic songbook, replete with saturated Hollywood strings, swooning vocals and a spine tingling key change. Once again frontman Jack Slater Chandler’s vocals come to the fore, with the rest of the mooners’ model musicianship dealing a handful of expert flourishes to deliver the slow, hip-swinging ballroom bop.

To put the track out they’re once again teaming up with Manchester label Heist or Hit  (Her’s, Pizzagirl, Baywaves, Guest Singer), with whom they released last year’s acclaimed Four More From… EP, enchanting taste makers as well as BBC 6 Music and legendary crate digger Elton John.

Augmenting their trademark doo-wop sound with new textures, rhythms and instrumentation to give a more expansive sound, Honey Moon capture shadowy, wistful late-night moments. Plucked guitars, walking baselines and shuffling drums carry ‘Magic’ as it drifts through faded dreams. Slater Chandler explains the wider concept the band are aiming to express with this latest ode:

“We wanted to explore the illusionary theme, to try and make something expansive and cinematic-sounding. 'Magic' represents the soul-mate style love we see in film, literature, Honey Moon songs - everywhere! What can seem like the most mundane, everyday elements of companionship are often the most important and overlooked. This sort of souped-up version of having 'one true love' is, whilst a nice idea, pretty difficult to imagine as anything that's realistically achievable, but there's something very real in the sentiment, and that's the ‘spell’, that's the illusion.”

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Oh, Rose - 25, Alive.

While My Father Sleeps by the Olympia, Washington based band Oh, Rose tells the complex story of family, adversity, love, and friendship. In ten songs, the record bears the soul and shares the truths of the band’s front-person and creative driver, Olivia Rose, while also serving as a homage to Rose’s mother, who passed away in January of 2017. It is Rose’s life story, told under the banner of a story her mother was never able to finish.

“While My Father Sleeps is the title of the book my mother wrote throughout her life,” Rose says. “It involved her relationship with my grandfather, the way she could communicate with him through the poetry of Carl Sandburg and the writings of Truman Capote. Her storytelling always inspired me to tell my own through music. The album title and artwork serves as a bookend, the songs written between two moments. The front cover shows my mother reading to my brother and me outside the North Asheville library in the summer of 1995, the back is her headstone. Though I didn’t write these songs in a state of grief, I came to know this album while I was grieving. When my mother died, I learned a new language, the language of death. At the same time, I was continuing to build strength and love within my community; my story isn’t uncommon. I hope my music finds a home with those who speak these same languages.”

Soon after arriving in Olympia, Rose met the friends and musicians who would become her community and extended family. Formed in 2014, the band built its foundations by playing DIY house shows and contributing to Olympia’s long-standing punk and art scene. A play on Rose’s own name, Oh, Rose recorded and self-released their first EP, That Do Now See in 2014 followed by a mini album the following year titled Seven. Sticking with the tradition of their previous release, WMFS was recorded and mixed by band member Kevin Christopher in Olympia Today, the live lineup includes Rose on vocals and guitar, Liam Hindahl on drums, Sarah Redden on synthesizer, and Kevin Christopher on bass; the dynamic continues to be as supportive and collaborative as any group of people can be. Each member writes their own instrumental parts with Rose bringing the songwriting and melody. The trust the unit shares with one another is where the group’s power truly lies.

While My Father Sleeps begins with “25, Alive,” a dirge-y, distorted-guitar gem that is fueled by Rose’s lovely rise-and-fall vocals and its choppy-smooth rhythm. The album’s lone number written following her mother’s death, it is a self-appeal to release the anger Rose had been holding both during her mother’s life and after her passing. As the song opens with the lines “Am I strong enough to tell my truth/25 I am alive and I am angry,” the way is paved for the passionate soul-bearing that follows. “I was 25 when my mother died and I was angry and broken” Rose says. “This song is me saying I don’t want this anger because I know what it does to a person if they hold onto it.”


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Late TV - I Gotta Pay.

About ‘I Gotta Pay’ There’s a humbling eclecticism in Late TV’s sound when comparing ‘I Gotta Pay’ with previous singles like ‘Citizen’ and ‘Great Gulfs’. Just when you think you can pin them down, they throw a swerve ball from somewhere left-of-field. That their music still (lucidly) gets to the core of who they are with every release is a testament to their versatility as songwriters, their voraciousness as listeners, and their clarity of vision as a group.

Their latest release is a poised and effortless foray through the familiar avenues of jazz and funk, with Defunkt-style motifs of punk and new wave, (frontman Luke Novak name-checks the seminal ‘Make Them Dance’ as an influence), weaved in alongside the afrobeat-tinged rock of The Budos Band. Lyrically Novak has modern culture in his sights as he threads together a series of financial frustrations and western cultural ironies with rhyming couplets to make a dour and absurdist collage. Like all the music of Late TV, it’s a mutant assemblage of ideas that succeeds through the canniness of its juxtapositions, never setting out an ideal, but through the subtlety and force of their craft and energy alone, leaving us in no doubt as to what’s being communicated.

About Late TV Amidst the cultural detritus of television’s after hours rises a freaky new street beat played by London’s Late TV. Culling influences from jazz cats and art rockers, B-movies and trash television, via Lynch and Tarantino, Late TV are the moonlighting house band for a surreal all-night dream club where the intangible dance floor shifts and folds to become the set piece of a talk show beamed onto the farthest reaches of your channel selector. Helmed by Luke J Novak, who hails from the slabbed post-industrial backwater of Kidderminster, Late TV originates from a folk noir group formed by Luke and Richard ‘The Showman’ Bowman, a drummer whose restless search for groove quickly outgrew their genre.

Joined by Indiana’s jazz fusion obsessed Ryan Szanyi on bass, Parisian keyboard maestro Martin Coxall, tenor sax player Evesham Nicholas, and Matthew Halsall (whose bionic heart valve’s separate mic-detectable rhythms occasionally cause problems in the studio), their new outfit Late TV harks back to a time when music was all fearless fusion and intractable improvisation. 2018 saw them take major steps forward. Kickstarted with the release of their brilliant ‘Citizen’ single, the group then appeared at Standon Calling Festival that summer alongside Goldfrapp and spiritual forefather Bryan Ferry. They followed it up early this year with the wind-swept soft rock of ‘Great Gulfs’ - its louche romanticism showcasing their immense songwriting versatility. In the postmodern wastelands of pop they’re the high-brow/low-brow mutant junk dwellers, collecting the shards of our fragmented culture and building something both irresistibly dangerous and dangerously irresistible.

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Beehive Candy Lite presents: Someone - The Wave Pictures - Light Wheel - Nick Waterhouse - Late TV - Sister Sparrow

A new year, a delayed return, and a different approach, something along the lines of "Beehive Candy Lite". There are numerous reasons for altering our approach, circumstances change, we are now a very lean setup, and with so much to instantly stream and new music playlists tailored to personal listening habits, just how relevant we can remain, well time will tell. One advantage we have is our ever growing international range of new music sources.

It's a given that Beehive Candy only shares music they genuinely like and sometimes can't help but love.

So the new approach will see us morph into a more playlist orientated style. Less words, if the artist or band are featured then please consider that our full endorsement, our recommendation to check their music out.

Our hope is that we can expand your musical world by curating a wide variety of great new music and artists from around the world.  So by way of a catch up here's whats pleased our ears, so far this year - part one.
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Someone - Pull It Together.

Multi-disciplinary Amsterdam artist Someone, AKA Tessa Rose Jackson, releases her new single Pull It Together via [PIAS] Recordings. A stunning slice of infectious psych-pop, equally indebted to Tame Impala or early 90s French electronica pioneers Air, it is the first single taken from her upcoming new EP Orbit, the follow up to last year’s Chain Reaction EP.
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The Wave Pictures - Shelly.

The Wave Pictures are delighted to share the video for their new single “Shelly”, which is taken from their recent album Look Inside Your Heart (out now via Moshi Moshi). Singer and guitarist Dave Tattersall describes the track as, “A love song in the laid back style of late 70s Grateful Dead only with even better lyrics.”






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Light Wheel - Answers.

Light Wheel is a musical act from Austin, Texas formed by vocalist/songwriter Tyagaraja and producer Evan Dunivan. Their music is marked by colorful soundscapes and eclectic rhythms, anchored by powerful, dynamic vocals. It is aesthetic pop music with touches of R&B grooves and Electronic flair. Their upcoming debut full length record, "See Through" will be released in January of 2019. Light Wheel started playing live in December of 2017, debuting at the Day for Night Festival, featuring Bjork, Aphex Twin, Run the Jewels, and more. Live, Light Wheel is a four piece act, accompanied by drummer Ethan Yeager and bassist Michael Sanders.

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Nick Waterhouse - Song For Winners.

Los Angeles-based musician Nick Waterhouse has announced his new self-titled album set for March 8th release via Innovative Leisure. Following 2016’s 'Never Twice' which was hailed by Vogue as “the second coming of soul” and earned Nick a performance on 'Later' with Jools Holland, the new album was recorded at LA’s legendary Electro-Vox Recorders, and co-produced with Paul Butler (Michael Kiwanuka, St. Paul and the Broken Bones), with backing from a heavy bevy of friends and session players including Bart Davenport, percussionist Andres Renteria (Flying Lotus, Father John Misty), flutist Ricky Washington (Kamasi’s dad), and saxophonists Paula Henderson (Gogol Bordello) and Mando Dorame (JD McPherson).
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Late TV - Great Gulfs.

Amidst the cultural detritus of television’s after hours rises a freaky new street beat played by London’s Late TV. Culling influences from jazz cats and art rockers, B-movies and trash television, via Lynch and Tarantino, Late TV are the moonlighting house band for a surreal all-night dream club where the intangible dance floor shifts and folds to become the set piece of a talk show beamed onto the farthest reaches of your channel selector. Helmed by Luke J Novak, who hails from the slabbed post-industrial backwater of Kidderminster, Late TV originates from a folk noir group formed by Luke and Richard ‘The Showman’ Bowman, a drummer whose restless search for groove quickly outgrew their genre. Joined by Chicago’s jazz fusion obsessed Ryan Szanyi on bass, Parisian keyboard maestro Martin Coxall,  tenor sax player Evesham Nicholas, and Liverpool's Matthew Halsall on trumpet, their new outfit Late TV harks back to a time when music was all fearless fusion and intractable improvisation.


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Sister Sparrow - Gold.

Sister Sparrow (nee Arleigh Kincheloe) has released “Gold,” the video for the title track of her recent album and announced the first leg of her 2019 tour. “Gold” is currently being spun on numerous influential radio stations nationwide, including Sirius XM The Spectrum’s Shortlist and Jam On, WFUV (NYC), WXPN (Philadelphia), and WRLT (Nashville), and was recently named Song of The Day on The Current (Minneapolis).











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Late TV - PBSM - Sofia Härdig

Late TV - Losin’ It.

Background - Amidst the cultural detritus of television’s after hours rises a freaky new street beat played by London’s Late TV. Culling influences from jazz cats and art rockers, B-movies and trash television, via Lynch and Tarantino, Late TV are the moonlighting house band for a surreal all-night dream club where the intangible dance floor shifts and folds to become the set piece of a talk show beamed onto the farthest reaches of your channel selector. Helmed by Luke J Novak, who hails from the slabbed post-industrial backwater of Kidderminster, Late TV originates from a folk noir group formed by Luke and Richard ‘The Showman’ Bowman, a drummer whose restless search for groove quickly outgrew their genre.

Joined by Chicago’s jazz fusion obsessed Ryan Szanyi on bass, Parisian keyboard maestro Martin Coxall, tenor sax player Evesham Nicholas, and Matthew Halsall (whose bionic heart valve’s separate mic-detectable rhythms occasionally cause problems in the studio), their new outfit Late TV harks back to a time when music was all fearless fusion and intractable improvisation. In the postmodern wastelands of pop they’re the high-brow/low-brow mutant junk dwellers, collecting the shards of our fragmented culture and building something both irresistibly dangerous and dangerously irresistible.

"It came together as an abstract meditation on that element of the human condition that’s always searching for something unattainable, possibly because it doesn’t exist. But we are playing a game, and we are destined to lose it.”

After the triumph of last year’s ‘Citizen’ single, Late TV have crafted a thematic companion of sorts in ‘Losin’ It’. The rhythm section’s grooves will seize your jiving body back into their neon dreamworld, a lurid post-pop-culture dystopia where the fundamental human quest for the ineffable is realised in surrealistic paranoiac lyricism and jazz parlour instrumentation. Sonically, ‘Losin’ It’ can best be described, in the words of the late Bowie, as ‘plastic soul’ - the Thin White Duke’s epithet for the kind of jazzy avant-garde funk & roll of Young Americans. As Late TV’s recent output suggests, there’s still a space for organic ensemble songwriting in a growingly disposable sonic landscape. Maybe that’s their grand irony. Named after the most disposable form of entertainment for the pre-internet generation, they’re here to remind us that everything has the potential to live on indefinitely, whether that’s trash TV, or a song you can really lose it to. FACEBOOK.

A funky riff is quickly followed by additional layers of Jazz rich instrumentation. The vocals liven the song up even further and 'Losin’ It' is quickly pummelling hooks galore into my ears, upbeat and gorgeous hooks.


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PBSM - Dance Floor (feat. Adrianne Haslet).

Background - Danish alt-rock duo PBSM recently dropped their second EP 'Dance Floor' - a five track release that has given them a staunch reputation as a contemporary danceable, dark and cold duo offering a perfect soundtrack for going clubbing incognito. PBSM are now ready to reveal the video for the EP’s title track which features TED Talk star and Boston Marathon survivor, the All-American dancer, Adrianne Haslet. Adrianne perfectly complements the theme of the song that revolves around going to your happy place, and portrays her battle in getting back to the dance floor after losing her left leg in the tragic Boston Marathon bombings in 2013.

The song initially took form in a basement in Kreuzberg, Berlin where the duo had arranged for a jam and recording session with British, drummer Joe Dilworth (Stereolab, Cavern of Anti-matter). Upon returning to Copenhagen PBSM finished up the recordings and further assistance on the drums was provided by Lasse Herbst (Fallulah, Spektr, Choir of Young Believers).

The film production company Mellow CPH got involved and the idea of bringing in a dancer as the main character telling the story of the song was born. PBSM explain, “We reached out to American dancer Adrianne Haslet to hear if she by any chance would consider flying out to star in our music video. Which she did. And since being told that there was a one in a million chance of ever dancing again after she lost her leg in 2013 she has been struggling to get back to the dance floor - determined to beat the odds. Which she did.”

In 2015, Adrianne danced the foxtrot on the Boston Marathon finish line, in 2016 she crossed that finish line as a runner, and now she appears in PBSM’s music video for their new single “Dance Floor.” In the video, Adrianne shows off her talent, but doesn’t shy away from the difficult (but necessary) parts of healing. When sharing her story, Adrianne is very open about her struggles with the anger and depression that come along with the grieving process, along with her constant striving for progress. These themes come across clearly and poetically in the video as we see Adrianne’s low points intersperse her beautiful, graceful movements. FACEBOOK.

There is an inspiring story line that accompanies 'Dance Floor,' so much so that, the song and video are intrinsically linked. The music is refined and flowing in it's own right, the vocals add additional feel, collectively this deserves to be seen and heard.


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Sofia Härdig - Illuminate.

Background - Sofia Härdig’s radiant new single, “Illuminate,” is a fitting addition to the 80’s-themed Drive soundtrack.  Deep glowing synths and echoing vocals take the wheel on a late-night cruise. The track builds with subtle guitar rhythms that scream at times like screeching tyres. Lyrically, the song explores loneliness and a seemingly endless search for “another heart”. Driving through the night, she looks skyward to navigate the road to a new love. It’s a contemplative rocktronica song that demonstrates Sofia’s tight control over her craft.

Sofia Härdig lives up to her “rocktronica” reputation with her new single, “Illuminate”. Championed by Belle and Sebastian’s Stevie Jackson, she has worked with major Swedish artists including Grammy Award winners The Hellacopters and bob hund. Furthermore, she has collaborated with Yoshimi from Japanese noise-rockers Boredoms and the alternative indie band Free Kitten. Sofia’s experimental nature shines through with her new material that blends rock and electronic influences.

“I worked with the song Illuminate alone in my studio for many long, lonesome nights. It was just the studio, the stars and I, while I played all the instruments, made the soundscape and recorded the single in solitude. Later, I invited over some friends to improvise over the track. Guitarist John Essing and bass player Mats Hellquist, both from the band ‘bob hund’, but also a classical pianist and cellist respectively, added parts to the soundscape of Illuminate. I brought all the new recordings back into the studio - tore them apart, rebuilt them and made arrangements, as if I was a mad scientist in my lab. I then brought in Jari Haapalainen to produce the songs. The solitary fashion in which Illuminate was crafted reflects the mood of the single.” – Sofia Härdig. FACEBOOK.

We featured Sofia Härdig a couple of times back in 2016 and she makes a welcome return with  'Illuminate'. Powerful synths and a determined beat make a gorgeous backdrop for her intoxicating vocals, as the song merges elements of rock with swathes of electronica.

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