Smoke Rings - Majken - Ian Randall Thornton - The Max Tribe

Smoke Rings - Happiness.

Background - Yearning for a slice of 'Happiness' Melbourne five piece Smoke Rings plug-in with a bittersweet new single from their double A side 7" Go To Hell and a string of live dates. 

Strengthening their penchant for writing incredibly well constructed melodies, 'Happiness' sees the band once again pay homage to 90s brit-pop in three minutes and thirty three seconds of clever instrumentation and cavalier lyrics. Recorded with producer extraordinaire Malcolm Besley (City Calm Down, The Creases), the band take a sonic leap forward from their debut self titled offering while retaining their signature melancholy. 

Pricking ears with 2016 single 'Rose Coloured Glasses' from their debut EP, Smoke Rings achieved spins and praise from triple j's Richard Kingsmill and Dom Alessio. With an add to triple j's sister station Double J and love from key community radio stations nationwide, they've been solidifying a strong national profile and will head out on the road later this month. No strangers to sticky stage floors and eager crowds, Smoke Rings have impressed on bills alongside Northeast Party House, Moses Gunn Collective, Green Buzzard, Jarrow and Good Boy. Smoke Rings will surface 'Happiness' on the live stage when the band support Siamese in Adelaide and formidable electric lady Ali Barter in September/October. Website here, Facebook here.

'Happiness' is an expansive indie rocker, that does as mentioned above, have some 90's Brit-pop vibes running through it. What's more the band have their own distinct sound and an ear for some fine, catchy material.

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Majken - Here And Now.

Background - LA-based, Nordic indie pop artist Majken will release her debut album, Dancing Mountains, this month on August 25, 2017. Last week, Majken shared her third single and video, "Here and Now." 

Majken wrote and recorded Dancing Mountains on a journey between gritty Los Angeles, romantic Paris and the simple, laid back feel of the Nordic Fjord, where she spent her childhood. Influenced by experimental rock legends such as The Velvet Underground and the sensibilities of master songwriters like Leonard Cohen, Majken creates experimental pop with accessible themes and song structure. Her collection of dreamy songs contain raw, emotive lyrics, cushioned by indie beach rock and a vintage Europop vibe. She's inspired by wild nature, breakfast in bed, the various cities she's visited and called home and the people in those places.

Dancing Mountains reflects on vivid dreams, fond memories and restless nights. Majken's sultry vocal melodies, intoxicating layers of sound and surf rock guitar come together to create an ideal soundtrack for a summer daydream. Album track "Everything's Wild" encapsulates this feeling, inspired by floating wild in a bizarre dream state - not alive and not awake. "A Little More Time," produced by Cody Crump, is about a hazy heartbreak while "Fainted Love" reflects on a summer fling, through rose colored glasses and introspection. All songs were written by Majken, with the majority produced in collaboration with Jesse Nolan and Maxime Sokolinski. "You And I" was produced by Fingazz. Website here, Facebook here.

We featured Majken back in June & it's a pleasure to be able to share 'Here And Now.' This is a much gentler piece where atmospheric music and vocals hold down a simmering tension that slowly unleashes as the song develops.


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Ian Randall Thornton - See You Through.

Background - “See You Through” is the third and final single from Ian Randall Thornton's gorgeous debut album Lineage, which is coming out August 25th. Thornton wrote the song on a Swiss train a few years back, halfway through an extensive house show tour across Europe. The train went through a mountain, and when it emerged, Thornton was overtaken by one of the most beautiful sights he’d ever seen - vineyards stretching for miles, sloping down to the crystal clear waters of Lake Geneva that stretched out towards the Swiss and Italian Alps in the distance. It was the sort of sight that takes over all of your senses, causing your entire body to vibrate with adrenaline. 

At the time, Thornton was in the middle of writing his debut album Lineage, a brilliant conceptual album about family and heritage, while spending much of his travel time meditating on the concept. Each song on his new album flows from one to the next like movements in a symphony, ideas weaving incandescently throughout. Sparks of world influence and folk traditions light up different tracks, such as the African influences heard in the fretless banjo dancing through “Philadelphia,” and distinctly Appalachian influences mixed with sounds of hope and history in “Dance Upon the Tables.” With “See You Through,” an ode written from a father to his daughter, the album comes to a crescendo of three part harmonies and a unique combination of Asian and Appalachian melodic influences.

Ian Randall Thornton’s sound resides in a delicate balance between Americana, timeless folk, and progressive post-rock. His sound provides a unique tension, the balance of remembering the past and hoping unabashedly for the future. One could see Lineage as a soundtrack to the film of Thornton’s life experiences, carrying secrets of friendship, made from family and for family. Its concept carries a definitive story of the golden threads of family history. In this Thornton finds purpose, writing odes to generations past, with songs such as “See You Through” serving as a guidepost for generations to come. 

The chance to share another track from the imminent album release is something I am more than pleased to do. 'See You Through' is the third & final single from 'Lineage' this time showcasing the Americana side of this very fine album. Highly recommended.

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The Max Tribe - Yellow Pages.

Background - The Max Tribe share their new single "Yellow Pages," the track comes off of the band's forthcoming album Retrofit, to be released on August 18th, 2017. 

The Tribe was born in 2013 when Nashville native Austin Max (Guitar/Vox) united with Northern Virginia Native Conner Kessler (Drums) at music school in Boston. For a year they developed a psych sound playing around New England. Their Debut Single, “Tape Machine” was featured on Sound of Boston as one of the top 5 releases of 2015. 

Max, Kessler linked up with Noah Lubert (Keys/Vox) and Rafael Minerbo (Bass) in 2016. Noah and Rafa contributed to form the intertwined charisma that became the group's signature Psych sound. Over the course of 15 months, the Tribe wrote and Recorded their Debut LP Retrofit at 1867 studios due August 2017. In January of 17, they embarked on a Winter tour covering the North and Southeast. They are currently gearing up for their LP Release and summer tour of the record. 

Together, the Tribe creates a unique blend of psych rock with influences stemming from The White Stripes, The Beatles, The Doors, The Black Keys, King Gizzard and The Lizard Wizard, and Cage The Elephant. The Tribe have kicked off their East Coast tour, dates available on Beehive Candy's tour news page, website here, Facebook here.

A stylish arrangement slowly unfolds alongside some very natural and engaging rock edged vocals. 'Yellow Pages' is a fabulous psych rocker, which occasionally lets the power organically build, suggesting the band might blast some mighty riffs anytime they choose.


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Roddy Hart & The Lonesome Fire - Ian Randall Thornton - Paperhaus - Ninth Of May - Brass Phantoms - Jaws of Love - Sleepy Limbs

Roddy Hart & The Lonesome Fire - Sliding.

Background - Scottish 7-piece Roddy Hart & The Lonesome Fire's new single ’Sliding’ evokes the epic, driving americana you’d associate with such noteworthy artists. If the Scots slang – which gives Roddy Hart & The Lonesome Fire’s “Swithering” its name – suggests any sort of indecisiveness at play, then it’s one that the band whole-heartedly embraced to help push the boundaries of what it felt capable of creating.  From the very beginning, this was a group of players eager to change how they approached making a record.  Hailing from Glasgow, Scotland, the band (Scott Clark, Roddy Hart, Andy Lucas, Scott Mackay, John Martin, Geoff Martyn, and Gordon Turner) formed naturally over a number of years as Hart’s own evolution as an artist and songwriter progressed.  

Their first studio album-proper, 2013’s “Roddy Hart & The Lonesome Fire”, was critically hailed for its distinctively dark and atmospheric sound and led to a nomination on the fiercely contested long list for the Scottish Album of the Year (SAY) Award.  Notably, the record also caught the attention of prime time US TV host Craig Ferguson who invited the band to perform on The Late Late Show for CBS that same year, leading to a 5-night residency that played out to a combined audience of over 12 million viewers.  A Scottish Variety Award for International Breakthrough Artist of The Year followed, as did a nomination for Best Band at the Spirit of Scotland Awards, and performances at the opening party for the Commonwealth Games and a celebrated show with the Royal Scottish National Orchestra only served to bolster their reputation as a formidable live band; cemented by the huge popularity of their self-curated and much loved “Roaming Roots Revue” for Celtic Connections each year.

The new album “Swithering” is due for release on all formats – including limited edition 180g vinyl – on Middle of Nowhere Recordings, with tour dates to follow. Website here, Facebook here.

'Sliding' is a slick, vibrant and massively likable alt rocker. There is a sense of urgency that eases with the refrain before the energy kicks back in. The music video catches the feeling of the song beautifully.


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Ian Randall Thornton - Do You Rise.

Background - Virginia songwriter Ian Randall Thornton, released his lush, atmospheric second single “Do You Rise” a couple of days ago. "Do You Rise” is about the search for spirituality, and the elusive nature of such a mystical relationship. It helps balance out the listening experience on Lineage by creating a brief moment of rest and contemplation, in the midst of a dense concept album about family and heritage. 

Sparks of world influence and folk traditions light up different tracks throughout the album, such as the African influences heard in the fretless banjo dancing through “Philadelphia,” and distinctly Appalachian influences mixed with sounds of hope and history in “Dance Upon the Tables.” With “See You Through,” an ode written from a father to his daughter, the album comes to a crescendo of three part harmonies and a unique combination of Asian and Appalachian melodic influences.

Ian Randall Thornton’s sound resides in a delicate balance between Americana, timeless folk, and progressive post-rock. His sound provides a unique tension: the balance of remembering the past and hoping unabashedly for the future. One could see Lineage as a soundtrack to the film of Thornton’s life experiences, carrying secrets of friendship, made from family and for family. Its concept carries a definitive story of the golden threads of family history. In this Thornton finds purpose, writing odes to generations past, with songs such as “See You Through” serving as a guidepost for generations to come. Website here, Facebook here.

The fifth of eleven tracks on the superb 'Linage' album is 'Do You Rise'. We featured the first single 'Who Are We' at the end of June and stated then "I have to say they are all at least as good as the featured song, with a few real gems along the way." Upon reflection, that is something of an understatement, give both featured songs a listen, the rest are all equally superb!


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Paperhaus - Go Cozy.

Background - Washington, DC-based, psychedelic rock band, Paperhaus, announce their new LP, Are These The Questions That We Need To Ask?, due out October 6th via Misra Records. Their first single from the new record is "Go Cozy". The forthcoming album was recorded at co-producer and mixer Peter Larkin's studio, The Lighthouse, in Alexandria, VA. The record was mastered by Sarah Register. 

Following up on their debut self-titled LP, Are These The Questions That We Need To Ask?  marks a turning point for Paperhaus. The album is very deliberately titled, urging listeners to ask questions about the surrounding world, rather than offering listeners the answers. It explores many thematic elements relevant to our modern life, including our reliance on technology, a craving for nature, the increasing rise of more authoritarian ideas along with the division it creates among people around the world, and most importantly what all this means for our relationships with each other. Lead single, "Go Cozy," is a song about friendship and community, specifically built off their experience in the DC DIY music community. Go Cozy, another active band in the DC scene and housemates of Paperhaus, inspired the track through their open-mindedness and collaborative process in the tight knit music community. 

The band previously released 5 EPs, with their 2011 self-titled EP representing the band's new lineup, consisting of founding member Alex Tebeleff (vocals/synth/guitar), and current members Matt Dowling (vocals/bass), Rick Irby (guitar) and Danny Bentley (drums). The band is inspired by a wide variety of artists, ranging from tastemakers and legends like Bowie and  Kraftwerk, to D' Angelo and LCD Soundsystem. In 2013, the band went on a 2 month national tour in support of LoHiLo EP, which received traction from NPR and Washington Post. In 2015, the band debuted their first full length release on NPR First Listen, headlined 9:30 Club for their album release and performed in official SXSW showcases. Website here, Facebook here.

Fifty years on from the "summer of love" and there are plenty of bands currently building on some of those distant original psychedelic days. Paperhaus are one of the best I have heard so far with 'Go Cozy' a dreamy, atmospheric song that is imaginative and refined.


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Ninth Of May - Bend.

Background - Ninth Of May the completely independent, powerhouse Brisbane 5-piece are back doing what they do best with the release of their new single, and corresponding film clip, ‘Bend’. Whilst it is a slight deviation from their previous endeavours, the super heavy guitars, pounding drums, hooky vocals and synth bass of ‘Bend’ are all undeniably “Ninth Of May”. One listen through will reinforce the fact that ‘Bend’ really is a dichotomy, beautiful yet heavy as F! Recorded and produced 100% in-house, ‘Bend’ is an example of a band truly defining their sound and doing things purely on their own terms. Playing to their strengths and relying solely on their own instincts and experience, ‘Bend’ is possibly the strongest release from Ninth Of May to date. As guitarist Ian Jones explains, “We’re pretty good, ay”. 

The accompanying clip for ‘Bend’ sees the band reunite with Blueroom Productions, the producer of their previous clip ‘Ramen’, to create a visually spectacular performance clip the likes of which have never been seen before. Some have described it as the perfect blend of predator, a kick ass rock show and hell itself. Other guitarist Matt Wardle agreed adding, “I agree”. 

Perfect for (but not limited to) running, riding, skating, walking, sitting, standing and especially lovemaking, ‘Bend’ is the ideal addition to your playlist. So make room and hold on, coz you’re about to be rocked! Facebook here.

If you are up for a blast of raw rock'n'roll then 'Bend' has all of that. Powerful and emotive, the musicianship is polished the vocals expressive. I've jumped the gun with this song & hopefully can swap from the audio track to the music video in a day or so.

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Brass Phantoms - City Of Wolves.

Background - Irish fourpiece Brass Phantoms have announced the release of new single City Of Wolves released last Friday. Following on from recent single Waiting Up, which received Irish radio airplay and secured features on Spotify Discover Weekly and BBC 6 Music, City Of Wolves is the latest offering from the Dublin band.

It is a track that further cements Brass Phantoms as one of the most exciting new bands in Ireland and is an indie anthem in the making with its intriguing drum intro, captivating guitar riff, distinct gravelly vocal and soaring pop chorus. The band say;

"City Of Wolves is the track that has enabled us to pinpoint a sound we want to move forward with. It possesses what we strive towards bringing out in our music, and there is a lot of power when we play it live. We hope it's a track that can help us to grow, because we have a lot to come".

Having played headline shows in their home city along with performing at festivals such as Other Voices, Brass Phantoms will be announcing their debut UK headline tour soon. The band will also be performing at Indiependence festival this August. Twitter here.

The quality of musicianship is notable from the opening chord onwards. 'City Of Wolves' is very catchy the vocals & harmonies add some additional edge, I have a feeling we will be hearing more from this band.

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Jaws of Love - Jaws of Love.

Background - Local Natives’ songwriter, vocalist and pianist Kelcey Ayer announces his solo debut as Jaws of Love., ‘Tasha Sits Close to the Piano’, set for release via House Arrest digitally on September 22nd, with its gatefold coloured vinyl release available in the UK on 3rd November. The first single and opening track on the album ‘Jaws of Love.’ is available now.

The first solo project born out of the acclaimed Los Angeles band, sees Ayer hone in on his master craft: the emotive piano ballad as highlighted on the five-piece critically acclaimed second album ‘Hummingbird’. Kelcey Ayer, the creative force behind Jaws of Love., has always been an ace at writing a good love song - he just didn’t always know it. “I used to think that to write about love, something had to be wrong”, he says. “I often got my material from pain, or insecurity, or problems - I thought I couldn’t write a good love song because I am in love and it’s going so well. But I’ve grown to realise that even in the most amazing relationships there are turbulent times and misunderstandings that are unavoidable. And that doesn’t mean that anything is doomed, but love is such a complicated thing. The idea of ‘jaws of love’ felt so perfect for this project because it’s all about love’s trials and tribulations.”

Recorded as Local Natives geared up to release their third album last summer, when Ayer booked time in the same LA studio, Electro-Vox, where the band had recorded ‘Sunlit Youth’, and in a three-day burst he recorded a handful of his own songs with the help of engineer Michael Harris and mixer Cian Riordan. Without any intention of releasing the tracks initially, Ayer allowed his emotional intuition to lead the way in the process. This ultimately yielded powerful results and was an exhilarating experience that led Ayer to decide to continue writing. He returned to the studio later in the year, and - aided by the studio’s myriad synthesizers, antique equipment, preamps, and outboard gear, in addition to drums recorded by Local Natives’ drummer Matt Frazier - Ayer completed his gorgeous solo debut. Website here, Facebook here.

Kelcey Ayer (aka Jaws of Love) first single also entitled 'Jaws of Love' is a majestic piano lead song that clearly has been a labour of love in it's making. The vocals are wonderful, the musical arrangement pristine and the passion and heart conveyed throughout.

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Sleepy Limbs - Sweet And Sour.

Background - Know Hope Records is thrilled to announce the debut EP from Sleepy Limbs. The self-titled EP will be released on September 22, 2017. Sleepy Limbs, hailing from Lancaster, PA, is Ben Roth, Kory Gable, and Joe Fuscia. All three were previously members of You, Me, and Everyone We Know (South By Sea Records). Sleepy Limbs was formed following the demise of YMAEWK.

“This project was started as You, Me, and Everyone We Know came to an end. Around that same time, Kory and Joe were learning/relearning some of my old songs to play a full band show and we started working on new song ideas I had floating around” Roth said. “The more we worked on new material we started to notice a chemistry between us as a three piece and just kind of went with it and started playing shows and writing more songs, and Sleepy Limbs was born.”

The band will be embarking on an East Coast tour to celebrate the release in September. Dates will be announced shortly. Finally, a message from Ben, Kory and Joe: “Love, time, attention and intention were put into these songs. We hope you feel it, enjoy it and listen loudly.” Facebook here.

'Sweet And Sour' is a fine rocker of a song, with bags of passion, and vocals that seemingly swirl around immersed in the music, yet coherent enough to convey their desire to be heard.



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Tastes Like Chicken - A Valley Son - Moses Guest - San Mei - Ian Randall Thornton - Basement Revolver

Tastes Like Chicken - Bottle In My Hand.

Background - With America’s dependency on alcohol and opioids at an alarming all-time high, few artists have dared to address the complicated issue. South Carolina’s Tastes Like Chickenhave bravely attempted to fill that void with the release of their poignant and soulful new single “Bottle in My Hand. Recently voted Best Band in the Pee Dee by the readers of Florence’s The Morning News, “Bottle in My Hand” is proof that Tastes Like Chicken know firsthand the struggles associated with the destructive cycle of dependency.

According to songwriter Lance Shirley, “Bottle in My Hand” laments the dependent relationship people often form with alcohol: “The song is about drinking to make your problems go away. Although it may be a temporary fix, it usually ends up compounding the problem or bringing about new problems.”

“Bottle in My Hand” is told from the perspective of someone who is going through this vicious cycle. It could be wrecking their relationship, career, or something else, but they keep coming back to it. Shirley knew the dangerous cycle of alcohol dependency well enough that he quit drinking two years ago. Founded by brothers Lance and Chad Shirley, Tastes Like Chicken feature tight musicianship, pristine vocal harmonies, and an eclectic sound that is heavily influenced by a myriad genres of music, including jazz, R&B, country, soul, and gospel.

Since forming in Florence, Tastes Like Chicken have become a fixture on the regional music scene by playing over 200 shows and festivals a year. The band’s 2012 debut Don’t Tempt Me remains a hot commodity among their dedicated fanbase. Tastes Like Chicken have shared the stage with Sister Hazel, Lee Brice, and Edwin McCain. The band is set to release their new album Heartaches and Hangovers today June 30. Website here, Facebook here. 

There is a country rock feel to 'Bottle In My Hand' a meaningful song that I'm sure will resonate with those who have had a battle with the bottle at some point in their life. Beyond that it's also a beautifully crafted song with high quality musicianship and vocals, that are delivered with passion and feeling.

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A Valley Son - Leaving Is Easy.

Background - Brooklyn’s soulful Southern rockers A Valley Son, have announced their debut full-length But The World Moves (out September 8th), along with sharing the fiery lead single “Leaving Is Easy.” 

But The World Moves is the follow-up to A Valley Son’s critically-acclaimed debut Sunset Park EP that came out in January, solidifying the band as one that puts songwriting, emotion and musicianship back at the forefront. The band’s new album reflects on frontman Trey Powell's childhood growing up in the rural tidal plains of eastern Virginia, where he was surrounded by little more than farmland and the two rivers that carved out the Middle Peninsula. Powell felt shut in, restless, reckless… with such little outside cultural or mental stimulation things felt grim, and he responded accordingly, and, often, destructively. 

These are not a collection of somber acoustic ruminations, but raucous, rowdy, careening tunes that pull heavily from the Southern soul, rock and gospel tradition that each of the members grew up on. Just like with their electric, freewheeling live performances, the band sets a tone from the first track that tries to transport the listener back and forth between the past and the present seamlessly, in the hopes that the line between memory and reality are blurred. Bandcamp here, Facebook here.

If you like your rock'n'roll natural, energised and gritty then 'Leaving Is Easy' is all of that. It's Southern rock, Brooklyn style and it works!

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Moses Guest - Light.

Background - Frontman Graham Guest states of the new single "I wrote "Light" in Summer/Fall 2015.  It came to me right along with "Black Road."  My daughter, Edie (9 years old) helped me with it a lot, telling me to keep certain parts and get rid of others.  It's about the all-too-common (at least for me) experience of being really excited about something or someone, then thinking that thing or person is maybe not cool at all, and finally thinking there just no way to be sure."

Moses Guest has been creating quite a name for themselves in recent years. They have shared the stage with several high-profile acts including Moe., Steve Miller Band, JGB, Willie Nelson, Los Lobos, Leftover Salmon, String Cheese Incident, Robert Bradley’s Blackwater Surprise, Jayhawks, Lisa Loeb, Colonel Bruce Hampton & the Fiji Mariners to name a few.

For Light, the studio focus is evident. The record marks the line-up’s twentieth anniversary and is their first album release since 2007’s Best Laid Plans. The super-tight, super-polished performances and arrangements hearken back to Moses Guest’s 2002 self-titled release. Website here, Facebook here.

'Light' is a feast of rhythmic, tight and super refined rock, with hints of blues and jazz. Professional and polished it certainly is, however there is enough feeling and heart to give it some edge.

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San Mei - Necessary.

Background - San Mei shares the stunning title-track from her forthcoming debut EP, 'Necessary'. Following the success of previous single releases, 'Rewind', and 'Until You Feel Good', a music video and an east coast tour, the Gold Coast multi-instrumentalist is has been gathering some serious momentum. 

'Necessary' takes San Mei's electric vocals and sculpts them into harmonic arrangements, layered against fuzzy guitar riffs. The track grooves its way into a soaring alt-rock ballad of eclectic instrumental arrangements and enchanting vocal orchestration. The track revolves lyrical around the need to treat those around you with kindness - in San Mei's own words: 'Everyone has stuff going on - happy, sad, trying. The song is about acknowledging that and just trying to be good to other people, because you don't know always know where they're at.'

San Mei has shared stages with Evar Klar, Polish Club, Elliphant and performed at the The Mountain Goat Valley Crawl just in the last six months. Adding to her growth the 'Until You Feel Good' east coast tour witnessed a solid progression of in San Mei's development as an artist.  She's also received props from the likes of  NME, Indie Shuffle, Nylon Mag and triple j - where she also gained spot rotation for previous single 'Rewind'. 'Necessary' single and EP is out July 14th. Facebook here.

Third time around on Beehive Candy for San Mei, who continues to impress, this time with 'Necessary'. Last time we said of her music, "Beautiful dreamy and sweeping vocals are supported by a rhythmic indie pop soundtrack." With the latest song I might switch pop over to rock, beyond that it's another delicious song.

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Ian Randall Thornton - Who Are We.

Background - Songwriter Ian Randall Thornton, is gearing up to release his proper debut album Lineage (due August 25th). “Who Are We” is an apt first offering from Lineage, in that it plunges straight into the theme of the record, while simultaneously representing its diverse musical scope. This track, much like the album itself, is about family and heritage, and the tension between honoring the past and embracing the future. So much of who we are is directly influenced by our inherited family culture, for better or for worse. Family teaches us how to walk, eat, judge, behave, and how to perceive and communicate with the world around us. "Who Are We" delves into the process of valuing what is beautiful in our family and cultural inheritance, while weeding out the aspects that can hold us back from growth and progress; in hopes to bestow an even greater inheritance to future generations.

Ian Randall Thornton’s sound echoes with a history beyond his years. At age 7, Thornton delved into classical music, and through his adolescence expanded his palate through involvement in different types of bands in his hometown of Norfolk, VA, from thrash punk to folk to post-rock. His current musical expression resides in a delicate balance between Americana, timeless folk, and progressive post-rock. His sound provides a unique tension: the balance of remembering the past and hoping unabashedly for the future. Each song on Lineage flows from one to the next like movements in a symphony, ideas weaving incandescently throughout. 

Sparks of world influence and folk traditions light up different tracks, such as the African influences heard in the fretless banjo dancing through “Philadelphia,” and distinctly Appalachian influences mixed with sounds of hope and history in “Dance Upon the Tables.” With “See You Through,” an ode written from a father to his daughter, the album comes to a crescendo of three part harmonies and a unique combination of Asian and Appalachian melodic influences. One could see this as a soundtrack to the film of Thornton’s life experiences, carrying secrets of friendship, made from family and for family. Its concept carries a definitive story of the golden threads of family history. In this Thornton finds purpose, writing odes to generations past, with songs such as “See You Through” serving as a guidepost for generations to come. Website here, Facebook here.

Some delicate acoustic guitar playing provides a fine backdrop for Ian Randell Thornton's notable vocals on 'Who We Are'. As the rhythm kicks in the song moves up a notch and some fine melodic vibes unfold. It's one of eleven tracks on the new album, and I have to say they are all at least as good as the featured song, with a few real gems along the way.

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Basement Revolver - Tree Trunks.

Background - 'Tree Trunks' follows the success of last year's EP and debut single 'Johnny'. Their new EP 'Agatha' is out July 21st on on Yellow K Records (U.S.) and fear of missing out records (U.K.).

The EP has had a lasting impact, racking up over 800,000+ plays on Spotify and nearly 100,000 plays on SoundCloud. ‘Johnny’ and their second single ‘Words’ reached the higher echelon of the Hype Machine chart, while the EP has made various ‘best of 2016’ listings around the blogger community. 

Lead singer Chrisy Hurn on the new single: "Tree trunks was written when I started experiencing panic attacks for the first time, and my increasing need to find a professional who could help me to find better ways to cope. It also tries to mirror how I imagine the environment feels sometimes - and how the environment is tied to many people's mental health. I was very fortunate to find the help that I needed and I would encourage everyone to go after the mental health resources that are available to them." Bandcamp here, Facebook here.

Last years debut single 'Johnny' really did standout from the crowd, since then we have featured Basement Revolver a couple of more time and now we have 'Tree Trunks' to share. This is a band that can consistently deliver beautiful, melodic, emotional songs with incredibly large hooks, fabulous!

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