Showing posts with label Falcon Jane. Show all posts
Showing posts with label Falcon Jane. Show all posts

Falcon Jane - Loryn Taggart - Leif Vollebekk - HOPdot

Falcon Jane has shared 'Feelings' just ahead of Friday's album releases 'Faith'. We have already had the pleasure of featuring two songs from the new album and the latest 'Feelings' is another fine reminder of her knack for creating original and lovable music. ===== From Loryn Taggart we have 'The River' where the folk and singer songwriter shares a gently opening and intimate song, the build is gradual, the end is fabulous and in between we are treated to some wonderful vibes. ===== Leif Vollebekk has released a new original song entitled 'Long Blue Light' it's accompanied by a cover of Bon Iver's '29 #Strafford APTS'. We are just sharing 'Long Blue Light' which is a gorgeous piece that just funnels emotion. ===== HOPdot contacted us directly with 'Before We All Go Under'. They are a father and daughter duo and collectively they are simply fabulous as is born out with this gentle, intelligent and beautiful song. 

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Image - Brendan George Ko
Falcon Jane - Feelings.

Ontario-based project Falcon Jane, led by lead singer and songwriter Sara May, are today sharing "Feelings", the final pre-release track to be lifted from their forthcoming Line of Best Fit, Earmilk and American Songwriter-tipped album, Faith, which is out this Friday, November 13, via Darling Recordings. Stream the new single here.

Faith serves as the follow-up to Falcon Jane’s debut album Feelin’ Freaky, which firmly established May’s self-labeled “plez-rock”. Still keeping some of those previously pleasant summer vibes, Faith sees May steer towards a darker spiral—one that personifies the often isolating meanderings that come with figuring it all out. “A lot of the songs on the album are written from me to me,” she explains. “It’s about trusting in yourself and believing in the thoughts and feelings in your own mind.”

The new track, "Feelings", which features heart-wrenching guitar work from Branson Giles, arrives a song love song written about rediscovering love that you thought had disappeared. "A rekindling, a reawakening," explains May. "It's about letting go of the past in order to pursue a new future. Establishing a new belief system and a new way to express love." Once again featuring May's celestial vocals that are this time laced around jaunty, blues-infused guitars, "Feelings" offers up a real highlight from the forthcoming record, establishing itself as another crucial segment to the emotional core of Faith.

Faith has found Sara May going back to the beginning: her home, her beliefs, and herself. This intention gave her the ability to take another look, to reassess, to breathe. Writing under the Falcon Jane moniker, May explores the intimate experience in getting to know yourself again, highlighting the banal but beautiful ebb and flow of our every day. Her new record is an investigation into what it means to be alive and the often painful experience of the ordinary. As someone who describes herself as “emotionally guarded,” Falcon Jane is May outstretched, breaking through the introspective wall and inviting us in on the experiment.


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Photographer: Simon Pelletier

Loryn Taggart - The River.

I once moved across the world for someone I thought I loved. I didn't listen to myself, or my heart, I just followed the wind. My gut told me one thing and I ignored it. That person made me feel like I wasn't good enough, strong enough, or smart enough to face life alone.

"The River" is a song about relocating internationally for love, and realizing that it was a one-sided sacrifice. I need a man to cross the river is said in a sarcastic measure.

I want anyone listening to look at their current relationships and really question why and how they serve their wellbeing. Start to question the balance between self-love and love given. It's important you have people in your life that are willing to sacrifice for you, the way you would for them.

Weird how we walked as strangers / no rhythm and no bond / A year of love / it took this long to get you in a song is one of my favourite lines, signifying the relationship arch of going from strangers, to dating, to being in love, to strangers once more.

Sadly, and by an unfortunate loss, my father passed away this year. I was in and out of the studio for about two months while I grieved, but the experience of recording this song led me to heal much faster than I anticipated. My father was with me the entire way. He was my biggest fan and really loved this song. I hope it's meaningful for you, too.


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Image - Vanessa Heins
Leif Vollebekk - Long Blue Light.

We have the new double single release from the critically acclaimed Polaris Prize nominee, Leif Vollebekk that comes as one original track titled "Long Blue Light”  and a cover of Bon Iver's “29 #Strafford APTS”, out now via Secret City Records (SUUNS, Wilsen, Braids).

Vollebekk has drawn critical acclaim in his time as a musician from the likes of The New York Times ("pensive and restless, blossoming with stream-of-consciousness verses that bear the marks of long nights spent alone on the road"), Pitchfork ("understated and affecting"), NPR, FLOOD, The FADER, The Line of Best Fit, Paste, Sunday Times Culture, World Cafe, KCRW and more. Alongside press and radio support, he scooped a Polaris Prize shortlist nomination for his record, Twin Solitude, shared stages with the likes of Sinéad O'Connor, Angie McMahon and Beth Orton, and sold out North American headline tours.

Leif has been highlighted previously for his moving way with lyrics and his ability to build brooding and deeply emotive atmospheres, tying 60s folk music with jazz sensibilities. This batch of new music from Vollebekk hints towards his penchant for this style, producing a new original – which features drummer, Homer Steinweiss (Amy Winehouse, Sharon Jones & The Dap-Kings) and esteemed lap-steel guitarist, Cindy Cashdollar – and a take on one of Bon Iver's 22, A Million numbers.

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HOPdot - Before We All Go Under.

Background from David of HOPdot - A little about me I've been collaborating with a lyricist for a few years now sending songs to publishers, music companies etc. 

I was looking to get songs placed with artistes getting some positive feedback now and again, to cut a long story short decided to try and make a go of it myself with the help of my daughter Amy.

Amy is singing the vocals with myself playing instruments and production, due to covid in 2020 haven't been able to collaborate or do gigs locally in Durham hoping to do so in the future.

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Falcon Jane - Healthy Junkies

Falcon Jane is back just weeks after sharing 'The Other Moon' this time we have the gorgeous song 'Heaven' with a splendidly matched video. === Healthy Junkies made their first appearance here just three or so weeks ago and return with 'Something In The Way' and although we don't often feature cover versions the band superbly stamp their own mark on this Nirvana song.

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Falcon Jane - Heaven.

Ontario-based project Falcon Jane, led by lead singer and songwriter Sara May, are sharing their glistening new single, 'Heaven'. Alongside the new music, which follows the single, 'The Other Moon', Sara is announcing details of her new record, Faith which is due for release via Pittsburgh-based label, Darling Recordings on November 13, 2020.

Faith serves as the follow-up to Falcon Jane’s debut album Feelin’ Freaky, which firmly established May’s self-labeled “plez-rock”. Still keeping some of those previously pleasant summer vibes, Faith sees May steer towards a darker spiral—one that personifies the often isolating meanderings that come with figuring it all out. “A lot of the songs on the album are written from me to me,” she explains. “It’s about trusting in yourself and believing in the thoughts and feelings in your own mind.”

The new single 'Heaven' presents this new sonic palette astutely with May looking to examine the dark as well as the light. It was written after Sara spent some time at Neyaashiinigmiing 27, a reserve in Ontario, with the track sourcing much of its influence by the nature around her, from the pink sunsets to the forests, looming rock formations, and serene waters of the Georgian Bay. "It is in these places where I feel most like myself, most at peace, most in love," explains May. "'Heaven' is a love song for my partner, Andrew, who was with me on that trip, walking with me out into the pink lake, but it is also a love song for the natural world."

"As humans, we have such a flawed connection with nature," she continues. "We love and worship it, but our lifestyles so casually disrespect and destroy it. I think that’s where the dark and semi-spooky chorus in the song came from. I wanted the chorus to feel as if a choir of angels was singing it. But to me, those voices sound very grounded, so I think they are angels on earth, maybe even underground, rather than in heaven."


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Healthy Junkies - Something In The Way.

Healthy Junkies are everything that epitomizes the indie punk spirit - driven, authentic, and capable of causing a riot at any moment. As they prepare to release new album ‘Forever on the Road’ on 25th Sept, the band have unveiled a haunting cover of Nirvana’s ‘Something in the Way’ inspired by the time they met Krist Novoselic in Seattle during their U.S. tour in 2018.

As a band that have toured relentlessly since their formation in 2011, until the global lockdown of 2020, they came into the new record still firmly locked in the groove. Their own fuzz drenched take on ‘Something in the Way’ follows single ‘Last Day In L.A.’, which Alt Press described as ‘‘a kickass rocker that’s blindingly great’.

The album was made during the aforementioned period of quarantine and has reflections of recent tours and life beyond the road. It offers a compelling record more akin to chapters of a thrilling novel rather than bubblegum throwaway rock n pop. Lead singer Nina Courson shines throughout with her Parisian drawl inflecting the Junkies’ brand of rock n roll with tones of 60s femme fatales Nico and Brigitte Bardot.

This group of runaways from Paris and Greater London united together to write songs and feed their passion for music as a life-saving exercise after narrowly escaping a youth filled by gangsters, abuse and the like. Phil Honey-Jones is Nina’s writing partner and plays guitars and sings on many tracks too. Their bond was firmly formed almost a decade ago through music as a form of healing self-expression, creating their own world within a world, turning their personal horrors into sonic beauty, and out of the bizarre madness of the global pandemic have conjured a record sure to catapult them to the larger stages of next year’s major festivals. The band also feature bass player Dave Whitmore from Maidenhead, Berks who provides that extra bit of madness and creativity needed to cement their destinies together and jettison them on the journey that brought them to the recording  of ‘Forever On The Road’. The drums on this album were provided by an anonymous American drummer during lockdown and mixed by Phil at home. This was the only way the album could be created during these restricted times.

On this album they have further pushed the boundaries of genre using hip hop beats, piano and string arrangements, horror film style soundtracks and even reggae alongside goth, punk and grunge. The album is the soundtrack to their USA tour of autumn 2018.

Healthy Junkies also bring similar people together and have been running a monthly London night called Punk & Roll Rendezvous for nine years, which includes an annual free three day festival with 25+ bands. The event has always been held at the Unicorn pub in Camden but due to Covid-19 the band are running the festival online this year. The fanbase for this band as well as their Punk & Roll night keep growing as they continue to popularize a community spirit, the sharing of ideas, giving artists an opportunity to perform and somewhere to hang out. This cast of misfits have built a beautiful tribe of punks and rockers and look set to expand their loyal devotees as they continue to hit their stride.

Healthy Junkies are known to the niche college and punk scenes across UK, Europe and US and have enjoyed coverage and airplay from KEXP to KROQ to BBC London and BBC Jersey, Tom Robinson’s fresh on the net on 3 separate occasions to ARTE TV, BT Sport (for the televised champions league) and magazines like Big Cheese, Vive Le Rock, Louder Than War and Big Takeover in the USA.


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Linaire - Falcon Jane - Peach Kelli Pop


Linaire shares her beautiful new song 'No Part Of Me Ever Dies' where her vocals glisten above a sublime musical arrangement. We have to go back to 2016 when Anna Atkinson last graced our pages, her new manifestation as Linaire leaves me keenly waiting for more.  === Falcon Jane appeared on Beehive Candy a couple of times in 2018 and we are delighted to feature the new song 'The Other Moon' a melodic and dreamy piece. === Peach Kelli Pop have released 'Cut Me Off' and it's a catchy albeit quite short song that nonetheless digs some refreshing musical hooks in deep.
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Linaire - No Part Of Me Ever Dies.

Linaire is an album of ten tracks that luxuriate in the deceleration of time and allow for listeners to embrace complicated and conflicting emotions. It is an invitation to acceptance in an atmosphere created by moments both somber and warm. Anna Atkinson’s self-titled debut as Linaire finds the Montreal-based composer, multi-instrumentalist, and singer in a state of reflection, constructing room for herself and the listener to work through complex feelings surrounding circumstances of love, time, lineage, and loss.

For Atkinson, the adoption of the name Linaire signals a setting forth onto a new path of exploration and self-expression. She builds her musical worlds from layers of airy synthesizers, Omnichord, strings, and drum machines, approaching beauty and discomfort in a manner both direct and honest. Peeking into her soul and pushing her own boundaries, Atkinson uses lyrical repetition to slow down and magnify ephemeral moments, while the album’s thoughtful  instrumentation creates a sense of limitlessness to the atmosphere of each song. Each of these ten succinct and subtely engrossing tracks—none running longer than six-minutes—seems to contain a life beyond its lyrics. This is perhaps best demonstrated on songs like “No Part of Me Ever Dies” or “Best I Can,” which address the complex relationship of the past to the present, without ignoring the future, and all the while focusing less on ideas of resolution than on trying to understand the questions raised—the final line of ”Best I Can” rings through the ambiance like both a mantra and a summation: “wasting nothing.”

The methodical crafting of each sonic gesture on Linaire reflects the patient recording and production of the album by Atkinson and Alexander MacSween (drum machines & additional keyboards) at OBORO in Montreal in the Winter of 2019. From the fluttering electronics of “Snowshoe” to the luminous vocals on “The Inside, The Outside,” the music of Linaire breathes, floats and flowers, offering a space of welcoming and recognition, while enveloping listeners in a transcendent auditory experience, never letting them fall.

Atkinson guides listeners with a soft and gentle hand that soothes and makes a way for an unimpeded journey of emotional confrontation, naturally gliding them toward new possibilites. She weaves soundscapes that focus one’s energy on taking time, “wasting nothing,” allowing those who enter to do the same.

"No Part of Me Ever Dies is about accepting one’s most difficult emotions - the old lonesome ones that feel endless and overwhelming. The song also serves as a reminder that these states eventually pass, and that they pass more easily once they are embraced."

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Falcon Jane - The Other Moon.

Ontario-based project Falcon Jane – the moniker for primary songwriter of the group, Sara May – are to release their soaring new single, ‘The Other Moon’ via Pittsburgh-based label, Darling Recordings on August 26, 2020.

‘The Other Moon’, which is lifted from a larger body of material set to come from Sara May further down the line, finds the artist exploring deeply sentimental and personal themes, from death to memory, and the miscommunication that can take place between generations. May has a penchant for unpacking these emotions in succinct and comprehensible forms, making something so personal and idiosyncratic to her feel so familiar to the rest of us. Much of May’s forthcoming work found its source of inspiration in early 2019 when her songwriting synched up with a string of deaths that occurred in her immediate family; ‘The Other Moon’ pays a touching testament to her Nonna with May lacing the track’s stark honesty with swooning guitar and her enchanting vocal palette, a sound that co-director, van Olm visualized as May’s DIY journey through space.

Speaking about the new track, May says: “‘The Other Moon’ is a letter and tribute to my late Nonna whose death inspired me to start recording this album. Despite being from two completely different generations, and speaking two different languages, my Nonna and I had a very special connection. We understood each other and cared about each other, even if we couldn’t find the words to express it. My Nonna would always cheekily joke about her own death, and through her broken English, she claimed that when she died she’d be going to “The Other Moon”.

“This song is not a story about a happy-go-lucky relationship between grandmother and granddaughter,” May continues. “It accurately depicts the contrasting dynamic of a very loving friendship mixed with a lifelong trauma-ridden miscommunication. The big hole in my heart, the black cloud over our love. This song feels like the message I always wanted to send to her; pushing through the darkness to find the deep love we shared and continue to share now.”

The new single positions itself as a breathtakingly honest release from Falcon Jane, allowing her vulnerability to take center stage. We’ll have more information further new music shortly.

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Peach Kelli Pop - Cut Me Off.

Peach Kelli Pop is a musical project conceived of by songwriter Allie Hanlon, who has unveiled the first single from her upcoming EP.
Peach Kelli Pop has gained notoriety for the band's catchy melodies that bring to mind American female pop music singing groups of the late 50s and early 60s, but peel back a layer of saccharine film from her tunes and there is always a lot more to discover. "Searching for it in myself, this is eating up my mind and health", is the opening line of the single, previewing some of the angst that is floating just below the surface of the twee harmonies.

"This song is about lacking the strength to walk away from a situation you know is harmful to you." says Hanlon of the track. "It's about really wanting a relationship to work (whether it be romantic or a friendship) and hanging on, but knowing deep down that it won't work out."

In 2009, in her hometown of Ottawa, Canada, Hanlon taught herself to play guitar and bass, arrange songs and record them. The band is now based in Southern California, after Hanlon relocated in 2013. Peach Kelli Pop has toured extensively both domestically and internationally, making frequent trips to Japan. With four full-length releases and a handful of singles under her belt, Peach Kelli Pop is back with her Lucky Star EP on October 7th via Lauren Records. The EP features 4 brand new songs, including a cover of "Sing And Pretty" by Tokyo's The Pat Pats.

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Falcon Jane - Joshua Burnside - Melby

Falcon Jane - The News.

Background - Grief is so complicated. It fills you with unanswerable questions, fear, sadness, and incomparable emptiness – but it is also about moving on and healing. There has been a lot of loss in the Canadian news lately, nationwide, and in my own community. “The News” is about losing someone you love and trying to find them amidst the dense, emotional fog of grief. I hope it can help aid those who are grieving by reflecting some of the complicated emotions we are feeling.

There have been severe floods in my community over the last year. One of the last ones swelled the Grand River, washing a little boy out of his mother’s arms. I was so deeply affected when I heard about it – my partner and I had driven through the area where it happened only hours before. There are a lot of commonalities between “The News” and this boy’s story. When the next flood hit, I couldn’t help but try to capture some of what my community and I had been collectively feeling.

Water can be powerful and destructive, beautiful and cleansing. Its constant flow reminds us to keep moving forward – yet we are at the mercy of the current, the rainfall, and the floods. TWITTER.


June 1 - Maggiolly's - Orangeville Blues and Jazz Festival, ON
June 2 - Vibes in the Valley - Mulmur, ON
June 15 - Hillsburgh Library Opening, ON
June 26 - Monarch Tavern, Toronto, ON
July 14 - Burdock, Toronto, ON
July 27 - Monarch Tavern, Toronto, ON


'The News' is melodic, sensitive and touching. Dealing with grief is a subject many might to choose to avoid, when it comes to song writing and performing. Falcon Jane demonstrates both empathy and passion with this song, singing about reality on the other hand, is something many artists do. After all when you come away from escapism and denial, reality is always there to greet you.


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Joshua Burnside - A Man Of High Renown.

Background - Singer-songwriter Joshua Burnside follows up his Northern Ireland Music Prize winning debut album Ephrata, with a brand new EP entitled All Round The Light Said, due out on 29 June via Quiet Arch. Weaving elements of Irish traditional and European folk music with hints of Americana, he creates songs that are understated yet passionate and heartfelt.

The EP features four new songs. In lead-single “A Man Of High Renown”, he blends a joyous waltz complete with air organs and accordions with often violent and disturbing imagery, dealing with the shame of sins committed in childhood; “where the dusty garage floor, along your soft skin tore.” Clash premiered the single saying, "From the delightful accordion lines to the thumping percussion, 'A Man Of High Renown' has a physical side to its engrossing poetry."

A multi-instrumentalist, Burnside plays most of the instruments on the album but was also joined by a number of collaborators and producers with whom he’s worked with over the past few years, most of whom have their own solo projects. These include his brother Connor on drums and percussions, Clark Phillips on bass and Sarah Martin on trumpet.

Following the release of Ephrata Joshua Burnside has had a busy year clocking up four million plays on Spotify, with two sell out London shows, appearances at International festivals including Reeperbahn and The Great Escape. He has also had extensive radio play and support from the likes of Guy Garvey, Tom Robinson, Tom Ravenscroft, Lauren Laverne, Huw Stephens and Phil Taggart. Joshua performed at the Atlantic Sessions in Portstewart, as well as the music trail for Other Voices in Dingle in December. FACEBOOK.


The thought of Irish traditional music mixed with European folk and Americana is on the surface a little like looking at a menu of fine foods in a high class restaurant, which I could never afford. Without wanting to over play that illustration 'A Man Of High Renown' does have a good helping of the core ingredients, along with plenty of natural charm.

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Melby - Reject.

Background - Since debuting with catchy single Human early 2016 things have moved steady for Stockholm psych pop act Melby. Last year's debut EP received praise from both Swedish and international sources such as Amazing Radio, Ja Ja Ja and Line of Best Fit, making Melby one of the most exciting names on the Swedish indie scene. Today, new single Reject is released followed by European tour dates in London and Berlin during the summer.

The band often gets comparison to fellow swedes Dungen and Amason but Melby’s dynamic sound, with influences from folk, psych, indie and pop, stand out. The quartets light, semi-psychedelic folk pop is led by Matilda Wiezell’s enchanting voice which fits perfectly with Melby’s unique musical landscape. The band consists of Wiezell, Are Engen Steinsholm (guitar), David Jehrlander (bass) and Teo Jernkvist (drums) and formed when living together in a Stockholm shared housing.

Reject, their first new material in over a year, is a development of the band's already characteristic sound, adding an energy that's mostly been seen live to this date. Are, guitarist and author of the song, explains: "We all wanted an energetic song to play live. David had this great, kind of spiteful guitar part and bass line for the intro, and a melody for the verse. Back then with a weird synth sound. Building on that, we speeded up the song, and finished it together. At the time, I was annoyed with a person close to me. As I walked around being cranky, I started writing the lyrics, and they wound up being about building up anger for a long time, being awfully stubborn, and longing for redress".

The single is the first taste of the new, fresh material that the quartet's been working on since releasing their ambitious EP which of more is to expect after the summer. On June 5, Melby make their international debut at Sebright Arms in London (w/ label mates Chez Ali and Delsbo Beach Club), followed by a Berlin show in August. Reject is released on all platforms via Stockholm label Rama Lama Records (Steve Buscemi's Dreamy Eyes, Kluster, Chez Ali etc.). TWITTER.


Lively and with a refreshing pace 'Reject' is a fine indie song where psych vibes comfortably rub shoulders with moments of pop and folk rock. The vocals are delightful, the music is detailed and assessable, the catchy nature of the piece is constant throughout.

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BEEHIVE CANDY ON FACEBOOK: Please note that we are currently unable to access our Facebook account. Despite numerous suggestions and online help (hmmm) service assistance the problem remains. Once/if the problem is resolved we will decide the way forward. Because of the intrusive nature of Facebook (tracking/data collection when logged off etc), I will not ask anyone involved with Beehive Candy to use their own private devices to assist, on principle.

The Scaners - Falcon Jane - VOWWS - Wild Meadows

The Scaners - No Place In Space.

Background - France’s “alien-gonzo-synth-punk rockers”, The Scaners, are ready to take off with their eponymous debut LP with the first single “No Place In Space” which takes the listener through a darker, slower wave that Louder Than War Magazine describes as “a swirlingly mesmeric menace of guttural growls backing a looming snarl over a dark driving rhythm.”

“This song is a special song for us because we wrote and recorded two different versions” says singer and organist Pav Scaner. “On the LP it's the ‘slow’ version. It's a kind of lost but happy drifting and swimming in space. A short pop relaxing interlude before the spacecraft starts roaring again. I've made that cheap video clip late by night. Enjoy your flight!"

"The Scaners federation starship superstructure is built on the Ramones and Dickies but draws on fourth-dimensional kindred synth-punk spirits like Devo and Suicide, modern acolytes like The Spits and Useless Eaters, and bands your parents should have warned you about like The Screamers.

With extraterrestrial titles like “Checkpoint Planet”, “No Place In Space”, “We Want To Talk To Your Leader” and “Levitation Train”, The Scaners’ debut LP is a great mix of garage, punk, and new-wave, tied perfectly together in a story worthy of the finest trash B-movie sci-fi. The band just wrapped up a recent UK promotional tour that captured a local music editor by storm at Brighton’s famed Hotel Pelirocco as she recalls: “A cold, damp miserable Sunday evening was about to be transformed into a loud, exciting, hot alien crash site! The Scaners had beamed into Brighton with one of the fastest, loudest, most enjoyable and fun sets I have seen in a long time.” FACEBOOK, BANDCAMP.


Described as "alien-gonzo-synth-punk rockers" it soon becomes apparent that The Scaners fit that description perfectly, as 'No Place In Space' makes very clear, with just over two minutes of creative beauty.


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Falcon Jane - Go With The Flow.

Background from Sara May - I'm the front-woman in the plez-rock band, Falcon Jane. We're from Orangeville, ON and make music that is inspired by nature, truth, peace and magic! (and life n death n whatever else). Last year we had a good ol' time touring Eastern Canada, and we've played countless gigs over the years at Toronto's legendary venues. This summer we're releasing our third full-length record, Feelin' Freaky, which we're real excited about.

Go With The Flow is the ultimate chill out song for freaky, anxious peeps like me. It’s currently my fave Falcon Jane tune, so I wanted the video to feel very personal - very true to me. I directed, produced, and edited the video (got my bff, Deviio, to shoot it), and it’s basically about me chillin’ in my small town, doing things that make me relax n feel cool. My background is in film making so it was nice to be able to combine my two passions to create this masterpiece! FACEBOOK, BANDCAMP.

Live Dates:
march 3 @ smiling buddha, (toronto, ON)
april 20 @ burnt brick cafe (woodstock, ON)
april 21 @ bicycle cafe (flesherton, ON).


Plez rock is another description that becomes obvious as the band begin to play. 'Go With The Flow' is a refined melodic and extremely catchy song, Plez rock does for me!


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VOWWS - Structure Of Love.

Background - LA-via-Australia based duo VOWWS shares their new track "Structure Of Love". "It sort of ended up sounding like a jazzy, sci fi western video game," the duo explains of the single, "Or like the theme of an ambitious low budget movie called The Return Of Space Cowboy 3." The track is from their forthcoming album Under The World, out 3/2 on Anti-Language Records. The band will be kicking of a US tour starting in Austin for SXSW, you can check out a full list of dates below.

With their new album, 'Under the World,’  VOWWS craft their dark pop masterpiece - a cinematic, stylish and menacing statement of intent. Drawing upon influences as diverse as classic western, electronica, surf rock, metal, and film music, the enigmatic duo weave disparate threads of cultural influence together into a tapestry of drama, imagination and surprising warmth - only to deconstruct them again in front of your ears.

Under the World was largely recorded with friend, mentor and engineer Kevin S. McMahon at his New Paltz, NY studio - building upon a symbiotic relationship formed while piecing together their debut, 2015’s The Great Sun - a dirty, grinding and swaying work featuring guest appearances by electronic music legend Gary Numan and Swans’ percussionist Thor Harris.

This time around VOWWS took on a more prominent role in producing and mixing the record, but the timeless influence of McMahon and his weatherworn New Paltz studio/barn is still present. Under the World deliberately eschews any obvious Post-Punk and Industrial tropes, instead allowing space for its stylish hooks, direct vocals and rich textures to shine. It will be released on the band's own label, Anti-Language Records on March 2nd, 2018. WEBSITE, FACEBOOK.


Live Dates:
3.16 - SXSW: Warp Magazine Showcase at Blackheart, Austin, TX 
3.19 - 529 - Atlanta, GA
3.20 - Strange Matter - Richmond, VA
3.22 - Saint Vitus - Brooklyn, NY
3.23 - Meatlocker - Montclair, NJ
3.24 - Geno's - Portland, ME
3.25 - Kung Fu Necktie - Philadelphia, PA
3.26 - Cafe Nine - New Haven, CT
3.27 - O'Brien's - Boston, MA
3.28 - Casa Del Popolo - Montreal
3.29 - Coalition - Toronto
3.30 - Now That's Class - Cleveland, OH *
3.31 - Deluxx Fluxx - Detroit, MI *
4.1 - Empty Bottle - Chicago, IL *
4.3 - Reverb Lounge - Omaha, NE *
4.4 - Hi Dive - Denver, CO *
4.5 - Metro Music Hall - Salt Lake City, UT *
4.6 - Neurolux - Boise, ID *
4.7 - Barboza - Seattle, WA *
4.8 - Tonic Lounge - Portland, OR *
4.9 - Old Nick's - Eugene, OR *
4.11 - Blue Lamp - Sacramento, CA*
4.12 - The Eagle - San Francisco, CA
4.14 - Verboden Festival - Vancouver
* w/ Soft Kill and Choir Boy‌.


Our third feature for VOWWS and another song from their ever nearing March album release this time with the track 'Structure Of Love'. Once again their distinctive genre spanning sound is delivered with power and passion, there are plenty of hooks and an abundance of atmosphere. 

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Wild Meadows - First Exit.

Background - Wild Meadows present their debut self-titled LP, featuring recent single ‘First Exit’ a dark, foreboding tune built on a rollicking rhythm section and atmospheric vocals. 

It offers an intriguing counterpoint to the album’s more shoegaze-oriented lead single ‘Feel the Noise’, which has received regular airplay and favourable reviews across the likes of Triple R, Double J, Triple J and 4ZZZ.

Wild Meadows’ current lineup consists of Jessica Lawrence (vocals), James Ross (vocals/guitar), Dylan Bird (guitar), Donovan Pill (bass) and drummer Peter Giannoukas, who joined the band subsequent to this recording.

Produced, recorded and mixed by Paul ‘Woody’ Annison (Black Cab, Rocket Science) and mastered by William Bowden (The Church, Gotye), Wild Meadows’ self-titled album is set for release on Friday March 2, 2018 on vinyl and digitally. FACEBOOK.
 

Last September we featured the song 'Feel The Noise' from Wild Meadows, and are pleased to share another song from their self titled debut album this time in the form of 'First Exit'. Fuzzy guitars and a hot pace ensures that the song rocks from the opening moments, the sweeping vocals are at odds with the pace and yet feeling just right, the album is looking pretty good.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...