Showing posts with label Ganser. Show all posts
Showing posts with label Ganser. Show all posts

Wednesday, 24 July 2019

Ganser - SoccerPractise - Frankiie - Junaco

We featured Ganser three times last year and they are more than welcome back with the new video for 'Bad Form'. On this song the bands post-punk is edgy with suppressed tension and the practically spoken vocals add to the fervour and intensity.

SoccerPractise have just shared 'Posture' along with a cleverly matched video, the music straddles genres it's lo-fi rock with energised beats, a contradiction that works so well below the "mantra" like vocals.

We have to go back to March of last year for our first and only previous feature for Frankiie, so it's a pleasure now to share their new song and lyric video for 'Compare'. Describing their music as indie dream rock, I would just add that it's full of stylish hooks and subtle charm.

Junaco have now released their debut E.P. 'Awry'. Having already shared a couple of songs from the collection, we now have the whole piece and the duo continue to impress with the melodic and irresistible garage folk.
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Ganser - Bad Form.

Chicago post-punk outfit Ganser share a new single, “Bad Form,” in advance of playing Riot Fest in September.

The band has been recording material over the past six months towards their second album, after last year’s debut Odd Talk that saw favorable coverage from The New York Times, Billboard, Stereogum, and other publications. “Bad Form” is the cathartic reaction to a year-long songwriting period.

“When you’re in the middle of writing and recording, it’s very easy to fall into extreme feelings of guilt over procrastination, when you’re already stretched thin,” says bassist and vocalist Alicia Gaines. The song expresses a common yet isolating paralysis of not doing enough. Nadia Garofalo’s agitated vocals for “Bad Form” represent the band’s collaborative writing process both lyrically and musically. “It’s nice to operate as a team, and act as a unit that can take the burden of some really ugly inner talk.”

In the video, light blinds in a moment of paralysis. Quick cuts and surreal vignettes communicate the wishful thinking of being someone else, running in circles to no end, disorienting doubles and the blinding light of being seen.

First as a statement, then a command, the track ends with the mantra “Look at the sun,” accompanied by visceral gnashing guitar by Charlie Landsman and punching drums from Brian Cundiff. The cacophony dovetails with Gaines’ methodical bass, as if willing anxiety to burn itself clean.


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SoccerPractise - Posture.

Vocalist Geneva Alexander-Marsters recites her sardonic mantra over a pulsing, lo-fi industrial garage beat that erupts with heady siren guitars and scratched atmospherics – a demented catwalk of self-consciousness caving in on itself.

Speaking on the new track, Geneva explained: "The song is about maintaining composure in a world of myriad contradictions and cynicism. It’s about how best intentions can can be enveloped and absorbed by chaos and things are fall apart all around you. it’s an acerbic self help mantra, but really about how sometimes the only person you have to believe in you is you. It’s also about my parents. And Yoga.”

The video, shot in Hong Kong during the June protests, features dancer and choreographer Sudhee Liao making her way desperately through a labrynth-like mall of food stalls and bemused onlookers - part performance art, part pscyhic breakdown.

The unsettling visual is the first in a planned series by wellington-based visual artists Erica Skelnars [Lady Lazerlight] and Dan Harris [Illojgali], who are working exclusively with SoccerPractise on ‘Te Pō’.

Both the song and video are a taste of things to come from SoccerPractise’s second album. Te Pō (the night or darkness) is a collection of sonic dreams, visual nightmares and fragmented hallucinations set deep in the night of a strangely familiar yet unknown city.


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Frankiie - Compare.

Frankiie is a Vancouver-based indie dream-rock group.

With live shows from Mexico City to Haida Gwaii, an east coast tour supporting The Charlatans UK, and recording with Jason Corbett of Jacknife Sound the journey of Frankiie over the last year has been non-stop.

Their forthcoming album Forget Your Head, due September 20th on Paper Bag Records, marries the lush qualities of Big Thief with an intimate anthemic approach reminiscent of Heart.

Reverb-drenched guitars and intoxicating harmonies have united 4 women into a dream-rock outfit whose live performance can’t be missed.


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Junaco - Awry (E.P).

Awry is the new debut EP from Los Angeles honeyed garage folk duo Junaco. Entitled Awry, the five track release is filled with soothing guitar riffs that lead into dulcet vocals.  With two singles ‘In Between’ and ‘Willow’ already released on the EP, Junaco has attracted passionate listeners in with their flourishing organic sound.

Junaco is the foundation of Shahana Jaffer and Joey LaRosa. Born in the unincorporated mountain town on the outskirts coastal Northern California, the duo found an escape from musical conventions. Fleeing the rituals of rushing through songs, away from the nonsense of worrying, a budding partnership was found based equally on half-parts progression and melody. Mellow bursts of epiphany and pleas of gentle seduction give way to driving grooves in Junaco’s music, leaving the immediate fan with a delicate, instantly familiar and completely unassailable batch of songs.

Jaffer, a natural talent whose limbs were too long to dance, met a counterpart in LaRosa, a guitarist and percussionist’s dream who from a young age had been told that “musician” wasn’t an achievable career. Though conventionally unlikely on the global scale that a Pakistani songstress would find her way into the creative adventures of a drummer from Indianapolis, they found in their partnership a desire to make music for music’s sake; to write honest songs that meant something true enough for themselves, that someone else might be able to take it and make it true for them, as well.

The forthcoming EP helmed by Omar Yakar (War on Drugs, Perfume Genius) from Boulevard Recording, whose engineering and production prowess brought this young and refreshing outfit’s mountainous incubations to life. The duo initially set out with the intention of nothing but creation and expression and resulted in a stunning collection of tracks detailing the emotions of freedom. Jaffer reveals, “The underlying theme is about coming to terms with experiences and hardships we have faced and finally putting them out there. It’s very healing.”

Junaco hope to create music that will leave listeners feeling a sense of connection and closeness to. With the aim to remind others of our innate human emotions, Junaco’s debut EP highlights just how similar we are at our cores.

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Sunday, 21 October 2018

Venice May - Palberta - Ganser

Venice May - Hiding Place (Video) and the album - Illusion Is Inevitable.

Venice May is a project founded in 2013 by Natalia and Vincent, a couple both on and off stage. Their first common effort, "Illusion is inevitable was released in September 2018. Fundamentally rock, full of melodic  entanglements and ethereal atmospheres, their music also incorporates elements from post-rock. 

They do not like to cite influences, the desire and the ambition to deliver a unique sound being too strong. Listening to them, however, it is difficult to deny their affiliation with PJ Harvey, Sigur Ros, Portishead, A Perfect Circle, Brand New or Radiohead. 

Natalia was born in Ukraine and moved to France at the age of 25, Vincent was born and raised in France. The band is a duo that is accompanied by other musicians for their live performances. The songs were written and  produced by Vincent and Natalia and then mixed and mastered by Alexey Stetsyuk at Grave Town Production. No synths were used, all the soundscapes were created using guitar effects. WEBSITE.


'Hiding Place' is taken from Venice May's new album 'Illusion Is Inevitable' and as we have the option to share both, it a pleasure to do just that. Despite their desire not to cite influences (something their PR couldn't resist above), it's always easy to look for other bands as a reference point. Venice May have an eclectic mixture of musical ideas going on within the album, and central to this is the fabulous vocals and the bands more organic style as they resist the need to use synths.

The result is a gorgeous album where warmth, creativity and a treasure trove of musical hooks, ensure every track is a new adventure. So with or without comparisons Natalia and Vincent have something quite special going on here, so much so that I just hope they reach a wider audience, they are going to appeal to a lot of different musical genre fans, and their originality and fine musical art, deserves some widespread recognition.  


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Palberta - Sound of the Beat (Live at Look to Listen Studios).

Palberta's fall tour dates with Porches, Girlpool and Speedy Ortiz, are accompanied by a new music video for their single "Sound of the Beat," performed live at Look to Listen Studios in Greenpoint, Brooklyn. 

After releasing Roach Goin' Down earlier this year, Palberta continue to bring their hypermelodic brand of experimental pop to hardcore fans and new converts alike. Palberta's Record LABEL.

Palberta Fall Tour Dates and Shows:


10/25 - Boston, MA @ Somerville Theatre #
10/26 - Montreal, Quebec @ Bar Le Ritz PDB $
10/27 - Toronto, Ontario @ The Rec Room $
10/28 - Detroit, MI @ El Club #
10/29 - Toledo, OH @ Culture Clash Records w/ Harmony Tividad (Girlpool)
10/30 - Chicago, IL @ Bottom Lounge #
10/31 - Grinnell, IA @ Grinnell College #
11/1 - St. Louis, MO @ Ready Room #
11/2 - Nashville, KY @ Mercy Lounge #
11/3 - Atlanta, GA @ Masquerade #
11/4 - Asheville, NC @ The Grey Eagle #
11/5 - College Park, MD @ Milkboy ArtHouse #
11/6 - Philadelphia, PA @ Union Transfer #
11/27 - Boston, MA @ Sinlair *
11/28 - Philadelphia, PA @ First Unitarian Church *

 # w/ Porches & Girlpool
$ w/ Porches
* w/ Speedy Ortiz


A new live studio video for 'Sound of the Beat' (and imminent tour dates) are worth a mention and a share, as Palberta delight us with this feisty and lovable song version. At less than two minutes it's also something of a tease to see them live or check out 'Roach Goin' Down' released earlier this year.


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Ganser - Pastel.

Ganser is a Chicago-based band equal parts Space Odyssey and Ghost World that embraces a post-punk ethos with early synth music’s minimal intimacy, formed in 2014 by Nadia Garofalo and Alicia Gaines. Drawing inspiration from visual language commonly associated with film and their shared art backgrounds, the band was joined in the Fall of 2015 by drummer Brian Cundiff and guitarist Charlie Landsman.

This Spring saw Ganser’s debut LP Odd Talk exploring communication breakdown, both in “frayed nerves” (New York Times) and “smothered in anxiety” (Billboard). With their new single “Pastel,” released through No Trend Records, the Chicago post-punk band explores the sticky-sweet, repulsive need for attention.

In a world of parasocial relationships and illusions of intimacy, there is the nagging sense that no one is watching you shout into the void. “Pastel” dances with that particular anxious itch, with Alicia Gaines (bass, vox) and Nadia Garofalo (keys, vox) sharing vocals alongside Charlie Landsman’s angular guitar and Brian Cundiff propulsive drums. Pastel is a true hip-swinging panic dance.

Half boasting (“My blood’s thicker, redder than yours”), half frightened (“Hungry to show anyone anything at all”) the song details the collective consumption of self when everyone is an audience, and everyone a performer. Everything is happening all the time, and isn’t that terrifying?

The band toured the East Coast and South in support of the album, as well as playing multiple festivals this year (Do Division, Athens Popfest, Cold Waves). The foursome has had the pleasure of playing with artists like Modern English, Thee Oh Sees, Ought, Micachu and the Shapes, Cheatahs, Wax Idols and King Woman. Ganser continues to make bright black music for space transmissions and panic attacks. They are currently working on their second album. BANDCAMP.

Ganser Tour Dates
10.31 - Chicago, IL @ Lincoln Hall (Halloween Bomb Bash)
11.17 & 11.18 - Chicago, IL @ Beat Kitchen *
* with Daughters.


Ganser's new video for their brand new single 'Pastel' is our third feature for the band this year and once again we are treated to a retro video accompaniment to immerse ourselves in. Ganser's loose and potent rock and roll is as delicious as ever, and for reasons I am still to work out, both images and music when combined seem to resonate a whole lot more.


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Wednesday, 21 March 2018

MAWD - Atlantic Machine - Krantz - Ganser

MAWD - Dark Room.

Background - MAWD is the moniker of California musician and songwriter Madeline Matthews. Her stunning compositions fuse rock’n’roll, folk/blues and pop. The soulful, textured timbre of MAWD is diverse and ranges anywhere from a breathy and sultry folk/blues vibe, to a powerful Janis Joplin-esque/Karen O. belt. 

Her vocals perfectly imprint upon the sonic foundation laid by quivering electric guitar, haunting harmonies, classic acoustic folk rhythms, south western inspired Americana bass lines, and full percussion. MAWD is a true musician playing the piano, guitar, ukulele, bass, accordion and some banjo as well.

MAWD’s upcoming single ‘Dark Room’, profiles the feeling of isolation that so many of today’s use experience today. “I felt like I was going crazy, sitting in my dark dingy dorm room, struggling with the longing for a comforting feeling, trying to fit in, feeling like a stranger in my skin, and discovering a new dark part of my mind”, reveals MAWD. ‘Dark Room’ is an explosion of soulful husky vocals, over gritty guitars and powerful driving rhythms. MAWD has been compared to the likes of Elle King, Janis Joplin and Alabama Shakes.

Her debut self titled EP is produced by Roger Gisborne of Los Angeles based record label Sound x3 and Josiah Mezzaschi (Rilo Kiley, Kate Nash, The Jesus and The Mary Chain) and mastered by Brian Lucey (The Black Keys, Beck, The Kills). MAWD has headlined sold out shows across the globe and will be performing at SXSW this spring. ‘Dark Room’ is currently available worldwide. FACEBOOK, TWITTER.


The vocals have some fine and natural blues vibes to them on 'Dark Room' a soulful rocker that has both passion and plenty of "play me again" hooks, it's natural and desirable.

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Atlantic Machine - Automatic.

Background - London duo Atlantic Machine have released thier debut single Automatic (16th March) followed by the album Mosquito on 18th May. Atlantic Machine are Producer and Grammy award winning Engineer Jim Lowe (Stereophonics, The Dandy Warhols, The Charlatans) and Vocalist and Guitarist Tiffany Page, who first met in the studio before forming their own musical partnership.

The pairing sees the baritone voice of Jim mixed with Tiffany’s raspy tones to create a unique new wave sound. Debut single Automatic is a dark electro-pop track that builds with synths and strings to a powerful and emotive chorus. The band say;

“It’s about how we all do things automatically through our life. It can be how we automatically love someone or love someone despite being treated badly. It can be how we automatically carry on doing the daily grind. It is abstract enough to make it your own interpretation…"

Recorded in London at Jim’s home studio and Rak Studios, forthcoming album Mosquito includes collaborations with String Arranger and Cellist Laura Anstee, who has performed with Bjork, Kanye West, Adele, Jay Z and Florence & The Machine and Drummer Jamie Morrison (Stereophonics, The Noisettes). WEBSITE, TWITTER.


Atlantic Machine gradually increase the power on 'Automatic' where a seductive vocal duet is backed by an increasingly layered sound-scape, where mystery abounds.

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Krantz - Until We Meet Again / Run Away.

Background - Nashville-based, alt/psych-rock band, Krantz,  drop new lyric video, "Run Away From Me” and single "Until We Meet Again" from their upcoming EP, The Pennock Tapes, due out April 27.  The single is an anthem dedicated to feeling stuck in a rut and disheartened by living in the shadows  and realizing how  nothing is going to change unless one takes a chance.

With a retro style and influence from the golden age of rock and roll, but with a modern touch, Jeffrey Krantz and his band bring a psychedelic/pop/rock edge equipped with an in-your face attitude.

Influenced by his drummer father and the Beatles, he embraced music as an expressive medium at the early age of 12, and developed himself as a musician, songwriter and artist. Leaving his home state of Iowa, traveling the world, touring over 200 days per year with the “Effects” and opening for bands such as the Kings of Leon, Shinedown, Foreigner and the Toadies, Jeffrey made the decision to “live the dream” and eventually landed in Nashville.

Recognizing the world was in dire need of some melodic rock he continued to write, record and eventually self-produced his own self-titled album. Krantz hit the studio between tapings of MTV’s music competition, “American Supergroup” where he eventually became a finalist in the competition.

A entwinement of provocative lyrics and no-holds rock and roll, Krantz sees his music as a balanced combination of frantic ecstasy and introspective depths. Alternating between crazy antics, a dash of face paint, and a meaningful look within, Krantz feels that his music is the perfect blend of his extroverted personality. Drawing from his influences of The Beatles, Weezer, and T-Rex, Krantz looks for meaning and purpose within his rock N Roll sound. WEBSITE, FACEBOOK.


'Until We Meet Again' opens with some classic riffs and a gorgeous guitar sound whilst the vocals are refined and easy on the ear. With 'Run Away' we have more gorgeous rock vibes and once again the melodic hooks are there in abundance. The band clearly have a knack for catchy unpretentious rock songs, that's plenty enough for me!



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Ganser - Avoidance.

Background - “Avoidance” is the second new single and music video that the Chicago post-punk band Ganser has shared from their forthcoming debut album Odd Talk (out 4/20 via No Trend Records). “Avoidance” is a sharp pain of miscommunication, the exhaustion of trying to be understood by someone you love but your language is all wrong. Ultimately, the effort is pointless. Nadia Garofalo's voice rises and falls with synth washes over driving bass and drums, while Charlie Landsman's guitar punctuates with sharp flourishes. In the video, cars race in a sparse desert landscape towards an unknown end.

Throughout Odd Talk, Ganser’s amorphous sound takes on the form of their comedically grim, absurdist subject matter. Exercising both introverted melody and extroverted noise, the band finds meaning through echolalic shouts and murmurs. Garofalo shouts and barks with an acerbic edge, while Alicia Gaines' vocals soothe and swell. Mumbled, spit out, Ganser explores communication breakdown from beginning to end... seeking meaning in mess, they sort through syllables and signals to find the right words. “Avoidance” follows the album’s first critically-acclaimed first single “PSY OPS” (buy/stream), which came out last month.

After the bands’ headlining record release show @ Glitter Creeps’ party at the Empty Bottle on 4/16, the band will also be heading out on tour in support of Odd Talk (all dates below). They’ll be performing a string of shows with Bloody Knives before heading venturing out on their own in the Southeast.
WEBSITE, TWITTER.

Ganser Tour Dates:
3/28 - Chicago, IL - Beat Kitchen (w/ Shopping, Tyvek)
4/16 - Chicago, IL - Empty Bottle (Record Release Show)
4/25 - Detroit, MI - Outer Limits Lounge %
4/26 - Pittsburgh, PA - Howlers %
4/27 - Brooklyn, NY - Alphaville %
4/28 - Philadelphia, PA - Mothership %
4/29 - Providence, RI - Alchemy %
5/01 - Brooklyn, NY - St. Vitus
5/02 - Baltimore, MD - Sidebar
5/03 - Richmond, VA - Flora
5/04 - Raleigh, NC - Slim's
5/05 - Atlanta, GA - 529
5/06 - Memphis, TN - Bar DKDC
% - with Bloody Knives


It is just four weeks since we shared the first single (Psy Ops) from Ganser, 'Avoidance' makes for a very welcome follow up. The music video is retro (just love those classic cars), the song a potent rocker packed with determination and emotion, expect plenty more on the forthcoming album, it's going to be worth the wait.


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Saturday, 24 February 2018

Zoë Dellaca - Ganser - The Busy Twist - Angela Soffe

Zoë Dellaca - Still.

Background - Zoë Dellaca writes songs that make you want to cuddle up in front of the fire on a rainy night. Still is the first single from her debut album Sweater Weather. Hailing from Bunbury in WA, Zoë has been making her mark on the local music scene, playing regular shows around the south-west and peel regions since 2016. Still explores the darker side of the indie-folk genre featuring haunting electric guitar swells, moody bass and a raw, vulnerable vocal performance. The track is a soul-exposing song dealing with themes such as heartbreak. Still was recorded and produced in Zoë’s hometown of Bunbury by Nat Marshall at his studio Township Sound.

“Still is essentially about being hurt by someone you care about and allowing them to keep on hurting you even though you know you shouldn’t. Writing Still was a long process that happened over several months as I was able to gain some perspective. Completing this song was a very freeing experience for me, helping me to accept that it was time for my heart to move onwards.” – Zoë Dellaca. 


Telling a story and creating an emotional landscape which others can relate to is one of Zoë’s main aims when creating music. She prefers for the lyrics and feel of a song to be the main focus, lending a stripped back feel to her music.

In 2017, she started chipping away at recording her debut album, Sweater Weather with local ‘Legend’ producer Nat Marshall. While still new to the scene, Nat has already proved himself to have extraordinary vision and helped to shape the songs that Zoë brought him into more than she could ever have hoped for. Centred around Zoë’s stripped back acoustic sound, the album incorporates sensual synths and catchy guitar riffs that complement her sweet and melodious voice.

Accompanying the upcoming release of her single Still in 2018, Zoë is excited to be playing a myriad of gigs at some of her favourite local venues where she will continue to promote her original music. FACEBOOK, WEBSITE.


There is a warm expansive feel to 'Still' from the opening notes. Zoe Dellaca's melodic and engaging vocals passionately drift gently above the music, and it's just so comfortable and easy to be drawn right into this piece and leave reality behind for a while.

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Ganser - PSY OPS.

Background - Ganser are an awesome post-punk band out of Chicago. The band has just announced the release of their debut album Odd Talk (out 4/20 via No Trend Records) along with sharing its first single “PSY OPS.”  This is a frantic, runaway train; half-growled absurdist vocals from Nadia Garofalo dance with chaotic, crunchy guitar riffs that are in a knife fight with an unknown assailant.

The music video juxtaposes a droll dream with its groove-based momentum - it’s a dance song for end times, with the video focusing on routine as spectacle. Directed by the band with camera work by Jason Kraynek, the individual members haunt a subject (Matt Blanton) preparing his morning's breakfast. He is observed and filmed as such, the paranoia of the song creeping into the cinematography. The absurdity and strange in the banal makes for a strange morning ritual. Coupled with Brian Cundiff’s sinewy, propulsive drumming, the rhythm section plays off the tension between danceable no wave and post-punk’s determined focus.

Throughout Odd Talk, Ganser’s amorphous sound takes on the form of their comedically grim, absurdist subject matter. Exercising both introverted melody and extroverted noise, the band finds meaning through echolalic shouts and murmurs. Garofalo shouts and barks with an acerbic edge, while Alicia Gaines' vocals soothe and swell. Mumbled, spit out, Ganser explores communication breakdown from beginning to end... seeking meaning in mess, they sort through syllables and signals to find the right words.


After a string of big hometown shows in Chicago supporting the likes of Ought & Snail Mail and Shopping (on top of their record release show @ Empty Bottle on 4/16), the band will also be heading out on tour in support of Odd Talk (all dates below). They’ll be performing a string of shows with Bloody Knives before heading venturing out on their own in the Southeast. WEBSITE, FACEBOOK.

Ganser Tour Dates
3/09 - Chicago, IL - Lincoln Hall (w/ Ought, Snail Mail)
3/28 - Chicago, IL - Beat Kitchen (w/ Shopping, Tyvek)
4/16 - Chicago, IL - Empty Bottle (Record Release Show)
4/25 - Detroit, MI - Outer Limits Lounge %
4/26 - Pittsburgh, PA - Howlers %
4/27 - Brooklyn, NY - Alphaville %
4/28 - Philadelphia, PA - Mothership %
4/29 - Providence, RI - Alchemy %
5/01 - Brooklyn, NY - St. Vitus
5/02 - Baltimore, MD - Sidebar
5/03 - Richmond, VA - Flora
5/04 - North Carolina TBD
5/05 - Atlanta, GA - 529
5/06 - Memphis, TN - Bar DKDC
% - with Bloody Knives


'PSY OPS' is a feisty post punk song, where energy and emotion collide, the vocals call out for attention, the music is urgent, in this shock wave of gorgeous chaos.


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The Busy Twist - Sunny Side.

Background - Since last releasing music in 2016, The Busy Twist have been busy been travelling, exploring and working hard on some of their most ambitious music yet, setting up new label, Busy Life Records, in the process.

Busy Life is a project focused on joining the dots between West African, South American, Caribbean and UK electronic music by developing a sound which not only melds the sonic genealogy of all four palettes, but also presents such crossovers faithfully. Developing an exchange with local artists that works in both directions is key to the label, and crucial to creating borderless music that can be shared with their family worldwide.

The label’s debut EP, ’Sunny Side’, is a record years in the making and highlights the ever-decreasing gap between UK and modern African music. Many of the ideas heard on ‘Sunny Side’ were born during their very first trip to Ghana, and have been continually refined as Afro and UK sounds intertwine year on year.

The EP is led by strong vocal performances from lead singer Zongo Abongo, an artist from Northern Ghana who has been part of the Busy Life family since its inception, and also features additional vocals from Kyekyeku and Siaka Djarra from Burkina Faso. FACEBOOK.


Global styles collect together on 'Sunny Side' and merge seamlessly into a feast of upbeat smile inducing music. The Busy Twist create a beautiful musical arrangement, the vocals add even more energy, and dancing becomes close to mandatory!

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Angela Soffe - Rocks.

Background - Angela Soffe was raised in the Philippines, but her father was American and her mother was raised in Argentina. She grew up speaking English, Spanish, and Tagalog, surrounded by Filipino and international friends. Her family was devoutly religious, and Angela would spend much of her life dedicated to the​ Mormon​ faith.​

Angela found joy and musicality after ​escaping the religion and establishing healthy mental health habits to create a life of purpose and joy. Today, Angela is a galvanizing speaker, and soulfully rousing musical artist, sharing an uplifting story of recovery after abuse and psychological confinement.

"​This song was written while sitting on a mattress on the floor one evening, in the aftermath of leaving a religion. The song is about feeling judged on a personal level, and the judgement we each carry around for humanity as a whole. It calls for social change and greater acceptance for the people who share our planet.​" - Angela Soffe on "Rocks" FACEBOOK.

'Rocks' opens with a flourish of folk vibes and Angela Soffe's elegant vocals add both power and melody. This is one of those songs that gently throws out musical hooks and before the finish, is cued for a second listen.

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Bedolina - Melys - Avery Friedman - Hallelujah The Hills

Bedolina - We Are the Clock Ourselves Again. Out today March 28th, "We Are the Clock Ourselves Again" is an indie rock hymn about...