FAERS - Last Of Our Kind.
Background - FAERS’ latest single ‘Last Of Our Kind’ is a rousing reflection on the state of modern guitar music, an allegorical love story, and a clear nod to their childhood heroes The Maccabees. Written during a songwriting retreat to the welsh countryside, and recorded in Gothenburg with producer Anders Lagersford, ‘Last Of Our Kind’ is a shimmering example of the bold and brazen songwriting that inspires youngsters to pick up guitars and form bands in the first place. Steven Anderson-Howard’s rich vocals are bolstered by intensely atmospheric and colourful production as the song effortlessly mounts to a heady climax. ‘Last Of Our Kind’ is the sort of song that leaves a lasting impression in the hearts, minds, and ears of listeners long after it’s finished. It’s a clear and powerful indicator that there’s still life left in that old dog we call rock and roll.
FAERS’ singer Steven Anderson-Howard met his future bandmates at his popular weekly indie night Club Yuck in Uxbridge in early 2015. Named after his label, the event showcases groups he’s signed alongside guest DJ slots from established bands. A bond quickly formed between the London five-piece and they released their debut EP ‘Waves’ in October that year. Before long they were selling out shows in London and Brighton and netting support slots with Jaws, Native People and The Cribs. Having sold out Barfly, The Borderline, and single launches at The Water Rats and The Lexington, alongside appearances at the Y Not, Penn and Camden Rocks festivals, FAERS are rapidly growing a loyal fanbase thanks to their intriguing melange of afrobeat and psychedelic indie.
Staunch radio support has come from John Kennedy at Radio X and Gary Crowley on BBC Introducing. Throughout the coming year FAERS’ fanbase will undoubtedly grow. Their raw, visceral sound and effortless songwriting is channelled through their electrifying chemistry when they perform together. With a host of new material that will showcase new frontiers for the group, FAERS may well prove to be one of the most vital acts in the capital, and by extension, the nation. Facebook here.
FAERS serve up some refined alt rock with the new song 'Last Of Our Kind'. Energised and passionate both musically & vocally, this is a notable song.
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Joey Sweeney & The Neon Grease - Black Ice (feat. Renée LoBue).
Background - “Black Ice” is the second new single from Joey Sweeney & The Neon Grease’s forthcoming project. Joey Sweeney is a long-established fixture of the Philadelphia songwriting scene dating back to the early 90’s, having previously fronted the influential Philly bands The Trouble With Sweeney and The Barnabys. “Black Ice” follows their rollicking debut lead single “Baptized In Vibe”, and is one of the first songs Sweeney wrote for the new project after taking an extended hiatus from performing and songwriting after the dissolution of his previous projects.
“Black Ice" feels like a narrative or storytelling song about the tropes of the latent menace of the suburbs, and features spooky 12-string guitar, vaguely influenced by goth mystery love songs from the late 1980s — stuff like "Under The Milky Way" by the Church or "All In My Mind" by Love & Rockets. It also features back-up vocals from Renée LoBue, the singer from Elk City, who Joey met when back in his Trouble With Sweeney days.
Sweeney's new songs draw inspiration from sources as disparate as 1970s Philly nightlife folklore and Denis Johnson’s The Incognito Lounge. In their new songs, chiming guitars, classic rock sax solos and rainy bedroom Velvet Underground listening sessions all blend together. In these songs are little stories of triumph over dirty circumstance and grace under pressure, with the friendship of an urban family “street band” woven throughout. His songs and records have received widespread critical acclaim. A jack of all literary trades, he's also the publisher of Philly-centric blog Philebrity, co-curator of the literary fest The 215 Festival, and a creative director at Quaker City Mercantile. Facebook here.
'Black Ice' is a hook filled rocker where the musical arrangement is striking and the vocals flow smoothly above adding to the melodic feel.
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Prawn - North Lynx.
Background - On September 22, Ridgewood, NJ's Prawn will release their new album entitled Run via Topshelf Records. Prawn’s magnetism has always come from the textures they produce. Drawing as much influence from post-rock and punk as the emo world they’re often written in to, the Ridgewood quartet have released two full-length albums, two EPs, and three splits since their 2008 formation - and make their return this year with a new record, Run, which is released this September on Topshelf Records.
Recorded in the space of just two weeks this March at The Barber Shop Studios, a lake-front old stone church in Lake Hopatcong, New Jersey, but written over the course of two painstaking years, the new album sees the band expand upon those aforementioned influences, carving out a dark but wildly immediate collection of songs that sits as their most formidable work to-date.
“A lot of what came out was the sheer difficulty of truly relating to one another,” Tony Clark says of the records thematic poise. “I felt like everywhere I looked at relationships in my life, there was some feelings of alienation and isolation. I tried to go further than my personal relationships and analyze how I was relating to ideas or communities I partake in.”
A significant release on its own terms, let alone as a building block to wherever this band might take themselves, Run is the sound of a band truly finding comfort in their surroundings and channelling it in to the most focused and exhilarating work of their life. Live Dates are over on Beehive Candy's tour news page, Facebook here.
The gentle intro on 'North Lynx' soon explodes into some fine alt rock music, the vocals have some fine rock'n'roll edge to them and a funky bass line adds a little more muscle to the track.
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Lunar Hand - Smoke and Chandeliers.
Background - SoCal garage psych trio Lunar Hand exhibit a musical maturity that belies their young age, exhibiting the same kind of smart and streamlined chops that pulled other high school bands like Arctic Monkeys from the depths of obscurity to international awareness.
Band spearhead Junior Reed began writing original songs at age 15, an endeavor which synchronistically coincided with his father’s first foray into recording music. “He had just set up some recording gear so it was good timing” Junior asserts, referring to his dad’s Northern San Diego-based studio. “I’d give him material and he was eager to record and experiment with it.” Around the same time Junior and his father began hashing things out in the lab, the young songwriter found kindred musical spirits in bassist Derulo Boulet and drummer Christian Ruth, whom he connected with in his high school jazz band. They quickly formed the rock trio Voltage Control and began playing out, exciting the local scene with their streamlined blend of amped up rock with vintage pop appeal.
After extensively touring the West Coast, the band returned to the studio to officially record their debut. Things had shifted, influences had expanded, and while they remained a tight musical unit with a cohesive vision, Junior felt a new name was in order - one that properly represented the sound they had carved out on the road and reflected the more melodic psych elements they had touched on. Now operating under the banner of Lunar Hand, the trio is gearing up to release their new EP, Magic Hour, is due out September 15th on Desert Coast Records. Website here.
Some potent riffs open up 'Smoke and Chandeliers', a thunderous psych rocker that's packs that extra layer of energy that rock trio's are more capable of offering up.
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Me for Queen - Jessica.
Background - Critically-acclaimed soul-folk artist Me for Queen (aka Mary Erskine) will release her new single ‘Jessica’ on August 19th. This is the first song Mary has written and recorded on the guitar. It is “a vulnerable song about vulnerability” as well as a reflection on the role of art and that of the artist. The intricacy and elegance of Me For Queen’s songwriting and delivery has prompted comparisons to Regina Spektor, Alessi’s Ark and Carole King, with a slight touch of Kate Bush and Laura J Martin.
Mary has already garnered support from prolific songwriter Gretchen Peters, as well as Tom Robinson at BBC Radio 6 Music. The Edinburgh Metro described her as “blessed with a profound skill in the art of songwriting”, and she was also featured in The Guardian in 2014, who highlighted her “beautiful, soaring vocals”.
Years of classical training together with a Blues guitarist for a father make for an interesting mix of Soul and Folk. While Me For Queen’s piano-based songs inevitably draw obvious comparisons to Regina Spektor and Laura Marling, Mary cites Judee Sill & This is the Kit as a few of her favourites and says Me For Queen is “a sort of sketchpad for whatever’s happening in my head. I just try to write songs that talk to people.”
Her last single, Slow Train, from her EP “Who I Am and What I’m For” (released in February) was included in Tom Robinson’s personal top 5 Fresh Faves on BBC6’s Fresh on the Net and was also single of the week on the Janice Forsyth BBC Scotland Culture show.
This August will see Mary head out on tour for the 4th time in one year. Having supported Lewis & Leigh and Bryde on their respective UK tours, she is looking forward to her first headline tour, which will also include some co-headline dates with Emily Maguire. Live Dates are over on Beehive Candy's tour news page, website here, Facebook here.
'Jessica' is a beautiful, personal & intimate song, that's wrapped in a delightfully breezy acoustic arrangement. Instantly captivating, no wonder the attention Me for Queen is starting to gain.
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Freedom Baby - Video Daydream.
Background from the duo - Freedom Baby is a boyfriend-girlfriend duo. We met at a local show that we both performed at back in 2013. We fell in love with each other's record collections and then with each other. In 2016 we decided to try making records together.
It was after a while of experimenting with electronic sounds and orchestral elements we came up with “Video Daydream”. We arranged the song with a Snakes & Ladder game board as our blueprint. Each melody and instrument snakes and climbs from one place to another and each time you play something new is going to reveal itself.
We recorded “Video Daydream” in the spring of 2017 in Eric’s apartment along with a handful of other songs (which will be released early fall on our debut EP). The combination of Brianna’s voice paired with Eric’s arrangements creates a dreamy and melancholic experience. Facebook here.
'Video Daydream' is a sweet sounding chamber pop song, that is very catchy. The gently building musical layers add further vibrancy to a melodic & very imaginative piece.
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Showing posts with label FAERS. Show all posts
Showing posts with label FAERS. Show all posts
FAERS - Wes John Cichosz - Saints Patience - Corner Suns - PANGEA
FAERS - Everything You Know.
Background - FAERS’ singer Steven Anderson-Howard met his future bandmates at his popular weekly indie night Club Yuck in Uxbridge in early 2015. Named after his label, the event showcases groups he’s signed alongside guest DJ slots from established bands. A bond quickly formed between the London five-piece and they released their debut EP ‘WAVES’ in October that year. Before long they were selling out shows in London and Brighton and netting support slots with JAWS, Native People and The Cribs. Having sold out Barfly, The Borderline, and single launches at The Water Rats and The Lexington, alongside appearances at the Y Not, Penn and Camden Rocks festivals,
FAERS are rapidly growing a loyal fanbase thanks to their intriguing melange of afrobeat and psychedelic indie. Staunch wireless support has come from John Kennedy at Radio X and Gary Crowley on BBC Introducing. Throughout the coming year FAERS’ fanbase will undoubtedly grow. Their raw, visceral sound and effortless songwriting is channelled through their electrifying chemistry when they perform together. With a host of new material that will showcase new frontiers for the group, FAERS may well prove to be one of the most vital acts in the capital, and by extension, the nation.
Sounding like an instant summer festival classic with its high-octane riffs and explosive band chemistry, ‘Everything You Know’ is an adrenaline-inducing dance floor anthem. Loaded with hooks that stay with you long after the song has ended, FAERS have lit upon an invigorating brand of psychedelic afro-funk tinged indie rock. ‘Everything You Know’ is the first release from a crop of tracks created during songwriting sessions late last year. After a week of jamming at an undisclosed location far from any towns and cities in the UK, FAERS ventured to Gothenburg to capture the new sounds they’d constructed with alongside Warner-affiliated producer and long-time friend Anders Largerfors.
Whilst there, they engaged with the thriving local scene and invited Pale Honey vocalist Tuva Lodmark to sing on the song. The result is an infectious and eclectic pop classic that highlights the effortless cohesion of its writers. Website here, Facebook here, live details on Beehive Candy's tour page.
'Everything You Know' combines intense guitar fronted indie rock with a twist of funk, alongside some feisty vocals that sound just right. Fresh and full of hooks.
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Wes John Cichosz - Everybody Says.
Background - Wes began playing on the Chicago club scene at age 15 with a variety of jazz and rock acts. Shortly thereafter he received a full scholarship to University of Illinois at Chicago where he won the prestigious Bar Association Music Award. During this time he also had the opportunity to play in the orchestra for the lost Duke Ellington musical, Jump for Joy.
In the 90's he was a part of Chicago's Wicker Park music scene performing regularly with members of Tortoise and Wilco. As a regular studio musician at Gravity Studios he performed on numerous recordings including the Grammy Nominated, self-titled album Studebaker John and the Hawks. More recently, Wes played a tenor sax solo for Phil Collins on a tribute record for his dear friend legendary songwriter, John Martyn. Wes has played with or opened for War, Ziggy Marley, Maceo Parker, Smashing Pumpkins, Guster, 3 Dog Night, Tony Levin (Peter Gabriel), Adrian Belew, Oz Noy, Dave Weckl, Tony Williams, Umphree’s McGee, Andrew Lloyd Weber, Tributosaurus, Robert Irving and Richard Patterson (Miles Davis), and Rolling Stones sidemen Jack Leavell, Tim Ries and Bernard Fowler (and many more).
A competent multi-instrumentalist, Wes performs in various capacities including solo vocal/acoustic, blues trio, and jazz quartet. Some groups he is integral to include ChiNola (Chicago Blues meets New Orleans Funk and Soul), The Improbable Thursays (Experimental Groove/Jazz) as well as his own progressive-rock-meets-singer-songwriter group, WJC. Chicago DJ Richard Milne of WXRT 93.1 once described Wes's music as "...unlike anything going down in the town." Wes has recorded/produced numerous artists over the years including Dave Tamkin, Scottie Long, Typhanie Monique, and Cameron McGill. A capable arranger, he is currently the music director/guitarist/singer/saxophonist for Arlen Music Productions 17 piece orchestra, Evolution. Wes resides in Chicago and continues to write, record, produce and perform hundreds of dates per year.
In The Moon Threads a Needle, guitarist/saxophonist/singer/songwriter Wes John Cichosz (Chee-Hoas) seamlessly weaves elements of rock, blues, jazz, and folk into an intensely personal album. Website here, Bandcamp here.
The first of thirteen songs on the new album is 'Everybody Says'. The album embraces so many musical directions, that this track is just a small taste of what follows. The above description that states " Wes seamlessly weaves elements of rock, blues, jazz, and folk" is absolutely spot on. Individual songs can morph across genres, or take on a specific style as an anchor point. Quality and feeling dominate the whole album, it's creative and passionate, and worthy of listening to in full.
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Saints Patience - Taste Of You.
Background - About ‘Taste Of You’. A certified funk-rock fusion treat, ‘Taste Of You’ is a candid declaration of love and lust which, according to Saints Patience frontman Mudibu, is “about opening up to someone and letting them know your secrets and desires; asking them to let go and trust their instinct”. This he expresses in a vocal both hugely soulful and raw – “Heaven knows, forever you’ll be close to me” – while a wonderfully rotund bassline, shuddering synths and wah-wah guitar coalesce into one distinctly disco-flavoured belter. ‘Taste Of You’ is essentially a sexy, catchy pop song with a chorus hook that’s primed for the airwaves. Don’t touch that dial.
About Saints Patience and ‘Weather The Storm’ “We’ve created something epic, something exciting and captivating.” Essentially the project of two London-based musicians, multi-instrumentalist Spencer and vocalist Mudibu, Saints Patience place melody and groove front and centre in a thrilling audio format that mixes the classic and the contemporary by following the lead of such timeless artists as Queen, Otis Redding, Led Zeppelin and The Wailers. Their songs, enhanced live by artisanal musicians taking on rhythm section duties, are cohesive amalgamations of Spencer’s prolific guitar jams and improv sessions in his home studio, which Mudibu, formerly of Mantilla, Lostchild and The Jezebel Sextet, enhances via his rich and powerful voice.
This intuitive pair – “You know it’s good when you just look at each other and smile” – have now collected the best of their writings into their debut album ‘Weather The Storm’, recorded using valve amps and minimal gear at Spencer’s studio and thus exuding a fresh and dynamic analogue vibe. Indeed, to control the sound during recording the band used loads of old duvets and blankets, covered up the windows and warned the neighbours. Proper old-school! In Mudibu’s words, the album captures “an expression of emotions that are both political and relational in context. It's a sifting through of what really resonates with oneself and the surrounding environment. The same emotions can be individual but they are experienced by many in varied contexts. The notion of bravery in the face of these emotional challenges is implied in the album title "Weather The Storm’. Website here, Facebook here.
Back in July of last year we first featured Saints Patience and without hesitation it's a delight to do so again. New song 'Taste Of You' is a fabulously funky affair which manifests soulful vibes against a soundtrack that is seemingly on fire. Floor filling and mood lifting, this is a band to watch out for.
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Corner Suns - The Rattle In The Room.
Background - Brandon Carr of folk-psychedelia band The Earlies and John Dufilho of experimental pop group The Apples In Stereo and indie rockers The Deathray Davies have joined forces to create Corner Suns.
Combining neo-psych and baroque pop the Dallas based band released their eponymous debut via ??Idol Records in ?January 2017 after Dufilho tempted Carr back into music following a period during which Carr says he'd "given up on it". Corner Suns' memorable melodies, catchy hooks and insightful lyrics, influenced by the likes of The Zombies, Magnetic Fields, and The Shins, are all evident on new single 'The Rattle in the Room', providing ample proof that this is a musical pairing worth coming out of retirement for.
Asked about Corner Suns' sound, John says "To me, Corner Suns sounds like The Deathray Davies, The Apples in Stereo, The Earlies, John Singer Sergeant, CLIFFFS – all rolled into one record. It’s actually beyond that. Dallas bands I’ve played with and loved, recording engineer friends of mine I’ve learned from… I’m lucky to have people like Brandon to collaborate with, as it’s a million times better than on my own. More fun, too." The Rattle in the Room is released in Idol Records on 12th May 2017. Website here, Facebook here.
'The Rattle In The Room' is a vibrant and snappy song, with a tuneful soundtrack providing the back drop for some upbeat vocals and breezy harmonies.
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PANGEA - Something Bad.
Background - “Something Bad represents the self-destructive search for passion. To find a love so consuming that it will drive you to insanity; it’s about wondering how far you can go before you break.” Slye, PANGEA.
Ever felt so intensely about something or someone that you’ve been driven to actions you deeply regret? That’s the consequential dilemma at the heart of ‘Something Bad’, the smart debut release from Liverpool quartet PANGEA. Dropping with a taut groove, punctuated with Nile Rodgers-like guitar chops, tasteful lead licks and on-point vocal harmonies, ‘Something Bad’ is a slice of crisp indie funk blossoming into a deliciously catchy chorus.
By the time those exuberant riffs kick back in after the tune’s refined breakdown, it’s clear from the dexterous drum fills, full-blooded guitar lines and hook-heavy vocals that PANGEA are four musicians lost in their music – and this is our invitation to join them. ‘Something Bad’, produced by AQ, was recorded and mastered at Liverpool’s renowned Parr St Studios.
PANGEA have a refreshingly direct mission statement for a band of indie inclinations – make the people dance. A supertight unit forged at the University of Liverpool, the four-piece meld slick yet visceral funk grooves with euphonic pop melodics. Slye, Levi, Paul and Kieren bring something new to the contemporary soundscape by channelling the energy of Seventies and Eighties greats into songs of relevance to the fledgling 21st-century.
Shades of US titans like Prince, Chic and Funkadelic colour PANGEA’s material, as does the dynamic edge of the modern British indie scene, notably bands such as Foals and Two Door Cinema Club. The resultant songs are primed for their listeners to move to – and be moved by – as notions of unity, passion and introspection are transmitted through immersive grooves and intelligent lyrics. Here is a band founded on a policy of arch yet danceable pop, and with their irresistible debut single, PANGEA are taking that message to the masses. Facebook here.
Immediately the song begins, a funky and appealing musical foundation is laid. 'Something Bad' certainly delivers on the bands intention to provide good danceable music, they also clearly have a informed ear, for melody and memorable music.
--------------------------------------------------------------------------------------------------------------------------
Background - FAERS’ singer Steven Anderson-Howard met his future bandmates at his popular weekly indie night Club Yuck in Uxbridge in early 2015. Named after his label, the event showcases groups he’s signed alongside guest DJ slots from established bands. A bond quickly formed between the London five-piece and they released their debut EP ‘WAVES’ in October that year. Before long they were selling out shows in London and Brighton and netting support slots with JAWS, Native People and The Cribs. Having sold out Barfly, The Borderline, and single launches at The Water Rats and The Lexington, alongside appearances at the Y Not, Penn and Camden Rocks festivals,
FAERS are rapidly growing a loyal fanbase thanks to their intriguing melange of afrobeat and psychedelic indie. Staunch wireless support has come from John Kennedy at Radio X and Gary Crowley on BBC Introducing. Throughout the coming year FAERS’ fanbase will undoubtedly grow. Their raw, visceral sound and effortless songwriting is channelled through their electrifying chemistry when they perform together. With a host of new material that will showcase new frontiers for the group, FAERS may well prove to be one of the most vital acts in the capital, and by extension, the nation.
Sounding like an instant summer festival classic with its high-octane riffs and explosive band chemistry, ‘Everything You Know’ is an adrenaline-inducing dance floor anthem. Loaded with hooks that stay with you long after the song has ended, FAERS have lit upon an invigorating brand of psychedelic afro-funk tinged indie rock. ‘Everything You Know’ is the first release from a crop of tracks created during songwriting sessions late last year. After a week of jamming at an undisclosed location far from any towns and cities in the UK, FAERS ventured to Gothenburg to capture the new sounds they’d constructed with alongside Warner-affiliated producer and long-time friend Anders Largerfors.
Whilst there, they engaged with the thriving local scene and invited Pale Honey vocalist Tuva Lodmark to sing on the song. The result is an infectious and eclectic pop classic that highlights the effortless cohesion of its writers. Website here, Facebook here, live details on Beehive Candy's tour page.
'Everything You Know' combines intense guitar fronted indie rock with a twist of funk, alongside some feisty vocals that sound just right. Fresh and full of hooks.
--------------------------------------------------------------------------------------------------------------------------
Wes John Cichosz - Everybody Says.
Background - Wes began playing on the Chicago club scene at age 15 with a variety of jazz and rock acts. Shortly thereafter he received a full scholarship to University of Illinois at Chicago where he won the prestigious Bar Association Music Award. During this time he also had the opportunity to play in the orchestra for the lost Duke Ellington musical, Jump for Joy.
In the 90's he was a part of Chicago's Wicker Park music scene performing regularly with members of Tortoise and Wilco. As a regular studio musician at Gravity Studios he performed on numerous recordings including the Grammy Nominated, self-titled album Studebaker John and the Hawks. More recently, Wes played a tenor sax solo for Phil Collins on a tribute record for his dear friend legendary songwriter, John Martyn. Wes has played with or opened for War, Ziggy Marley, Maceo Parker, Smashing Pumpkins, Guster, 3 Dog Night, Tony Levin (Peter Gabriel), Adrian Belew, Oz Noy, Dave Weckl, Tony Williams, Umphree’s McGee, Andrew Lloyd Weber, Tributosaurus, Robert Irving and Richard Patterson (Miles Davis), and Rolling Stones sidemen Jack Leavell, Tim Ries and Bernard Fowler (and many more).
A competent multi-instrumentalist, Wes performs in various capacities including solo vocal/acoustic, blues trio, and jazz quartet. Some groups he is integral to include ChiNola (Chicago Blues meets New Orleans Funk and Soul), The Improbable Thursays (Experimental Groove/Jazz) as well as his own progressive-rock-meets-singer-songwriter group, WJC. Chicago DJ Richard Milne of WXRT 93.1 once described Wes's music as "...unlike anything going down in the town." Wes has recorded/produced numerous artists over the years including Dave Tamkin, Scottie Long, Typhanie Monique, and Cameron McGill. A capable arranger, he is currently the music director/guitarist/singer/saxophonist for Arlen Music Productions 17 piece orchestra, Evolution. Wes resides in Chicago and continues to write, record, produce and perform hundreds of dates per year.
In The Moon Threads a Needle, guitarist/saxophonist/singer/songwriter Wes John Cichosz (Chee-Hoas) seamlessly weaves elements of rock, blues, jazz, and folk into an intensely personal album. Website here, Bandcamp here.
The first of thirteen songs on the new album is 'Everybody Says'. The album embraces so many musical directions, that this track is just a small taste of what follows. The above description that states " Wes seamlessly weaves elements of rock, blues, jazz, and folk" is absolutely spot on. Individual songs can morph across genres, or take on a specific style as an anchor point. Quality and feeling dominate the whole album, it's creative and passionate, and worthy of listening to in full.
--------------------------------------------------------------------------------------------------------------------------
Saints Patience - Taste Of You.
Background - About ‘Taste Of You’. A certified funk-rock fusion treat, ‘Taste Of You’ is a candid declaration of love and lust which, according to Saints Patience frontman Mudibu, is “about opening up to someone and letting them know your secrets and desires; asking them to let go and trust their instinct”. This he expresses in a vocal both hugely soulful and raw – “Heaven knows, forever you’ll be close to me” – while a wonderfully rotund bassline, shuddering synths and wah-wah guitar coalesce into one distinctly disco-flavoured belter. ‘Taste Of You’ is essentially a sexy, catchy pop song with a chorus hook that’s primed for the airwaves. Don’t touch that dial.
About Saints Patience and ‘Weather The Storm’ “We’ve created something epic, something exciting and captivating.” Essentially the project of two London-based musicians, multi-instrumentalist Spencer and vocalist Mudibu, Saints Patience place melody and groove front and centre in a thrilling audio format that mixes the classic and the contemporary by following the lead of such timeless artists as Queen, Otis Redding, Led Zeppelin and The Wailers. Their songs, enhanced live by artisanal musicians taking on rhythm section duties, are cohesive amalgamations of Spencer’s prolific guitar jams and improv sessions in his home studio, which Mudibu, formerly of Mantilla, Lostchild and The Jezebel Sextet, enhances via his rich and powerful voice.
This intuitive pair – “You know it’s good when you just look at each other and smile” – have now collected the best of their writings into their debut album ‘Weather The Storm’, recorded using valve amps and minimal gear at Spencer’s studio and thus exuding a fresh and dynamic analogue vibe. Indeed, to control the sound during recording the band used loads of old duvets and blankets, covered up the windows and warned the neighbours. Proper old-school! In Mudibu’s words, the album captures “an expression of emotions that are both political and relational in context. It's a sifting through of what really resonates with oneself and the surrounding environment. The same emotions can be individual but they are experienced by many in varied contexts. The notion of bravery in the face of these emotional challenges is implied in the album title "Weather The Storm’. Website here, Facebook here.
Back in July of last year we first featured Saints Patience and without hesitation it's a delight to do so again. New song 'Taste Of You' is a fabulously funky affair which manifests soulful vibes against a soundtrack that is seemingly on fire. Floor filling and mood lifting, this is a band to watch out for.
--------------------------------------------------------------------------------------------------------------------------
Corner Suns - The Rattle In The Room.
Background - Brandon Carr of folk-psychedelia band The Earlies and John Dufilho of experimental pop group The Apples In Stereo and indie rockers The Deathray Davies have joined forces to create Corner Suns.
Combining neo-psych and baroque pop the Dallas based band released their eponymous debut via ??Idol Records in ?January 2017 after Dufilho tempted Carr back into music following a period during which Carr says he'd "given up on it". Corner Suns' memorable melodies, catchy hooks and insightful lyrics, influenced by the likes of The Zombies, Magnetic Fields, and The Shins, are all evident on new single 'The Rattle in the Room', providing ample proof that this is a musical pairing worth coming out of retirement for.
Asked about Corner Suns' sound, John says "To me, Corner Suns sounds like The Deathray Davies, The Apples in Stereo, The Earlies, John Singer Sergeant, CLIFFFS – all rolled into one record. It’s actually beyond that. Dallas bands I’ve played with and loved, recording engineer friends of mine I’ve learned from… I’m lucky to have people like Brandon to collaborate with, as it’s a million times better than on my own. More fun, too." The Rattle in the Room is released in Idol Records on 12th May 2017. Website here, Facebook here.
'The Rattle In The Room' is a vibrant and snappy song, with a tuneful soundtrack providing the back drop for some upbeat vocals and breezy harmonies.
--------------------------------------------------------------------------------------------------------------------------
PANGEA - Something Bad.
Background - “Something Bad represents the self-destructive search for passion. To find a love so consuming that it will drive you to insanity; it’s about wondering how far you can go before you break.” Slye, PANGEA.
Ever felt so intensely about something or someone that you’ve been driven to actions you deeply regret? That’s the consequential dilemma at the heart of ‘Something Bad’, the smart debut release from Liverpool quartet PANGEA. Dropping with a taut groove, punctuated with Nile Rodgers-like guitar chops, tasteful lead licks and on-point vocal harmonies, ‘Something Bad’ is a slice of crisp indie funk blossoming into a deliciously catchy chorus.
By the time those exuberant riffs kick back in after the tune’s refined breakdown, it’s clear from the dexterous drum fills, full-blooded guitar lines and hook-heavy vocals that PANGEA are four musicians lost in their music – and this is our invitation to join them. ‘Something Bad’, produced by AQ, was recorded and mastered at Liverpool’s renowned Parr St Studios.
PANGEA have a refreshingly direct mission statement for a band of indie inclinations – make the people dance. A supertight unit forged at the University of Liverpool, the four-piece meld slick yet visceral funk grooves with euphonic pop melodics. Slye, Levi, Paul and Kieren bring something new to the contemporary soundscape by channelling the energy of Seventies and Eighties greats into songs of relevance to the fledgling 21st-century.
Shades of US titans like Prince, Chic and Funkadelic colour PANGEA’s material, as does the dynamic edge of the modern British indie scene, notably bands such as Foals and Two Door Cinema Club. The resultant songs are primed for their listeners to move to – and be moved by – as notions of unity, passion and introspection are transmitted through immersive grooves and intelligent lyrics. Here is a band founded on a policy of arch yet danceable pop, and with their irresistible debut single, PANGEA are taking that message to the masses. Facebook here.
Immediately the song begins, a funky and appealing musical foundation is laid. 'Something Bad' certainly delivers on the bands intention to provide good danceable music, they also clearly have a informed ear, for melody and memorable music.
--------------------------------------------------------------------------------------------------------------------------
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...