Back in March when we first featured Izzie Walsh I described her voice as "gorgeous" and her music "vibrant and pleasing". Today's release of 'Clouded Mind' reassures me that I wasn't overstating matters, as she shares another delicious slice of Americana music.
Amsterdam based singer-songwriter and film composer Daan Hofman has shared 'First delight' under the moniker of Phonettes. The song is hard to define, it's synth pop and yet it's also somewhere between Indie folk and pop, whatever it's original and catchy - that will do!
Party Hardly return to Beehive Candy for a fourth time with 'Rats In The Kitchen' another powered up alt rocker where the band lay out their message in a potent and uncompromising manner.
Elijah James And The Nightmares round off today musical sojourn with a video for 'Movie In Your Eyes'. The Liverpool indie rock band provide a creative musical backdrop and the impassioned vocals are wonderful.
---------------------------------------------------------------------------------------------------------------------------
Izzie Walsh - Clouded Mind.
Manchester singer songwriter Izzie Walsh has released her new single Clouded Mind, which is out now via Someone Great/PIAS.
Clouded Mind follows her recent single Sidelined, debut EP The Curse and successful single Take Me Back. With a unique sound that blends country, bluegrass, folk and Americana, Izzie Walsh has built an impressive organic fanbase over the last couple of years. Not only does she have two BCMA Awards and an Indie Week UK award under her belt, Izzie is also a former BBC Introducing Artist of the Week and recently performed on ITV’s Cold Feet.
With honest lyrics and a striking vocal, which are backed by an intricate and rhythmic melody, Clouded Mind is a modern Americana track which builds to an upbeat chorus. The track flits between the feelings of melancholy and hope, which matches the songs meaning of the different emotions and circumstances life can bring. Izzie says;
“This song is a message to say that, whatever your story, you have a chance to clear a ‘clouded’ mind from all the hurt, loss and hardship that life brings. Trust yourself, to know you’ll get stronger."
Izzie has been performing around the world over the last year, including a support slot with Curse of Lono, festival performances at the likes of Dot to Dot and Bluedot and her own sold out headline shows at Manchester’s Deaf Institute and London’s The Slaughtered Lamb. She also runs popular regular open-mic nights at the Bay Horse Tavern and Hatch in Manchester’s Northern Quarter.
--------------------------------------------------------------------------------------------------------------------------
Phonettes - First Delight.
Phonettes is the project around the songs of Amsterdam based singer-songwriter and film composer Daan Hofman.
About two years ago he started writing material from scratch with only an analog synthesizer, two guitars and a computer. He sings, plays all instruments, and wrote and produced all the tracks of the upcoming EP Algorithm Love.
The songs of Phonettes are shaped by minimalistic beats with dreamy vocal choirs, pickin’ guitars and warm analog synth sounds, even flirting with laid back techno, but preserving the song as its beating heart.
This summer Phonettes is going back in time. New single First Delight is a new-wavish synthpop song, celibrating the spark of youth. On the outer borders of childhood, where we were high on life and restless from everything that was to come.
--------------------------------------------------------------------------------------------------------------------------
Party Hardly - Rats In The Kitchen.
Leeds indie outfit Party Hardly launch rousing new anthem Rats In The Kitchen, the second track lifted from forthcoming EP Modern Strife Is Snobbish, dropping later this summer.
Feverishly developing their eclectic style with aggressive punk overtones, the jangly rockers continue to impress with their politically charged output, cutting through their hometown’s fierce DIY scene with aplomb and attracting praise from all corners of the online community (The Line Of Best Fit, Clash, DIY, Dork).
“Rats In The Kitchen is a metaphor for the demonization of young people by the older generation”, states frontman Tom Barr. “Throughout history these views have seldom changed, with the irony being that our grandparents would have viewed our parents in exactly the same light. Also, we had rats in our kitchen this one time”.
Having already supported fellow indie risers The Magic Gang and Trudy and the Romance and gained BBC 6 Music airplay (Steve Lamacq), the foursome are primed to continue their ascent with a slew of live dates in the coming months.
Party Hardly’s Rats in the Kitchen is out 11th July and will be available via all digital platforms.
Live Date: 27th July – Hyde Park Book Club, Leeds.
--------------------------------------------------------------------------------------------------------------------------
Elijah James And The Nightmares - Movie In Your Eyes.
Elijah James And The Nightmares are an indie/rock band from Liverpool, UK. Drawing influences from Elliott Smith, Joy Division and Pixies, they burst onto the music scene in May 2017. Stepping on stage for the first time together in front of a capacity crowd to headline popular local venue, District and performing at Liverpool Sound City Festival. Since then the band have created a significant buzz around them, playing to large crowds in major cities all over the country and in September 2017 they also released their debut live EP ‘Live From Elevator Studio’.
Movie In Your Eyes is the bands sophomore single release taken from their upcoming debut double album ‘Because I’m A Giant’ which is due for release in September 2019. The single showcases an impressive sonic orchestral composition, comprising of over 15 different acoustic instruments. Combined, these instruments, along with Elijah James’s signature baritone vocal create a magnificent, intense and epic sound.
‘‘Movie In Your Eyes is a song about lost youth and gentrification. Focussing on the building on or demolishing of our favourite teenage hangouts, those places that contain our youthful ghosts and exist in our nostalgic anecdotes. It was inspired by my experiences of watching the old places I frequented as a teenager being knocked down and turned into modern, soulless, more profitable expansions. This single will be promoted alongside a cool, monochrome music video following the same themes of destruction and loss.’’- Elijah James
Movie In Your Eyes will be supported by a brand new music video. The video’s fresh concept features an overriding theme of skyscrapers and demolition. Set in monochrome, it will flick between concepts of brutalism, gentrification, and change supported by various clips of Elijah James And The Nightmares playing the single live. Like the song itself, it is frantic in parts, and smooth, slick and cinematic in others.
-------------------------------------------------------------------------------------------------------------------------
Showing posts with label Elijah James And The Nightmares. Show all posts
Showing posts with label Elijah James And The Nightmares. Show all posts
Blue Rose Code - Sam Vance-Law - Elijah James And The Nightmares
Blue Rose Code - Love Is... (feat. Julie Fowlis).
Background - Blue Rose Code, aka acclaimed singer-songwriter Ross Wilson, unveils the first cut from his forthcoming new album, The Water Of Leith (out 27th October on Navigator Records). ‘Love Is…’ - a duet with the multi-award winning folk singer and multi-instrumentalist, Julie Fowlis, talks of ideals and anticipation.
Love will save us,
Love will save us,
They say love will save us all -
So, what you waiting for?
A nomad both geographically and musically, Ross writes from the heart eschewing any specific genre and the twelve new songs on The Water Of Leith, addressing themes of love, loss, travel, home, accepting the past and embracing the future, are painted with colours of folk, jazz, soul and pop; an eclecticism that has become a hallmark of Blue Rose Code and has seen him compared to John Martyn, Van Morrison and Tom Waits.
In the space of a few short years and the release of well-received albums North Ten, The Ballads Of Peckham Rye, and And Lo The Bird Is On The Wing, Blue Rose Code has built a growing reputation as a powerful writer and performer, gaining extensive radio play and the praise of key broadcasters. Author Ian Rankin is also a fan and has written insightful sleeve notes for the new album. Website here, Facebook here, live dates on Beehive candy's tour news page.
Although the album is not due until October, Blue Rose Code have given us a head start with the fabulous 'Love Is...' featuring Julie Fowlis whose harmonies add character to the song. Musicianship is absolutely delightful, and as a whole this two and a half minute track is a massive teaser for the album.
--------------------------------------------------------------------------------------------------------------------------
Sam Vance-Law - Prettyboy.
Background - ‘Prettyboy’ is the debut single from Sam Vance-Law, available today on Caroline International. Produced by Konstantin Gropper (aka Get Well Soon), ‘Prettyboy’ is at its core a guitar-driven indie-up-tempo-stomper, though it changes its musical colouring multiple times, effortlessly moving from a string and piano primed introspection into a multi-voiced orchestral crescendo, before finally flowing into a smooth lightness which calls to mind The Smiths and their floating elegance.
‘Prettyboy’ is the first single to be taken from Vance-Law’s debut album ‘Homotopia’ – due In early 2018 - which tells the story of a gay man’s world in the 21st century. Smart, theoretically schooled, and armed with a wide range of feelings, Vance-Law describes the common homo-stereotypes in order to expose them.
Sam Vance-Law’s music could comfortably sit alongside the likes of John Grant, The Magnetic Fields and Father John Misty, it’s also unafraid of nodding to – among other forms – theatre, operetta and orchestral pop. Given Vance-Law’s upbringing, perhaps that’s unsurprising.
Born in Edmonton, Canada to an academic mother and journalist father, Vance-Law moved to Oxford at the age of five, where he soon joined the renowned New College Choir, juggling five services a week with violin lessons. After three unhappy years at one of the UK’s most distinguished boarding schools the family returned to Canada when he was 16. It was here that, especially once he’d begun studying English Literature at university, Vance-Law began to broaden his musical horizons, meeting the likes of Mac DeMarco, Sean Nicholas Savage and Tops’ David Carrier.
“I spent a lot of time with them and others, playing pool, biking around, working a bunch of different jobs, drinking coffees, drunkenly eating pizza at 3am and going to uni,” says Vance-Law. “That might sound laidback, but I was wholly dedicated and focussed on every one of those things.” Facebook here.
The music video for 'Prettyboy' is a joy, however the song on it's own, is exceptionally catchy and vibrant. With the debut album not due until early 2018, perhaps we can look forward to some more single material prior to the release, if not, I reckon the album will be worth the wait.
--------------------------------------------------------------------------------------------------------------------------
Elijah James And The Nightmares - On A Stage (Live From Elevator Studios).
Background - Elijah James And The Nightmares are an eight piece band that burst onto the Liverpool music scene in May 2017, stepping onstage for the first time together in front of a 250 capacity crowd to headline the popular venue, District. In short few months then the band have already created a buzz in the city, played Sound City Festival and in June went in the studio to record a live EP.
Live From Elevator Studios is the band's debut EP and includes four songs from their live setlist. It was recorded with Tom Roach in Elevator Studios (The Coral, Echo And The Bunnymen and The Last Shadow Puppets). The EP showcases the band as they play together, capturing the raw energy, intensity and excitement of their live sound. With the accompaniment of Violin (Emily Claire), Tenor Horn (Rachel Notrahw), Clarinet and Saxophone (James Cudworth) the EP ranges from climactic builds to luscious sweeps, this atop of Elijah’s intricately crafted songs creates a dynamic four track EP.
"In terms of writing these songs, I’ve been taking on more of a storytelling role, creating characters and worlds in which the songs explore opposed to being totally autobiographical. I think the songs we chose to perform for this EP achieves a good balance between the two.’’- Elijah James
Elijah James And The Nightmares are hosting a launch for Live From Elevator Studios EP at Studio2 Parr Street in the bands hometown of Liverpool on Friday September 8th, with support from popular and highly anticipated ‘Horrible Pop’ four piece Shy Billy and alt/rock band The Mono LPs. Website here, Facebook here.
If you like this first taste of the EP, then I can confirm that another song/video is due out this coming Friday. 'On A Stage' is a fabulous song, where the band are full of passion and provide a high quality backdrop for some distinct and commanding vocals.
--------------------------------------------------------------------------------------------------------------------------
Background - Blue Rose Code, aka acclaimed singer-songwriter Ross Wilson, unveils the first cut from his forthcoming new album, The Water Of Leith (out 27th October on Navigator Records). ‘Love Is…’ - a duet with the multi-award winning folk singer and multi-instrumentalist, Julie Fowlis, talks of ideals and anticipation.
Love will save us,
Love will save us,
They say love will save us all -
So, what you waiting for?
A nomad both geographically and musically, Ross writes from the heart eschewing any specific genre and the twelve new songs on The Water Of Leith, addressing themes of love, loss, travel, home, accepting the past and embracing the future, are painted with colours of folk, jazz, soul and pop; an eclecticism that has become a hallmark of Blue Rose Code and has seen him compared to John Martyn, Van Morrison and Tom Waits.
In the space of a few short years and the release of well-received albums North Ten, The Ballads Of Peckham Rye, and And Lo The Bird Is On The Wing, Blue Rose Code has built a growing reputation as a powerful writer and performer, gaining extensive radio play and the praise of key broadcasters. Author Ian Rankin is also a fan and has written insightful sleeve notes for the new album. Website here, Facebook here, live dates on Beehive candy's tour news page.
Although the album is not due until October, Blue Rose Code have given us a head start with the fabulous 'Love Is...' featuring Julie Fowlis whose harmonies add character to the song. Musicianship is absolutely delightful, and as a whole this two and a half minute track is a massive teaser for the album.
--------------------------------------------------------------------------------------------------------------------------
Sam Vance-Law - Prettyboy.
Background - ‘Prettyboy’ is the debut single from Sam Vance-Law, available today on Caroline International. Produced by Konstantin Gropper (aka Get Well Soon), ‘Prettyboy’ is at its core a guitar-driven indie-up-tempo-stomper, though it changes its musical colouring multiple times, effortlessly moving from a string and piano primed introspection into a multi-voiced orchestral crescendo, before finally flowing into a smooth lightness which calls to mind The Smiths and their floating elegance.
‘Prettyboy’ is the first single to be taken from Vance-Law’s debut album ‘Homotopia’ – due In early 2018 - which tells the story of a gay man’s world in the 21st century. Smart, theoretically schooled, and armed with a wide range of feelings, Vance-Law describes the common homo-stereotypes in order to expose them.
Sam Vance-Law’s music could comfortably sit alongside the likes of John Grant, The Magnetic Fields and Father John Misty, it’s also unafraid of nodding to – among other forms – theatre, operetta and orchestral pop. Given Vance-Law’s upbringing, perhaps that’s unsurprising.
Born in Edmonton, Canada to an academic mother and journalist father, Vance-Law moved to Oxford at the age of five, where he soon joined the renowned New College Choir, juggling five services a week with violin lessons. After three unhappy years at one of the UK’s most distinguished boarding schools the family returned to Canada when he was 16. It was here that, especially once he’d begun studying English Literature at university, Vance-Law began to broaden his musical horizons, meeting the likes of Mac DeMarco, Sean Nicholas Savage and Tops’ David Carrier.
“I spent a lot of time with them and others, playing pool, biking around, working a bunch of different jobs, drinking coffees, drunkenly eating pizza at 3am and going to uni,” says Vance-Law. “That might sound laidback, but I was wholly dedicated and focussed on every one of those things.” Facebook here.
The music video for 'Prettyboy' is a joy, however the song on it's own, is exceptionally catchy and vibrant. With the debut album not due until early 2018, perhaps we can look forward to some more single material prior to the release, if not, I reckon the album will be worth the wait.
--------------------------------------------------------------------------------------------------------------------------
Elijah James And The Nightmares - On A Stage (Live From Elevator Studios).
Background - Elijah James And The Nightmares are an eight piece band that burst onto the Liverpool music scene in May 2017, stepping onstage for the first time together in front of a 250 capacity crowd to headline the popular venue, District. In short few months then the band have already created a buzz in the city, played Sound City Festival and in June went in the studio to record a live EP.
Live From Elevator Studios is the band's debut EP and includes four songs from their live setlist. It was recorded with Tom Roach in Elevator Studios (The Coral, Echo And The Bunnymen and The Last Shadow Puppets). The EP showcases the band as they play together, capturing the raw energy, intensity and excitement of their live sound. With the accompaniment of Violin (Emily Claire), Tenor Horn (Rachel Notrahw), Clarinet and Saxophone (James Cudworth) the EP ranges from climactic builds to luscious sweeps, this atop of Elijah’s intricately crafted songs creates a dynamic four track EP.
"In terms of writing these songs, I’ve been taking on more of a storytelling role, creating characters and worlds in which the songs explore opposed to being totally autobiographical. I think the songs we chose to perform for this EP achieves a good balance between the two.’’- Elijah James
Elijah James And The Nightmares are hosting a launch for Live From Elevator Studios EP at Studio2 Parr Street in the bands hometown of Liverpool on Friday September 8th, with support from popular and highly anticipated ‘Horrible Pop’ four piece Shy Billy and alt/rock band The Mono LPs. Website here, Facebook here.
If you like this first taste of the EP, then I can confirm that another song/video is due out this coming Friday. 'On A Stage' is a fabulous song, where the band are full of passion and provide a high quality backdrop for some distinct and commanding vocals.
--------------------------------------------------------------------------------------------------------------------------
Subscribe to:
Posts (Atom)
Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...