Happyness - Anna, Lisa Calls.
Background promo - Happyness have announced that a brand new EP, titled Tunnel Vision On Your Part, will be released this September 23rd through Moshi Moshi Records. It can be pre-ordered here. In addition, the forthcoming harmony-packed new single Anna, Lisa Calls appears here as the EP opener, with the band saying; “This is our first phone call song and our 5th song in E major. We wrote it one day in the studio in June and recorded it straight away - I think we were going for a kind of Traveling Wilburys thing. Also we felt like we hadn't put a synth in a song for a while, so there's a synth.”
The EP, which also includes recent single SB’s Truck – a track penned by the band in homage to Samuel Beckett, who famously used to give the beloved, late, 80’s wrestler André The Giant lifts to school in his truck, owing to him being too large for his dad’s car - is announced alongside a run of UK and EU dates in support of Chicago garage-rockers Twin Peaks. Happyness’ last UK stint saw them support The Dandy Warhols up and down the country.
Tunnel Vision On Your Part also provides a rare direct glimpse into the band’s influences as they offer their own interpretation of Club Gaga’s Friend Of The Revolution. Originally featuring on their Suburban Lake album, it’s a record that Happyness hold up as one of their favourites of all time, saying “Most (if not the whole) of the record is findable on YouTube. There were a few different songwriters in the band - but this one's by the great Peter Fancher.”
Prior to the Twin Peaks support dates Happyness have two special EP release shows booked in, the second taking place at London’s Vauxhall City Farm, at which they’ll play a stripped-back set to include tracks from their work-in-progress 2nd album. “Vauxhall City Farm is one of our favourite spots in London & just up the road from where we wrote most of 'Weird Little Birthday'. As part of the release of our new EP, 'Tunnel Vision On Your Part', we're adopting the farm for the evening of October 8th for a stripped back show - playing songs from the EP, and some from our upcoming second album. Tickets are available now exclusively from Music Glue & all come with a download link or limited 12" vinyl of the EP. All Ages Welcome.”
Happyness EP release shows:
Sept 30 Happyness EP release show, The Finsbury, London, UK *
Oct 8 Happyness EP release show, Vauxhall City Farm, London, UK *
Happyness tour support with Twin Peaks dates in full:
Oct 19 Le Point Ephemere, Paris FR
Oct 20 Patterns, Brighton UK [buy tickets]
Oct 21 All Years Leaving Festival, Hare & Hounds, Birmingham UK
Oct 23 Bungalows & Beats, Sheffield UK * - Free Show
Oct 24 Brudenell Social Club, Leeds UK
Oct 25 Sound Control, Manchester UK
Oct 26 Scala, London UK
Oct 28 Botanique, Brussells BE
Oct 30 Merleyn, Nijmegen NE
Oct 31 DBs, Utrecht NE *
Nov 01 Vera, Groningen NE
* = Happyness headline show
'Anna, Lisa Calls' has the feeling of a spontaneous song, that is full of fresh bright vibes. The band reference The Travelling Wilburys as an influence for the direction of this track, however there is no missing the extra energy Happyness bring with them.
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Jake Meadows - Lost Entitlement, featuring Daniel Johns.
Background - Jake Meadows is a singer, multi-instrumentalist, and harpist from Sydney, Australia who recently released his debut EP Good Company featuring vocals and production from Silverchair's Daniel Johns on every track. Good Company showcases Meadows' signature sound which has been built from years of experimenting with classical harp, modern electronic techniques, and rich harmonious layers.
Written and recorded in studios across Sydney and Tasmania and a shed on the north coast of Australia, Good Company is a creative collaboration between two old friends, Jake Meadows and Daniel Johns. Meadows returned home from an inspiring trip to Spain and Ibiza to show Johns early versions of what would become a stunning debut release. "Daniel and I have been friends for years and he's always helped me find inspiration. We've always worked well together, on different projects, and this collaboration happened really organically. I showed him the tracks I had been working on for the EP and he offered to produce and be a part of the project, and we just went for it," says Meadows.
Good Company oozes with a hazy tranquility, as mellow electronic production pulses against warm, reassuring vocals and the ethereal sounds of Meadows's harp. Reminiscent of Rhye or Unknown Mortal Orchestra, "Lost Entitlement" showcases Meadows and Johns's ability to combine intricate rhythms, striking melodies, and unconventional instrumentation to deliver a celestial sound that's comfortable on the dance floor. Lead single, "Echo of Tomorrow" is a haunting and foreboding track that captures a sense of bittersweet grace not heard elsewhere on the EP. Good Company is only a small, yet outstanding, taste of what we can expect to hear from Jake Meadows in the future.
We featured Jake Meadows back in March, and did not hesitate to do so again, with the opportunity to share another song, this time 'Lost Entitlement'. This is an upbeat and danceable track, that really does boast an eclectic mix of sounds, welded together beautifully.
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The Slang - Ballad Of Everything.
Background - The Slang is an alternative/rock band consisting of duo John Bobo and John Newsome. Their musical talents have earned them invitations to several premier music conferences including MPMF, NXNE, and CMJ. In addition, the sounds of The Slang have been used in various mainstream outlets including HBO, USA network, and Troma Films.
The Slang’s path is anything other than typical for a rock band. Lead Singer John Bobo turned down becoming an FBI Special Agent in order to focus on music and record the bands debut EP. The success of that record led to more touring and a desire to record another album. The follow-up EP’s title (Night and Day) refers to a number of differences the band experienced since the debut EP was recorded. The band went from a three-piece to a duo and decided to change the scenery from the hustle of NYC to the more relaxed atmosphere of Nashville, TN. In addition, they used a number of well-known Nashville session players to fill out the more layered sound of the new EP.
The band is set to release the Night and Day EP in the summer of 2016. Recorded at the Ocean Way Studios in Nashville, TN, it highlights the talents of songwriter, vocalist and multi-instrumentalist John Bobo and Bassist John Newsome. The album is produced by Russ Long (Wilco, Sixpence None the Richer). The Slang will be on tour in support of the Night and Day EP starting in the fall of 2016.
'Ballad Of Everything' is one fine alt rock song. With a powerful and superbly mixed soundtrack the vocals glide effortlessly above, with enough grit to provide that full alt rock sound.
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Showing posts with label Jake Meadows. Show all posts
Showing posts with label Jake Meadows. Show all posts
Genre Wander: Robert Nix - James Edge And The Mindstep - Missing Sibling - Jake Meadows
Robert Nix - Won't Go With The Flow'.
Background promo - Robert Nix is largely recognized as an innovative alternative artist, incorporating alternative, postpunksynth, new wave, pop, classical and progressive rock into his songs and appealing to the 'intelligent alternative music fan'.
With his unique songwriting style, musical approach and distinctive haunting voice Nix stands out from the rest of the crowd.
"Once in a Blue Moon", Robert's latest release, is his 5th. The album reveals an artist dedicated to recording his own brand of song. Nix handles all aspects of the album's writing, performance and production.
OK the album was released back in January, so late to the party again! However it's such a good LP that a quick mention seems only fair. The featured song gives a hint of what's in store, expect a lot more.
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James Edge And The Mindstep - On A Red Horse.
About James Edge and the Mindstep - "I want to change the way people think about acoustic music and start redefining what it can be. I am pleased to have found, in Folkstock Records, a label brave enough to take on the challenge of releasing something as unusual and abrasive as On A Red Horse".
James Edge is already a studious musical maestro and a top drawer composer. The Kent-raised musician studied composition to master’s degree level under Joe Duddell - arranger for the likes of Elbow and New Order. After moving to London and starting to gig in 2006, he formed James Edge and the Mindstep to record 2010 debut album ‘In The Hills, The Cities’. The working relationships he built around this time would provide him with some dependable collaborators, including regular engineer and occasional co-producer Tom Aitkenhead, best known for his work with Laura Marling and Bloc Party. A core jazz-folk trio of Edge, double bassist Andy Waterworth and drummer Avvon Chambers materialised. Together the trio started recording second album ‘Machines He Made’ over a five day period tracking everything live and only overdubbing the backing vocals. The songs were largely unrehearsed, with band members and additional session players mostly having not heard the pieces before. This spontaneous hodgepodge has resulted in some of the most whimsical and deeply experimental music to come out of the capital in a while. The eerie acoustics of Nick Drake inform the atmospherics of much of James’s songwriting, but his sheer compositional nous - which draws on aspects of jazz, modern classical music and punk rock and roll - elevates songs like ‘On A Red Horse’ to a place far above any glib and generic categorisation. He is closer to a modern day Zappa, channelling his eccentric art through folk arrangements to create something deeply surprising, raw, and unnerving.
The On A Red Horse EP is released 15th April 2016 on Folkstock Records. An award winning independent label, they have achieved over 20 plays on BBC Radio 2, 3 and 6 Music over the last year, receiving positive Sunday Times reviews for their compilations and charting albums in The Telegraphs's Top Folk Albums of the Year for 2014 and 2015.
There is real nervous energy etched into this song. Chamber music meets folk music via all manner of directions and yet some how the whole thing ends up in a coherent and really good song.
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Missing Sibling - Mary's Rashers.
Background bio - Missing Sibling is a five-piece indie rock band from North Texas known for melodic, guitar-driven rock songs that are anthemic and sometimes melancholic, but always meant to be played loud. Their sound has been described as “a less grumpy Pixies” and like “Sleater-Kinney meets Bruce Hornsby.”
After spending 2015 playing regional shows to promote their 2015 EP, Commiserate, Missing Sibling will be expanding to national and international touring in support of their self-titled debut album, which will be out on Idol Records in April 2016.
Members: Drew Gabbert (lead vocals, guitar), Todd Walker (vocals, bass), Steph Buchanan (vocals, guitar), Kevin Buchanan (synth), Josh Hoover (drums).
There's a robust feel of "this is our way of playing, so get over it" as Missing Sibling rip their way through 'Mary's Rashers' a song that demands the volume is notched up for your complete attention. It's a gutsy no nonsense rock'n'roll piece and it works!
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Jake Meadows - Echo Of Tomorrow (feat. Daniel Johns).
Background - Sydney artist Jake Meadows has a new track that features Daniel Johns who collaborated with him on his upcoming EP. Echo of Tomorrow is Meadows' debut single was released on March 11th
Echo of Tomorrow is a clear and honest portrait of the artist’s imprint. With Daniel Johns as an honoured collaborator, Meadows has created a modern marriage of true analog and electronic
His signature sound has been built from years of experimenting with modern electronic techniques, classical harp and rich harmonious layers has featured as part of John’s recent shows as well as with Angus & Julia Stone, Eves The Behaviour, Paul Max, Thelma Plum and many other Australian artists.
'Echo Of Tomorrow' has layers of calming sounds and a real atmospheric feel. Vocals are a perfect fit for the music, whilst the rhythmic beat ensures the whole piece flows just right.
-------------------------------------------------------------------------------------------------------------------------
Background promo - Robert Nix is largely recognized as an innovative alternative artist, incorporating alternative, postpunksynth, new wave, pop, classical and progressive rock into his songs and appealing to the 'intelligent alternative music fan'.
With his unique songwriting style, musical approach and distinctive haunting voice Nix stands out from the rest of the crowd.
"Once in a Blue Moon", Robert's latest release, is his 5th. The album reveals an artist dedicated to recording his own brand of song. Nix handles all aspects of the album's writing, performance and production.
OK the album was released back in January, so late to the party again! However it's such a good LP that a quick mention seems only fair. The featured song gives a hint of what's in store, expect a lot more.
--------------------------------------------------------------------------------------------------------------------------
James Edge And The Mindstep - On A Red Horse.
About James Edge and the Mindstep - "I want to change the way people think about acoustic music and start redefining what it can be. I am pleased to have found, in Folkstock Records, a label brave enough to take on the challenge of releasing something as unusual and abrasive as On A Red Horse".
James Edge is already a studious musical maestro and a top drawer composer. The Kent-raised musician studied composition to master’s degree level under Joe Duddell - arranger for the likes of Elbow and New Order. After moving to London and starting to gig in 2006, he formed James Edge and the Mindstep to record 2010 debut album ‘In The Hills, The Cities’. The working relationships he built around this time would provide him with some dependable collaborators, including regular engineer and occasional co-producer Tom Aitkenhead, best known for his work with Laura Marling and Bloc Party. A core jazz-folk trio of Edge, double bassist Andy Waterworth and drummer Avvon Chambers materialised. Together the trio started recording second album ‘Machines He Made’ over a five day period tracking everything live and only overdubbing the backing vocals. The songs were largely unrehearsed, with band members and additional session players mostly having not heard the pieces before. This spontaneous hodgepodge has resulted in some of the most whimsical and deeply experimental music to come out of the capital in a while. The eerie acoustics of Nick Drake inform the atmospherics of much of James’s songwriting, but his sheer compositional nous - which draws on aspects of jazz, modern classical music and punk rock and roll - elevates songs like ‘On A Red Horse’ to a place far above any glib and generic categorisation. He is closer to a modern day Zappa, channelling his eccentric art through folk arrangements to create something deeply surprising, raw, and unnerving.
The On A Red Horse EP is released 15th April 2016 on Folkstock Records. An award winning independent label, they have achieved over 20 plays on BBC Radio 2, 3 and 6 Music over the last year, receiving positive Sunday Times reviews for their compilations and charting albums in The Telegraphs's Top Folk Albums of the Year for 2014 and 2015.
There is real nervous energy etched into this song. Chamber music meets folk music via all manner of directions and yet some how the whole thing ends up in a coherent and really good song.
--------------------------------------------------------------------------------------------------------------------------
Missing Sibling - Mary's Rashers.
Background bio - Missing Sibling is a five-piece indie rock band from North Texas known for melodic, guitar-driven rock songs that are anthemic and sometimes melancholic, but always meant to be played loud. Their sound has been described as “a less grumpy Pixies” and like “Sleater-Kinney meets Bruce Hornsby.”
After spending 2015 playing regional shows to promote their 2015 EP, Commiserate, Missing Sibling will be expanding to national and international touring in support of their self-titled debut album, which will be out on Idol Records in April 2016.
Members: Drew Gabbert (lead vocals, guitar), Todd Walker (vocals, bass), Steph Buchanan (vocals, guitar), Kevin Buchanan (synth), Josh Hoover (drums).
There's a robust feel of "this is our way of playing, so get over it" as Missing Sibling rip their way through 'Mary's Rashers' a song that demands the volume is notched up for your complete attention. It's a gutsy no nonsense rock'n'roll piece and it works!
--------------------------------------------------------------------------------------------------------------------------
Jake Meadows - Echo Of Tomorrow (feat. Daniel Johns).
Background - Sydney artist Jake Meadows has a new track that features Daniel Johns who collaborated with him on his upcoming EP. Echo of Tomorrow is Meadows' debut single was released on March 11th
Echo of Tomorrow is a clear and honest portrait of the artist’s imprint. With Daniel Johns as an honoured collaborator, Meadows has created a modern marriage of true analog and electronic
His signature sound has been built from years of experimenting with modern electronic techniques, classical harp and rich harmonious layers has featured as part of John’s recent shows as well as with Angus & Julia Stone, Eves The Behaviour, Paul Max, Thelma Plum and many other Australian artists.
'Echo Of Tomorrow' has layers of calming sounds and a real atmospheric feel. Vocals are a perfect fit for the music, whilst the rhythmic beat ensures the whole piece flows just right.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...