Melby - Jonathan Something

Melby - Overthinking.

Since debuting with catchy single Human early 2016 things have moved steady for Stockholm psych pop act Melby. Last year's debut EP received praise from both Swedish and international sources, making Melby one of the most exciting names on the Swedish indie scene. The band returned with Reject just before the summer, a summer which then saw tour dates in London and Berlin, as well as working on their upcoming debut album. New single Overthinking is yet another piece to the exciting puzzle that is Melby's music and another step in what is forming to be one very promising career. The new cut is out today via Stockholm label Rama Lama Records.

The band often gets comparison to fellow swedes Dungen and Amason but Melby’s dynamic sound, with influences from folk, psych, indie and pop, stand out. The quartets light, semi-psychedelic folk pop is led by Matilda Wiezell’s enchanting voice which fits perfectly with Melby’s unique musical landscape - a sound that's been called "otherworldly, and wholly brilliant" by The Line of Best Fit. The band consists of Wiezell, Are Engen Steinsholm (back-up vocals, guitar), David Jehrlander (bass) and Teo Jernkvist (drums) and formed while living together in a Stockholm shared housing.

Overthinking, the second single released this year, is just as its precursor Reject, a development of the band's already characteristic sound. This time, the band reflects a inner conflict, all leading up to the synth-driven chorus which just happens to be the perfect settings for your daydreams. Are, guitarist and author of the song, explains:

"It’s a really cute song, so cute that it almost feels a bit embarrassing to talk about the lyrics. However, they are basically a declaration of love to a person who is very important to me. But I also ended up writing nearly as much about myself. About my own mixture of hubris and bad self esteem, and that I have a hard time feeling sure about anything at all. Musically it’s probably also the cutest song we’ve ever made. I feel that the verses have a tiny bit of melancholy to them, but the choruses are just entirely cosy and warm."

The single is the second taste of the new, fresh material that the quartet's been working on since releasing their ambitious EP last year. A debut album is in the final stages and will be released next year. Overthinking is released October 30th on all platforms via Stockholm label Rama Lama Records (Steve Buscemi's Dreamy Eyes, Kluster, Chez Ali etc.). BANDCAMP.

We have featured Melby just once before back at the beginning of June with the song 'Reject' describing that track as "a fine indie song where psych vibes comfortably rub shoulders with moments of pop and folk rock". Now we have 'Overthinking' which really is another impressive piece where the rhythm is sprightly whilst the melodic vocals are slower. The combination works so well, this is catchy, original and quite lovable. 

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Jonathan Something - Fine / Happy Day.

Hailing from Brooklyn, Connecticut (not to be confused with Brooklyn, New York), Jonathan Something is the musical project of writer, producer and multi-instrumentalist, Jon Searles. His first single 'Outlandish Poetica' (released in May of this year) was a rather cheery depiction of a surreal nightmare in which Boston Celtics legend Larry Bird and the 86' All Star basketball team inexplicably ambush Jonathan Something, brutally beating him and robbing him of his money.

His second single 'Fine' demonstrates the genius in Jonathan Something's songwriting and, more specifically, his use of contrast and differentiation when it comes to surface and substance. On first listen, 'Fine' is classically reminiscent of upbeat, feel-good and catchy Van Morrison, Buddy Holly and even The Band. Lasting only 1:57 in length, the chorus is simple and addictive with a strong feeling of warmth and familiarity.

The most astounding part of the Searles' songwriting occurs when you contrast the shiny and memorable surface of the track against the sincerity and seriousness of the lyrics. While on the verge of panic, Searles contemplates his purpose and meaning after finishing school: He doesn't just want to become another "extraordinary asshole with a bachelor's degree". Searles draws attention to our ability as humans to keep fear, anxiety and existential angst well hidden behind shiny bravado, not only from those closest to us, but from the world at large.

His incredible third single 'Happy Day' is also part of his debut album Outlandish Poetica. Much like the previous single and the album at large, 'Happy Day' is a song of alluring disparity. On the one hand, is the bright and shiny surface: The self-assured bravado of the guitar, the unwavering conviction of the drums and the certainty of a relentlessly hammering piano. And it's misleading. On purpose. Because it's intended to contrast and elevate the significance of what's really going. That over time, JS' believes his confidence will inevitably dissolve. And what you begin to hear is the fear that at any moment, despite how bright and shiny things may appear, he could slip into an unexplained and unannounced sadness. JS' intention is to highlight that depression, anxiety and mental disorders at large are not something that can be resolved once and never return. They recur. Often and unexpectedly. Mental health ebbs and flows. There are hills and valleys. And it's his beautiful, honest songwriting that is his means of conveyance. The new album is due in November. BANDCAMP.

We featured Jonathan Something's first single (Outlandish Poetica) back in May and ahead of his imminent new album release thought we would play catch up and share the other two singles 'Fine' and 'Happy Day' (that and the fact we received the album plus instrumental versions, and kinda thought we ought to).

Seriously though, Jonathon Something has the knack for creating vibrant, story telling songs that both intrigue, resonate mentally and charm. There is never a dull moment across all nine tracks, the musical arrangements are clear, pristine and whilst the lyrics are engaging and thought provoking enough in their own right, the musical hooks are in constant flow.



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Luna Pines - Luke James Shaffer - Mikey Collins - Locks - Jonathan Something

Luna Pines - Spring.

Background - Originally formed by 3 passionate female Leeds based producers, Luna Pines showcase modern electronica and refined dream pop and mix it with ambient, almost post-rock echoes. Influences ranging from Explosions In The Sky to Beach House can be felt across their debut EP ‘The House We Lived In’ that is due June 1st. This week, the band have released their new single taken from it, 'Spring'.

A deeply sensitive tone is felt in 'Spring' that serves as a spacious, indulgent moment on the EP, exploring painful issues such as death and loss in a mask of Cocteau Twins inspired melodies.

Luna Pines’ sound travels through landscapes of 80’s synth-wave & eccentric beats, to post-rock inspired, soundtrack–esque atmospheres. A deeply sensitive tone is felt in new single ‘Spring’ that serves as a spacious, indulgent moment that explores painful issues such as death and loss in a mask of Cocteau Twins inspired melodies.

Having played sold out local shows at prestigious venues like Belgrave in Leeds last year, the five piece take influence from acts like Daughter, The Japanese House, and James Blake, creating a nostalgic air of ambience, with soaring synths and heavy bass lines, reminding listeners of soundtracks similar to the brilliant ‘Drive’ score by Cliff Martinez. The band produces and mixes all their own material, making them even more of a force to be reckoned with inside of the brilliant and eclectic Leeds music scene. Having gained attention from various publications and BBC Introducing with their last two singles, they are gearing up to play venues across the UK and use this solid foundation to take their music to new heights this year. TWITTER.

'Spring' is beautifully crafted electronica that mixes gently melodic vocals and a subtle musical backdrop, which helps build the atmosphere that this song exudes with quality.

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Luke James Shaffer - How Sweet the Sound.

Background - Singer-songwriter Luke James Shaffer’s story is the kind of yarn that packs an anthemic dose of rock n’ roll romanticism. Seven years ago, Luke was toiling away as a server in a restaurant, longing to be a fulltime singer-songwriter. In one moment of fevered enlightenment and hope, he turned to his friend and co-worker and asked if she thought he should pursue his dream. She said yes (by the way, that wouldn’t be the only time she said yes to a crucial question—the two are now married).

Today, Luke is basking in a new era of unbridled creativity and unbounded possibility while enjoying a familial partnership with House Music Group. His exhilarating, Bourbon Street-spiked first single “Pressure,” from his debut EP, also titled Pressure, rocketed to the Top 20 on the iTunes singer/songwriter charts in January 2018. Luke has also amassed a robust YouTube audience with his live-looping cover videos and intimate renditions of popular songs, garnering over 1 million views. Currently, he’s backed by an intuitive collective of ace musicians, including Sean Mahon, piano/guitar/backing vocals, Daniel Brown, bass, and Jeremy Thompson, drums.

The key to his success? “I always strive to create positive vibes because life is beautiful even when things aren’t beautiful,” the Washington, DC-based artist says. TWITTER.

With distinct and emotive vocals Luke James Shaffer gives 'How Sweet the Sound' some real feeling. The music is of a very high quality and when it explodes into power, it really does turn things up a notch. Add in the gorgeous background vocals and this really does become pretty special.

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Mikey Collins - Sound in Here.

Background - "Sound In Here" is the first single to be released from the debut album Hoick by Mikey Collins, the drummer for Allo Darlin'. Reflecting the joy and humour of his previous band, the track is a surprisingly upbeat song about tinnitus.

As Mikey explains: "This was a song that I wrote whilst thinking about the tinnitus that affected (Allo Darlin' guitarist) Paul Rains and I after years of touring.  Paul, particularly, had a very hard time adjusting to having damaged hearing and a constant tone in his ears.  It got me thinking about whether it was all worth it etc - of course it all was, but there were costs to all that travelling and not sleeping and loud gigs and sht.  This song thinks about that.  I wanted it to sound like the Cure."

With Hoick, Mikey Collins combines his love of solid grooves and joyous harmonies to create a fun and sonically varied record. Mikey played most of the instruments and mixed the record himself, with some assistance from Laura Kovic (Tigercats) on vocals and fellow Allo Darlin' member Paul Rains on lead guitar. The flicker of his previous band provided the building blocks of an upbeat, positive record, but Mikey wanted to add his own quirky, disco spin & sonic expansiveness, aided by co-producer John Winfield (who has worked with Jimmy Somerville), with the aim of making a record that people stood a chance of being able to dance to. To create this eclectic sound, Mikey draws on influences are as far flung as Dexy's Midnight Runners, Bruce Springsteen & Todd Rundgren as well as more current artists such as Night Works, Matthew E White and Father John Misty.

Mikey began working on the album while he was still touring with beloved Fortuna POP! signed indiepop outfit Allo Darlin’ and as a result it took a pretty long time to complete. The last few years were a conveyor belt of change as he; got married, had a child, bought a house, moved from London to be by the Kent coast (Ramsgate) and opened a residential studio Big Jelly Studios (where they’ve recorded albums by Girl Ray, Metronomy, Pete Doherty and the Puta Madres, Mt Wolf, Seamus Fogarty and many others including Elizabeth Morris from Allo Darlin’s new band, ELVA).  In short, he grew up.  The record journeys through these changes but has its roots firmly grounded in his new seaside habitat.  His identity with and connection to the area is even incorporated into the album artwork – a startling photograph by local photographer Jason Evans (who has worked with Radiohead and Keiran Hebden/Fourtet), incorporating flora and fauna of the region, an outer ring of pop glow that hints at the neon din of the seaside.  The idea for the image emerged after a discussion about the relationship between organic and synthesised sounds on the record and its need to represent the area.

Allo Darlin' were a fantastic band and so it's a real pleasure to present 'Sound in Here' by Mikey Collins who of course was the bands former drummer. The song is really impressive as Mikey gets to show off his talent both in song writing and playing. It's bright and breezy with no end of hooks and as a fully fledged tinnitus sufferer myself, the sentiments of the song resonate in a big way.

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Locks - Bodies.

Background - Bodies is the second single taken from the forthcoming album Skeletal Blues.  Locks tell us "Our friends Steve & Abi did the short film for us. We're really proud of it and want to share it with as many friends as possible".

(Written and produced by Abigail Hardingham (BIFA Most Promising Newcomer 2015, Nina Forever), directed by Steve Brett (most promising film-maker at Triforce film festival 2017), staring Abigail Hardingham and Steve Brett.)

"We've also just released our debut album 'Skeletal Blues' and really wanted to show you that as well. We spent a lot of time over this and finally it's here, we're having an album launch on 29th at the Finsbury in London to celebrate it".

Locks have been described as a London based "alternative skeletal strings bluesy band", they are made up of L.Geary-Griffin (lead vocal / guitar), Mike Byrne (double bass), Marian McClenagan (fiddle) and Andy Marvell (drums). TWITTER.

Locks are a band that have never disappointed me, hence 'Bodies' is our fifth feature for this creative band. The video is dramatic and works well with the song, telling the story in a fiery way (pun intended). The new album 'Skeletal Blues' is a stunning collection of songs, where Locks sound comfortable in their own musical exploration. Expect hooks everywhere, the occasional moments of edgy surprise and plenty of emotion, all wrapped up in their enticing skeletal sound.


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Jonathan Something - Outlandish Poetica.

Background - Solitaire Recordings is extremely proud to announce the release of Jonathan Something's incredible debut single 'Outlandish Poetica' as part of his forthcoming debut album Outlandish Poetica due out August, 2018.

Hailing from Brooklyn, Connecticut (not to be confused with Brooklyn, New York), Jonathan Something is the musical project of writer, producer and multi-instrumentalist, Jon Searles. His first single 'Outlandish Poetica' is a rather cheery depiction of a surreal nightmare in which Boston Celtics legend Larry Bird and the 86' All Star basketball team inexplicably ambush Jonathan Something, brutally beating him and robbing him of his money.

The track takes the best of many hallmark acts, without being able to put your finger on one particular sound. The track has the production value of The Black Keys's El Camino, the songwriting style of Wilco's Yankee Hotel Foxtrot, the aura of Beck's Mellow Gold, the peculiarity of The Flaming Lips' Yoshimi Battles The Pink Robots, the story telling of The Mountain Goats' The Sunset Tree and the satirical lyrics of Kimya Dawson and The Moldy Peches.

The songs' expressive imagery and vivid storytelling are a perfect preface to the forthcoming album, also named Outlandish Poetica. As anti-folk made light of folk music, Outlandish Poetica creates an almost anti-blues/anti-rock style that masters classic sounds while still mocking the perceived seriousness in the established music scenes. While on the surface, the track may feel very satirical, the song somehow takes this very quality and makes it emotive and heartwarming in it's very own, unique way.

"It was just one of those tunes that sort of came to me. I wrote it on my dad's boat on our way home from this place called Block Island. The intense humming of the engines sort of puts you in this meditative head space that I really enjoy for writing. I was just jamming on the guitar riff and that first verse, as weird as it is, popped into my head. Then from there i tried to just follow the natural narrative flow and it somehow brought me to the coda of Larry Bird stealing my money." - Jonathan Something. TWITTER.

As debut singles go 'Outlandish Poetica' is a splendid affair. Story telling in a quirky and vibrant manner, what I would give for today's Top 40 charts to be full of singles like this. I'm still scratching my head as to what genre this belongs in, what I do know is I am going to be playing this one a good few times more.


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