Traveller - All This Time.
Background - The summer of 2012 saw Gerry Sheridan and Simon Usher begin their songwriting partnership, which progressed to become Traveller in January 2016 when they were joined by Martin Yves on guitar and Brian Socha on bass.
By spring 2016 the band had written and recorded their debut EP at Chamber Studios in Edinburgh. Taking just four days to complete, 'All This Time' enabled Traveller to connect to an ever growing fanbase who are drawn to their Anthemic Rock wall of sound.
"There’s a sonic harmony that is often created by the band during rehearsals and it’s often from this that sparks the imagination to write" explains Simon. "We write about life’s journey, from the people we meet along the way to all the various experiences that we have, both good or bad..." Website here, Facebook here.
Not exactly brand new, however having received a piece on the band, I wanted to give them a feature because the EP that 'All This Time' is taken from, is such a fine collection of alt rock music. Mixing high quality musicianship, natural rock vocals and well written tracks seems more than enough to play a little catch up with the band.
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John Mellencamp - Grandview.
Background - On April 28th, Heartland rocker John Mellencamp will release his 23rd full-length album, Sad Clowns & Hillbillies featuring Carlene Carter, the daughter of June Carter Cash and stepdaughter of Johnny Cash, on Republic Records. Sad Clowns & Hillbillies returns Mellencamp to the musical eclecticism that is, itself, a reflection of his wide-ranging musings on life. John Mellencamp is an authentic voice of American music and master storyteller with a commitment to creating traditional rock & roll, bittersweet songs of happiness and melancholia, and fervent political dissent. His passions and experiences resonate beautifully in this showcase of his music. Sad Clowns & Hillbillies is produced by John Mellencamp.
Mellencamp’s new single is “Grandview” featuring Country music star Martina McBride. He released the track, Easy Target in January as a continuation of Mellencamp’s journey to convey the truth through this passionate and plain-spoken song. The video's release occurred on the eve of the inauguration. The song focuses on the Black Lives Matter movement as well as gun violence in America. Fans who pre-order Sad Clowns & Hillbillies will get an instant download of Grandview and Easy Target.
This summer, Mellencamp will tour for 22 stops across North America for his all-new Sad Clowns & Hillbillies tour kicking off on June 5th in Denver, Colorado with special guests, Emmylou Harris, tour-mate Carlene Carter and Lily & Madeleine. Website (including tour and pre-order details) here.
If John Mellencamp needs any introduction, then you really do have a massive back catalogue of music to work your way through. New song 'Grandview' signals that a new album is on it's way, and the featured track suggests there are still plenty of ideas and thoughts to be shared from one of rock'n'rolls finest.
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Club Kuru - Giving In.
Background - Club Kuru are a British five-piece band, fronted by Laurie Erskine.
Beginning as Erskine's solo project, the current, psychedelic incarnation of Club Kuru developed through the process of him searching for his sound; one which truly incorporated his influences and character. Joining forces with Graham Godfrey (co-producer and drummer) and close friends Fergus Ireland (bass), Laurence Hammerton (guitar) and Jess Berry (vocals), in 2016 the group built their own studio in north east London and began their journey as a songwriting and production tour de force. "We really wanted to do everything ourselves. It was a case of laying it all out on the table and seeing what worked."
Collectively, the band cite influences from modern day artists such as Mac DeMarco, Tame Impala and Connan Mockasin, to classic greats including Shuggie Otis, Vangelis, Herbie Hancock and Quincy Jones. There's a summery west coast vibe to their sonic output, mixed with some sleazy Americana, but ultimately the band are spearheading something unique; they're putting their British take on a US heritage sound - and it works. Website here, Facebook here.
We featured Club Kuru last June and new song 'Giving In' is another beautiful and melodic track. Dreamy psych sounds flow and twist around, as the vocals sooth.
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Elouise - Saturn Bar.
Background - An original booze-sodden cry from America’s trailer park soul. Elouise Walker tells us the story of the song.
Saturn Bar is a sonic homage to my favorite dive in the Ninth Ward. I hung out there whenever I found myself in NOLA. It was long before the big flood. I heard about it from a lawyer after our cars collided outside New Orleans. I asked the nice southern gentleman for a good dive bar recommendation. The Saturn Bar came up.
He did not think I should go there alone and said I may not be able to get a cab out. He warned that most cabs didn't go out there late at night because the neighborhood was dangerous after dark. So of course...I went.
My journey began with a cab driver hopped up on speed. He was sweating, jittery and had a loaded gun on the front seat when he picked me up. He told me he was itching to shoot a car jacker that night because it just became legal.
He kept looking back at me and playing with his gun. In a moment that seemed like it would never end, I stared past the windshield at the southern stars and the black night sky on the other side of the tracks as the train rushed in front of us. In an agitated state, he went on and on about his murderous plans. I thought that was it for me, but sure enough, a few minutes later we pulled up to the dingy corner neighborhood establishment. The street was all dark except for a little old flickering sign with the planet Saturn on it.
In a strangely protective tone, the driver asked me if I wanted him to wait outside. I declined and took my chances with the unknown. I was not sure I was gonna make it out on that one, but I did... and I definitely had earned a few drinks. It was never too crowded when I went there. Just a smattering of local bar flies here and there. O'Neil, the proprietor, was quite the host and would try to get the ladies to try on a pair of pink satin panties he kept behind the bar. He had pictures of past models (I am using that word liberally) that he was more than happy to show to anyone with interest.
A cat sauntered across the bar rubbing it's fur against the container of straws. A chicken wandered about. A cockroach lay belly up right in front of the women's toilet. The beer was cold and the liquor was cheap but the bar was like nothing I had seen. It was dark, mysterious and a hoarders delight. It was scary. It was friendly. It was a whole other level of reality. It was Heaven. It was Hell.
The place was filled with murals and art and curiosities lit up only by colored neon lights. One of the patrons, Mike Frolich, had painted the murals as a make shift art gallery for the local children since it was a poor neighborhood and there were no museums in that area. Demons being ridden by whores, red skies and ships sailing to the New World.
I had long intoxicating discussions that I don't remember with O'Neil, other patrons and the local city trash collector who gave me a ride home in his '67 Ford. With old 12 inch wooden framed speakers mounted to the backs of the vinyl seats, he drove like a drunk bat out of Hell, blaring distorted music and making great efforts to try and run people down. It was a game he played after closing time. Making people literally jump out of the way of his swerving maniacal Galaxy. The journey was other worldly from start to finish. I looked up the bar after penning the song a few years ago and was sad to see that O'Neil, the owner, had died right after the flood. I am sure it was the ruin of his beloved alternate Universe that killed him.
The bands website is here, plus you can also download the track through Soundcloud. I have spoken highly of Elouise before and the chance to feature another track from their incredible album is an absolute pleasure. Put simply the band are unique, exceptional and should be heard!
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Carl Louis - Come With Me (feat. Frøder).
Background - Growing up on the Nordic coastline, producer Carl Louis has spent much of his career broadening his musical horizons with a number of notable credits to his name. Originally a member of electronic duo CLMD, Louis co-produced a number of notable releases including ‘Stockholm Syndrome’, which went multi-platinum in Norway and was also premiered on Pete Tong’s Radio 1 show. Afterward, Louis left the group in 2014 to pursue his own personal ambitions.
Having spent the last few years producing singles for other artists, including ARY’s debut single ‘Higher’, as well as releasing his own mini-album in 2015, Lewis has now returned to deliver his latest full-length ‘Memory Lane’.
While its title may suggest a more nostalgic sound, his latest material is a smorgasbord of contemporary influences and inspirations. With a largely classical direction, the mix of ideas and directions on his latest release are clear throughout.
Its opener and lead single ‘Come With Me’ sees the producer create an uplifting and powerful introduction, which sees him collaborate once again with Spotify Spotlight artist and ‘Stockholm Syndrome’ vocalist Frøder, and was released on the 24th February 2017 via Toothfairy. Facebook here.
A feast of sounds, beautiful vocals and a rhythmic and melodic vibe throughout ensures 'Come With Me' digs it's hooks in deep. Fabulous song.
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Showing posts with label Elouise. Show all posts
Showing posts with label Elouise. Show all posts
Weekend Wonders: Elouise - The Tiger & Me - Honeymilk - Gutxi Bibang - Eleven North
Elouise - Silent Night.
Background - Fueled by a sordid real-life backdrop of good old fashioned suicides, murders, and alcoholic depravity followed by church on Sunday, Elouise is an eccentric collaboration of Los Angeles-based musicians who came together to create an ominous, raw and cinematic genre of music they identify as Blackgrass.
It is the sound of sin and salvation mixed in a dark cocktail with a taste of Bluegrass, a black symphonic sound and weary emotional vocals that tell original tales of struggle and re-imagine songs from our collective Americana consciousness.
Elouise is back with their menacing Blackgrass rendition of the Holiday classic “Silent Night” and are offering a free download for the month of December. Website here.
Move aside seasonal slush, no room for sentimental songs here today. This is how you do 'Silent Night', followed by a large measure of Bourbon and ice (I'm guessing that's an acceptable brew for alcoholic depravity)...
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The Tiger & Me - Sleep The Night Alone.
Background - In anticipation of their forthcoming third album, Melbourne quartet The Tiger & Me have announced the release of their new single ‘Sleep The Night Alone’ and its accompanying clip.
Intrepid by nature, with three lead singers and a multitude of instruments, The Tiger & Me is a sound that refuses to sit still. Produced by ARIA-nominated Steven Schram (San Cisco, The Cat Empire), ‘Sleep The Night Alone’ is a dance pop track about the corner of the life you abandoned, and how you got there in the first place.
‘Sleep The Night Alone’ is out through ABC Music imprint “Four | Four” (Tim Rogers, Melbourne Ska Orchestra), who also guided the release of the band’s second full-length album, The Drifter’s Dawn, which took out album of the week on PBS and racked up airplay across JJJ, 4ZZZ, Triple R, Edge Radio & RTRFM.
To accompany ‘Sleep The Night Alone’, The Tiger & Me have released a clip for the track as well as b-side ‘When All The World Went Dark’, originally an acoustic folk song written by Tobias Selkirk (vocals & guitars) on a ukulele while travelling through South America. Website here.
'Sleep The Night Alone' mixes really fine vocals and harmonies with a melodic and slightly understated soundtrack, resulting in a likable and danceable indie pop song.
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Honeymilk - The Nothing New.
Background - Sweden's Honeymilk has been around for 4 years but just recently scaled down to a duo (from a previous four piece). We all have our ups and downs and the story of how the two main figures Marcus Admund and Nikki Nyberg hold on to each other since meeting in a scout cabin back in 2009 is one full of fighting spirit and love for the music they're creating.
At the moment they're in studio working on the follow up to critically acclaimed 2013 debut "Lean on The Sun" (and 2014's "Sanguine Skies EP"). Their shoegazy Britpop has gained supporters all over the world - notable ones are KEXP, Q Magazine, Jajaja Music and Music Week.
In June 2016 their latest effort "Time Will Kill You" soon turned into their most succesful single to this date - with playlists adds and media ravings flowing in to the HQ. The band play a sold out show at The Finsbury in London and the single soon hit 140k+ streams on Spotify.
'The Nothing New' could be about finding yourself in an age and situation where the demands that hunts you are increasing; the same that it takes more alcohol to get drunk, it takes greater and greater everyday explosions for the static line that life has gradually turned into to be moved. It could also be a pretentious and unclear salute to both Samuel Beckett's book Murphy or Spacemen 3. Or it could be a very good pop song that means nothing.
With a slick beat and distinctive vocals 'The Nothing New' builds into a fine and refreshing indie piece with enough hooks to guarantee another play for my ears.
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Gutxi Bibang - System of a Gun.
Background - Gutxi Bibang is an unlikely candidate to carry the rock n’ roll torch, a second-generation African from the Basque county of Spain. On the heels of his debut single, Gutxi shares an incredibly powerful video for "System Of A Gun" after his debut U.S. performance last night at Communion NYC.
His family emigrated to the tiny coast town of Algorta outside of Bilbao, but native son Gutxi Bibang has more in common with larger-than-life musical icons than he does his Basque countrymen. Even his unique moniker speaks of his cultural clash heritage – Gutxi, a common nickname in his Basque homeland, and Bibang, from his roots in Africa.
With his distinctive manner and impeccable style, Gutxi Bibang exudes charisma - not just a reminder of when rock was a socio-cultural force for change in the ‘60s and ‘70s, but a glimpse into the music’s global future.
It's strange how sometimes a music video can add clarity to a song. 'System of a Gun' came my way a couple of weeks back in audio form, and for whatever reason it didn't register with me. Watching the 'live' video made things click, the band are feisty, Gutxi is a natural rock'n'roller, and the songs home is in a hot and packed venue, where the music plays all night long, simple really!
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Eleven North - Words From The Wise.
Background from the band - Words From the Wise is about the roads that life sets before us, and the choices we make to define ourselves.
As a band we are currently wrapping things up in studio and we are excited to be releasing a full length album in the new year. The single, “Words From The Wise” with the same title was an easy choice for the band with its big sound, explosive energy and a message that reminds us to be more selfless in our choices.
We've been working on creating an unparallelled and highly entertaining live show that we can share with our listeners. This year we have had the privilege of sharing the stage with artists such as: Juno winner Dear Rouge, Australia's The Lazy’s, West Coast Music winner Michael Bernard Fitzgerald, East Coast Music winner Andy Brown, and Edge Next Big Thing winner Ivory Hours.
Overall we have tallied up over one-hundred shows this year from coast to coast and we don't plan on stopping anytime soon! Website here and Facebook here.
'Words From The Wise' is an energised alt rock song (or maybe indie, or whatever, it's hard to pin down). Vocals add depth and the musicianship is tight and funky. Forthcoming album most definitely on my radar now!
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Background - Fueled by a sordid real-life backdrop of good old fashioned suicides, murders, and alcoholic depravity followed by church on Sunday, Elouise is an eccentric collaboration of Los Angeles-based musicians who came together to create an ominous, raw and cinematic genre of music they identify as Blackgrass.
It is the sound of sin and salvation mixed in a dark cocktail with a taste of Bluegrass, a black symphonic sound and weary emotional vocals that tell original tales of struggle and re-imagine songs from our collective Americana consciousness.
Elouise is back with their menacing Blackgrass rendition of the Holiday classic “Silent Night” and are offering a free download for the month of December. Website here.
Move aside seasonal slush, no room for sentimental songs here today. This is how you do 'Silent Night', followed by a large measure of Bourbon and ice (I'm guessing that's an acceptable brew for alcoholic depravity)...
-------------------------------------------------------------------------------------------------------------
The Tiger & Me - Sleep The Night Alone.
Background - In anticipation of their forthcoming third album, Melbourne quartet The Tiger & Me have announced the release of their new single ‘Sleep The Night Alone’ and its accompanying clip.
Intrepid by nature, with three lead singers and a multitude of instruments, The Tiger & Me is a sound that refuses to sit still. Produced by ARIA-nominated Steven Schram (San Cisco, The Cat Empire), ‘Sleep The Night Alone’ is a dance pop track about the corner of the life you abandoned, and how you got there in the first place.
‘Sleep The Night Alone’ is out through ABC Music imprint “Four | Four” (Tim Rogers, Melbourne Ska Orchestra), who also guided the release of the band’s second full-length album, The Drifter’s Dawn, which took out album of the week on PBS and racked up airplay across JJJ, 4ZZZ, Triple R, Edge Radio & RTRFM.
To accompany ‘Sleep The Night Alone’, The Tiger & Me have released a clip for the track as well as b-side ‘When All The World Went Dark’, originally an acoustic folk song written by Tobias Selkirk (vocals & guitars) on a ukulele while travelling through South America. Website here.
'Sleep The Night Alone' mixes really fine vocals and harmonies with a melodic and slightly understated soundtrack, resulting in a likable and danceable indie pop song.
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Honeymilk - The Nothing New.
Background - Sweden's Honeymilk has been around for 4 years but just recently scaled down to a duo (from a previous four piece). We all have our ups and downs and the story of how the two main figures Marcus Admund and Nikki Nyberg hold on to each other since meeting in a scout cabin back in 2009 is one full of fighting spirit and love for the music they're creating.
At the moment they're in studio working on the follow up to critically acclaimed 2013 debut "Lean on The Sun" (and 2014's "Sanguine Skies EP"). Their shoegazy Britpop has gained supporters all over the world - notable ones are KEXP, Q Magazine, Jajaja Music and Music Week.
In June 2016 their latest effort "Time Will Kill You" soon turned into their most succesful single to this date - with playlists adds and media ravings flowing in to the HQ. The band play a sold out show at The Finsbury in London and the single soon hit 140k+ streams on Spotify.
'The Nothing New' could be about finding yourself in an age and situation where the demands that hunts you are increasing; the same that it takes more alcohol to get drunk, it takes greater and greater everyday explosions for the static line that life has gradually turned into to be moved. It could also be a pretentious and unclear salute to both Samuel Beckett's book Murphy or Spacemen 3. Or it could be a very good pop song that means nothing.
With a slick beat and distinctive vocals 'The Nothing New' builds into a fine and refreshing indie piece with enough hooks to guarantee another play for my ears.
-------------------------------------------------------------------------------------------------------------
Gutxi Bibang - System of a Gun.
Background - Gutxi Bibang is an unlikely candidate to carry the rock n’ roll torch, a second-generation African from the Basque county of Spain. On the heels of his debut single, Gutxi shares an incredibly powerful video for "System Of A Gun" after his debut U.S. performance last night at Communion NYC.
His family emigrated to the tiny coast town of Algorta outside of Bilbao, but native son Gutxi Bibang has more in common with larger-than-life musical icons than he does his Basque countrymen. Even his unique moniker speaks of his cultural clash heritage – Gutxi, a common nickname in his Basque homeland, and Bibang, from his roots in Africa.
With his distinctive manner and impeccable style, Gutxi Bibang exudes charisma - not just a reminder of when rock was a socio-cultural force for change in the ‘60s and ‘70s, but a glimpse into the music’s global future.
It's strange how sometimes a music video can add clarity to a song. 'System of a Gun' came my way a couple of weeks back in audio form, and for whatever reason it didn't register with me. Watching the 'live' video made things click, the band are feisty, Gutxi is a natural rock'n'roller, and the songs home is in a hot and packed venue, where the music plays all night long, simple really!
-------------------------------------------------------------------------------------------------------------
Eleven North - Words From The Wise.
Background from the band - Words From the Wise is about the roads that life sets before us, and the choices we make to define ourselves.
As a band we are currently wrapping things up in studio and we are excited to be releasing a full length album in the new year. The single, “Words From The Wise” with the same title was an easy choice for the band with its big sound, explosive energy and a message that reminds us to be more selfless in our choices.
We've been working on creating an unparallelled and highly entertaining live show that we can share with our listeners. This year we have had the privilege of sharing the stage with artists such as: Juno winner Dear Rouge, Australia's The Lazy’s, West Coast Music winner Michael Bernard Fitzgerald, East Coast Music winner Andy Brown, and Edge Next Big Thing winner Ivory Hours.
Overall we have tallied up over one-hundred shows this year from coast to coast and we don't plan on stopping anytime soon! Website here and Facebook here.
'Words From The Wise' is an energised alt rock song (or maybe indie, or whatever, it's hard to pin down). Vocals add depth and the musicianship is tight and funky. Forthcoming album most definitely on my radar now!
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Globe Trotting: Russell Morgan - Elouise - Meter Bridge - Groovy Bones - Seavera
Russell Morgan - You Don't Feel.
Words from Russell - "You Don't Feel" is from my new album "Begin Simple", which will be released, May 13th 2016, by Ray Recordings. Throughout the writing of the new record my songs developed their own magic, to me, they are documents of moments and feeling or things that’d I’d been a part of, or had witnessed.
Sometimes I can struggle with my writing process, I have to be sincere to myself. You don’t feel represents being true to that ideal. Without a passion you don't feel. My songs were recorded and filmed live by Filippo Gaetani at Wilddog Studio.
The production of the album took on a new phase. We introduced clever rhythmical aspects and electronic instruments, adding to my folk roots. Filippo was key in bringing these aspects to life, forming key parts where necessary and being absolute and true to the production. The idea was to get out of the box, creating new dimensions within these stories. It worked.
The album 'Begin Simple' comprises of eleven songs of which 'You Don't Feel' showcases the sincerity that has gone into this musical collection. At the core may be folk roots, however the album builds around this. Sometimes a blues feel is more to the fore, some songs are stripped back, whilst others build around the precise musicianship and are more energised. It's a really good collection of songs, if you like the featured track, your in for a great album.
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Elouise - Black Horses.
Background promo - Fuelled by a sordid real-life backdrop of good old fashioned suicides, murders, and alcoholic depravity followed by church on Sunday, Elouise is an eccentric collaboration of Los Angeles-based musicians who came together to create an ominous, raw and cinematic genre of music they identify as Blackgrass. It is the sound of sin and salvation mixed in a dark cocktail with a taste of Bluegrass, a black symphonic sound and weary emotional vocals that tell original tales of struggle and re-imagine songs from our collective Americana consciousness.
Using a mix of Classical and Bluegrass instrumentation combined with an array of eclectic instruments including the marxophone, six-string banjo, bandoneon and harmonium, Elouise layers their sound with dark and beautifully dramatic European strings like the cello and double bass. This idea of low end drone and virtuosic strings combined with sounds from traditional Bluegrass instrumentation is the signature sound of Elouise and Blackgrass. Add in world-weary and guttural vocals paired with instruments like the bandoneon (which produces one of the saddest sounds imaginable) and you get a musical experience that captures a distinctly original, emotionally fraught and unforgettable sound.
Elouise deconstructs and re-imagines classic songs like Amazing Grace, I’ll Fly Away and the sweaty revival tent of Fire and Brimstone (which sounds like an old Alan Lomax field recording) shaking these old chestnuts to their bones, revealing an underbelly of the darkness of Americana standards and turning them into a booze-sodden cry from America’s trailer park soul. Shadow of the Pines pays homage to Bluegrass royals, The Carter Family, with a slower tempo and a musically re-envisioned version of the original, mixing traditional Bluegrass instrumentation with the lonely and weary vocals of Elouise Walker, creating a desperate and beautiful love song reminiscent of early Bluegrass anthologies. Silent Night, a single that debuted around the holidays, is an age-old standard transformed into Elouise’s Blackgrass rendition with swirling strings, menacing vocal and six-string banjo topped off with a culmination of wailing hallelujahs that earned the praise of Blurt, Folk Radio U.K. and 50Thirdand3rd. The songs and recitations in Deep Water are haunting and beautiful, deviant and desperate sonic explorations that stretch the boundaries of Americana Music.
'Black Horses' is just a small flavour of the album 'Deep Water'. The album is something of an epic journey into a genre of music they identify as Blackgrass. The album cover somehow hints at what's in store across thirteen songs. If the vocals don't get you, the surreal collection of instruments and the incredible songs most certainly will. It is at times dark, ominous and intriguing. It is also an alternative work of art, file under excellent.
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Meter Bridge - Filter.
Background promo - On the trail of their recent single 'It Was Nothing', Canadian synthwave duo Meter Bridge have announced they will be releasing their latest maxi-single ‘Filter / Kite’ through WEATNU Records. It includes three tracks - 'Filter', 'Kite' and a Mind Veneration Remix by Mark LaFountain. The two original tracks for this new single feature catchy and crystal clear production with particular attention to the vocals. LaFountain's output is a wicked club mix with a heavy groove, while the original version of 'Kite' features modular synthesis over a minor chord progression, unique quarter time percussion and staccato rhythm.
Hailing from Nelson, British Columbia, Richard Kleef and Jill Beaulieu have been playing together since 2011, creating a distinctive and unmistakable sonic identity as Meter Bridge, forged of minimalistic groove-infused alternative dance melodies that are seemingly retro and futuristic at the same time. "Our song 'Filter' is a song about persecution and about the complicated process of resistance and assimilation followed by reclamation of spirit and culture," explains Jill Beaulieu. "For the video, film-maker Bryan Webb took our concept of invasion, assimilation and rescue, making it modern and mysterious. It was filmed in studio, as well on location, in several different nearby forests."
"We are very pleased to be involved with Mark Lafountain. He was one of our earliest supporters and we value his work immensely. He added new life into this song, transforming it into something even better than the original," says Jill Beaulieu. Mark LaFountain has been creating and recording electronic music under the alias Mind Veneration since the late 1980’s. Mark's new wave flavored remix of ‘Kite’ was inspired by some of his favorites, including ambient house pioneers The Orb.
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Groovy Bones - Again We Went Astray.
Background promo - Everything starts with that little impulse inside you. Sometimes it’s just because of plain boredom or pure coincidence; very often the need to create something comes from the inner need to express yourself in a brand new way. In case of Groovy and his friend Bones both those things were equally important.
The main part of the Groovy Bones experiment consists of only two members because everything started from their early MIDI projects they were scrupulously storing somewhere on their PC’s about ten years ago. Then one beautiful day they made a decision to take their ideas one step further. Groovy had a flair for composing, producing and mixing music and Bones was completely absorbed with learning how to sing and make his own songs. And so they started – armed with good intentions, youthful naivety and complete lack of money and experience.
Years passed and the project luckily survived all the obstacles on its way. Groovy and Bones changed, got older and wiser, they also acquired some essential knowledge to give their project the form they both expected. Hundreds of hours of basement recordings, bottomless ocean of coffee, one destroyed guitar (in powerless anger) and countless phone calls – begging different people to take part in their project and to help them record something: some guitar tracks, a trumpet solo, a bass lines and all that needed stuff. Moments of plain happiness when the song is finished and moments of pure despair when some of the work is good for nothing and lands in a trash bin.
Its time to say goodbye to making the Groovy Bones: Experiment GB1 and to say hello to creating completely new GB2 material but with Your help there is a chance for our loooong work to finally see the daylight, Groovy Bones and many other people involved are convinced it’s worth it.
Twelve beautiful songs, mixing blues, jazz and even a little soul, in a variety of tempos and arrangements. That it took considerable effort and time to arrive with this collection, may be a pertinent issue for Groovy Bones, as a listener, what can I say other than to echo the sentiment that it was and remains worth it.
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Seavera - Caving.
Background promo - After living in three states, seven bedrooms, and accumulating almost two years of song writing under her belt, 21 year old Tori Zietsch decided she was ready to embark on a musical project under the moniker Seavera.
Consisting of her own brand of lo-fi beats, sparkly layers, honeyed vocals, and heavyweight emotions, “Caving” is saturated in honesty, laden with intimacy, and stirred by darkness.
Exploring the fear of being exposed, a violent plea to a lover to be cut open, the debut single “Caving” was recorded across spaces throughout Northern NSW and the quiet suburban streets of Melbourne’s Fitzroy North, and mixed by Grammy Award nominated engineer Andrei Eremin (Chet Faker, Hiatus Haiyote, Montgomery, The Harpoons, Wafia, Banoffee).
'Caving' sets the bar high for Seavera. Intimate and emotionally powerful, this is such a beautifully layered song, that halfway through the first listen, you know your going to have to play it again.
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Words from Russell - "You Don't Feel" is from my new album "Begin Simple", which will be released, May 13th 2016, by Ray Recordings. Throughout the writing of the new record my songs developed their own magic, to me, they are documents of moments and feeling or things that’d I’d been a part of, or had witnessed.
Sometimes I can struggle with my writing process, I have to be sincere to myself. You don’t feel represents being true to that ideal. Without a passion you don't feel. My songs were recorded and filmed live by Filippo Gaetani at Wilddog Studio.
The production of the album took on a new phase. We introduced clever rhythmical aspects and electronic instruments, adding to my folk roots. Filippo was key in bringing these aspects to life, forming key parts where necessary and being absolute and true to the production. The idea was to get out of the box, creating new dimensions within these stories. It worked.
The album 'Begin Simple' comprises of eleven songs of which 'You Don't Feel' showcases the sincerity that has gone into this musical collection. At the core may be folk roots, however the album builds around this. Sometimes a blues feel is more to the fore, some songs are stripped back, whilst others build around the precise musicianship and are more energised. It's a really good collection of songs, if you like the featured track, your in for a great album.
--------------------------------------------------------------------------------------------------------------------------
Elouise - Black Horses.
Background promo - Fuelled by a sordid real-life backdrop of good old fashioned suicides, murders, and alcoholic depravity followed by church on Sunday, Elouise is an eccentric collaboration of Los Angeles-based musicians who came together to create an ominous, raw and cinematic genre of music they identify as Blackgrass. It is the sound of sin and salvation mixed in a dark cocktail with a taste of Bluegrass, a black symphonic sound and weary emotional vocals that tell original tales of struggle and re-imagine songs from our collective Americana consciousness.
Using a mix of Classical and Bluegrass instrumentation combined with an array of eclectic instruments including the marxophone, six-string banjo, bandoneon and harmonium, Elouise layers their sound with dark and beautifully dramatic European strings like the cello and double bass. This idea of low end drone and virtuosic strings combined with sounds from traditional Bluegrass instrumentation is the signature sound of Elouise and Blackgrass. Add in world-weary and guttural vocals paired with instruments like the bandoneon (which produces one of the saddest sounds imaginable) and you get a musical experience that captures a distinctly original, emotionally fraught and unforgettable sound.
Elouise deconstructs and re-imagines classic songs like Amazing Grace, I’ll Fly Away and the sweaty revival tent of Fire and Brimstone (which sounds like an old Alan Lomax field recording) shaking these old chestnuts to their bones, revealing an underbelly of the darkness of Americana standards and turning them into a booze-sodden cry from America’s trailer park soul. Shadow of the Pines pays homage to Bluegrass royals, The Carter Family, with a slower tempo and a musically re-envisioned version of the original, mixing traditional Bluegrass instrumentation with the lonely and weary vocals of Elouise Walker, creating a desperate and beautiful love song reminiscent of early Bluegrass anthologies. Silent Night, a single that debuted around the holidays, is an age-old standard transformed into Elouise’s Blackgrass rendition with swirling strings, menacing vocal and six-string banjo topped off with a culmination of wailing hallelujahs that earned the praise of Blurt, Folk Radio U.K. and 50Thirdand3rd. The songs and recitations in Deep Water are haunting and beautiful, deviant and desperate sonic explorations that stretch the boundaries of Americana Music.
'Black Horses' is just a small flavour of the album 'Deep Water'. The album is something of an epic journey into a genre of music they identify as Blackgrass. The album cover somehow hints at what's in store across thirteen songs. If the vocals don't get you, the surreal collection of instruments and the incredible songs most certainly will. It is at times dark, ominous and intriguing. It is also an alternative work of art, file under excellent.
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Meter Bridge - Filter.
Background promo - On the trail of their recent single 'It Was Nothing', Canadian synthwave duo Meter Bridge have announced they will be releasing their latest maxi-single ‘Filter / Kite’ through WEATNU Records. It includes three tracks - 'Filter', 'Kite' and a Mind Veneration Remix by Mark LaFountain. The two original tracks for this new single feature catchy and crystal clear production with particular attention to the vocals. LaFountain's output is a wicked club mix with a heavy groove, while the original version of 'Kite' features modular synthesis over a minor chord progression, unique quarter time percussion and staccato rhythm.
Hailing from Nelson, British Columbia, Richard Kleef and Jill Beaulieu have been playing together since 2011, creating a distinctive and unmistakable sonic identity as Meter Bridge, forged of minimalistic groove-infused alternative dance melodies that are seemingly retro and futuristic at the same time. "Our song 'Filter' is a song about persecution and about the complicated process of resistance and assimilation followed by reclamation of spirit and culture," explains Jill Beaulieu. "For the video, film-maker Bryan Webb took our concept of invasion, assimilation and rescue, making it modern and mysterious. It was filmed in studio, as well on location, in several different nearby forests."
"We are very pleased to be involved with Mark Lafountain. He was one of our earliest supporters and we value his work immensely. He added new life into this song, transforming it into something even better than the original," says Jill Beaulieu. Mark LaFountain has been creating and recording electronic music under the alias Mind Veneration since the late 1980’s. Mark's new wave flavored remix of ‘Kite’ was inspired by some of his favorites, including ambient house pioneers The Orb.
“The synth bands of the early 80’s were amazing to me. Howard Jones, Thomas Dolby, Men Without Hats, Soft Cell, Naked Eyes… I couldn’t get enough of that synthetic sound," explains Mark LaFountain. "I eventually stumbled upon the Meter Bridge track ‘Kite’ and I felt as though I were hearing a hidden gem from the likes of The Human League, which I’d never heard before. I played the track relentlessly!”
'Filter' is just half the story, with 'Kite' being the other. Two contrasting songs, the featured track has hallmark synth's and perhaps a respectful nod towards Kraftwerk. The music is expansive, uncluttered and works perfectly for the vocals, which are delightfully 'up' in the mix.
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Groovy Bones - Again We Went Astray.
Background promo - Everything starts with that little impulse inside you. Sometimes it’s just because of plain boredom or pure coincidence; very often the need to create something comes from the inner need to express yourself in a brand new way. In case of Groovy and his friend Bones both those things were equally important.
The main part of the Groovy Bones experiment consists of only two members because everything started from their early MIDI projects they were scrupulously storing somewhere on their PC’s about ten years ago. Then one beautiful day they made a decision to take their ideas one step further. Groovy had a flair for composing, producing and mixing music and Bones was completely absorbed with learning how to sing and make his own songs. And so they started – armed with good intentions, youthful naivety and complete lack of money and experience.
Years passed and the project luckily survived all the obstacles on its way. Groovy and Bones changed, got older and wiser, they also acquired some essential knowledge to give their project the form they both expected. Hundreds of hours of basement recordings, bottomless ocean of coffee, one destroyed guitar (in powerless anger) and countless phone calls – begging different people to take part in their project and to help them record something: some guitar tracks, a trumpet solo, a bass lines and all that needed stuff. Moments of plain happiness when the song is finished and moments of pure despair when some of the work is good for nothing and lands in a trash bin.
Its time to say goodbye to making the Groovy Bones: Experiment GB1 and to say hello to creating completely new GB2 material but with Your help there is a chance for our loooong work to finally see the daylight, Groovy Bones and many other people involved are convinced it’s worth it.
Twelve beautiful songs, mixing blues, jazz and even a little soul, in a variety of tempos and arrangements. That it took considerable effort and time to arrive with this collection, may be a pertinent issue for Groovy Bones, as a listener, what can I say other than to echo the sentiment that it was and remains worth it.
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Seavera - Caving.
Background promo - After living in three states, seven bedrooms, and accumulating almost two years of song writing under her belt, 21 year old Tori Zietsch decided she was ready to embark on a musical project under the moniker Seavera.
Consisting of her own brand of lo-fi beats, sparkly layers, honeyed vocals, and heavyweight emotions, “Caving” is saturated in honesty, laden with intimacy, and stirred by darkness.
Exploring the fear of being exposed, a violent plea to a lover to be cut open, the debut single “Caving” was recorded across spaces throughout Northern NSW and the quiet suburban streets of Melbourne’s Fitzroy North, and mixed by Grammy Award nominated engineer Andrei Eremin (Chet Faker, Hiatus Haiyote, Montgomery, The Harpoons, Wafia, Banoffee).
'Caving' sets the bar high for Seavera. Intimate and emotionally powerful, this is such a beautifully layered song, that halfway through the first listen, you know your going to have to play it again.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...