Showing posts with label Jill Lorean. Show all posts
Showing posts with label Jill Lorean. Show all posts

Friday, 1 April 2022

Loud Forest - Jill Lorean - Ritual Cloak - Willi Carlisle - Colyn Cameron

Loud Forest - Easy To Love.

We have the brand new single "Easy to Love" from alt/pop meets folk duo Loud Forest. The track is the second single off of the band's forthcoming full length album Family Tree set for release in May 2022. "Easy to Love" is a folksy, meditative tune with stunning harmonies. Rachel confides on the inspiration behind the release, "I’ve spent a lot of years with a hard heart, trying to be strong and power through. Through my own journey of motherhood and growing, therapy and working through love, I’ve had to really do the hard work of mending this hard heart, learning to listen and let my heart guide how I think and feel. This is not an easy road, but it’s been the best and most beautiful path to working toward a tender heart."

The band Loud Forest is based in Los Angeles, CA where Bernard and Rachel Chadwick, a married couple, collaborate out of their experimental project space in Pasadena. Merging elements of alternative rock, Americana, and pop as well as post-punk into their moody, crafted indie rock, their earliest albums won a dedicated fan base and radio attention.

An album-oriented band, Loud Forest is doused in indie credibility from years of self-releases, homemade microphones and hosting rock shows in their studio. With influences ranging from Wilco to the Staples Singers, from Bob Dylan to Trey Sivan, from Spoon to Anderson .paak - the band distinguishes themselves with an acute attention to hooky melodies and intentional lyricism that plays with themes of love, fidelity and family. Drawing inspiration from their two daughters, Bernard and Rachel started the band to end all other bands they were in; a merging of creative forces and a project surrounded by their LA community.

Their 4th and forthcoming album, “Family Tree,” returns to their DIY approach; a beautiful lockdown creation of sparkly jams and alternative rock anthems that tell stories of their childhood through raw and angular expressions. Coming May, 2022.


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Jill Lorean - This Rock.

This Rock is the debut album from Glasgow trio Jill Lorean, following on exquisitely from their 2020 EP Not Your First, musing on nature, relationships, love, grief, motherhood and memory over frenetic, hypnotic drum beats and playful, subversive bass and guitar lines.

Jill Lorean as a living breathing thing, featuring Jill O’Sullivan (Sparrow And The Workshop, Three Queens in Mourning) in collaboration with Andy Monaghan (Frightened Rabbit) and drummer Peter Kelly, the band is a unique beast inhabiting its own world, incorporating elements of many genres from folk and lo-fi to post-punk and underground rock.

At its heart This Rock is a timeless rock record rooted expert musicianship, perfectly capturing that live band spirit while commenting on where we come from, where we live and how we interact with our surroundings, while maintaining a raw energy that cruises from the danceable freak folk of ‘Black Dog’ to hook laden ode to love songs ‘Walls’, all the while O’Sullivan’s unmistakable soothingly yet intoxicating vocal performance thrusts your attention front and centre.

Nature runs as a central vein through the record, taking a chance to disconnect from the sometimes disorienting digital world, taking step back and putting a lid on the noise and appreciating the natural world on ‘Beekeeper’, and then human nature on eerie pulsing of opener ‘Breaking Down’, which makes a statement on the meaning of freedom to different people.

Meanwhile, This Rock looks to generations of women, from childhood to granny-hood, from tracks inspired by O’Sullivan’s five-year-old daughter asking “what is war?” and how to broach such a dark subject matter with someone so young, to trying to capture that childlike spirit again on the urgent, powerful single ‘Mothers’, while ‘Kneading’ looks to Jill’s granny and her extraordinariness through some people’s unextraordinary lens.

“I like to feel surprised, I want people listening to it to feel alive and awake. And a lot of music feels a bit stale and gentle. And now you can say, Alexa, I would like some exercise music or I'm in a sad mood play me sad mood music. And I feel like, I just want to shake Alexa and be like, Alexa, fuck off. I just want people to listen to the music and feel a little bit stirred or slightly disturbed by it.

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Ritual Cloak - Witaj w Domu.

Ritual Cloak follow-up an ambitious year of releases (Divine Invasions, A Human Being is the Best Disguise & Orange Crush) with a collaboration between the duo and photographer Michal Iwanowski.

Witaj w Domu was recorded during the Divine Invasions sessions, but it felt like the track deserved to stand alone. Having been inspired by Iwanowski’s photographic project, Go Home Polish, Ritual Cloak composed a piece of music in response, inviting Iwanowski to contribute spoken word, drawn from writings of his 1900km journey between his two homes - Wales and Poland. Michal narrates three stories, all different, yet all similar and asks, just like the photographic project, where is home? The answer is elusive and complex, a riddle that transcends time and administration.

“The title of the song was inspired by images of Michal’s mother and family awaiting his return as he walked the final stretch towards the family home in Poland, holding the sign Witaj w Domu (Welcome Home). We wanted the title to completely contrast the hostility of the graffiti that Michal felt compelled to respond to. The composition even features audio sampled from a live streamed video of his arrival at his family home. The sounds and voices of his family played a key part in closing the track as these are the people that mean the most to Michal, especially the sound of Michal’s mum’s laugh weaving between the piano notes that brings an emotional texture.” - Ritual Cloak

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Willi Carlisle - Tulsa's Last Magician.

Willi Carlisle is a poet and a folk singer for the people. Like his hero Utah Phillips, Carlisle's extraordinary gift for turning a phrase isn't about high falutin' pontificatin'; it's about looking out for one another and connecting through our shared human condition. On his anticipated second album, the magnum opus Peculiar, Missouri (coming July 15, 2022 on Free Dirt Records), Carlisle makes the case across twelve epic tracks that love truly can conquer all. 

Born and raised on the Midwestern plains, Carlisle is a product of the punk to folk music pipeline that’s long fueled frustrated young men looking to resist. After falling for the rich ballads and tunes of the Ozarks, where he now lives, he began examining the full spectrum of American musical history. This insatiable stylistic diversity is obvious on Peculiar, Missouri which was produced by Grammy-winning engineer and Cajun musician Joel Savoy in rural Louisiana. The songs range from sardonic trucker songs like “Vanlife” to the heartbreaking queer waltz “Life on the Fence.” 

The album also imbues class consciousness in songs like “Este Mundo,” a cowboy border ballad about water rights, and the title track’s existential talkin’ blues about a surreal panic attack in Walmart’s aisle five. Though Carlisle's poetic words evoke the mystical American storytelling of Whitman, Sandburg, and e e cummings, ultimately this is bonafide populist folk music in the tradition of cowboys, frontier fiddlers, and tall-tale tellers. Carlisle recognizes that the only thing holding us back from greatness is each other. With Peculiar, Missouri, he brings us one step closer to breaking down our divides.

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Colyn Cameron - Fault Lines.

After almost four years since Sad & Easy, Colyn Cameron is excited to be sharing a new album Freehand. While living in Vancouver, BC, the new material emerged within the paradoxical spaces of experimenting with dispersed and concentrated rhythms. He used the material to explore themes of technology, adventure, self-worth & love with mild nods to worldly trepidation. The album was again recorded mostly at home, with additional instrumentation from close collaborators Aiden Ayers and Josh Contant.

It has now been ten years since the release of Wake Owl’s first album. In the years since, Colyn has also composed original music for 2 feature films and numerous different independent projects, and formed new musical and broader artististic collaborations.

Early this year, Colyn and other local Vancouver collaborators founded the record label Market Garden Records. It will serve as a foundation for releasing his new music and supporting collaborations.


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Wednesday, 9 March 2022

Jill Lorean - Shaela Miller - Ellevator - Old Crow Medicine Show

Jill Lorean - Black Dog.

Black Dog’ is final single from Glasgow trio Jill Lorean’s upcoming debut album This Rock, and sees the band carrying a danceable freak folk energy, which adds to the timeless diversity of their singles to date. An odyssey of sorts, ‘Black Dog’ lures you in with a trance-like violin loop that remains a constant throughout, before crusading through pulsing drumbeats, haunted, gothic guitar lines and playful disco-esque basslines, alongside Jill O’Sullivan’s ethereal vocal delivery, which claws your attention in on the hood laden repetitive chorus line “how can I laugh and how can I cry”.

Jill Lorean as a living breathing thing, featuring Jill O’Sullivan (Sparrow And The Workshop, Three Queens in Mourning, Bdy_Prts) in collaboration with Andy Monaghan (Frightened Rabbit) and drummer Peter Kelly (The Kills, Ladytron), the band is a unique beast inhabiting its own world, incorporating elements of many genres from folk and lo-fi to post-punk and underground rock.

“Black Dog’ is like being on a consciousness-bending, self-seeking quest. It’s a lucid dream-like adventure where a godlike figure attempts to grant all of a persons wishes by carving them all kinds of exciting things out of the clouds. But a sad dog keeps appearing so the deity swallows the sky not understanding that the person wanted to confront the whole spectrum of their emotions, including the sad dog chasing them around.”

“I worked with Pete (Kelly) on this dance project and he would do these fills and I just wanted to dance suddenly. And I like that he did that over the ‘Black Dog’, there is this slight freak folky vibe going on. And it could go down a Fairport Convention, sort of route, but it doesn't. He brings it into this transient style. And I love it. It was not what I was expecting. I like the unexpected. I like to feel surprised, I want people listening to it to feel alive and awake.”

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Shaela Miller - Tidal Wave.

With her 2020 album Big Hair Small City, Shaela Miller proved yet again to have her hand on the pulse of “honky tonk noir.” With central themes rooted in the deep intricacies of heartache, loss, healing, and inner growth, Miller took the listener on a journey with her witty turns of phrase, strong finger pickin' and no-nonsense lyrics. 

The native of Lethbridge, Alberta is now giving her fans an added bonus with the new, standalone single “Tidal Wave,” which was recorded during the sessions for Big Hair Small City with producer Scott Franchuk at Riverdale Recorders in Edmonton. Given the meaning behind the song, Miller has chosen to release "Tidal Wave" now to mark International Women's Day 2022.

As Shaela explains, "'Tidal Wave' is an in-depth confession of realizations and struggles of the heart and how a woman can feel, inside and outside of love, like they are drowning in the staggering, multi-dimensional duties of life. It's about how the expected and demanding responsibilities women face in life through the roles of motherhood and romantic partnerships, can leave us feeling completely void of fire, passion and inspiration, yet the expectations remain and we just have to power through it all."


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Ellevator - Sacred Heart.

The Hamilton, Ontario-based trio, Ellevator have shared their new single, "Sacred Heart" – it's another thrilling installment lifted from their forthcoming debut album, The Words You Spoke Still Move Me which comes produced by ex-Death Cab for Cutie guitarist, Chris Walla (production for Pinegrove, Foxing, Tegan & Sara, etc) and is out via Arts & Crafts on May 6. The new single arrives following earlier tips from NPR, The Needle Drop, Exclaim, FLOOD, The Line of Best Fit, Under the Radar, CBC and more. The band will support the release of the new record with North American dates, including a stop at SXSW later this month.

Ellevator poses a fantastic ability to sculpt these mammoth, melodramatic post-rock and indie-rock soundscapes, somewhat inspired by the late-aughts sounds of Spoon, Metric, Interpol and Arcade Fire, as well as the stadium-ready sounds of U2, Kate Bush and Bruce Springsteen. The new single, "Sacred Heart" explores ideas surrounding young love, commitment and intimacy while blending racing guitar lines – somewhat reminiscent of Springsteen – with driving percussion and piano.

Speaking about the new single, which comes with a live visual directed by Cam Veitch, singer Nabi Sue Bersche says: "This one’s a love song about how intimacy and deep knowing can make it feel like there’s nothing left to discover, and choosing to push on anyway in search of new depths. Ty (guitar) and I got married on a cold spring morning when I was 22 and he was 19. There wasn’t much chance to sell each other on our own myths, to be the mysterious stranger from outta town: we wrote our origin story together. Learning to love each other better has been a strange journey and the great gift of my life."

When discussing the video, Nabi continues: "We shot, edited, and delivered the whole thing in less than 24 hrs. We’ve made a bunch of videos that I’m proud of but this one touches something special: we wanted to show what it feels like to play live as Ellevator, in all its sublime chaos, and I think we captured the lightning."


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Photo - Kit Wood
Old Crow Medicine Show - Honey Chile.

GRAMMY award-winning band Old Crow Medicine Show releases “Honey Chile,” the latest single from their new album Paint This Town out April 22 via ATO Records. Showcasing soaring harmonies and swooning fiddle melodies, the melancholy love song is accompanied by a live performance video featured this morning at Garden & Gun, who said “Musically, the song is something of a salvo for the whole of Paint This Town, rising out of the gates with a bold swell before settling into a traditional Americana-tinged groove.” Along with the new single, the band has announced a coast to coast spring/summer tour kicking off in April that will make stops in Philadelphia, New York, Portland, Seattle and many more. 

Bandleader Ketch Secor explains the new single: “When you mine the musical traditions of the South as we have you’re always going to run head on into the region’s most successful export: Southern Rock, and my favorite performers of this style are the Charlie Daniels Band, who Old Crow was lucky enough to open for back in the early 2000’s. We’ll miss Charlie around these parts, but he lives on in songs like ‘Honey Chile,’ a backwoods slow burn about good lovin' and other hard habits to break.”

Paint This Town showcases Old Crow Medicine Show’s long-standing ability to merge profound introspection with a rapturous string band revival sound. The album shines a light on the darker aspects of the American experience, with character-driven songs underpinned by the band’s vision for a more harmonious future. The debut single “Paint This Town” has maintained the #1 slot on the Americana Singles Radio Chart for three weeks in a row, garnering praise from press including Billboard, Rolling Stone, SPIN and more. The band’s latest single “Bombs Away” (feat. Molly Tuttle on banjo) was recently hailed by Consequence, who said it’s “brimming with the euphoria of new beginnings, a tongue-in-cheek tale of throwing caution to the wind and starting over.”

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The Yesters - Steph Cameron - St. Catherine's Child - The Yagas

The Yesters - Billy Blue. Dynamic classic rock duo, The Yesters, has released their latest song and music video titled Billy Blue. This evo...