Giulia. - Ida Mae - Sister John

Giulia. - Tired.

As we enter the season of summer romance, Giulia.’s upcoming single, “Tired,” presents a chill soundtrack chronicling relationships’ ups and downs and twists and turns. A Janelle Monae infused funk and R&B style playfully blends with lyrical rhythms and sounds reminiscent of Amy Winehouse. “Tired” is released today May 12. It’s off her genre-bending EP, Night Before, due out June 25th.

The song opens with a fast-paced beat devolving into a slow groove, reflecting the quickening pulse of a new relationship and the soon-to-follow comfort of falling into familiar habits. There’s an upbeat, carefree nature that umbrellas the song, cleverly disguising the heavier pensive moments. Giulia. takes the listener on a full-bodied journey of a long-term relationship characterized by the verses highs, the pre-chorus questioning, and the lows within the chorus epitomizing the “I’m tired” stage of the relationship.

Giulia. incorporates elements of a multi-versed artistic background in film and dance into her sound. A national champion garnering Canada multiple gold medals, she dedicated 18 years of her life to dance, training competitively and professionally in many dance styles, including modern, jazz, hip-hop, and ballet. She says, “There is an innate rhythm and movement I feel when I write my songs. This especially comes alive in my phrasing and the way I choose to say and sing my lyrics.” Giulia. pivoted when it came time to attend college, deciding to pursue a BFA in Dramatic Arts at The New School in New York City.  Her acting background allows her to explore different scenarios and characters within her songs that come alive when she performs. As a filmmaker and writer, crafting stories and choosing how to depict them informs the core of her songwriting – just condensed and in an audio format.

Giulia. and her dad recorded half the songs on her upcoming EP at their home studio while recording the other half with a full band at Canterbury Sound in Toronto. She says, “There’s an unspoken energy and excitement when we make music together that I wouldn’t trade for the world.”

GIULIA. · Tired

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Ida Mae - Little Liars.

Nashville-via-London duo Ida Mae (Chris Turpin and Stephanie Jean) shared their new song “Little Liars” from their upcoming sophomore album Click Click Domino. "‘Little Liars’ is a runaway song, the first person whisperings of a seductress that you’ll follow whatever the consequences," writes Turpin. "This song was written on a late 1800s Mandolinetto that we picked up at the end of a tour in Nashville and what you hear on the record is actually the demo. Stephanie Jean's live vocal performance on the demo was a first take and it had such a dark and playful intensity we didn't want to change it."

Ida Mae previously released the singles "Road to Avalon" as well as the title track “Click Click Domino” which was featured in Rolling Stone who writes, “With guitar assistance from shred wizard Marcus King, the tune is a heaving mass of scuzzy blues-rock riffs and thunderous drums that indicts social media for its isolating, alienating effects… Somewhere, Jack White is busy looking for new amp settings.” The track was met with similar acclaim from American Songwriter, Wonderland, Clash Magazine, Live for Live Music, and more.

For nearly two straight years following the release of their critically acclaimed debut, Chasing Lights, Ida Mae lived on the road, crisscrossing the US from coast to coast as they performed hundreds of dates with everyone from Willie Nelson and Alison Krauss to Marcus King and Greta Van Fleet. While those shows were electrifying for the duo, it was what happened in between - the countless hours spent driving through small towns and big cities, past sprawling suburbs and forgotten ghost towns, across deserts and mountains and forests and prairies - that truly laid the creative groundwork for Click Click Domino.

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Sister John - In My Place.

The new Sister John album I Am by Day is a total beast in that way where you just keep hitting repeat and discovering more with each listen. I'm loving every moment of this Pretenders meets Tom Petty vibes all over this album, but not like the regular albums, but almost like the Greatest Hits to where you know every track already. This is one of those records you get to know that becomes like home. Take for example the new video "In My Place."

The group, which includes members of labelmate group The Gracious Losers, was hard at work throughout their respective quarantines, capitalizing on the increasingly unnoticeable changes in day-to-day life. The new record, 'I Am By Day,' out May 21st on Last Night From Glasgow, doesn't provide a strategy to get through those 'Spot The Difference' days/weeks, instead seeking to explore every nook and cranny. This exploration is accomplished gently, through equal parts Petty-inspired overdriven riffs, vibrating synth pads, and summery drum programming, continuing Sister John's trend away from traditional Folk/Americana instrumentation. Not since Fiona Apple's "Fetch the Bolt Cutters" have I been so taken aback and unable to categorize the breadth of sound on a record.

'I Am By Day' doesn't pick a side, laying bare the emotions customary on a Folk record, while speaking with a brand new voice, somewhere between curiosity and silent-authority. The lead single, 'How Can I Keep It Alive' is in no rush to share with us its desperate message, leading with a grooved bass line. Like the rest of the record, McKeown and Co. are intentionally sparse with their instrumentation. In turn, each word, synthesized moan, and shimmering snare create vastly greater meaning to this collection of unadorned experimentation and meditation. We love it, and think you will too!

Sister John is a group of four multi-instrumentalists from Glasgow, centered around the songwriting of Amanda McKeown. Amanda and Last Night From Glasgow joined forces after a fateful Facebook DM accompanied by a link to an album’s worth of warm acoustic guitar, spine tingling violin, and McKeown’s emotional affect piqued the label’s interest. Sister John’s debut record, ‘Returned from Sea’ highlighted the group’s sparse yet melodic sensibility. Met with high acclaim and airplay on BBC Radio 6, Sister John followed up with an eponymous second effort in 2019, providing a bountiful feast of the group’s uniquely lush lo-fi.

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Giulia - André Ethier - New Candys - T. Hardy Morris - Ida Mae

Giulia - Lucky Ones.

Versatile, intuitive, and multi-dimensional. Those are just a few words to define the genre-bending musician Giulia., who infuses jazz-influenced arrangements, unusual rhythmic phrasings, and understated spoken word into her dreamy indie-folk melodies.

Born and raised in Toronto, one of the most multicultural cities in the world, Giulia. was surrounded by a world of art from a young age. The moniker Giulia. (with a g and a period) comes from the Italian spelling of Julia she’d always wanted. Her parents “Americanized” their names in their youth when having a foreign-sounding name was frowned upon. 

Years later, they gave both her siblings names with the traditional Italian spelling. Giulia. says, “I remember growing up, I was very dramatic about the fact that I was the only one who didn’t have an Italian name and always envied the uniqueness of their names.” Set to release her first song at 19, she needed an artist name immediately. 

She says, “The little 9-year-old girl inside of me begged me to make her proud. I had been waiting for an alter-ego my whole life so I could name her Giulia., and now I was finally going to have one.” She added the period to make her feel extra special – like the name didn’t need anything else, just Giulia. Period.

GIULIA. · Lucky Ones

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André Ethier - Nature Compels Me.

André Ethier is set to release his new album, Further Up Island on May 28, 2021, via the beloved Toronto label, Telephone Explosion (Polaris long/shortlisted acts inc. Badge Époque Ensemble, Bernice, Pantayo). We’re now releasing the new single “Nature Compels Me.”

We announced the new record, Further Up Island last month earning support at GoldFlakePaint, Brooklyn Vegan, Exclaim and more – this comes as the final piece in a trilogy of Sandro Perri-produced solo records from Ethier with this specific track featuring the sax of Joseph Shabason (prev. tips from Pitchfork, NPR and Aquarium Drunkard). The first album (Under Grape Leaves) was very much about building a home, the second one (Croak in the Weeds) was about living in it and this new one, Further Up Island is about leaving it and exploring, packed with plenty of Ethier's tongue-in-cheek humour akin to Randy Newman, Bonnie “Prince” Billy and that ilk of songwriter.

André initially grew as a musician as part of the 90's/00's Toronto band, the Deadly Snakes at one point earning Ethier singing duties at the Dodger's stadium singing the Canadian national anthem (he shared a name with a Dodger's legend). Since those days, Ethier shifted his attention to this intricate, dreamy folk music as well as developing a notable career as a painter with his artwork here adorning the cover of the new album and also placements in galleries across Canada (Toronto & Montréal), the US (Derek Eller in NY & Honor Fraser in LA) and Italy (Torino).

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New Candys - Begin Again.

New Candys have recently announced the release of their new album 'Vyvyd', out on 4th June via Little Cloud Records/Dischi Sotterranei/Fuzz Club.

Following the release of album opener 'Twin Mime' last month, the band have shared new track 'Begin Again'. "It’s the closest thing to a love song that’s on this record", they explain, "It’s about how we sometimes think about an ended relationship, and the only thing that’s left is just the memory of it. The bass line came first, then the chords and vocal melody. It is the first time that we used a drum machine instead of the traditional drum kit".

The single is accompanied by a video, directed by Ivana Smudja. She says: “Begin Again is the story of Lea and Mel Stevens, two twin sisters who exchange personalities from time to time. Whenever they secretly encounter, one of the two is set free, free from ordinary life, until they meet again. The video was filmed in Groesbeek (The Netherlands), during one of the coldest months of the year and during lockdown. We were not allowed to gather with more than two people outside and the woods were the safest place where to hide and film (keeping distance and wearing our masks, of course)”.

Known for their relentless touring schedule and DIY work ethic, New Candys are one of the most solid independent bands of recent years. ‘Vyvyd’ follows up on the widely acclaimed third album ‘Bleeding Magenta’, which saw them tour non-stop across Europe, UK, North America and Australia.

Recorded at Fox Studio in Venice, Italy by Andrea Volpato and mixed and mastered by Grammy Award producers Tommaso Colliva (The Jesus And Mary Chain) and Giovanni Versari respectively, 'Vyvyd' is the first record made by the new line-up of Fernando Nuti, Andrea Volpato, Alessandro Boschiero and Dario Lucchesi. It will be available through Little Cloud Records and Dischi Sotterranei, plus an exclusive vinyl edition via Fuzz Club.

“I’ve started to sketch some songs for the record during a very tumultuous period for the band, with many line-up changes between the end of 2017 until mid-2018, but as soon as the new line-up formed, the excitement to create new music together was overwhelming and helped the creative process immensely,” says frontman Fernando Nuti.

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T. Hardy Morris - The Digital Age of Rome.

T. Hardy Morris is set to return with The Digital Age of Rome on June 25th via the New West Records imprint Normaltown Records. The 10-song set was produced by Adam Landry (Deer Tick, Rayland Baxter) and mixed by engineer Nate Nelson. It follows the Diamond Rugs and Dead Confederate member’s 2018 acclaimed Dude, The Obscure, which Pitchfork said "may be Morris' best record; it's certainly his most complex and compelling statement" and "it's sharp focus is refreshing," while AllMusic said, “Morris takes his ambitions skyward, infusing a joyous psychedelia into the mix…”

After touring Dude, The Obscure, Morris had 13 new songs demoed for a new album. He was excited to get his band together to rehearse the songs before hunkering down in the studio to record...then the pandemic hit. Sequestered at his Athens, GA home with his family, Morris, like most everyone else in the past year, mulled over what was truly important to him and in response, crafted an entirely new set of songs. Enlisting a group of musicians including Drive-By Truckers drummer Brad Morgan, singer-songwriter Faye Webster and many others, Morris pulled no punches with his mesmerizing lyrics and hazy brand of southern glam rock.

Looking directly inward and captivated by the sobering realities of the pandemic, Morris has composed one of his most personal works yet. He tackles the well-worn anxieties of the past year as pandemic and political divisions ravaged America. The Digital Age of Rome is more direct than Morris has ever been and is one of his boldest records yet. Unapologetic and brutally honest, it is a necessary diary for an uncomfortable time that continues to unfold.

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Ida Mae - Road To Avalon.

Today, the Nashville-via-London duo Ida Mae shared their new song “Road to Avalon”, the opening track from their upcoming sophomore album Click Click Domino. “We wanted this song and production to be a cinematic, slow pan across a vignette of the towns and cities we’ve travelled through that felt lost and forgotten,” writes Ida Mae. 

“Clashing a 1900s American gut string ukulele banjo with modern synthesizers, casio keyboards, thumb piano and Beatles-esque Mellotron organ was intentional to try and create a kind of sparse transatlantic dreamstate. We chose Avalon because it's rich in Celtic mythology, an earthly paradise in the western skies, a pretty grandiose metaphor for searching or escaping to a place or situation that's better than where you are.” Click Click Domino will be released on July 16th, through Thirty Tigers.

The song follows the release of lead single “Click Click Domino” which was featured in Rolling Stone who writes, “With guitar assistance from shred wizard Marcus King, the tune is a heaving mass of scuzzy blues-rock riffs and thunderous drums that indicts social media for its isolating, alienating effects… Somewhere, Jack White is busy looking for new amp settings.

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