Showing posts with label Jenny Gabrielsson Mare. Show all posts
Showing posts with label Jenny Gabrielsson Mare. Show all posts

Genre Wander: Jenny Gabrielsson Mare - Romy - Locks - Justin Michael Williams - Natalie Bouloudis

Jenny Gabrielsson Mare - Brooklyn Bridge.

Background - The new album "Comb the Wicked" (La Petite Tempete) was released Friday.

In the fall of 2014 Jenny Gabrielsson Mare spent a month alone in Brooklyn writing songs for a new album. The result is Comb the Wicked – an album inspired by the atmosphere in Brooklyn; from industrial noise to soul and gospel. The songs are based on voice, piano, organ and percussion and she has collaborated with legendary percussionist Michael Blair who has played with some of the greatest like Tom Waits and Lou Reed.

And it is in the land of Tom Waits, Nick Cave and PJ Harvey we find Mare’s music. September 10 a first single was released: Wolves. Based on piano, cello and Jenny’s voice the song creates a dark forest where you are the hunter or the hunted.

The album carries religious and folkloric motifs and themes of guilt and insanity. Parallel with the album Jenny has been writing on her bachelor degree about the Devil in popular music.

Almost four years have passed since her last album The Ritual and during this time she has mostly been seen as one half of the indie-electronica-duo White Birches who’s debut album Dark Waters was nominated in the category “Synth” at the Swedish “indie-Grammy” Manifestgalan 2015. itunes here.


'Brooklyn Bridge' is the second track we have featured from the just released album, having covered 'Wolves' back in September. Jenny has a natural voice for darker more haunting songs, and with this one, you can add in a sense of concern and drama. The album has plenty more, where atmosphere and imagination is in large measure, along with gentle melodies and often understated soundtracks.

-------------------------------------------------------------------------------------------------------------

Romy - Frail.

Background - "Frail" tells the story of what it feels like to love someone who struggles with an addiction. The video is directed by Marisa Pena. Amsterdam's by-way-of NYC artist Romy wrote and sings "Frail" in the video.

"We tried to keep the video as open and honest, vulnerable, as possible. It's a heartbreaking song in which I explain why loving someone who doesn't love themselves by having an addiction, will never produce a stable relationship. I would say that my songwriting helped me become a stronger woman/individual and helps my process.  It helps me to understand things that happen around me, and the people around me whom I care for," Romy shares. "My songwriting process helped me to work through loss of a few break-ups too." Romy wrote, produced, and self-released a full-length debut Unbound  in 2014 .

"Frail" is produced by Michael Di Lalla.  Di Lalla and Romy are at work on her next track "Make it Work," releasing to digital stores later this year. Romy will continue writing, recording, and sharing her songs on streaming outlets like Soundcloud and Spotify. Website here.


The music video for 'Frail' adds some drama to the song, which with just the audio, certainly conveys emotion and feeling throughout. This is a serious piece, and the stripped back nature of the song, adds to the mood of struggling with addiction and life.

-------------------------------------------------------------------------------------------------------------

Locks - Wishbone.

Background - Locks are a London based alternative skeletal strings bluesy band, a trio made up of Locks Geary-Griffin (lead vocal / guitar), Mike Byrne (double bass) and Marian McClenagan (fiddle). They are releasing their official debut four-track “Rattle Them Bones” EP on 21st November, which has a subtle fixation on the darker unnerving aspects of life and death all whilst keeping a jaunty, up-beat roots based rhythm flowing underneath. Lock’s vocal has a unique tone, which has been championed by BBC 6 music’s Steve Lamacq and previously featured on his credible roundtable show.

After playing with a variety of different bands including rockabilly, traditional Irish, indie and nu-folk, the three misfits found themselves in a rehearsal room together writing parts for murder ballads involving burying bodies, mythological creatures and dark family secrets. Slowly tracking the footsteps of whatever creature has wandered before them, whilst singing songs about whatever's hiding just under the surface or lingering from the corner of their eye, they are together creeping through London's weird and wonderful musical underbelly. Lead track “Wishbone” is about “something” that should never have been let loose and the simplicity of the video shot entirely on a iPhone lets you conjure up your own macabre images from the words alone. Locks hypnotically types out the lyrics on a vintage typewriter and this focuses you back to the sinister meaning of the story of the song. Facebook here.

Locks are a must see live combining their intimate shows with an air of unsettling oddness.
18th November - New Cross Inn, supporting Bess Atwell, London.


'Wishbone' is a strikingly good song. The trio mix natural heartfelt vocals with a distinct and catchy guitar lead soundtrack. The blues feel at the core of the song, again comes across as instinctive to the band, and it's rolling out a cliche time, so, I really am left wanting to hear more (actually a lot more).

-------------------------------------------------------------------------------------------------------------

Justin Michael Williams - Here With Me.

Background - Bringing his dream to life, LA-based conceptual artist Justin Michael Williams  releases his debut album Metamorphosis after transitioning from an 8-year career as an international yoga and meditation teacher into recording artist. His meditation practice is what gave Justin the laster focus to get to the top 20 on the pop charts on Itunes without a  manager or a label. “Metapmorphosis” channels classic elements of love, loss, and self-acceptance and is a brilliant examination of the human experience through Justin’s eyes. 

Metamorphosis, features 11 tracks that range from the heart-wrenching ballad "Here with Me" to the pop anthem S##t Gets Better” Justin's R&B vocals mix perfectly together with the sleek instrumentation, similar to artists such as Usher and Jose James.

The album debuted at number 18 on the iTunes Pop charts, and Justin has been featured on Spotify's Discover Weekly playlist, NewNowNext, and the Wall Street Journal. If Maxwell, Prince, and James Blake had a music baby, it would be Justin Michael Williams. Williams is taking pop-infused R&B to a new level that is as inspiring as it is entertaining. Facebook here.


'Here With Me' is one of ten very individual songs on the album 'Metamorphosis'. Actually there is an eleventh bonus track called 'The Story' which is just that, Justin explaining his background and how he came to record the album. Rather than self indulgent it actually pulls the whole thing together. The featured song is a ballad that builds, the album explores so much more, making a genre I normally struggle with actually very engaging.

-------------------------------------------------------------------------------------------------------------

Natalie Bouloudis - Burning Pier.

Background - It was while shirking her duties as an arts and culture guide copywriter that Natalie Bouloudis found the seed that would sprout into her debut single. Initially derived from a story she wrote on the job (she wrote various poetry and prose compositions to pass the time), ‘Burning Pier’ is set in a fictionalised amalgamation of the burnt-out husks of Brighton, Hastings and Eastbourne piers. Essentially a meditation on how disasters can both evoke nostalgia and make us question our future in a new light, Natalie conjures all the energy and drama of narrative songwriting forebears like Nick Cave, PJ Harvey, and Kate Bush, while stylistically existing in a sphere of her own. The song was recorded in a live take with the only overdub being drummer Hannah Stacey’s sparkling Rhodes piano. As such, it has all the thrilling tension of a group capturing the thunderclap spontaneity of perfect live communication.

A native of East Sussex, Natalie Bouloudis first got her musical education in childhood, having played clarinet in jazz bands and had a few guitar lessons at school. From the age of seven she started writing her own music and has been (till recently) a secret songwriter ever since. Having lived in London for the better part of the last decade, she decided three years ago to launch her music into the public sphere under the name Aurora Harbinger. She soon played venues like Servant Jazz Quarters and The Victoria in Dalston, quickly building a loyal fan base that enabled her to successfully crowd fund her debut record. 


 For Natalie, playing live is an important consideration in the songwriting process, a process which focuses centrally on generating atmosphere and intimacy. Her debut EP is her first proper recording and it was all recorded live at Wax Studios in London and produced by Robert Strauss. For Natalie, getting the EP right was dependent on how precisely she could evoke the feelings she had in mind. Though armed with encyclopaedic knowledge of narrative songwriters across the spectrum of folk, rock and jazz, Natalie brings to the table her own brand of atmospheric storytelling. 

It’s folky in its arrangements, but in terms of sheer vocal delivery she’s a soulful rock and roller, at times calling to mind the visceral and lurching tones of Patti Smith or Etta James. ‘Burning Pier’ may only be her first single, but already it reveals an artist in the classic sense: thoughtful, precise, and led by instinct and imagination. “My songs tiptoe on the edge of fiction and reality. I like rich melodies, moody skies, dark romanticism, charged atmospheres that tell hard-boiled tales.” Facebook here.

Live Date: Thursday 2nd December: The Finsbury, London N4 (Burning Pier Single Launch).


A distinct and attractive song 'Burning Pier' boasts Natalie's superb soulful vocals against a backdrop of intricate musicianship, that morphs between folk, blues, and rock. As first single releases go, this one sets the standard incredibly high, let's hope this song gets noticed far and wide, that I would say, is a reasonable enough request..

-------------------------------------------------------------------------------------------------------------

Globetrotting Tuesday: The Magnettes - Jenny Gabrielsson Mare - Gudrun Von Laxenburg - Gothic Tropic

The Magnettes - Hollywood.

Background promo - Swedish pop trio The Magnettes have returned with their new single, “Hollywood,” out today on all digital retailers via Nashville-based label DigSin. The track highlights the band’s signature sound: unfiltered and unapologetic views paired with sugary sweet, infectious beats. To coincide with the release of “Hollywood,” The Magnettes have also announced that they are putting the finishing touches on their debut full-length to be released later this year and will return to the U.S. this fall for a string of tour dates; these U.S. shows will be the first of this year. The Magnettes performed at both SXSW and CMJ Music Marathon in 2015 and Canadian Music Week in Spring 2016.

The seeds of rebellion first became planted when co-vocalists Rebecka Digervall and Sanna Kalla met at 6-years-old in their small town Pajala in Sweden. The Magnettes fondly call this city of 2,000 home and it’s the birthplace of their infectious and inimitable glitter punk pop sound. By age 14, Rebecka had written a plethora of songs for them as a duo and in 2012, they released their first official song, “Paper Cut,” and began performing across Europe and Russia. They’ve performed at several festivals overseas, as well as Canadian Music Week and SXSW and CMJ here in the States. The band is rounded out with guitarist, keyboardist, and producer Tomas Bäcklund Thuneström.


With stand out harmonies 'Hollywood' is a feisty punk pop song that just blasts along. The pop hooks grab you, whilst the punk overtones give the song some real edge. All of which makes the debut album something to look forward to.

-------------------------------------------------------------------------------------------------------------

Jenny Gabrielsson Mare - Wolves.

Background - A new solo album is due on November 4. September 10 a first single will be released: Wolves. Based on piano, cello and Jenny’s voice the song creates a dark forest where you are the hunter or the hunted.

In the fall of 2014 Jenny Gabrielsson Mare spent a month alone in Brooklyn writing songs for a new album. The result is Comb the Wicked – an album inspired by the atmosphere in Brooklyn; from industrial noise to soul and gospel. The songs are based on voice, piano, organ and percussion and she has collaborated with legendary percussionist Michael Blair who has played with some of the greatest like Tom Waits and Lou Reed.

Almost four years have passed since her last album The Ritual and during this time she has mostly been seen as one half of the indie-electronica-duo White Birches who’s debut album Dark Waters was nominated in the category “Synth” at the Swedish “indie-Grammy” Manifestgalan 2015.


'Wolves' has a haunting and dramatic feel right from the start. The video builds on this adding glimpses of the wolves on the night of a full moon. Drama aside this is a musically atmospheric piece, that slowly draws the listener in (well it did for me).

-------------------------------------------------------------------------------------------------------------

Gudrun Von Laxenburg - Revolution.

Background - Friends since their teens, July, Christoph and Daniel: A jazz-trained drummer, a classically trained violinist and hard rock guitarist respectively, there was never any question that the Viennese trio wouldn’t enjoy a life in music... Although they didn’t think it would be done with such a happy accident.

“It all started out as a joke. We never sat down and said ‘right let’s make a serious hard-hitting band’ Even our name is a joke: we just took the street names we lived on and made an aristocratic name out of them. The joke is a big part of our live shows. We’re not cool kids all dressed in black or covered in bling, we’re there in costume, making noises and having a good time with the audience.” – Daniel

Their debut show, performed for a film director friend’s movie launch, formed everything you need to know about Gudrun von Laxenburg: their roots and spirit are 100 percent live...  A full steam genre-defying fusion surcharged with raw drum power and synths and a sound that sits somewhere between Daft Punk, Digitalism, Justice, The Prodigy and the Chemical Brothers. For their debut performance, in true punk spirit, they collected a bunch of samples and just jammed out. No click track, no backing tracks: rave done in the most rock ‘n’ roll way possible... And delivered in pristine overalls that have since been developed into the space-age LED tailored suits you seen on stage today.

Nearly seven years after their debut live show taking the art of fun very seriously, the trio have spent years refining and honing their sound so what you hear on their album ‘PANIC!’ is an honest reaction of what you’ll experience when you see them live. Signed and due for release this year on Skint Records.


The video for 'Revolution' is something of a futuristic and epic piece in it's own right. It might take a couple of minutes until the music fully kicks in, however it's worth the wait even if the visual storyline has not already grabbed your attention. Powerful synth sounds compete head on with the superb rhythm driven by intense drum beats. Having already described the video as an epic piece I ought to add, so is the music.

-------------------------------------------------------------------------------------------------------------

Gothic Tropic - Don't Give Me Up.

Background - Gothic Tropic have shared their new track "Don't Give Me Up" off their upcoming album. The brainchild of Cecilia Della Peruti, Gothic Tropic keeps the vibe playful and punchy, bringing audiences into a new era of female rock nobility, nodding to stars like Debbie Harry, and Chrissie Hynde. 

Delivering a blend of Richard Lloyd and Nile Rodgers on guitar, Gothic Tropic's Della Peruti has won sponsorships with Fender, and leading pedal manufacturers, and works professionally as a touring and session player for Charli XCX, BØRNS, and more.

Gothic Tropic album, Fast or Feast  is due out on Old Flame Records with a street Date: October 28, 2016.


'Don't Give Me Up' is our third share from Gothic Tropic ahead of the album. If anything this is for me the best song so far. It's a little more soulful and the musicianship is first rate, with the vocals making a fine match.

-------------------------------------------------------------------------------------------------------------

Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...