La Faute - Caitlin Rose - The Money War

La Faute - Blue Girl Nice Day (Album).

A hidden gem from the frozen heart of Toronto, Canada, art school dropout and Sony Music Publishing artist La Faute released her debut album ‘Blue Girl Nice Day’ yesterday, along with the focus single ‘Sorry I Can’t Stay’ and coinciding music video. La Faute’s (AKA Peggy Messing) musical style falls under the indie dream-pop, alternative folk and singer/songwriter categories, allowing Messing to bend genres and formulate her own. Citing artists such as Mitski, Lana Del Rey, Chet Baker and Massive Attack as musical influences – to name a few – Messing’s debut album is a hypnotic embodiment of all of these styles and influences.

Messing describes her inspiration for the album and her creative process, “I think this album is partly about me marrying my two loves of music and visual art. I am really enjoying the videos I am making and how moving pictures and songs affect each other. I have almost zero budget for video, and I’m not going unmasked into indoor crowded places to shoot with other people, but I love constraints like that.”

Speaking of the focus single, which was co-written with French neo classical composer and performer Villemin, Messing said: “I wanted to honour my lost and current loved ones as best I could with this song, and make a sincere message to the living, imagining what those leaving would have wanted to say, what I would want to say when the time comes.” “I found [Villemin] randomly on Instagram and fell in love with her music, and slid into her DMs. Fortunately she was open to collaborating, and when she sent this over, the melody and lyrics came to me right away. I've never met her in real life, but during the pandemic we talked over WhatsApp and I felt a real connection with her, personally and musically. I hope everyone discovers her music, it is very unique, subtle and special.”

The music video for the single is informal and lighthearted, showing Messing blowing bubbles in nature. “This song always makes me cry so I had to focus on the bright side to get through it. All I do is try to blow bubbles in the sunshine, gigantic and small, sometimes they work, sometimes they don't. They're beautiful and don't last long,” she explained. La Faute (the mistake, in French) is Messing’s dark, dreamy solo project. A visual artist, multi-instrumentalist and singer-songwriter originally from Winnipeg, Canada, she explores themes of surface vs. depth, longing, betrayal, mourning and desire. Using a 4 string tenor electric guitar and obsolete hardware samplers, she created her captivating live show and released her debut EP just before the pandemic.

She has dealt with some chronic health problems which have required her to get creative to find workarounds, but when the pandemic started she chose to pause performing live to protect her health. She focused on the creation, and solutions to the problem of isolation. She connected with fellow artists and producers in France, the UK, Canada and the US to create music, most recently with LA-based Topher Mohr, who produced her album.

La Faute · Blue Girl Nice Day

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Caitlin Rose - Johnny Velvet.

Caitlin Rose announces the deluxe version of CAZIMI will release digitally on June 23 via Missing Piece Records. Along with the announcement, Rose shares the new original single “Johnny Velvet.” The deluxe version also includes a cover of Jason Molina’s “Nashville Moon,” as well as alternate versions of CAZIMI originals “How Far Away,” “Blameless” and “Carried Away.” Next week, Rose joins fellow Nashville favorite Andrew Combs to kick off their co-headlining tour in Louisville, with additional stops in Chicago, Indianapolis, Cleveland, D.C., New York City and Philadelphia, among others.

“I wrote this song after a rather intense dissociative period,” explains Rose. “Alter egos can make for good imaginary friends when you feel like you don’t have any, but while helpful for coping, the long-term effects are less than desirable. Anyways, I found this design company’s swag koozie in a Lubbock bar and it just kind of rolled on from there. It hung around for a couple years until I scheduled a write with Linwood Regensburg. We didn’t get too far on a new song but ended up diving in on this. We tracked some guitar and a scratch vocal and a couple months later he sent me this. It’s definitely a testament to his abilities in working with minimal resources and I love how different of a tone it set for me in a time where I was desperately in need of change.”

Last fall, Rose made her long-awaited return with the release of CAZIMI, her first new album in nearly a decade. Taking its title from the astrological term for when a planet is in such close proximity to the sun that it’s considered to be in the heart of it, CAZIMI chronicles “the slow motion unraveling of somebody’s life” in the aftermath. Co-produced with Jordan Lehning (Andrew Combs, Caroline Spence, Rodney Crowell), the album earned widespread critical acclaim.

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The Money War - Ride.

Following the success of their late 2022 release 'Somebody Loves You' and their early 2023 collab with FEELDs on 'Was It Ever Really Anything?', Western Australian-based duo, The Money War, are stripping things back with their new single Ride, out yesterday Friday, May 26. The duo are also announcing the release of their EP 'I Don't Hear You Anymore', out June 23.

Inspired by the idea of living in the moment, 'Ride' captures the essence of happiness in simplicity. With minimal production, the single features only stripped back guitar and vocals, providing a liberating energy to sit and resonate with. Lead vocals from Dylan Ollivierre, backed up by Carmen Pepper, deliver a lulling, easy-going track that showcases the duo's emotive lyricism and raw talent.

Speaking on the unplugged essence of the track, Ollivierre states: "I wanted the song to feel like a ‘lost demo’, a bit rough around the edges and to feel like someone playing a song in their bedroom. The aim was to make the song feel emotive without all the production bells and whistles."

Pepper adds to what the song means to the two, "We’re currently at a point in our lives where things are pretty chaotic with raising a young family and trying to juggle a few different projects. I sometimes find myself wishing the time away and dreaming of a day when we can have a bit more freedom, so I have to remind myself that this is such an important time for us and we should enjoy it while we’re in it."

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Parliamo - Freya Beer - YOVA - La Faute

Parliamo - You’re An Animal.

A funk-laden guitar pop anthem filled with hazy melodies that flutter and float like the last rays of sun dipping behind the horizon on a languid summer day, “You’re An Animal” arrives as the first new music from Parliamo this year.

Taking primary inspiration from the laid-back electronica-infused indie pioneered by the likes of Primal Scream, Super Furry Animals or Blur, with a healthy dose of the dazed guitar-pop rhythms reminiscent of Swim Deep or Peace also detectable amidst its sunny substance matter; “You’re An Animal” finds the band facing up to our fear of failure with a fizzing new release.

As vocalist Jack Dailly explains of the track: “The lyrics [of “You’re An Animal”] centre on projecting your own failures and insecurities onto someone else in an argument: when you really should be having a go at yourself, you deflect the blame and double down. It quickly became an effective live number, with loads of people who had seen us live asking us when it would be released.”

Initially written over two years ago, “You’re An Animal” has been finessed to perfection at live shows and their home studio ever since. The final version was recorded, mixed and produced by Jamie Holmes at Castle of Doom Studios in Glasgow in 2023.

Parliamo · You're An Animal

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Freya Beer - Fantasy / Galore.

Her first new music of 2023, the “Fantasy” // “Galore” AA-side single arrives as Freya begins to etch out the successor to her acclaimed debut album ‘Beast’. Toying with that which tempts us in both lucid fantasies and shadowy realities, these two bold, dark and exhilarating new tracks find Freya Beer delving into what drives our deepest desires and showcasing two very different sides of her artistic abilities.

“You stretched your pegs out wide, slightly confused my appetite” teases Freya on “Fantasy” as she opens up the floor to a track of rapacious sexually-charged spills and raw garage rock thrills. Told through tactile, tantalising prose and prowling proto-punk riffs, this latest cut finds Freya celebrating the uncensored version of ourselves we become in our wildest daydreams. As Freya elaborates:

“Fantasy is an unfiltered exploration of self-discovery and expressing your thoughts in a fictional world. I wanted to write a song that emotes raw emotion and tells the listener to embrace their feelings in a positive way.”

On the flipside, “Galore” is an altogether more salacious affair that explores what can happen when those fictional pursuits and carnal desires boil over into real world infatuations with uncertain consequences. As Freya explains: “Galore is about people who are infatuated with something, almost bordering on ‘obsession’. The line “I’m your galore, you don’t want anyone else babe” depicts how this obsession is becoming a feeling of escapism and creating a fictional storyline for themselves.”

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YOVA - Feel Your Fear.

Letting loose a runaway freight train of jumpy guitar rhythms and primal percussive rumblings, the new single from the duo of Jova Radevska and Mark Vernon is one intended to heighten the senses and toy with what drives our fears and failings. As Jova explains:

“”Feel Your Fear” is about the human’s fallible nature to form addictions in order to alleviate pain. We can do this with a person too: we can believe that their company will save us from the challenges we are facing and we cling to that, when in fact we haven’t addressed the real cause of those feelings. It is often our insecurity and un-dealt trauma that makes us cling to people/substances, addictions in general.”

Citing ESG, Gang of Four, King Sunny Adé, and early Talking Heads as being amongst the subliminal influences that played into the track, “Feel Your Fear” sees YOVA deftly update their dynamic brand of alternative pop music with hints of garage rock, Afropop and funk to gripping effect.

Produced by Mark Vernon and arranged by Rob Ellis, the track was recorded between Dorset and London and also features Daniel O’Sullivan of Grumbling Fur on bass and features the legendary Terry Edwards (PJ Harvey) on saxophone. Intending to create an unshakeable feeling of restlessness, Jova Radevska’s airy vocals toe a fine line between playful and impending, while its haunting baritone sax, sinuous bass, and meticulously timed blasts of trumpet and organ all play their part in the unsettling fabric of “Feel Your Fear”. As Vernon adds: “The sonic tapestry and rapid tempo of this track is written to convey a sense of heightened urgency: the impending sense of emotional claustrophobia and resulting fear is echoed in the narrative of Jova’s lyrics. A sense of one last rushed midnight dance before emotions inexorably spiral out of control and time literally gets swallowed up before our eyes.”

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La Faute - The Crown.

A hidden gem from the frozen heart of Toronto, Canada, art school dropout and Sony Music Publishing artist La Faute (aka Peggy Messing) is releasing her third single “The Crown” from her upcoming debut Album, “Blue Girl Nice Day”.

La Faute is Messing’s dark, dreamy solo project. A visual artist, multi-instrumentalist and singer-songwriter originally from Winnipeg, Canada, she explores themes of surface vs. depth, longing, betrayal, mourning and desire. Using tenor electric guitar and obsolete hardware samplers, she created her captivating live show and released her debut EP just before the pandemic. She chose to pause performing live due to her health, and returned to focusing on creation, finding workarounds to the problem of isolation. She connected with fellow artists and producers in France, the UK, Canada and the US to create music during this time, most recently with LA-based Topher Mohr who produced her upcoming album.

She received unanimous praise for the first single from the album, ‘Blue Girl Nice Day’, in February 2023, an unsettling, haunting song inspired by the Milgram experiments of the 1960s. The song was accompanied by an eerie video that showed the artist making a bed in a windswept field with looming power lines in the background. Her second Single, “Watercolours” was equally highly praised, and featured a video of Messing night driving in the rain and getting drenched in a cold downpour. She has become increasingly interested in filmmaking, art-directing and shooting music videos for each song herself, inspired by French new wave and film noir aesthetics.

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Erin K - Mary Anne's Polar Rig - Bethan Lloyd - IST IST - La Faute

Erin K - Keep Her.

With a growing audience of over 3 million streams on Spotify, following the fruitful collaboration on 2019s I Need Sound, the American-born London-resident musician has continued her work with co-producer Kristofer Harris (Belle & Sebastian, Ghostpoet) and recorded new album Sink to Swim at his Squarehead Studios in Kent.

Erin’s narrative-driven songs are as forthright and personal as they are engaging and the candid nature of her often fearlessly self-deprecating lyrics make repeated listens of the timeless songs rewarding. None more so than Keep Her.  “This song illustrates the circumstances of a girl who is bound to her relationship with a controlling partner”, Erin says. “It is written almost in the form of an encouraging letter to the dominant party, offering advice on how to “keep her by [his] side so she can’t let go”. As the verses unfold, the extent to which this girl is broken and bound are poetically revealed.”

This subject matter is intensely personal to Erin who “found myself in similar relationship dynamics in the past. It’s disturbing how reality can be so drastically altered in this way.”

The song evolved considerably from its original form to the final studio recording. “Musically, it was interesting to witness the evolution of this song, originating as something very sombre and heavy. The arrangement is lighter now, serving as a nice contrast to the subject matter”. The video for Keep Her was made in an unconventional way using cutting edge gaming technology.  Director Dylan Copeland explains, “Using camera trackers designed for gaming, and a hardware compositor designed for broadcast, we projected Erin and her guitar from our studio in London to a bench in a virtual clearing in a virtual forest in an Unreal Engine”.

 

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Mary Anne's Polar Rig - Som En Dröm.

Rama Lama Records proudly presents 'Makes You Wonder', the new album from Malmö's art-rock-fuzz-pop duo Mary Anne's Polar Rig. Their sophomore effort is shape-shifting art rock that’s alternatively brooding and euphoric, the record is packed with irresistible melodies, needle-sharp guitars, scuffed-knees scrappiness and Hofvander’s snarling, growling and yelping vocals, but compared to their debut it vastly expands the scope of what they can do with it. The album will be out March 24th on all platforms, CD and a limited gatefold double vinyl.

A lot of the story of Mary Anne’s Polar Rig’s new album Makes You Wonder is about ambition. It’s a record the band made to explore new territory, to really see what they could do. New single, and the record’s final one, “Som En Dröm”, is that ambition made real - it’s five minutes of soaring, grandiose music, skyscraping art-rock that feels bigger than anything they’ve made before.

“Som En Dröm” (Like A Dream) announces itself with a stomping guitar riff, and grows into a swirl of jangling guitar lines and thumping drums. It feels like a song written in different chapters, with its choppy intro, rock-and-roll sing-along chorus and helter-skelter, guitar-shredding outro. But fueling it all the way is a sense of restlessness, of longing to run towards the horizon and never look back.

Singer Malin Hofvander says: “We used to call this the ‘bob hund’ song as we were working on it. They’re probably one of our all-time favorite Swedish bands, so it’s no secret that they’ve been an inspiration for us, and especially on this song. It was the last song we wrote before going into the studio, and I think that made us want to experiment with it more. Production-wise, I was really looking for that dreamy feeling of walking through different atmospheres, never knowing where you’ll end up next. Zakarias Lindhammar, who did the mix on this one, really did an awesome job. It’s probably the track I’m most proud of on the album”

About the video, MAPR says: This song was a wild ride in the studio. Much like its title (translated to "Like a Dream") we wanted it to have many parts drifting in and out of each other in a way that somehow makes sense although it's slightly unnatural. It will be released together with a music video featuring the dreamworld of a twisted detective desperately seeking signs of alien activity in Malmö. It was shot and edited by our friend Oskar Rydlinger who filmed us on tour in Germany 2018 and for several different loose music video projects over the years that never reached the surface. So he used all of that archive material he had for this video to make it really feel like a warped timeline of nostalgic memories blasting at you. We also threw in some really old videos of ourselves as kids just to go full circle with it. Guess the story is not really supposed to make too much sense... it's like a dream.... finns ingen tid"

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Bethan Lloyd - Aria.

Bethan Lloyd is a Welsh artist whose trance inducing vocals expand over an ocean of rave inspired production, harmonic layering and otherworldly ecstasy. Her sonic exploration has taken her from training as a classical singer, immersing herself in Berlin’s experimental music scene, to learning with shamans, masters and the ancient teachings of the natural world. 

In her latest single, Aria, Bethan, producing alongside Pre-Human bandmate Isaac Ray, takes her intense explorations of the spirit and emotional realms and blends them into something playful and danceable, a gritty experimental pop.

The landscape itself often becomes the inspiration for Bethan's creativity. She is frequently journeying with her sonic tools to ancient Neolithic sites and places of awe and wonder and allowing her surroundings to inspire a unique vocal soundscape. Aria is one such example. Written in Bryn Celli Ddu, a Neolithic burial chamber on the Isle of Anglesey, Aria is an ode to the ancient Welsh, to the Sun gods and sleeping ancestors. Stirring up a sense of the forgotten past, the chorus is an emotional cry for a sense of belonging and the desire to truly find one's home.

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IST IST - Nothing More Nothing Less.

With their upcoming third album fast approaching, IST IST are pleased to unveil the latest track to be cut from the record: “Nothing More Nothing Less”. Chiming with the overarching concept of ‘Protagonists’ (out 31 March, via Kind Violence), the Manchester band’s new single finds them stepping into the shoes of a character trapped in a complex relationship and at odds with her true feelings. As frontman Adam Houghton explains:

““Nothing More Nothing Less” is a simple love song really written from a woman’s perspective who isn’t exactly sure what she wants.” Infusing atmospheric synthesisers and inspiriting backing vocals into their signature post-punk sound, “Nothing More Nothing Less” sees IST IST delivering one of their most cathartic and climactic singles to date.

“Nothing More Nothing Less” arrives as the next-in-line in a string of fascinating singles to have been released in recent months, with “Something Has To Give”, “Stamp You Out” and “Mary in The Black and White Room”, all leading the way to their upcoming ‘Protagonists’ LP later this month (31 March). A record all about new beginnings, the album will touch on the trials and tribulations of love, tricky family relationships, and the feeling of being trapped by the past. The title is inspired by songwriter Adam Houghton’s magpie-like method of writing, with its songs placing prominent characters, fictional and non-fictional, into dystopian worlds with new and uncertain outcomes. Recorded and mixed by Michael Whalley and IST IST at Milkshed Studios, the album was mastered by the legendary Greg Calbi and Steve Fallone at Sterling Sound (The National, Yeah Yeah Yeahs, Interpol) and as its precursory singles suggest it will see Ist Ist traversing a broader spectrum of genres and sounds than ever before.

Alongside the album, IST IST also delighted to confirm news of another exciting venture - a brand new community studio. Acting in response to the shock closure of the Brunswick Mill rehearsal spaces earlier this month, a facility used by IST IST since 2018 but also countless artists from across Manchester, the band quit their day-jobs and have decided to establish their own rehearsal rooms. Built with their own bare hands and located on the third floor at Nile Mill A in Oldham with just shy of 4,000 sq ft of space, KVR Studios aims to offer a safe space to all of the creatives in the city who have been evicted from Brunswick Mill and similar spaces blighted by gentrification. The studio will boast nine rehearsal rooms in total, a blackout photo studio big enough for photoshoots and videos, and lockable storage areas to store equipment. With 24 hour access to the facilities to accommodate all schedules and needs, rooms will be available to rent in four hour blocks or monthly, with multi-band sharing opportunities also available.

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La Faute - Watercolours.

A hidden gem from the frozen heart of Toronto, Canada, art school dropout and Sony Music Publishing artist La Faute (aka Peggy Messing) has released her lead single and music video, Blue Girl Nice Day, from the debut album of the same name.

La Faute is Messing’s dark, dreamy solo project. A visual artist, multi-instrumentalist and singer-songwriter originally from Winnipeg, Canada, she explores themes of surface vs. depth, longing, betrayal, mourning and desire. Using tenor electric guitar and obsolete hardware samplers, she created her captivating live show and released her debut EP just before the pandemic. She chose to pause performing live due to her health, and returned to focusing on creation, finding workarounds to the problem of isolation. She connected with fellow artists and producers in France, the UK, Canada and the US to create music during this time, most recently with LA-based Topher Mohr who produced her upcoming album.

She received unanimous praise for the first single from the album, ‘Blue Girl Nice Day’, in February 2023, an unsettling, haunting song inspired by the Milgram experiments of the 1960s. The song was accompanied by an eerie video that showed the artist making a bed in a windswept field with looming power lines in the background. Messing has become increasingly interested in filmmaking, art-directing and shooting music videos for each song herself, inspired by French new wave and film noir aesthetics.

Messing is a former Girls Rock Camp Toronto volunteer, and found inspiration through helping girls get into music, offering them something that she wished had existed when she was growing up.

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