Showing posts with label Essie. Show all posts
Showing posts with label Essie. Show all posts

Marlon Brando Island - Essie - Artificial Pleasure - Jon C Butler - Strange Americans

Marlon Brando Island - A Troubled Past.

Background - The origins of Marlon Brando Island lie in the prolific bedroom recordings and determinedly DIY ethos of vocalist and guitarist Marcus Fulcher, whose up-and-at-’em attitude would soon establish him as a notable presence on London’s solo singer/songwriter circuit. However, it took the muscular contributions of Marco Testa Ryan (drums) and Edward J Thorpe (bass) for Fulcher’s sprawling, widescreen songs to realise their full potential. The London trio’s aggressive, experimental, innovative post-punk output has been variously likened to artists as diverse as Shellac, The National, Cloud Nothings, Talking Heads and Future Islands. 

The glue that binds these disparate influences into a cohesive and intoxicating alt-rock unit is the band’s shared belief that music can be transformational, that it should make such an impression on the listener as to change them for ever. And with a sound as stimulating as Marlon Brando Island’s, that change will only be for the better.

About ‘A Troubled Past’ “When that part of you died, did you feel nothing?” A gritty blast of passionate post-hardcore, where an abrasive six-string arcs across a pounding bass and drum track that strains under its own sense of urgency, ‘A Troubled Past’ delves into themes of apathy and self-righteousness, inspired by frontman Marcus Fulcher’s experiences as a support worker. “I was always appalled but equally fascinated by how inept yet at ease people were in just losing humans between the cracks,” he explains. “It was frightening how that gets rationalised.” The track’s rawness lies in its original conception as a demo, before South London producer Paul of Sound (Goat Girl) turned it into something altogether larger. Yet it retains an exposed feel, leading to an effect both unsettling and ecstatic. ‘A Troubled Past’ makes its mark as an ode to the lost as well as an exhilarating call to arms. Facebook here.

Energy and passion combine with 'A Troubled Past' a sub three minute rocker, that cuts to the chase and left me hitting the replay button straight away.

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Essie - Someone.

Background - Essie is the stage name of alt/rock guitar player and vocalist Essie Laugharne from Perth, Western Australia. Her signature sound is a confident mix of bluesy guitar chops and soaring vocals. 

Essie's debut EP Run Red and single “Sugar Rush” drew on an earthy mix of influences from The Black Keys, U2, and Gin Wigmore, as well as Australian talents Little Birdy and Eskimo Joe. Hailed in press as “Alternative rock with a superb 70s twist”(Fireworks Magazine), the success of these DIY releases prompted Essie to relocate to London in 2015 to pursue a career in music. 

Essie’s new single “Someone” will be released in March 2017 through The A&R Department. This song was written in Essie’s university days, and re-vamped with a fresh set of lyrics during her work with The Animal Farm in 2016. “Someone” was recording at The Animal Farm studios in South London, by Jamie Dodd, with all music and lyrics written by Essie Laugharne and Ben Pohlmann. 

“This song is a typical breakup story, but with gritty undertones of the sorrow and melancholy that can come with the territory.”- Essie 

“Someone” draws influence from the Arctic Monkeys AM album, as well as Band of Skulls, coupled with Essie’s typical Amy Winehouse inspired vocals. It’s as raw as any heartbreak, which suits her trio style performances well: the simplicity of growling guitar riffs, punchy drums, and backbone bass, with vocals soaring overhead.

Performing with her trio, Essie is a regular in the UK capital's clubs, where she is building a devoted fan base enthralled with her raw, confessional songwriting and assertive blues guitar. Her mini EP titled Not Easy was released on The Animal Farm label in September of 2016. Website here, Facebook here.

A little mix of funk and bluesy vocals add to the chemistry as 'Someone' an alt rock song hits the spot, and builds from there.


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Artificial Pleasure - All I Got.

Background - Following their explosive arrival to the scene last year, London quartet Artificial Pleasure have shared their follow up track ‘All I Got’ which has earned the band yet another rush of acclaim. A disco-infused track with shades of Bowie, ‘All I Got’ has been noted for its modern twist that sends an honourable nod to the past.

Now Artificial Pleasure are ready to present a brand new video for their latest single ‘All I Got’. The track is taken off their forthcoming EP ‘Like Never Before’ which follows on April 21st. They band will also play their debut headline show at The Camden Assembly on April 25th.

Directed by the band’s previous collaborator Dylan Holmes Williams (Huntar, O Chapman), the video for ‘All I Got’ moves in surprising directions with a mad chef, camp theatricality and vibrant dance moves all contributing to its surreal visuals. Actor and West End figure Sebastien Torkia (Sweeney Todd, Guys and Dolls, A Streetcar Named Desire) stars as the demented chef who is determined to win over his diner’s date at all costs. Website here, Facebook here.

A fabulous video needs a song to match and 'All I Got' more than achieves that requirement. High Octane rock'n'roll that is delivered in an effortlessly cool manner, and head turning vocals ensure this is a song that will and is getting noticed.


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Jon C Butler - A Little Misunderstanding.

Background - 'There has been a misunderstanding hasn’t there?' laughs Jon C Butler. 'I mean, we all know it isn’t meant to be like this and maybe there should be a reassessment of the deal.

Although we all start out in life with good intentions and kind hearts, things don't always turn out as we hope.

Maybe life has taken us down one too many roads less travelled. Or it’s thrown us a curveball when we needed an easy catch. Or perhaps we flew too close to the sun. Or we made a wrong choice at the crossroads.

We can't go backwards, of course. Carpe Diem! But, sometimes, when we take a quiet moment of reflection to make sense of our life, we're allowed to wonder if perhaps there was a little misunderstanding somewhere along the way.’ A Little Misunderstanding is available from 14 April 2017 on Strataville. Website here.

Well I have had more than a few of these down the years, 'A Little Misunderstanding' is a refined alt rock song with just a hint of Americana about it, and plenty of hooks to pull the listener in.

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Strange Americans - No Punches.

Background - Strange Americans share the video for their track "No Punches". "'No Punches’ explores the relationship between the American Dream and the American Reality," the band explains, "...few of us question the meaning of work, what purpose that work is meant to serve and what direction it will take us in life." The track is from their forthcoming new album, 'Borrow You, Brother,' out later this year. This Saturday April 1st, the band will headline a hometown show at Denver's Hi Dive.

Musically, Strange Americans’ third full-length album, 'Borrow You, Brother' remains committed to the general guitar-driven, blue-collar Americana rock element that permeates their earlier releases. This latest album, however, diverges in subtle ways : from the keys to the drums, bass and guitars, the sounds, tones and parts are more explorative. At times this means dynamic restraint, craft, control and beauty ; at others it means total freedom, chaos and noise.

For the better part of a year, the Denver, CO band made three trips to The Echo Lab in Denton, TX, where they worked with engineer/producer Matt Pence (Centro-matic, Justin Townes Earle). Pence’s penchant for the creative process combined with the band’s original vision for the songs drove the tracking and mixing process and resulted in a unique record that is simultaneously novel but grounded in tradition. Lyrically, the songs tend to explore social themes including income and wealth inequality, individual success and materialism, but also work, travel and happiness.

It’s a little raw, a bit loud, unapologetic and honest. It’s blue-collar rock and roll and it’s something that Denver’s Strange Americans are crafting with both brawn and finesse. Facebook here.

'No Punches' has a well travelled and developed feel, the band are tight and the vocals laid back, however between them the passion and commitment is all apparent, in what is just right rock and roll.


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Six Of The Best: Sloucher - Essie - Hawk - The Blue Aeroplanes - Four Star Riot - Sleepytown

Sloucher - Waiting to Start.

Background - Like a lot of bands, Sloucher started off as a relatively unambitious project. After writing a batch of songs on acoustic guitar to sate his downtime as drummer in a couple of revered West Coast bands Cayucas and Hibou. Jay Clancy decided to better harness the melodic thrusts bouncing around his head, eventually recruiting guitarist Kyle Musselwhite (The Globes) and drummer Jack Hamrick to solidify Sloucher as a trio.

“The record really started as me testing myself to see if I could actually complete an entire record of my own songs,” explains Clancy, who recorded most of the EP himself. “I had written a batch of songs that were all basically little snapshots of my life from the past few years, and wanted to get involved in a recording project.”

Certainty, the resultant collection of seven songs, deals in the kind of melodic interplay typically found in the more voluminous aural panoramas of Elliott Smith and similarly alchemic songwriters. Clancy’s heart-wrenching diatribes include the moody haze of “Dreams,” a tune resplendent in subtle time changes and plodding pocket-rhythms while Clancy’s voice assumes an apparition’s timbre to fit the vibe of the moony tune.

Perhaps in defiance of the band’s slacker-y moniker (I have questionable posture sitting down,” jokes Clancy), songs like “Certainty” excel in the pop-perfect guitar rock of forebearers like Evan Dando and Jeff Tweedy, with Clancy’s thinly veiled affinity for twangy country riffs rearing its pretty head. The symbiosis of the trio’s talents is most evident here, with Musselwhite’s lead giving wings to a saccharine-sweet love song bursting with mildly distorted guitars, providing a fitting Northwest attitude even when the sentiment is a tad gooey. Facebook here.


The first of seven tracks on the new EP and 'Waiting to Start' immediately signals that some natural and engaging alt rock is on it's way. As a whole its totally unpretentious, occasionally a little gritty, and often melodic, with a few country rock vibes sneaking in here and there.

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Essie - Electric Wires.

Background - Essie is the new dreamy indie/pop solo project from Melbourne based singer/songwriter, Jess Holt. A strong pop sensibility infused with lush, sultry vocals, oodles of shimmering melodic hooks, playful synths and hints of 80’s nostalgia will lure you into a deep ocean of indie-pop soundscape.

The debut track ‘Electric Wires’, reflects on Jess’ frequent travels and desire to always be on the move experiencing new environments and her fascination with meeting new people. It’s about the people you meet on the journey that make you see the world in a different way and keep things new and exciting. Crafted with London-based producer Dan Villalobos, the track is drenched with subtle, spacey electronics, moody synths and layers of luscious ethereal vocals. Elements of sparkly glockenspiel and marimba breathe light into the song and highlight Jess’ enchanting lyrical storytelling.

“When writing, a song usually grabs hold of me and my subconscious takes over. Sometimes it’s a very therapeutic process, other times it can be a little daunting to really address those deepest inner thoughts. I get bored pretty easily so creating something that is unique to each song is really important to me”.

The single artwork was designed by acclaimed singer/songwriter and visual artist, Bertie Blackman. “I was first introduced to Bertie’s artwork at her recent solo exhibition in Melbourne. I fell in love with the way her drawings told such beautiful quirky stories and thought it would act as a nice accompaniment to ‘Electric Wires’. It was the perfect collaboration as Bertie’s exhibition also incorporated a lot of ‘electric’ symbolism,” says Jess on the artistic collaboration.

Having spent much time writing and recording in the UK over the past couple of years, Essie has big plans to release a debut EP in 2017. Essie launches her new project and single ‘Electric Wires’ in Melbourne on Wed 14th Dec at The Grace Darling Hotel. Website here and Facebook here.


'Electric Wires' has an intricate and superbly produced soundtrack, providing a wonderful background for Essie to sing above, something she does with style, adding so much more to an already fine musical arrangement.

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Hawk - Mother Road.

Background - Hawk is a project from David Hawkins who is also known from his other band Be. Hawk has re-released a remastered version of their fantastic album I'm On Fire. The re-release is because the feeling is the album could be a potential future classic, and also that it will continue to find its audience and build further anticipation for what Hawk does next.

In addition to the alt-country, rootsy grit of Be, Hawk heavies up the proceedings by adding in a dose of garage rock (plus shades of classic Rolling Stones and even a bit of early-AC/DC riffage).

Also worth noting, David is in the planning stages of the next Hawk album (which could arrive as early as next year) that is confirmed to feature legendary guests such as Gary Louris of The Jayhawks, Ken Stringfellow (The Posies, R.E.M., Big Star) and longtime Elvis Costello drummer Pete Thomas. Website here. Bandcamp here.


First of twelve tracks on the album 'Mother Road' typifies the rock'n'roll swagger and blistering guitar playing on the remastered 'I'm On Fire' album. Vocals are energised and work well with this genre. Whether this is a "potential future classic" who knows, it is however most definitely a decent rootsy collection of rock songs, delivered with passion.

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The Blue Aeroplanes - Here Is The Heart Of All Wild Things.

Background - The Blue Aeroplanes' unique amalgam of rock, folk, poetry, punk, dance and art has been an acknowledged influence on a wide range of bands including REM and Radiohead. Combining pop smarts with serious weirdness, they have released almost thirty albums on various labels, several of which have charted in the UK Top 40 and the US Alternative Top 10.

Their new album 'Welcome Stranger' is out January 6th 2017 and now you can check out their new video below. Website here.

The Blue Aeroplanes are also setting out on tour in January 2017, traveling across the UK. View the full dates below:

Liverpool O2 Academy 2 Liverpool Wed, 11/01/17

Manchester Manchester Ruby Lounge Thu, 12/01/17
Newcastle O2 Academy 2 Newcastle Fri, 13/01/17
Edinburgh Voodoo Rooms Sat, 14/01/17
Glasgow Stereo, Glasgow Sun, 15/01/17
Nottingham Nottingham Rescue Rooms Wed, 18/01/17
London O2 Academy Islington Sat, 21/01/17
Oxford The Cellar Wed, 25/01/17
Sheffield Sheffield Leadmill Thu, 26/01/17
Norwich Norwich Arts Centre Fri, 27/01/17
Brighton Patterns Sat, 28/01/17
Exeter The Cavern, Exeter Sun, 29/01/17


With a new album just a month away, The Blue Aeroplanes are back, and the featured song 'Here Is The Heart Of All Wild Things' suggests the band are on form and still creating top notch music. I love the vocals and harmonies, and the crisp musical delivery is spot on!

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Four Star Riot - Empty Space.

Background - Four Star Riot shares a new video this week for the song "Empty Space". It's an animated tongue-in-cheek trip through space, as surreal as real life in 2016. Last month, the band released a beautifully cinematic and vivid short for the track "So Far."

It’s been a landmark year for the Tampa Bay rockers; on the heels of their hit single “Something So Right" landing a spot in the box office hit Deadpool, they released the full length album Waves on September 2nd, 2016 via Vital Records (digital/CD). Over the course of multiple releases, Four Star Riot has consistently delivered stick-in-your-head pop/rock choruses and Waves is by far their strongest effort to date.

Website here and Facebook page here.

'Empty Space' has a chunky and  funky feel to it, right from the beginning. Add in the guitar and vocal mix and we have another great song from the bands recent release.

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Sleepytown - Balloon.

Background - Sleepytown is the moniker of Ryan Van Der Woude, and a cruisey-nostalgic fusion of echoing guitars with a warm acoustic rhythm undertone, which flow from a plateau for literary anecdotes. Ryan is a songwriter who has travelled through all the east coast collecting visual novels, before settling in Sydney. His songs have bloomed from the wake of hinterland cruises, towering cities, cutting through mountain-ranges in a train, laying under snowy pines, warm sandy shores and treks into the deep, eerie woods.

‘Balloon’ is the latest offering from Sleepytown. ‘Balloon’ has a simple ideology attached to it; it’s a breakup song about two individuals who have an amalgamated feeling to depart each other in a non-destructive sense (as easy as letting go of a balloon). “The season of late winter and a transition into spring is the essence I tried to blend into the song and it’s the feeling I get when I listen back to it,” says Ryan on writing the new single. “‘Balloon’ was a very easy song to write as it literally just fell out of my brain in such a short space of time. I wrote and recorded most of Balloon in the same day, in the late winter season.”

‘Balloon’ was recorded in Ryan’s apartment in Lane Cove, Sydney; in his bedroom recording studio. Ryan recorded all instruments and tracks himself and mixed the tracks himself.

While undertaking music studies in Brisbane, Ryan has been involved in various bands and music projects. Sleepytown started while Ryan moved back to the Sunshine Coast after his studies in Brisbane and evolved from the laid back beach town lifestyle in that area. After meeting various people and moving to Melbourne, Sydney and Brisbane – Ryan landed in Sydney to take the project seriously and begin working on developing the sound into something much bigger.

Look out for new Sleepytown shows throughout Sydney announced to-be-announced in early-2017. “Balloon” will be released 9th of December 2016. Facebook here.


'Balloon' is one of those songs that just builds and builds. Vocals are pretty dominant and delightfully melodic, however the stripped back acoustic accompaniment keeps driving the song along, until a more rounded soundtrack unfolds making this one stand out song.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...