Showing posts with label Curtsy. Show all posts
Showing posts with label Curtsy. Show all posts

Haiku Garden - Curtsy

Haiku Garden - Catch My Breath.

Hailing from Ljubliana, Slovenia's flagbearers of muddy guitar noise and dreamy vocals Haiku Garden proudly present their highly anticipated debut full-length effort. They play noisy, guitar-driven music, interlaced with poppy vocal harmonies. Shoegaze, dreampop, neo-psych and noise rock are all thrown into the equation.

Since their debut EP Waver in 2016, with single “Rosetta” winning Song of the Day honors on KEXP, the band has run a long way: they already toured Poland, Czech Republic, Slovakia, Hungary, Serbia, Croatia, Lithuania and Austria, playing festivals all over Europe and opening for the likes of The Jesus & Mary Chain and SUUNS in 2017.

Where If Not Now sounds very much like a cinematic experience, marking the sound of a fully fleshed-out band exploring, disintegrating and advancing their shoegaze foundation with abrasive, experimental, and even melodic approaches, imbuing their sound with a distinctive sonic signature.

Nine songs, filled with yearning, a sense of abandon and longing for things new, unexplored and unknown, unfold like a rainbow of endless colours and feelings, inviting you to escape. Where If Not Now does sound like a film, a film for dreamers with a runtime that always seems too short. During performances, the band is draped in visuals (courtesy of 5th member Kristina), which makes the experience even more mind altering. BANDCAMP.


'Catch My Breath' is the first of nine tracks on Haiku Garden's brand new debut album, showing off the more powerful Shoegaze side of their music. The band are not cornered into any one specific style, the album mixes lighter, melodic songs (coupled with some fine musicianship) alongside some creative explorations where psych, dream pop and good old rockers compete for attention. As debut albums go, there are plenty of hooks and variety and a sense that this band doesn't care to play safe, rather there is a leaning towards experimentation that is both refreshing and highly listenable.


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Curtsy - Vista Del Mar.

Curtsy is an indie-rock five piece consisting of Austin Knecht, Crystal Napoles, Kai Dodson, Tamara Simons, and Jonathan Palmquist. Curtsy was formed when Austin Knecht (vocals, guitar) auditioned as a lap steel player for a country-folk band fronted by Crystal Napoles (vocals, keys). After bonding over their mutual love of 80s pop and 90s shoegaze, the pair began writing together. Jonathan Palmquist (drums), Kai Dodson (bass), and Tamara Simons (guitar) joined the pair along the way, forming a completive, rich rhythm section. Their sound incorporates lush indie pop with dreamy guitars over driving rhythms and haunting boy/girl harmonies wrapped around perfect pop hooks—a sound that creates something both familiar and unique.

“Vista Del Mar” is about a talented musician that had the tendency to act out of control, black out, be overcome with madness, and wander into house parties that they weren’t invited to. One night, they lit their mother’s bed on fire while being in a blacked out state of mind. They ended up in Aurora Vista Del Mar Hospital, a mental institution that burned down in the Ventura fire last year.

Three years ago, indie-rock quintet Curtsy identified with the luscious soundscapes and pleasant harmonies of love-sick dreampop. Although elements of dreampop and shoegaze still season the backbone of their sound, personal and historic undoings have given Curtsy something to say, and savory sonics are no longer enough. Tell Me How This Ends brandishes relentless drumbeats, propulsive bass lines, and distinctive guitar layers behind cascading lyrics typified by self-destruction, apprehension, cognitive dissonance, and an ever-present lack of control. 


Within song-structures and harmonious melodies that pay homage to Curtsy’s dreampop roots, the seamless unification of Tell Me How This Ends’ instrumentation and biting vocals creates a sound that is both nostalgic and innovative. Tell Me How This Ends is the devastation of unmitigated reality wrapped in a shining bow. It's five people who are in love with music but fed up with its euphemisms. What does angry dreampop sound like? It sounds like this. TWITTER.

The tenth and final track on the bands 'Tell Me How This Ends' album is 'Vista Del Mar'. If this is angry dream pop then it's not short on catchy and very likable songs. In actual fact the band produce a mixture of styles with alt & indie rock overtones never far away. There is an overall polished and tight sound, plenty of natural feeling, and that vital element of emotion that ensures the material registers personally.

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Curtsy - Benjamin Folke Thomas - O Future

Curtsy - A Better Pet.

Background - “A Better Pet” combines unforgiving rhythmic momentum with captivating melodies to evoke the self-destructive apprehension that too often plagues the insecure romantic. It's about an individual who picks fights in their first relationship because they're more comfortable with chaos than coming to terms with the idea of needing someone.

The video concept revolves around freedom from insecurity--allowing yourself to enjoy life with the people you love in a no-rules territory. We want to enjoy life and have fun with no strings attached. Sharing these kinds of moments with the people we love is the greatest feeling in the world. These are nights where we feel free and have more fun than we've had in a long time.

Curtsy is an indie-rock five piece consisting of Austin Knecht, Crystal Napoles, Kai Dodson, Tamara Simons, and Jonathan Palmquist. Curtsy was formed when Austin Knecht (vocals, guitar) auditioned as a lap steel player for a country-folk band fronted by Crystal Napoles (vocals, keys). After bonding over their mutual love of 80s pop and 90s shoegaze, the pair began writing together.

Jonathan Palmquist (drums), Kai Dodson (bass), and Tamara Simons (guitar) joined the pair along the way, forming a completive, rich rhythm section. Their sound incorporates lush indie pop with dreamy guitars over driving rhythms and haunting boy/girl harmonies wrapped around perfect pop hooks—a sound that creates something both familiar and unique. TWITTER.

The video adds a story line to 'A Better Pet', that said, this gorgeously flowing indie rocker stands on it's own. With plenty of hooks and a clear, polished and notable overall sound, accompanied by natural rock and roll feeling, the band stand out in this highly populated musical genre.


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Benjamin Folke Thomas - Tasteless and Complacent.

Background - Scandinavian-born Benjamin Folke Thomas announced new album Modern Man to be released on November 9th, a follow up to 2017s Copenhagen (8/10 Uncut), including new single Tasteless and Complacent.

The ten songs on Modern Man draw from Folk, Country and the blues, to reveal the inner thoughts of a songwriter torn between supreme self-confidence and fear of the future.

Folke Thomas was born in the coldest winter recorded in modern day history in Gothenburg; perhaps his obsession for sad, lamenting country songs was inevitable; and grew up on a secluded island off the coast of Sweden, populated by mainly evangelical Christians. However, 


Ben never found God. He discovered grunge music instead, and at the age of 11 he was playing drums in a punk band before turning to Folk and Americana music after seeing Kurt Cobain’s performance of ‘In The Pines’ on Unplugged. Steeping himself in Leadbelly, Dylan, and Leonard Cohen, by the age of 20 he was an accomplished finger-picker, confident performer, and mature songwriter. BANDCAMP.

'Tasteless and Complacent' is rich with character and quality. Benjamin's vocals are distinct and very likable, the song has an uptempo modern folk feel, the video adds some humour and angst, the new album is a tantalising prospect.


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 O Future - Stay.

Background - O Future consists of Katherine Mills Rymer from South Africa and Jens Bjornkjaer originally from Denmark both now living in Los Angeles.

They have previously released two albums under their previous name OOFJ which have been featured in hundreds of international media including The New York Times, The Guardian (Band of the week), and many many others. Their song Smell You is taken from their upcoming album titled Voyeur produced by themselves, mixed by David Tolomei (Future Islands, Dirty Projectors) and features the drummer from Trentemoller, the drummer from Chet Faker and the Royal Danish Orchestra. It is a mix of electronics, voice and symphony orchestra and is generally an attempt of mixing different genres, to produce something that has never been done before.

“I have a very intimate relationship with time. Im preoccupied with avoiding it. If I opened my eyes to the reality of it, or dealt with it like a normal person I think my heart would break.  Time is terrible. That is why i can’t stop going near it.” - Katherine Mills

Jens: I love the Nothing Compares to You video that Sinead did. Obviously, most people do. It’s so emotional. Which is hard for a music video. And its odd. Both things we are into.

Katherine: Nuns. Medieval anchorite nuns with that intense ascetic sensibility. Religious hermits basically, these nuns would be built into walls. Live in little towers added to bridges. The whole religious medieval devotion is pretty fascinating, also a bit sexy to me. This communion with their spirituality, sexuality and all the jumble and insanity of it is astounding. We love religious choir music from the middle ages as well. The ascendant horror and terror of it is very beautiful. And as always I am into repetition  as thats how my mind works, unfortunately. FACEBOOK.


O Future have a fairly unique sound here, the juxtaposition between the beats and vocals is splendid and the imagination and creativity oozes in all directions on 'Stay'. The video gives some additional artistry and collectively this is very hard to ignore and much easier to be swept away by. 


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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...