Showing posts with label KAVYA. Show all posts
Showing posts with label KAVYA. Show all posts

Friday, 10 December 2021

Selci - Violent Vickie - KAELI - In The Pines - KAVYA

Photo - Annabeth Trondsen
Selci - Ghost.

Calgary-based art-pop artist Selci released their latest single “Ghost,” mixed by Sylvia Massy, with a stunning visual accompaniment, directed by the artist herself. Watch + share via YouTube. “Ghost” offers a first taste into what will be a fruitful 2022, as Selci puts the finishing touches on a two-part album project, details of which will be announced next month.

Discussing “Ghost,” Selci noted that, “it’s about being ghosted - literally and figuratively. The first verse is about the elusiveness of truth. This feels augmented in our current reality with the lack of trustworthy sources and the influx of political conspiracies. The second is about being ghosted by a love interest and washing it away with liquor. The third is an outcry - it gives me the feeling of falling to my knees in surrender to the things that I cannot control in this life. This song is very much a response to the political climate of the past two years. It takes the laments of modern life and compares them to ghosts.”

For Selci, the pairing of music to the visual, is a natural extension of expression. “The video for ‘Ghost' recreates famous 19th century paintings of mythological women,” they noted. “In contemporary styling we recreated Charles Mengin’s ‘Sappho', Waterhouse’s 'Echo and Narcissus', and Mallais’ ‘Ophelia'. Contemporary dancers dance like ghosts in front of giant human-like statues in Calgary, known as 'The Brotherhood of Mankind'. In its time, it was created as a celebration of colonization, framing it as a gift to the rest of the world - a dated and simply incorrect view of colonization, and continued harm it has brought to Indiegneous peoples.

Continuing with that theme, the scenes of women dancing in red dresses is an intended nod of awareness to the inquiry into Missing and Murdered Indigenous Women in Canada. The final scene - featuring a woman, apple in hand, being clutched by another hand from below, is a commentary on the Garden of Eden, and forced assimilation into the Catholic Church.”

“Ghost” follows Selci’s September single “Type and Send.” The two tracks show the versatility and dynamic range of Selci’s sonic palette. And with a two-part album set for 2022, the Selci is ready to take on the world.


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Violent Vickie - Get To Me (Fragrance Remix).

After touring Mexico, Violent Vickie returns with “GET TO ME” (Fragrance Remix) , a gothy-y dance remix of her "sad girl" song by the French producer and remix artist known as  Fragrance.  “GET TO ME” (Fragrance Remix)  is the first track off of Violent Vickie's Division Remixes LP which will be out in February of 2022.

Violent Vickie is a Los Angeles based Dark Synth-Riot artist consisting of Vickie and co-producer/recording guitarist E.  Vickie has toured with Hanin Elias of Atari Teenage Riot and has shared the stage with Trans X, The Missing Persons,  Jessie Evans (The Vanishing),Them Are Us Too, Pastel Ghost and Aimon.  She has toured the US, Mexico, Canada & Europe and played Insted Fest, Solidarity Fest, Shoutback Fest & Gay Prides and Ladyfests.  

Vickie’s tracks have been released by Crunch Pod, Emerald & Doreen Recordings (Berlin), Riot Grrrl Berlin, & LoveCraft Bar (PDX).  Her track "The Wolf“ was featured in a National Organization for Women film and she was interviewed for the documentary “GRRRL”, part of the museum exhibit “Alien She”.  Her LP "Monster Alley” was voted best album by KALX and her tracks have been remixed by 25+ artists.  Violent Vickie's Division LP was released in September 2020,  followed by a remix album of "Under The Gun" in February 2021 and a cover of Johnny Cash's Ring of Fire in July 2021.  Violent Vickie’s “Division” Remixes LP will be out in February 2022.

 

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KAELI - No Mans Land.

 “There is no other time when I feel more alive. Being on stage, singing about what I have experienced and felt, and getting to share that with people who feel the same way, it’s a feeling like no other” says KAELI. New to the music scene, but not unfamiliar with the stage, KAELI is a singer-songwriter from London. Beginning her career by treading the boards in theatre, and eventually touring arenas worldwide as a featured vocalist for film star Hugh Jackman, it hasn’t been a conventional route into the music industry. But 2021 sees KAELI finally find her own voice. Combining soaring vocals, and honest lyrics with an effervescent pop sound, KAELI hopes to bring her lively energy and openness to every track.

KAELI is signed by Abubilla Music, and plans to release her debut EP in late 2021. Growing up to Scottish parents in a small village in Hertfordshire, KAELI never wanted to be in the spotlight. In fact, it wasn’t until her parents saw how crippling her shyness was that they decided to put her into drama and singing classes at the age of 8. It all went downhill from there. Coming into her own, a young KAELI found her passion and spent her free time performing and taking classes, or listening to the soundtracks of her favourite musicals and Disney movies. It was where she felt most at home, feeling theemotion of every song that these characters were singing.

It was a purely natural progression for her to pursue performing as a career, and after attending prestigious schools such as LAMDA and the Guildford School of Acting, KAELI went on to have a successful stage career in the West End, performing in shows such as ‘Les Misérables’, ‘Jesus Christ Superstar’ and the original cast of ‘Tina the Musical’. However, her career took a new turn after being asked to join Hugh Jackman on his 2019 world arena tour of ‘The Man. The Music’. The Show, as one of his featured singers.

Performing in venues such as Madison Square Garden, the Hollywood Bowl and the O2, KAELI travelled across the US, Europe and Australia, playing to packed out houses alongside the Hollywood star. Whilst touring, KAELI would use spare moments on the bus to work on new music and demos, as she found herself more and more inspired by her travels and experiences. Encouraged by the team on the tour, and Hugh himself, KAELI decided to pursue her songwriting further, and reached out to London label Abubilla Music on her return. She signed to the label in 2020, after some time developing her writing with the team, and began writing her debut EP. “This EP explores the different genres of music that I love, whilst also allowing me to explore where I fit in this musical world. I think each song shows a part of me, a part of how I respond to the world and to relationships, and paints a really vivid picture of who I was when I wrote each song. I see it as a kaleidoscope of 

KAELI, that’s helped me uncover exactly where I want to sit with my next record. I can’t believe I’m talking about my next record already but I feel so fired up now that I can’t wait to start writing it with this new found clarity. I just hope this first one gives everyone a taste so they’re hungry for more!”

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In The Pines - Jeez Louise.

Cincinnati, Ohio quartette In The Pines announced that their third full-length studio album, Impossible Daze, will be released on January 28, 2022 via Soul Step Records. To mark the announcement of Impossible Daze, the band has shared “Jeeze Louise," a laid-back and lo-fi cut that highlights the band’s proclivity towards immersive and atmospheric vocal harmonies.

“‘Jeeze Louise’ was one of the tunes where we knew exactly how we wanted it to sound, but we weren’t sure of the best way to go about it,” says guitarist & vocalist Michael Shular. “We wanted it to sound like it was done out on the front porch, real loose, just like we were pickin’ around, having a good time. We wanted a low fi sound so our engineer decided to run it through a cassette player in the front room of the studio using an old 50’s Altec broadcasting mic. While we were recording he was pressing on the tape to give it that warbly old school sound. It was really satisfying hearing the final result, it had exceeded our expectations and has become a favorite of ours.”

“The verses allude to some of the more exciting parts of love - the feelings of excitement and courage in a happy new relationship,” says bassist & vocalist Patrick Zopff. “Those images are contrasted with the chorus, which is a desperate apology. (“Babe I’m awful sorry, oh jeez Louise!”) It’s supposed to evoke the feeling of surprise and shame upon the realization that you can hurt someone despite the best of intentions. All of this is performed with a little whimsy, sincerely bittersweet… We chose to strip down the arrangement to just banjo, guitar, and vocals, to make it feel like four friends drunkenly singing together on the porch on a warm summer night.”


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KAVYA - Know Me Better (E.P).

KAVYA's new 4 track EP depicts the artist’s diverse creative interests ranging from fashion, art, music, and acting all of which make her thrive and are integral in shaping the person she is today.

‘Know Me Better’ is KAVYA’s humble attempt to share her personality, interests, dreams, and vulnerability with her audience through her music. In February 2021 in association with VH1 Supersonic plug-in, 'Know Me Better’ the documentary was released which highlighted Kavya's relationships with the women in her life, her interest in art, cinema, visual identity followed by a live performance. Through the next three months, we delve into her different creative worlds and bring to the forefront all the things that make her come alive.

KAVYA (Kavya Trehan) is a 27-year-old singer-songwriter from New Delhi, India who’s been performing since the age of 14. Over the course of time, she’s collaborated with some of the leading producers in India and toured with her band, MOSKO. Her solo project is a celebration of raw emotion and her roots, where all songs have been developed from guitar parts and trusty voice notes. In order to constantly evolve as an artist, in 2016 she started writing music using Ableton. Since then, she is on a relentless spree of releasing her own material that has more of an R&B, electronic, and indie-pop feel.

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Tuesday, 9 November 2021

Alyssa Gengos - Mae Mae - KAVYA - Phonosonics

Photo - Morgan Hamilton
Alyssa Gengos - Gothenburg English.

Alyssa is a multi-talented producer who's been making records auteur-style on her laptop for years ("I feel most comfortable when I'm completely alone" she says in the bio below). Her music is straight forward in style, but elegant in construction and form.

Here's what Alyssa had to say about the meaning behind the song and the video: I began writing “Gothenburg English” in my head while walking around the titular city near the end of my Scandinavian sojourn. Six months prior, I’d left a long term partner behind in New York City, hoping the relationship would survive. It did not. I finally accepted the end of it while wandering around Gothenburg and the Delsjö wilderness on the outskirts of the city. A friend told me the local accent is one of the most sing-songy in the Swedish language, and it’s audible when speaking English, too, creating a kind of “Gothenburg English.” I think of this song as a road song in the sense of American road novels and movies. I sing about my travels during this time, and admit the realization that I came to once I returned home: I was ready to move on from the relationship that had brought me so much stress and misery. I

eventually left New York for my home of Los Angeles, where I filmed the music video for this song with the help of some of my oldest friends. In it, the audience gets a glimpse into my home studio , as well as different locations that left marks on my adolescence, as I connect the person I was when I first started making music to the person I have become.

During this past year, when the stimuli from the outer world ceased, Alyssa Gengos was having some weird-ass dreams. In one that stuck with her, she dreamed that an old school bully was being kind to her. “That was a very strange dream for me to have because I don't think about this person really ever,” she says. “But it reflected to me that I have this really deep desire to be liked.” So poignant was this realization that it makes two appearances on her debut full-length Mechanical Sweetness, which melds her dreams and personal nostalgia into a new-wavey indie rock homecoming album.


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Photo - Eliot Lee Hazel
Mae Mae - Squishy.

Atlanta-born and Los Angeles-based singer, songwriter, and multi-instrumentalist Mae Mae has released “Squishy,” the first single and video from her debut EP, Gummy Heart Eyes. With shimmering xylophone and mischievous bass fluttering throughout, “Squishy” is magnified by a kaleidoscope of whimsical sounds and an infectious hook as the track emulates the joyous emotions you feel when you’re surrounded by people you love.

Inspired by the bliss she feels from life’s little pleasures, Mae Mae’s storytelling reflects how her wide-eyed wonder and optimism collide with the world around her. The same is true of the song’s video, which depicts a home movie-style walk through a garden with her very sweet four-legged companion. 

The video’s calm and inviting aesthetic mirrors Mae Mae’s earnestness, “Squishy” is unconventional yet welcoming, reflecting how her distinctive charm blends into pop appeal.

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KAVYA - Lay Your Head Down.

‘Lay Your Head Down’ marks the 2nd release from KAVYA’s debut EP 'Know Me Better'. The song talks about what are the ingredients required for a friendship to stand the test of time. Friendship is a priceless gift which should be honoured and a common theme to be observed in a relationship of any form. What are the ingredients required to build on a promising friendship?

For KAVYA, it starts off with being present in the physical form with the other, opening up multiple conversation points, and understanding what makes the other person. Then, delving a bit deeper and exploring the future prospective she sees with the other, how she can contribute and enhance the other’s life and vice versa.

Aligned with prospective, it is equally important for her to uncover the individual’s aspirations and expectations so that she can be the friend who can encourage the other to achieve them, be aware and mindful of her role to not disappoint the other when expectations aren’t met. And in this entire process, if things don’t go as planned, she opens up the opportunity to ‘lay your head down’ and just be present as that is the truest point of friendship achieved - once of accepting the circumstances as is and not giving up on someone who you have invested your time and opened your heart too. That is the key to sustain a fruitful friendship built over time.

"Lay Your Head Down was written over many years where I found myself wanting to understand the various layers of all my friendships and what truly makes them special. This track is a tribute to my curiosity to connections made between people."

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Phonosonics - New Again (Album).

Phonosonics is a Canadian Rocksteady and Early Reggae band, pleased to announce their latest album New Again. Since 2015, this group has been dazzling audiences with their reverent yet modern take on Rocksteady, Ska and Early Reggae. Phonosonics began as the brainchild of multi-instrumentalist and producer Spencer Cleave and has grown to be one of Canada’s fastest emerging Reggae acts.

The band has been racking up accolades since their earliest days. Their releases have been featured on some of the most listened-to Reggae radio shows in the world and consistently charted in the top 10 on Canadian independent radio. They have opened for The Wailers and served as backing band for The Fabulous Lolo, Sister Nancy and Leroy “Heptone” Sibbles.

These connections to the worldwide Reggae community came in handy when production began on New Again in 2019. The album was slated for a 2020 release, but unfortunately sidelined by the pandemic. The group persevered and tenaciously finished putting together a beautiful and vintage-sounding collection of Rocksteady, Early Reggae, Ska and Blue Beat style tunes with a positive message.


With their characteristically painstaking commitment to authenticity and respect for the source material, New Again feels more like it could have been produced in 1970s Kingston than 2020s Victoria. Drawing on their friends in the Reggae community, they were able to recruit artists such as Leroy Sibbles, Horseman, Montreal’s Dr. Watson, and Roger Rivas of the Aggrolites to join in on the record. New Again is the story of rebirth and redemption, and its themes have taken on new meaning these past years. Phonosonics want you to know it's never too late to turn it all back around, and make it new again.


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Tuesday, 12 October 2021

Elyza Bleau - KAVYA - Coda Facto

Elyza Bleau - Apparition.

Elyza Bleau's newest single, “Apparition,” is taken from part of her upcoming EP, Haunted. The song is a very personal one for her that will entice you with every listen.

Echoing the vibes of U2, but with more edge, her music is about her family’s legacy and more broadly about one’s own legacy not being able to be who you want to be due to your family's expectations or ideas of who you should be.

“I was really inspired by this need to trace our heritage in the zeitgeist and the expectations that families and cultures can have around people falling in line with it, even if your path is very different,” says Elyza. It’s about not fitting a mold that fits your ancestry and the hurdles that come with that."

Elyza was basically in a personal lockdown before March of 2020. She had moved away from the city into a bungalow on the beach and was working 2 full-time jobs. That fierce independence led Elyza to show up to her guitar every day in January. After 4 years of struggling to write, she wrote 21 songs in 30 days. Planning  to make an EP she had spent the last month and a half choosing the best ones to craft. And then…all hell broke loose on earth.

 

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KAVYA - Affection.

Every artist strives his/her best for their audience to get to know them better. The intention of every musician is to share their lives and personalities through music and Kavya Trehan shares the very same intention. A couple of years in the making, she is finally set to release her debut 4 track EP starting with the single 'Affection' that sees the light of day on October 8th. This single is backed by a solid team with support from visual artists Khyati Trehan and Sanchit Sawaria, Anhad Khanna on production duties, and Pranay Parti on synths.

Imagine a world without affection. Validation is something we all seek externally and often we base a lot of who we are on what we receive from others. But the pandemic brought about so many changes and taught KAVYA to honour and treasure the relationships and things in life that truly gave her the affection she sought for. It helped her filter through people, scenarios, experiences, interests and understand what makes her thrive. This time in isolation helped her understand her purpose, who are the people she would vouch for and vice versa. At the end of the day, we all need action to carry out the drama of life.

"This track is one of the most intimate pieces I've written so far. I think it took many years of unlearning to be so candid." - KAVYA

KAVYA (Kavya Trehan) is a 27-year-old singer-songwriter from New Delhi, India who’s been performing since the age of 14. Over the course of time, she’s collaborated with some of the leading producers in India and toured with her band, MOSKO. Her solo project is a celebration of raw emotion and her roots, where all songs have been developed from guitar parts and trusty voice notes. In order to constantly evolve as an artist, in 2016 she started writing music using Ableton. Since then, she is on a relentless spree of releasing her own material that has more of an R&B, electronic, and indie-pop feel.

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CODA FACTO - Jamesville (E.P).

CODA FACTO are a rock band from Hamilton, Canada founded by Alexander DeRoo and Jonathan Harley. CODA FACTO fuse melodic Brit-Rock and Americana with modern vocals and lyrical stories. Alex and Jon began gigging in 2010 after meeting as classmates at Hamilton’s McMaster University. In 2016, they formed the band ALEXR with Adam Rogerson (guitar), Mark Korczynski (bass) and Luke Ormond (drums).

They caught the attention of Glen Marshall and the late Bob Lanois at The Mule Spinner, a local venue in The Cotton Factory creative hub. The band would often rehearse, perform and record early tracks there gaining seasoned insights from both producers.

In 2018, the band was joined by Kaitie Allinger (vocals) and renamed STRATHCONA after the city’s west downtown neighbourhood. The band performed regularly at local music venues; including The Casbah, the former This Ain’t Hollywood, and The Mule Spinner. They recorded “Rock ‘N’ Roll Sounds” and “Hidden Treasure” with the artful guidance of producer Carl Jennings of Westmoreland Recording Studio.

Early 2019 saw the group disband as several members chose to pursue other interests. Alex and Jon continued arranging and recording with Jennings for a debut EP as the band, CODA FACTO. The name represents the coda of Alex and Jon’s music journey– every song’s beginning has an inevitable end bringing new beginnings. And, the fact friendship remains constant throughout their journey– CODA FACTO.

While recording their debut EP, Alex (vocals, guitar, piano) and Jon (strings, mandolin, vocals) involved esteemed, session collaborators: Joel McCabe (guitar, vocals), Matt Gormley (guitar, organ), Chris Gormley (drums, congas), Tim Jennings (drums), and Carl Jennings (bass, vocals). The fall 2021 release of CODA FACTO’s debut EP Jamesville follows the summer video and single releases of “Rock ‘N’ Roll Sounds” and “Ode to Rose.”

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MF Tomlinson - Hippie Flowers - Little Low - Franklin Gothic

MF Tomlinson - Die To Wake Up From A Dream. MF Tomlinson shares the album's centrepiece and 9-minute title track, ‘Die To Wake Up From ...