Rachael Dadd - KiKi Holli - Lukka

Rachael Dadd - Heads Down.

This week, the wildly creative free-form songwriter, Rachael Dadd is sharing her new single, "Heads Down". The track is taken from her forthcoming studio album, Kaleidoscope, out October 14 via Memphis Industries – “a terrific album of upbeat but off-beam English folk-pop” (Uncut).

Premiering on Lauren Laverne’s show on BBC 6 Music, "Heads Down" came out of a playful music session with Rachael's youngest son, as she explains: "Having just bought my new Gretsch guitar and Wem amp, and cranking it up in my front room with Oto on the harmonica, the chords and rhythm felt fun and energizing. The words followed, inspired by someone on the radio recounting being chased by a gang with baseball bats after naively offending the gang leader. Cockiness and misjudgment are qualities of brazen teenagers and arrogant politicians alike. But rather than just waggle my finger at the others, I looked inward to find that I too have a part driven by impulsive feelings and misguided strong will. After crashing we might hopefully be able to learn and grow by practicing self-discipline and self-compassion alike."

Kaleidoscope is Rachael’s second album for Memphis Industries and follows 2019’s Flux which was released to much acclaim and which Rachael was touring when the pandemic struck. “This album is a lot more honest and personal than Flux" she shares, “but I feel the songs are universal as they are largely rooted in truth and love. If I had to pick a favourite album it would be this one because of the magical rekindling of human connection when me and my band got back in a room together again. All that magic went into these songs."

Co-produced by Rachael and Rob Pemberton (The Staves, Emily Barker, Maja Lena), ‘Kaleidoscope’ includes musical collaborators such as Maja Lena (Low Chimes), long-time collaborator Emma Gatrill (Willy Mason) and ‘Flux’ producer Marcus Hamblett (Villagers, James Holden, The Staves).

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KiKi Holli - Play To Lose.

Los Angeles indie-pop vocalist KiKi Holli creates stunning and soulful music woven with intricate emotive storytelling for a truly captivating and cathartic listening experience with an eclectic musical aesthetic. Holli draws on inspiration from her rich theatrical background, as well as from iconic artists such as PRINCE, Dusty Springfield, The Cure, Stevie Nicks and Siouxsie and the Banshees.

Crafting a unique sound, KiKi Holli’s music is beautifully vulnerable and nurturing, with themes of connection, healing, personal growth, and living in the moment. If her delivery seems genuine, empathetic even that’s because it is. She’s been there. “You know, Amor fati — love your fate, love whatever is in front of you and embrace the moment,” she says.

Holli’s debut single was a breathtaking cover of Roxy Music’s “More Than This”, a raw and intimate version of the celebrated 80’s hit. Collaborating with acclaimed producer Ethan Allen (Throwing Muses, Tricky, Black Rebel Motorcycle Club), she was inspired to release her own version of the song in the midst of dealing with intense grief and loss.

Her first original song, “NEW HIGH” is a celebration of simple pleasures, finding solace in your happy place and a returning to love after a time of hardship. With soaring vocals singing sunshine-dipped melodies over lush and blissful pop rock soundscapes, “NEW HIGH” is a welcome sonic escape, collaborating again with Allen to create a landscape of music that pulls the listener into the neon glow of a surreal joy ride down the coast of Malibu.  The track received praise from the likes of Earmilk, Atwood Magazine and Buzzbands who proclaimed it "a day-brightener in which her crystalline vocals ooze optimism with every note".

In her new single “Play To Lose”, KiKi examines leaving a toxic relationship and finding your voice and confidence in the end. With layered vocals full of confidence and depth, and acoustic guitars dripping with nostalgia, “Play To Lose” is a radiating groove-infused roots pop single. “Play To Lose” reminds the listener to know your own worth and find your power even in the most hopeless of situations.

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Photo - Jen Meller

Lukka - People Of Light.

Lukka, the brainchild of German-born, New York City-based artist Franzi Szymkowiak, released her latest single “People of Light” yesterday, from her sophomore album, Something Human out this Friday, August 26. The single release is accompanied by a stop-motion lyric video.

Discussing the lyrics, Lukka shared, "the meaning of the title generally refers to all that we are and who we see is a reflection of the light. The song itself indicates that certain situations and circumstances we experience through the times causes us to change and reincarnate to different people. One can never know what kind of person they will be in 10 years from now as no one can really foresee the future."

Something Human speaks to both the head and the heart. The album’s essence is perfectly captured in its first two singles “Wisdom of the Sun” - a yin-yang ode to finding positivity in even the darkest of situations, and “Life In Reverse” where Lukka finds herself closing one chapter, to start the next. At once an escapist psychedelic synth-rock odyssey and a timely shot of science-based spirituality like the philosophical belief of reincarnation described in “People of Light,” the 10-song LP wraps messages of oneness and self-determination inside multi-layered melodicism, cultured retro-electronica, and tastefully effected guitars. “Transmitting the message of love and oneness through music is very important to me,” stated Szymkowiak.

Recorded at Brooklyn’s Transmitter Park Studio and co-produced by Franzi and Abe Seiferth (Guerilla Toss, Nation of Language) – who also engineered and mixed – Something Human’s ten tracks traverse heady psychedelia, nostalgic ‘80s new wave, and experimental pop. Lukka’s singular throughlines are Franzi’s crystalline timbre, a disarmingly sunny pre-punk melodicism, and recurring lyrical themes exploring our role in the universe and the meaning in our lives.

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Lukka - Abby Sage - The Fades

Photo - Jen Meller

Lukka - Life In Reverse.

Lukka, the brainchild of German-born, New York City-based artist Franzi Szymkowiak, released her latest single “Life In Reverse” this week, from her sophomore album, Something Human due August 26.

Discussing the track, Franzi noted, “‘Life In Reverse’ talks about the end of a close relationship, as both partners realize that time has changed them. And that one shouldn’t be afraid of that change… 'only a matter of time and you get used to it’” - watch + share “Life In Reverse” via YouTube.

Something Human speaks to both the head and the heart. The album’s essence is perfectly captured in its first two singles “Wisdom of the Sun” - a yin-yang ode to finding positivity in even the darkest of situations, and “Life In Reverse” where Lukka finds herself closing one chapter, to start the next. At once an escapist psychedelic synth-rock odyssey and a timely shot of science-based spirituality, the 10-song LP wraps messages of oneness and self-determination inside multi-layered melodicism, cultured retro-electronica, and tastefully effected guitars. “Transmitting the message of love and oneness through music is very important to me,” stated Szymkowiak.

In essence a solo project supported by a semi-fluid band, Lukka’s sound is rooted in Franzi’s early influences growing up near Dresden, Germany – the Rolling Stones, Pink Floyd, the Beatles, The Who, Led Zeppelin – and, more recently, David Bowie, early Brian Eno, Flaming Lips, and Deerhunter. Extensive busking and performing around the world included four years in Australia, where she embraced that region’s new wave of psychedelic synth rock, including Tame Impala, Pond and Unknown Mortal Orchestra.

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Abby Sage - The Florist.

Today, LA/London based alt-pop artist Abby Sage announces her forthcoming sophomore EP The Florist out October 21st via Nettwerk. The announcement arrives with the release of the stunning title track single. 

Abby Sage’s upcoming EP is fueled by a love for character sketches, with each song becoming a tiny play or narrative. Take the new single “The Florist,” and its depiction of a woman who can bring beauty to the lives of others. “I’m someone who’s so protective of their friends,” shares Abby. “When something is broken, I want to fix it. And a florist is someone who through their actions makes a room prettier – because flowers always manage to do that.”

Commanded by a pillowy production, deliberately impassive vocals, and a skittering drumbeat, “The Florist” is an appetizing slice of soulful indie goodness. Gentle and quiet songwriting is at the forefront, with labelmate Boy Willows providing a hand in co-writing a portion of this beautiful and sweeping track that enthralls with notable and radiant power.

Abby Sage’s The Florist EP is a follow-up to her 2021 debut EP Fears of Yours & Mine, a collection of songs that was just the beginning in showcasing her commanding sound and precarious outlook of the world around her. Abby expresses, “The last project was a very personal take of what I was immediately experiencing at the time while this project feels a bit grander scheme and observational. I had nothing that was immediately bringing me either intense pain or joy (I normally experience things in extremes this way), there was something about this period that felt over looming and bigger than myself. I was in London taking the tube from session to session and felt like a sponge. One time there was a particular group of kids next to me and I listened to their conversation for the duration of the journey along with a few other snippets of chatter around me. I wanted to write about the experience of others, the unfamiliar coinciding with the familiar.”



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The Fades - You Follow Me Around.

London based post punks The Fades are back with a new album - You Follow Me Around is the first cut from it & a taste of what’s to come. With DJs like Steve Lamacq, John Kennedy & Marc Riley supporting various releases & glowing write ups in Louder Than War, Fresh on The Net & alike, The Fades are a band who’ve consistently turned adversity to their advantage, finding the best in life while not taking themselves too seriously.

Recorded in Brixton, South London using an array of analogue equipment, You Follow Me Around is a raucous indie post-punk blast of alternative pop, recalling the time when lead-singer Dave Lightfoot was stalked by both an ex-partner & his own cat clambering for affection at home - a sort of dual experience of enforced attention from very different sources. “The song was written at a very difficult time when this ex-partner was seriously harassing me” says Dave. “It made me ill & I lost so much weight but in the usual ‘Fades’ way, I managed to make light of it by linking the song to my cat, who was also harassing me but in a much more loving way. Basically, I took the positive approach to a very stressful situation & then a song came out of it”.

In true punk DIY style, The Fades recorded their debut single above a chip-shop on the Staines Road in West London. It was quickly picked up by Steve Lamacq who played it on national radio & soon a buzz was building around the band. Then explosive gigs with bands like Ocean Colour Scene, Bloc Party, The Mystery Jets & German rockers Art Brut gained them a reputation for raucous mayhem, including a penchant for multi-band clothes swapping on stage! Next up, US indie label Cranky Girl Records arranged for an East Coast tour of the States alongside some American releases, which all culminated in a whirlwind of gigs, parties & scintillating scotoma!

Buoyed on by a new-found enthusiasm when they sold out of their 2020 vinyl album Ragnarok & embracing the ‘new reality’ of working from home during lockdown with many a remote writing session, the band went back into the studio to record upcoming LP Night Terrors, from which You Follow Me Around is taken.

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Son Little - Matthew Bailey - Erika Olson - LUKKA

Photo by Cynthia Perez

Son Little - Deeper.

Son Little announces his new album, 'Like Neptune', out September 9th via ANTI-, and in conjunction shares two lead singles, 'deeper' and 'stoned love'. Continuing to revolutionize the modern understanding and expectation of R&B, Son Little delivers an unadulterated transmission of Black American music performed in its praying and pleading mother tongue. Conceived in a cabin overlooking the Delaware River in upstate New York, 'Like Neptune' is an open and vulnerable portrayal of unbridled joy and self-acceptance. In this verdant space of freedom, Son Little transmutes the chronic pain of self-doubt into a beautiful opus about overcoming generational trauma, decorating the altar of the primordial blues and elevating the labour of healing to high art.

"In the beginning of lockdown, I went into a closet full of junk and found a couple of boxes full of my old writing books,” Livingston explained. “There turned out to be 72 books in there. The oldest book I got as a Christmas present when I was 9. In it, I wrote letters to myself about what was happening in my life. One page refers to a neighbor in Queens who abused me sexually around age 5. It was the first and only time I’d ever acknowledge this fact until after my 19th birthday, when I told my mother what had happened. She begged me to go to therapy. I went under protest. My attempt wasn’t sincere. I wasn’t ready. I thought I could just power through it.”

Years of anxiety, depression, panic attacks and existential dread ensued, often dulled or numbed by the effects of alcohol, drugs, or sex. A frightening car crash and arrest finally led him back into therapy in 2017. Aggressively employing progressive methods like EMDR and somatic healing, Livingston, with the help of a trusted therapist, began identifying the roots of his trauma, and where it lives in the body. But the biggest breakthrough came from Internal Family Systems, a methodology that recognizes responses to trauma triggers as distinct entities or ‘parts’ within the person, and requires the patient essentially have conversations with the different traumatized personalities within them.

“One day in therapy I started talking to myself– to that annoying inner voice that criticizes everything when you mess up. I asked them how old they were and they said ‘10’. I asked if they knew who I was, or how old I was and they said ‘no'! Strange as it all seems it’s had some amazing results. I’m able to soothe and comfort my inner…children.”

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Matthew Bailey - Full-Time Hobby.

Matthew Bailey is a Toronto-based singer-songwriter, guitarist, producer and recording engineer. When not producing records or on the road supporting some of Canada’s finest songwriters, he can be found in his home studio composing songs and exploring the spaces between notes. Since moving to Toronto in 2006, Matthew has released original music under the band names The Long Haul, Staycation, Playdate, The Psychological Rangers, ES+MB, as well as albums under his own name.

Matthew has been a major contributor to a number of creative collaborations, including his production work on releases by Sameer Cash and Hiroki Tanaka, his role as guitarist/synthesist with Andy Shauf’s touring band and his film score for Billsville. Referring to his Camargo and Vol I releases, Music Works wrote, “Bailey’s curious mind conjures enthralling animated soundscapes for wired daydreamers,” aptly describing his aesthetic aspirations and devotions of recent years. The Wire described Manitoulin Tapes, a recent release with his duo Playdate, as a “blissed out lo-fi gem.”

Matthew’s music draws equally from ’60s pop and bedroom Casio noodling, attempting to take the familiar and twist it into something peculiar. Often taking cues from the loose and spontaneous production of records like The Beach Boys’ “Smiley Smile” and Arthur Russell’s “Love is Overtaking Me,” he embraces space, human error, and the excitement of a first take.

matthewbaileymusic · Full - Time Hobby

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Erika Olson - I Don't Feel Like Fighting.

Erika Olson just released her indie folk pop single “ I Don’t Feel Like Fighting.” Inspired by a fight she had with her constant fighting with her eldest son after their family moved to England, “I Don’t Feel Like Fighting” took shape. Then the pandemic hit and she felt like she was right back where she started. She says “I started to get those crushing feelings again during the first of several lockdowns. The mantra came back to me amidst the nonstop busyness that accompanied my lockdowns - homeschooling three children, cooking nonstop, cleaning, trying to explain the state of the world. So, when I could snatch a quiet moment I began flushing out more lyrics to the song.”

Erika Olson, an American Expat, raises babies and writes songs in the high weald of East Sussex.  Erika combines vulnerable vocals, contemporary storytelling, and musical influences spanning indie, folk, country, blues, Americana and pop.  When pressed to describe her music, Erika likes to call it “folk with a beat.”

On the verge of self-releasing her debut album, it has taken Erika several iterations of herself to get here.  She’s learned that change is her constant and her power is her ability to start again.

Over the past five and half years, Erika’s babies and her music have grown up side by side.  She used the calm moments in the sea of chaos - to hone her craft, study, practice, record, and perform. She’s amassed a robust catalog of original indie folk material that explores the aching beauty shrouded in the mundane and everyday.

Rooted in the stuff of ordinary life, Erika’s songs bear witness to the glorious and devastating moments that can only be seen when we slow down. She sings to look deeper, see clearer, and know better. Her music is here to wake us up to our precious and unique lives.

Erika Olson · Erika Olson - I Don't Feel Like Fighting - This is How I Pray

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Photo Credit: Jen Meller

LUKKA - Wisdom of the Sun.

Lukka, the brainchild of German-born, New York City-based artist Franzi Szymkowiak, released her latest single + video, “Wisdom of the Sun” today to announce her sophomore album, Something Human, for an August 26. “Wisdom of the Sun” is a yin-yang ode to finding positivity in even the darkest of situations, almost Polyphonic Spree-ish in its triumphant, choral bliss. The video was directed by Simone Brillarelli.

Something Human speaks to both the head and the heart. At once an escapist psychedelic synth-rock odyssey and a timely shot of science-based spirituality, the 10-song LP wraps messages of oneness and self-determination inside multi-layered melodicism, cultured retro-electronica, and tastefully effected guitars. “Transmitting the message of love and oneness through music is very important to me,” stated Szymkowiak.

In essence a solo project supported by a semi-fluid band, Lukka’s sound is rooted in Franzi’s early influences growing up near Dresden, Germany – the Rolling Stones, Pink Floyd, the Beatles, The Who, Led Zeppelin – and, more recently, David Bowie, early Brian Eno, Flaming Lips, and Deerhunter. Extensive busking and performing around the world included four years in Australia, where she embraced that region’s new wave of psychedelic synth rock, including Tame Impala, Pond and Unknown Mortal Orchestra.

Having honed her craft and up-close human connection with just a guitar and loop station in intimate venues in Australia, New Zealand, and Argentina, Franzi relocated to New York City. There, the classically trained pianist joined post-punk quartet Clairaudience, before releasing her more rock-based debut as Lukka, Encounter, in 2018. A truly international affair completed by core members Ashley Gonzalez (bass), from Queens, and Australian-born drummer Simon “SiFi” Fishburn, Lukka’s sound has since evolved into something charmingly tuneful yet draped in swathes of delayed guitar and vintage synths.



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