Showing posts with label Hannah Scott. Show all posts
Showing posts with label Hannah Scott. Show all posts

The Faux Faux - Kendall Lujan - Hannah Scott - Jesse Hite - BC Camplight - Cody Hall

The Faux Faux - Cold Hearted Woman.

Faith Vern, lead singer of notorious Manchester punk band PINS, has shared new single ‘Cold Hearted Woman’. The single, a swaggering and smoky number, marks the launch of her new solo project, The Faux Faux, as well as the relaunch of the Drowned in Sound Singles Club. “We’ve always championed Faith’s work in the ultimate punk gang PINS” says Drowned in Sound founder Sean Adams. “We got talking a couple of years ago, when she sang with Iggy Pop at the BBC’s legendary Maida Vale studios and kept in touch.”

“When I murmured that I was thinking of bringing back the label, Faith mentioned a solo project… and as I absolutely adored what she sent over, here we are, restarting the singles club that previously kicked off the careers of Kaiser Chiefs, Bat for Lashes, Martha Wainwright and more. This is track one from what will be a slowly released 10-track compilation of new artists I love, with a new track arriving each month.”

With a chill in its bones and a fire in its belly ‘Cold Hearted Woman’ is a debut single that feels as if it has just marched off the set of Peaky Blinders or John Cassavetes’ Gloria. “I’ve always been intrigued by Cindy Sherman, Sylvia Plath, Gregory Crewdson, Virginia Woolf, Nan Goldin to name a few,” explains Faith Vern, “these writers, poets, photographers, artists, who have shown us the beauty and the desperation in the mundane.”

Vern continues “After the birth of my first child I needed more space which meant moving from my one bedroom flat in Prestwich to a ‘proper’ house. Somehow my husband and I convinced ourselves that we should head to the country, little did we know that lockdown was lurking… I was writing about being somewhere and feeling trapped, anxiety and coping mechanisms.” “The chorus ‘I’m a Cold Hearted Woman’ is of course tongue-in-cheek, it’s almost like once everything, all your personality, freedom, joy, is forced out of you, you just sorta go ‘ok fk it, you think I’m cold, well yes, here it is...’ ”

 
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Kendall Lujan - Forger Me Knots.

The striking talents of rising Portland artist Kendall Lujan will be impossible to miss in the coming year. Her indie-operatic voice stratifies songs through octave runs, making moody, melodic folk rock. To rise out of Portland's flush music scene is no easy feat, Lujan has been making herself heard by singing harmonies in AC Sapphire’s backing band The Shoulderpads.

In her latest project Lujan steps out in front of the band. Many folks introduction to Lujan will be “Another”, a song of lingering desire that floats Lujan’s vocal range over a small symphony of archtop guitar and strings. Her strengthy voice –which ranges from mountain holler to bird-like warble, seems to hang in the air. She sings a song about retracing steps to the point where love was lost, and resolves to regain that trail in another life.

Lujan opens the moody “Dot My I’s” solo, fingerpicking guitar, giving us a chance to hear her commanding voice. Layered vocals and gentle driven drums join Lujan in a pocket groove. Enjoy her lyricism as she asks “how can these memories be so sweet, and other times only sting?” Lujan comes to Portland from the upper-left-most corner of rural Washington. She’s had bands before but the time of the pandemic created an opportunity for Lujan to do things differently. She moved to Portland, and saw the isolation of relocation and lockdown as a chance to really dig into her own songs. The trained piano player picked up a guitar.

Lujan’s songs concentrate on growing up, and figuring it out, and she  turns experience into a story to make the point. The natural singer and songwriter put together a band with Micah Hummel (drums) Sam Arnold (bass) and recorded at the Map Room in Portland with Dominik Schmidt producing.

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Hannah Scott - Into Your Grief.

Taken from the forthcoming EP “Ancient Lights”, “Into Your Grief” is the new single from Surreybased contemporary folk artist Hannah Scott. The EP is a collection of old songs Hannah thought deserved to be dusted down and played to audiences once more. Into Your Grief was written towards the end of 2008 as her three year relationship was breaking down.

Hannah says, “I’ve often found myself too afraid to say how I really feel. As I’ve got older and realise the impact that not being fully open and honest has, I definitely see this as a weakness and it’s something I’m working on. Somehow expressing those feelings in lyrics is easier. My relationship had been on the rocks for a while and we hadn’t voiced it. I played my then partner the song and we both started crying and that was that! We are still good friends 15 years later.”

Ancient Lights takes its name from the house she grew up in, a Tudor building in Suffolk, named by her father because of its leaded light windows. These take centre stage in the EP artwork created by her mother. Hannah had the idea to name a record after the family home in her early twenties but she knew she’d have to wait until she was older in order to have some old songs to record so the title would make sense! Two close family bereavements in the space of a year as well as the period of quiet which the pandemic and lockdowns brought set Hannah on a path of reflection as she rediscovered some of her oldest material.

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Jesse Hite - Just A Kid.

Heart-felt lyrics wrapped in a saucy bass-line, catchy chorus, and a head bobbing groove; with remnants of Gorillaz, The Red Hot Chili Peppers, Arctic Monkeys, and The 1975.

This opening song for the upcoming EP Vol. 1 is really a look into getting older and fighting with the feelings of aging, depression, and anxiety. How have 30 years already past? I still feel like a kid. I am just a kid. I was always “the kid” in the local music scene. Always the youngest one on stage and still keeping up with the veterans. But now, that is no longer the case. I think everyone has this disconnect at some point in their life. As time goes on, our lives get busier and life seems to speed up day by day. We all want to feel young forever.

Jesse Hite is an American artist living in the French countryside as a musician, producer, and singer-songwriter. His experience exploring and living on the West Coast of America, travels through Asia and Europe, and time spent living in France has taken his lyrics and songwriting to a whole new level. He has combined those life experiences inside his home studio and molded them into a piece of art for all music lovers to enjoy. He shares his honest experiences through his intricate storytelling-like song style. His songs are groovy, atmospheric wonders with poppy hooks and deep stories.


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BC Camplight - The Last Rotation Of Earth.

BC Camplight has just announced news of his new album, The Last Rotation Of Earth, out May 12th via Bella Union. To accompany the announcement, BC Camplight has shared a lyric video for the LP’s title track and first single. Is there a curse that says Brian ‘BC Camplight’ Christinzio cannot move forward without being knocked back? That the greatest material is born out of emotional trauma? Whilst making his new album, The Last Rotation Of Earth, Christinzio’s relationship with his fiancé crumbled after nine inseparable years. 

The album follows this break-up amid long-term struggles with addiction and mental health. The outcome is an extraordinary record, with Christinzio describing it as “more cinematic, sophisticated and nuanced than anything I’ve done before.” He goes on to describe how the separation altered his creative focus and caused him to “scrap 95% of what I’d already recorded”, finishing The Last Rotation Of Earth in two months and making what he believes is his most vital album.

Still, Christinzio doesn’t see any of this as a story of redemption. “This is not a story of victory,” he says. “It is a document created in the shadow of incredible darkness. One from which the creator hadn't planned on escaping, and still doesn't. Hence the title of the album. It is the result of an illness that I've battled my whole life. It isn't something that the world has done to me. It's the world I live in and it's no one's fault.”

 

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Cody Hall - Made My Day.

Independent Country artist Cody Hall from Lethbridge Alberta has a brand new song available on streaming services today February 10th

“Made my day”, the third track recorded with Bucket Brigade Studios and producer Joel Pearson, highlights the story of young love and has an alternative-pop flare that compliments the country flare that Cody is known for.

Cody's previous releases, “One of Them Boys” (August 2022) and "The Dark" (February 2022), both hit regular rotation on local stations here in Alberta and together have over 300 plays on Sirius XM’s Top of the Country channel.

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Mall Girl - I.You.She - Century Egg - Hannah Scott

Mall Girl - Bubbly Cool Drink.

‘Bubbly Cool Drink’, the new single from Norwegian art-pop outfit Mall Girl, represents an exciting new chapter for the buzzed-about band. A string of infectious singles released in 2020, including ‘My Sweet Mall Girl’ and the fierce ‘Bad Girl’, cemented the bands reputation as an act to watch in the alt-pop arena. Now they are gearing up to release their debut album in Spring 2022, via Norwegian label Jansen Records.

Members Iver Armand Tandsether, Hannah Veslemøy Narvesen, Eskild Myrvoll and Bethany Forseth-Reichberg were forced to get creative when the pandemic hit, side lining best-laid plans to flesh out some songs before heading into the studio together.

"Because of COVID regulations and the four of us living in two different cities, we changed the way we worked with the songs quite radically in the months leading up to the studio recording,” Narvesen says. "We’ve always been very oriented towards the live performance of the songs, including when we compose them together in our rehearsal space. That way of working has led to some challenges when recording, as you end up listening to the songs in a different manner and might figure out you should have done everything differently."

While some put their creative endeavours on hold, Mall Girl opted to try something different. “We actually ended up ‘remote composing’ big parts of the album, with everyone working from their own home studio and bouncing ideas back and forth,” Narvesen explains. "This was a very welcome change of workflow for us, and it led to us writing some songs which probably wouldn’t have turned out that way had we been together in the same room."

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I.You.She - Sink.

Boston-based indie pop wunderkind I.You.She, AKA Aayushi Kumar, is gearing up for the release of a buoyant new song “sink!.” The song, produced by respected local Seattle musician Jake Crocker (her hometown), integrates irrepressibly catchy hooks with lyrics that illustrate the despair of a young person caught up in a sense of disillusionment with her life and an eventual realization that everyone is in the same boat.   Kumar exhibits a remarkable mastery of melody and lyricism in only her second single as a solo musical artist—she’s currently a freshman at the Berklee College of Music.  “Sink!” will be released digitally October 29.

Says Kumar: “I don’t believe in perfectionism but I really believed in this song and wanted to give it my all. In general, this person feels like their life is a mess and they feel a sense of emptiness.  To me the song is really about how struggle in life is inevitable. If I had to have one tagline for the song it would be ‘The grass is greener on the other side, but what if we were underground?’  I don't think this song is a negative one even though it may come off that way on a surface level. I think it's realistic and shows how struggling is inevitable and ok. We always think we're sinking but sometimes don't realize that everyone else is as well.”

 I like to stay informed on the local artists from Seattle and Jake, the featured artist and producer of ‘sink!,’ was a Seattle-based musician who I really looked up to.  He was a dream collaborator, and after some email/phone exchanges we started the process of working on the current version of “sink!”. I’m a freshman at the Berklee College of Music, The journey has been a long one but I feel so proud of this song and am excited to introduce my sound to the world.

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Century Egg - Moving On.

Century Egg is a band of escape artists with a focus on playing visceral punk rock. Today the Halifax, Nova Scotia-based quartet are sharing their new single, "Moving On" which makes up the first half of a double A-side single release, the second of which will follow next month. The new track is released via Forward Music Group. 

Following previous spots opening for the likes of Lido Pimienta – a self-proclaimed fan of the band with Robert Drisdelle, guitarist in Century Egg producing a track on her Polaris Prize-winning album, La Papessa – Partner, Julie Doiron, and more, Century Egg will be performing at Toronto's Handlebar on November 14 and La Sala Rosa as part of M for Montreal (Mothland's stage) on November 19 to celebrate the release of these new tracks. This new single, "Moving On" further cements their inspirations taken from Asian pop and rock artists such as Faye Wong, Jun Togawa, Spitz, Cui Jain, Pu Shu, along with the driving post-punk rhythm section and blistering guitar work taken from The Stooges, Thin Lizzy, etc.

Speaking about the new single, Century Egg says: "This is a song about trying to detach yourself from your past and let go of the trauma that holds you back from finally feeling better."

Century Egg is made up of singer, Shane Song (she/her), bassist/backing vocalist, Matty Grace (she/her/they/them), guitarist, Robert Drisdelle (he/him) and drummer, Megumi Yoshida (she/her). Away from Century Egg, Song works as a visual artist/video game artist, Grace plays in numerous bands including Cluttered (tipped by Laura Jane Grace of Against Me!), Drisdelle plays and arranges with Lido Pimienta (amongst other projects) and Yoshida performs in Bad Vibrations, Dog Day, Not You and more.

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Hannah Scott - Drawn To Darkness (Album).

London-based independent artist Hannah Scott is fast cementing her place as one of the country’s most exciting new songwriters, with her emotive, personal songs and striking voice. Hot on the heels of her recent sync success which saw No Gravity open an episode of Grey’s Anatomy, she releases her Help Musicians-funded sophomore album, Drawn To Darkness.

Co-written and produced with long-standing creative partner Stefano Della Casa (Ultra Music Publishing), Drawn To Darkness expertly combines organic, live elements with electronic sounds. The two artists have struck a perfect balance between Hannah’s traditional songwriting craft and Stefano’s unique cinematic production.

Hannah draws much of the inspiration for her music from her affinity with Italy. A year living and working on an olive press in rural Tuscany in her late teens provided the backdrop to her early work and she has found her musical home with writer-producer and multi-instrumentalist Stefano, who she met in London but may well have met years earlier when passing through the train station in Italy he was working in!

Further highlights for the pair include opening for Madeleine Peyroux to an audience of 2000 at Edinburgh’s Festival Theatre and travelling across Ireland with Paddy Casey to open shows for him in Dublin and in a tiny Irish speaking village near Galway! Their music has also been featured on BBC Radio 2 including a live session with Dermot O’Leary, BBC 6 Music, BBC Introducing, The Guardian, MOJO and Clash Magazine.

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Charlotte Jacobs - Hannah Scott - Ladderman - Adwaith + Massimo Silverio - Francis Lung - Petey and Miya Folick

Charlotte Jacobs - Other Half.

Charlotte Jacobs is sharing the music video for her new single, "Other Half". Charlotte describes the track as, "I think this song is about being close to another half- which can be another person, but I think also another part of yourself, and I think the images used in the video translates the music really well."

Brooklyn-by-Belgium vocalist Charlotte Jacobs transposes her world into music. Sights, movements, sounds and places coalesce, reflecting the artist’s surroundings in lush electronic unison. Born and raised in her parents’ art gallery in a small village in the Flanders countryside, Jacobs’ dense avant-pop arrangements pull influence from visual art, poetry and contemporary dance, converting one artistic medium into another. After spending several years performing in Belgian electronic trio SEIREN while studying jazz vocals at The Royal Conservatory of Ghent, Jacobs began writing her own material, experimenting with vocal manipulation and unorthodox song structure.

Despite performing with multiple collaborative projects, as well as composing video game and film scores, it wasn’t until Charlotte Jacobs relocated to Brooklyn in 2017 when she began to thoroughly find her voice. It was there she embarked on a new eccentric musical exploration, collaborating with New York’s cohort of producers and artists while delving into the textures, shapes and colors of her own vocals in her Crown Heights bedroom. 2019 saw the release of Jacobs’ debut Fishtale EP, a lurid collection of forward-thinking pop tied together with the help of producer and engineer Zubin Hensler (Half Waif, The Westerlies, Hannah Epperson). Influenced by jazz vocalist Betty Carter, Bjork’s vocal-centered Medulla and Tirzah’s wheezing pop loops, Charlotte Jacobs’ music upends expectations, subverting tradition through playful fusions of style and genre.

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Hannah Scott - Drawn To Darkness.

London-based independent artist Hannah Scott is fast cementing her place as one of the country’s most exciting new songwriters, with her emotive, personal songs and striking voice. Hot on the heels of her recent sync success which saw her song No Gravity open an episode of Grey’s Anatomy, she releases Drawn To Darkness,the fourth and final single from her forthcoming Help Musicians-funded album. 

The song expresses the beauty and depth she finds in sadness. Co-written and produced with long-standing creative partner Stefano Della Casa (Ultra Music Publishing), Drawn To Darkness expertly combines organic, live elements with electronic sounds. 

The two artists have struck a perfect balance between Hannah’s traditional songwriting craft and Stefano’s unique cinematic production. Further highlights for the pair include opening for Madeleine Peyroux to an audience of 2000 at Edinburgh’s Festival Theatre and travelling across Ireland with Paddy Casey to open shows for him in Dublin and in a tiny Irish speaking village near Galway! Their music has also been featured on BBC Radio 2 including a live session with Dermot

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Ladderman - The Huntress Obeyed.

It is pure melancholy that is transformed here into a bittersweet fairy talesque Brothers Grimm style. With 'The Huntress Obeyed' a new indie band from Lucerne enters the music scene: Laddermen.

Singer and guitarist Leopold Oakes hails from Texas, where he played in several indie and hardcore bands which taught him to express emotion through music.
In 2019, Oakes left Texas to redefine the concept of home, as well as his musical work, in Switzerland. Together with musicians from previous projects, they created «Laddermen», a construct of melancholic, dark and haunting rock music.
'The Huntress Obeyed' is a spherical post-punk song about cocaine addiction in Austin, Texas and the darker side of the excessive party scene there.

Laddermen will release their debut album later this year. Their haunting songwriting and deep dramaturgy, for which they draw inspiration from English bands, should splash the indie scene with another palette of color.

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Adwaith + Massimo Silverio - Nijo (Yn y Swn).

This week sees the launch of an international partnership between the National Eisteddfod and the SUNS Europe Festival – the European Festival of Performing Arts in European Minority Languages. The partnership is a celebration of music rising above linguistic borders, with the first project combining Welsh with Friulian, the indigenous language of Friuli, northern Italy.

This first collaboration features Welsh band, Adwaith and Friulian musician, Massimo Silverio, with the song, Yn y Sŵn (Nijo), released on 26 February.
Two versions of the song have been recorded, a Welsh and bilingual version in Welsh and Fruilian, and both Adwaith and Massimo Silverio feature on both versions. The word ‘Nijo’, the title of the bilingual version, is an ancient Friulian word meaning ‘Nowhere’, and when writing the words, Massimo Silverio thought of all the feelings, words and language which ultimately reach ‘Nijo’.

Welcoming the partnership with the SUNS Europe Festival, National Eisteddfod Chief Executive, Betsan Moses, said, “This partnership between the Eisteddfod and the SUNS Europe festival shows how we can successfully collaborate with other countries and cultures across the world.

“I’m confident that the fact that we’re both festivals celebrating minority languages binds us together, and I hope this is a solid foundation for us to further develop this relationship and other projects in the future. We’ve created something quite magical with this first collaboration, and I’m sure everyone will agree that the song – be that the Welsh or bilingual version – is amazing.”

Leo Virgili, SUNS Europe’s Artistic Director, added, “I want to thank the Eisteddfod for this brilliant idea. Collaborating with Wales at this specific time has even more importance for us. We strongly believe in a Europe that goes beyond Brexit, banks, and state agreements. A real Europe able to express proudly its diversity, sharing the power of indigenous languages and cultures.”

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Francis Lung - Bad Hair Day.

Francis Lung (ex-WU LYF) is announcing his second album, Miracle (out June 18 via Memphis Industries) with this first single, "Bad Hair Day".

This is the second album from Tom McClung – the real name behind the Francis Lung moniker – following his 2019 debut, A Dream Is U, which scored support at the Times, MOJO, Uncut, NPR, Best Fit, Paste Magazine and more. He recorded the new album at the idyllic Giant Wafer studios in rural Wales before self-producing in collaboration with Brendan Williams (Dutch Uncles, Kiran Leonard) and Robin Koob (who co-arranged and performed strings). 

The opportunity to self-produce and maintain that creative control is something that somewhat plays into the album's deeply personal themes which represent a period of introspection for Francis as he reflected on his own struggles with mental health, substance (ab)use and, relationships.

There's something disarming about the breezy, sunny art-rock and power-pop, but underneath that, Miracle is a cathartic process for Lung which finds him tackling these demons in a brutally honest and open manner; the album is intended to celebrate the healing process whilst being aware of and accepting of the darker sides of the human psyche. This first single, "Bad Hair Day" demonstrates Francis' step-up in widescreen, kitchen sink power-pop, a sound not too far from Pet Sounds and Brill Building pop.


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Petey and Miya Folick - Haircut.

The Los Angeles-based artist Petey and Miya Folick released a new single “Haircut” via Terrible Records. The duo co-wrote the song and recorded it together in Miya’s apartment, and also collaborated on an official video for the track in Petey’s backyard featuring Folick shaving her own head.

“Haircut is a very fun song I wrote with my friend Miya about getting an extreme haircut and not wanting to talk about it,” explains Petey. “I hope you like it. it was really fun to make. We recorded it in Miya’s apartment.”

“Petey started this song and showed it to me. I immediately related. Just scroll through my feed to see a history of emotional haircuts. I really love the way it turned out. And it’s one of my mom’s favorite songs that I’ve made!” said Miya Folick about the track.

After signing to the Los Angeles-based Terrible Records (Claud, Empress Of, The Voidz) in late 2019, Petey has released 3 EP’s (Car Practice, High Life From The Bottle on the Beach, and Checkin Up on Buds) as well as 2 singles. Petey and Miya Folick previously collaborated on his single “California - Prius Edition” which appeared on High Life From The Bottle On The Beach. UPROXX said, Petey is a unique creature, combining elements of emo, electronic, and folk music into a sound that is unmistakably Petey.

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Leahy - Hannah Scott - Tamara Willamson - Kill The Giants - Palberta

Leahy have shared the title track from their new album 'Good Water' and what a superb piece it is with wonderful vocals and harmonies. ==== Our third feature this year for Hannah Scott comes in the form of 'Untangling' where once again her beautifully crafted music and distinctive vocals impress. ==== It's been quite some time since Tamara Willamson last graced our pages and it's a warm welcome back as we feature her new single 'Swim' along with another recent one 'Flashback' both of which confirm she can and still does deliver creative and fabulous music. ==== Kill The Giants have released a poignant video for the title track of their new album 'Three Word Phrase'. This eclectic and genre defying band have produced a gem of an album of which this track is but one dimension. ==== Palberta are getting plenty of attention with the new song and video for 'Before I Got Here' where melody, harmonies and punk sensibilities come together wonderfully.

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Leahy - Good Water.

If you think you know what the music of Canadian band Leahy sounds like, it’s time to think again.

Their new album Good Water brings the five women members of the group – Leahy sisters Julie, Erin, Maria, Siobheann, and Denise – freshly to the fore, in singing and especially songwriting, along with brother Frank on drums. As the songs on Good Water took shape, a new edge to their sound began to emerge with the addition of electric guitars which – as played by new band member Xavier Leahy (as well as guest musicians on the recording Bill Dillon, Nick Johnson and Adam Agati) – spurred the band on to explore the outer edges of their traditional/Celtic/folk/roots musical origins, pushing well beyond that footing. 

In another new development, Good Water finds the band working under the sharp, exacting hand of Grammy-winning Canadian producer David Bottrill (Peter Gabriel, Rush, Smashing Pumpkins, Afro Celt Sound System), who brought an additional new intensity to the sonic palette. The result is a wide-ranging collection of songs that newly ignite the many musical influences that motivate the band members – from rock to choral, country to classical, and beyond.

As an example, the first single and title track, “Good Water,” is an entirely contemporary song of hope; a timely message to a generation of “people called to be together” in a world stricken by anxiety, turmoil, and uncertainty. Although it expresses a universal sentiment, it’s as relevant a song as you’ll hear in 2020. With “Good Water,” Leahy have caught the eternal in the commonplace, and captured a feeling we can all recognize now, across the globe.

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Hannah Scott - Untangling.

London-Based independent artist Hannah Scott is fast cementing her place as one of the country’s most exciting new songwriters, with her emotive songs and striking voice. Untangling, the third single from her forthcoming album, showcases her powerful and personal storytelling.

The song expresses the dismantling of a life and home following the breakdown of a long term relationship. Co-written and produced with long-standing creative partner Stefano Della Casa (Ultra Music Publishing), Untangling expertly combines organic, live elements with electronic sounds. 

The two artists have struck a perfect balance between Hannah’s traditional songwriting craft and Stefano’s unique cinematic production. Recent highlights for the pair include being awarded funding by Help Musicians UK to go towards the production of the album, opening for Madeleine Peyroux to an audience of 2000 at
Edinburgh’s Festival Theatre and travelling across Ireland with Paddy Casey to open shows for him in Dublin and in a tiny Irish speaking village near Galway! 

Their music has also been featured on BBC Radio 2 including a live session with Dermot O’Leary, BBC 6 Music, BB Introducing, The Guardian, MOJO and Clash Magazine.

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Tamara Willamson - Swim / Flashback.


Swim is single number four this year and is a ten minute sound journey. Collaborating this month with award winning HBO and Canadian Screen film composer Tom Third. This single is not a single but rather an ocean of self adulation. And why not...

Dubbed the Godmother of indie Tamara Williamson has opened for Oasis,
been told she is Feists inspiration and beat Bjork in the listings of best show in NOW mag.

Tamara Williamson has been a mainstay in the Toronto music scene since the early 90s. She released 3 albums with her band Mrs.Torrance on the major label BMG. Mrs.Torrance toured extensively in Canada opening for such acts as Oasis, The Beautiful South, Talk Talk, and Jewel. They toured with bands such as The Crash Test Dummies, The Pursuit of Happiness, The Waltons, The Rheostatics, Hayden and King Cobb Steelie. Their single Mrs. Torrance broke into radio with their single and were mainstays in Much Music rotation.

In 2000 Mrs. Torrance disbanded and Tamara started a solo career. Her music is ethereal and sensitive. Using many effects and layers she was one of the first artists to start live looping and was known for her experimentation using both vocal effects and looping. Tamara was featured in The New Music Show in 2000 and her first independent single went into rotation on MUCH Music. 

Her first recording Nightmare on Queen Street was very well received and Tamara played at many folk festivals such as Hillside, The Regina Folk Festival, and NXNE. She also went down the West Coast touring with Bob Wiseman and Matt Nathensen.


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Kill The Giants - Three Word Phrase.

St Albans's genre bending collective Kill The Giants are back with their third LP - Three Word Phrase.

The album has been recorded in response to the extreme pressures put on society and individuals casued by the continuing lockdown restrictions imposed by the government. Freedom and democracy have been surrendered to an increasingly authoritarian government bent on creating mass fear in the population so that they can be controlled. The band are focusing on celebrating and cherishing our freedoms.

One of these tools of control is the repetitive use of a Three Word Phrase devised by behavioural scientists on the SAGE committee these are an effective tool of mind control and the likes of Adolus Huxley (whom the band sample) warned about this over 70 years ago. CONTROL THE VIRUS, STAY AT HOME, HANDS FACE SPACE - to name a few.

The band also sample Charlie Chaplin (from his famous speech in The Great Dictator), Geroge Orwell, Donald Trump & even Boris Johnson.

KTG frontman Mark Christopher Lee has had a traumatic time during lockdown and is wanting to raise awareness of all those with mental health issues who have suffered as a result of continuing lockdown with treatments being cancelled and suicides increasing.

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Palberta - Before I Got Here.

NYC punk trio, Palberta are set to release their new album, Palberta5000 on January 22, 2021. They have a new single and video, ‘Before I Got Here’ – it’s out via Wharf Cat Records (Bambara, Public Practice).

I'm not sure if you're aware of the band already but if not, they're an NYC-based trio who've developed a combination of a really devoted cult audience and critical acclaim over the last few years in the US, earning comparisons to some of the legends of left-field music like Captain Beefheart (Rolling Stone), ESG (Pitchfork), CAN and Yoko Ono (FADER), and Pitchfork called their last LP, 2018's Roach Going Down "a leap to another level...[that] suggests even higher peaks to come." 

Their new LP really delivers on the promise that their last album's direction implied, upping the production and reconciling their sound with more traditional pop forms while sacrificing absolutely none of the Palberta-ness that has endeared them to people over their catalog to date. The band opened for Bikini Kill on some of their US dates last year and were supposed to tour the UK and Europe for the first time earlier this year before COVID hit – hopefully, these dates will now come next year.


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Vilde - NKOS - Tali Shear - Hannah Scott - Freak Heat Waves

Vilde have just released their new album 'Atopia' which is streaming in full below along with 'Splutter' taken from the collection, a song that makes for a fine indicator of the wonderful quality and beauty that is present throughout the album. === NKOS are carving out a very distinctive and appealing musical style which is reinforced by their new single and video for 'BOW (Brave Old World)'. === Tali Shear shares 'Fool' a song that suggests this young London singer songwriter is capable of producing both natural and intrinsically personal and gorgeous music. === Hannah Scott makes her fourth appearance on Beehive Candy with her brand new song '98' and again she easily meets indeed exceeds expectations with a beautiful and up-building song. === Finally today we have Freak Heat Waves with 'Nothing Lasts Forever' where the Canadian post-punk/electronic duo are enticing, hard to categorize yet gripping and addictive.
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Vilde - Atopia (Album).

Vilde is the musical project of Thomas Savage. Birthed in Stockholm in 2016, Thomas’ goal has been to release one album per year for the indefinite future. This began with the monthly single release campaign culminating in 12 songs comprising Study/Dance in 2017, followed by 2018’s Thud and Fidget At The Podium in 2019. On schedule, the 4th LP, entitled Atopia is due June 25th.

Thomas writes of the theme, "Without actively considering where the subject matter of this record would go, it sort of drifted predominantly towards the topic of death. It’s one of the most interesting and fascinating laws of the universe, but is universally difficult to discuss. I wonder whether the suppression of the topic in society is hindering our ability to be our most human selves. Once I’d made the record I was able to step away and evaluate the bigger picture of what it was. I feel like it sort of lulls you into a sense of comfort and safety and then quietly whispers concepts of love and death into your ear. I’d love it if this was something you could listen to in your own time and space, but then come to the show and pulse with it.”

The album was written over roughly 12 months across several countries, during a somewhat nomadic time for Thomas.

On the process Thomas writes, "I realised I’d become a bit too comfortable with my recording software. I’d open it up, then start writing parts and throwing them all in. Often I felt the songs had become a sort of frankenstein, shred and glued. I wanted to step away from that process this time. So I began to simply sing ideas into my phone. By the time it came to producing the album, I had around a hundred scraps amassed in my phone’s ‘voice recorder’. So the recording/mixing process which often takes 9 months took barely 2. From there I went in with David Pye [Wild Beasts, Dido] in Norwich for additional mixing, and sent it off to Eric James [Dame Joan Sutherland, Faithless, James Holden] for mastering.”


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NKOS - BOW (Brave Old World).

An international collective conceived after dark, NKOS were always set to tickle the fancy of the global synth-loving, indie-electronica community and their debut single did just that... ‘Little Miss Numb’ was much shared, streamed and even bought(!), it filled dark dance floors, was loved by reviewers, adored by new fans and blogged about like welcoming an old friend home. Not bad considering they haven’t even shared a band picture yet and they are spread around Europe with limited studio time together.

Single number 2 is the dystopian ‘BOW (Brave Old World)’. Despite the title and theme of the song, this was not recorded during the lockdown, it was instead made out of endless phone calls and file sharing between Flavio and Chris Shape, as well as recording sessions scattered over the years with the full band starting as early as 2014. The long, antsy intro sets the path for a track with a title and a set of lyrics perfectly fitting in the current climate even if produced in much ‘better days’. The video, written and directed by the talented Zidrunas Ilgauscas was shot in London last year.

NKOS are Flavio Manieri, Chris Shape, Nancy Natali and Marcus Billeri. They blend lush vocals, production savvy, old school musicianship & dj skills into a real live band. Drawn together through a love of all things 4AD and a good night out, they are where trip hop meets the dance floor, and where electronica meets indie. The end results move seamlessly “from light to dark and minimal to maximal” says Flavio. Where ‘Little Miss Numb was dark, ’BOW’ in its own way it’s probably even darker.

NKOS have just finished the final mixing and mastering of their debut album ‘From Dust To Life’ with a release date set for October on Beatbuzz Records. Very limited edition will be available for pre-order once BOW is out. More formats will be announced soon.

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Tali Shear - Fool.

From Tali - I’m Tali Shear, a young singer-songwriter from London. To be completely (and hopefully refreshingly) honest, I’m an independent musician just trying to share my music with people willing to listen and with quite limited help/budget.

I’m so excited to be releasing a new single ‘Fool’ on the 26th of June and thought this would be the perfect opportunity to get in touch with some blogs I’ve come across and have taken a particularly personal interest in. Its a slow, ballad-like pop song about feeling like a fool after being mistreated by someone you fell for.

A bit about me, after the two previous releases in the last two years, I received some great feedback and a big growth in my following. I had a radio interview on Vibe 107.6 and have performed in some great venues across London. My voice and songs have also been compared to the likes of Adele on numerous occasions.


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Hannah Scott - 98.

London-Based independent artist Hannah Scott is fast cementing her place as one of the country’s most exciting new songwriters, with her emotive songs and striking voice. 9 8, the second single from her forthcoming album, showcases her powerful and personal storytelling.

The song recounts how at the age of 98, Hannah’s paternal Grandmother has made peace with her own mortality, not something many of us will get the chance to do. It is also a reminder that there is still pleasure to be found in the small things as long as she is alive.

Co-written and produced with long-standing creative partner Stefano Della Casa (Ultra Music Publishing), 98 expertly combines organic, live elements with electronic sounds. The two artists have struck a perfect balance between Hannah’s traditional songwriting craft and Stefano’s unique cinematic production.

Recent highlights for the pair include being awarded funding by Help Musicians UK to go towards the production of the album, opening for Madeleine Peyroux to an audience of 2000 at Edinburgh’s Festival Theatre and travelling across Ireland with Paddy Casey to open shows for him in Dublin and in a tiny Irish speaking village near Galway! Their music has also been featured on BBC Radio 2 including a live session with Dermot O’Leary, BBC 6 Music, BBC Introducing, The Guardian, MOJO and Clash Magazine.


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Freak Heat Waves - Nothing Lasts Forever.

Canadian post-punk/electronic duo, Freak Heat Waves have just shared ‘Nothing Lasts Forever’ a fuzzy, psychedelic cut lifted from the forthcoming record, Zap The Planet which is out September 4 on Telephone Explosion.

Zap The Planet follows 2018's Beyond XXXL that found tips at Brooklyn Vegan and FADER and also found Freak Heat Waves opening for the likes of Suuns, Preoccupations, Odonis Odonis, Mattiel and more. The duo, who now live at opposing ends of the country in Montréal and Vancouver, initially hail from the Midwestern Canadian prairies before relocating to Victoria, BC where they cut their teeth, earning acclaim for their early cassette tapes and blistering DIY performances.

New single, ‘Nothing Lasts Forever’ swims in warm hues of psychedelia; arresting baselines are tugged around smoggy vocals and twinkling guitar segments to find the pair once again harnessing their lysergic connotations. “The writing and recording of this track was pretty off the cuff,” says the band. “We wanted to make something that would be really light and laid back, and then also make it a bit kitschy and over the top. At its element, ‘Nothing Lasts Forever’ is an offhand bedroom pop song."

When not touring, the band frequently relocated, adapted and diversified, trading instruments and forging a path-less-followed approach to writing music. As new instruments started to come into the fold, the studio process became more dynamic with the pair – never the type to rest on their laurels – adopting avant-garde recording techniques, experimental sound design and orchestrations that utilized legendary effects, drum machines and synths. Tireless curiosity fuelled the duo as they merged their original sound with discoveries and seemingly disparate influences – the distance between Montreal, QC and Victoria, BC has only helped fuel innovation too.

No Freak Heat Waves record has followed a singular path and no two are alike. Each album is an evolution in musical direction, songwriting and conceptualization. With Zap the Planet, (their second album on Tele- phone Explosion) the duo has manifested more of their intrinsically unique vision and become more pronounced in their unhinged artistic process. The follow up to 2017’s Beyond XXXL finds the Freaks taking a fearless, inventive leap to create the greatest departure from their previous work.

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The Goldhearts - Hannah Scott - Same - Carmanah

The Goldhearts have released their new E.P 'Be Strong, Be Brave, Be Bold' comprising of five tracks from which we have a video for 'Road To Roam' a song that gives a good feel for the collection of their timeless melodic indie rock. === Hannah Scott shares 'Shape' the London based songwriter is vocally powerful and passionate in what is a notable and stirring song. === From Pittsburgh we have Same with 'Bluish' a laid back indie rock song that subtly embeds some engaging musical hooks along the way. === Gentle and melodic folk accompanied by a well matched video ensures Carmanah and 'As I See You' quickly becomes a gorgeous, play me again sort of song.
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The Goldhearts - Road To Roam.

Waking from a three-year hibernation, The Goldhearts picked up where their debut album left off with the electrifying Be Brave and hook-laden Stars. Now proud to announce the release of their new EP, Be Strong, Be Brave, Be Bold is another stellar addition to the band members' collective discography, which dates back over 20 years, a handful of quintessential albums and literally countless touring miles across the globe.

Produced by Govinda Doyle (Angus and Julia Stone), Be Strong, Be Brave, Be Bold represents everything contemporary indie rock can be when built on the unshakable foundation of blistering '90s hooks. More importantly the EP is a celebration of overcoming the challenges that life presents the band as individuals and as women who write and play music.

If you know your Australian music history, it will be instantly apparent why The Goldhearts have such a knack for the '90s thing. Founded by members of beloved Brisbane band Dream Poppies (with a dash of Razel) The Goldhearts throwback to an era when the sincerity and power of punk rock had been tempered by pop sensibilities and artful songwriting... an era they were a big part of. Fast forward several years and a new EP transposes the best aspects of this heritage into a modern sound that balances the perfect amount of grungy indie with blissful coastal pop.

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Hannah Scott - Shape.

London-Based independent artist Hannah Scott is fast cementing her place as one of the country’s most exciting new songwriters, with her emotive songs and striking voice. Shape, the first single from her forthcoming album, showcases her powerful and personal storytelling. The song recounts how her maternal Grandmother refused to accept her Mother’s choice of husband, Hannah’s Father, threatening never to speak to her again should she marry him and staying true to her word for twenty years.

Co-written and produced with long-standing creative partner Stefano Della Casa (Ultra Music Publishing), Shape expertly combines organic, live elements with electronic sounds. The two artists have struck a perfect balance between Hannah’s traditional songwriting craft and Stefano’s unique cinematic production.

Recent highlights for the pair include being awarded funding by Help Musicians UK to go towards the production of the album, opening for Madeleine Peyroux to an audience of 2000 at Edinburgh’s Festival Theatre and travelling across Ireland with Paddy Casey to open shows for him in Dublin and in a tiny Irish speaking village near Galway! Their music has also been featured on BBC Radio 2 including a live session with Dermot O’Leary, BBC 6 Music, BBC Introducing, The Guardian, MOJO and Clash Magazine.

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Same - Bluish.

"Pittsburgh’s Same cast a sepia tone across a ‘90s DIY-indebted style of indie rock. Their debut LP Plastic Western is at times range-y and raucous, but it also spends a lot of time being thoughtfully languid, dreamy in a night-under-the-stars kind of way." says the Alternative of the upcoming LP

From the first crackling notes of “It’s Lonely in Doggie Hell,” the opening track of SAME’s debut LP Plastic Western, the band locks into a groove that never really lets up. A quiet riff fades in from a distance then, like a radio tuning to find the right frequency, it’s quickly interrupted by a brief drum fill before a fuzz-filled bass line sets the tempo, intertwining over a languid beat. Just like that SAME sets off on a 12-song journey. But Plastic Western isn’t a sprint toward a finish line, it’s an album that takes its time to hang out, get cozy, and soak in all the weird sights.

It’s easy to play the influence game for SAME. At times, Plastic Western might sound like Weezer dripping in acid and fuzz. At other times, it feels like listening to the Pixies or Pavement in a meditative trance. But SAME—bassist/vocalist Jesse Caggiano, drummer Jamie Gruzinski, and guitarists Tom Higgins and Jake Stern—never wanted to sound like any other band.

“Originality and experimentation are things we talked about a lot early on—and still do,” says Higgins. He concedes that the “core influences do shine through,” but from the band’s earliest practices, there was a shared drive to push themselves to make music outside of any sort of box. “We didn’t want to pigeonhole ourselves into making a certain kind of music,” he adds. “A lot of people make a band and say ‘We want our band to sound like this other band that we like.’ We had all done that before. We wanted to actively stay away from that mindset.”

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Carmanah - As I See You.

Like the rainforests from which their name derives, Carmanah is just as comfortable in muddy, bluesy funk as they are among light, soaring harmonies. With one album behind them and one ahead, the band is crafting a niche of its own somewhere between roots, rock and blues — a vintage blend of the intuitive and technical tied seamlessly together by Laura Mina Mitic’s dazzlingly versatile voice.

In recognition of the band’s passion for their home and the ways it bleeds into their music, producer Gus Van Go (The Arkells, Sam Roberts, Wintersleep) coined the term “West Coast Soul” to describe Carmanah’s unique sound.

The forthcoming album, Iris, was recorded between B.C. and Brooklyn as a moody counterpoint to and natural evolution from the band’s debut, Speak in Rhythms. That album’s two #1 CBC Music tracks, Roots and Nightmare, have set the tone for a new west coast sound. Now, with Iris, the band has built upon the first album’s strongest elements: its driving melodies, its contorting, energetic rhythms, its bountiful instrumentation, its lyrics that take you by the hand and lead you far, far from where you began.

The band — including guitarist and vocalist Pat Ferguson, keyboardist Mike Baker, bassist Jamil Demers, drummer Graham Keehn and backup vocalist Lo Waight — tours in a gutted and retrofitted vegetable-oil driven tour bus, an ambitious project that Ferguson has taken on himself in his backyard. The low-carbon approach is part of a broader ethos the band shares.

“I get really excited when I think about music as a way to spark action,” Mitic explains.

With stops at major festivals like Edmonton Folk Festival, Hillside Festival and Winnipeg Folk Festival, Carmanah has caught the attention of the B.C. music press. Jon Williams of The Zone 91.3 Victoria called Mitic “the Stevie Nicks of our generation,” while Vancouver’s Daily Hive recently ranked the band among B.C.’s top acts to look out for. Their music landed syncs including Heartland and Hudson & Rex.

“The thrill of making a connection with an audience — any audience — is what keeps me going,” says Ferguson. It’s already brought him and the band a long way, and today, Carmanah’s irresistible chemistry crackles each time the band takes the stage, electrifying one another as much as the audience itself

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Hannah Scott - Illuminine ft. Hannah Corinne - Mountain Head - In Caravans

We featured Hannah Scott's album "Pieces of the Night" last summer and are really pleased to share her latest single 'Walk A Wire' a vibrant modern folk song with bags of energy. 'The Many Deaths Of Letting Go' from Illuminine and featuring Hannah Corinne on vocals is a dreamy, gentle song that soothes and pleases. Mountain Head's alt rocker 'We Stole Your Head' touches on the information overload that so often distracts us, it does so with some fine hooks and a very engaging musical arrangement. The recent E.P release from Denmark's In Caravans is worth catching up with, the four songs are infectious as the band carve out their own quite individual and attractive sounds.

Hannah Scott - Walk A Wire.

Hannah Scott presents her new single, “Walk a Wire”. Inspired by a friend with a disability who closed herself away for fear of rejection, it invites people to take a chance and open up to life. Hannah tries to follow her own advice despite living with chronic health condition Ankylosing Spondylitis; a recent example saw her speaking in Parliament to a room full of MPs about how her condition affects her life and her music career, despite being terrified of speaking in public! Her MP Rupa Huq, who was in attendance, subsequently described her as “inspirational and courageous”.

Co-written and produced with long-standing collaborator Stefano Della Casa (Ultra Music Publishing), “Walk a Wire” expertly combines organic, live elements with electronic sounds. The two artists have struck a perfect balance between Hannah’s traditional songwriting craft and Stefano’s exquisite synth-rich production.

Since releasing her well-received album, “Pieces of the Night”, through AWAL last summer, Hannah has signed a publishing deal with Chelsea Music and has opened shows for Madeleine Peyroux, as well as touring in Europe and across the UK. Previous releases have been featured on BBC Radio 2, including a live session with Dermot O’Leary, BBC 6 Music, BBC Introducing, The Guardian, MOJO and Clash Magazine, to name a few. Hannah’s music can also be heard in shops and bars including Caffè Nero, Costa, TK Maxx and Marks & Spencer.


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Illuminine ft. Hannah Corinne - The Many Deaths Of Letting Go.

Flemish composer Kevin Imbrechts, the artist at the helm of Illuminine, deftly blends neo-classical with post-rock influences.

The new song is a follow up to his hypnotic third album, simply titled “#3”, which deals with his anxiety disorder and accepting an Asperger diagnosis. For this new release he works again with Hannah Corinne, who gave her soft voice to this track for a very intimate and deep sound.

Kevin Imbrechts about the song: “”The Many Deaths of Letting Go” was first written as a poem. Sometimes you need to write those words to cope with a very difficult time in your life in which it feels like the future is slipping through your fingers like water. You need to make peace with that feeling and the song is the result of that.”

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Mountain Head - We Stole Your Head.

The current influx and acceleration of information has brought on an immense amount of distraction and anxiety that separates us from feeling the presence of the current moment.

“We Stole Your Head” is a reminder to be here now, to connect with life. There are a lot of things out there looking to take your head and lead it down an endless labyrinth.

The sound conception of Mountain Head started with this song. It was one of those moments where it just hits you.

It wasn’t until we brought the song to the studio that it really started to take shape; you could say that “We Stole Your Head” and the ideas it conjured truly did steal our heads. It cleared the foundation and set up our base camp before we ascend this mountain.

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In Caravans - Sunken Streets (E.P).

Denmark's In Caravans recently released their Sunken Streets EP which is their third release of 2019, with two singles "Maybe" and "Courier" released earlier this year.

In Caravans are Lasse (drums), Sebastian (bass), Niels (guitar & synths), Søren (guitar) and Magnus (vocals). They come from the beautiful city of Aarhus, Denmark, which is home to some internationally recognised facilities and events like Tapetown Studio or SPOT Festival. And just like these two brands mentioned - In Caravans, taking inspirations from neo-psychedelia or alternative rock, create a sound that’s unique to that scene but blends right into the exciting indie rock scene of today.

On Sunken Streets EP, there are moments of reflection and ones that will leave listeners hungry for more. Some actually may find themselves thinking why there aren’t more tracks on this EP, why it’s over when they’ve only just got comfortable with this Danish band’s inviting sound. In reality, the release is teasing all indie aficionados into doing exactly that - wanting more. It invites them to be a part of the process and experience what In Caravans have yet ahead of them - and, more importantly, to experience it together; in a mysterious but powerful way.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...