Crawford Mack - Oracle Sisters - Owen Meany’s Batting Stance

Crawford Mack has shared a new video for 'Turning' a song that's taken from his recent album '‘Bread & Circuses'. We had the pleasure of featuring three other tracks from this exceptional album and 'Turning' is another example from this talented and highly engaging contemporary artist. ===== Oracle Sisters have shared 'The Dandelion' along with a video for the song. The Parisian trio have something of a timeless feel musically and have developed some atmospheric, melodic and dreamy music with this gorgeous piece. ===== Owen Meany’s Batting Stance was featured a couple of months or so back and his new video for 'Krakow' is a beautiful accompaniment for this moving and sublime song.

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Crawford Mack - Turning.

Glaswegian songwriter Crawford Mack performs with a sense of purpose and ardour in new video ‘Turning’. An ode to the legacy that people leave through their art, the new track is taken from his recently released debut album ‘Bread & Circuses’.

‘Turning’ exhibits Crawford’s diverse pallet, taking influence from his original jazz background, through to rock and classical, which he holds together with his singer-songwriter soul. Crawford comments “I wrote the track initially about being reminded of a former partner every time I hear certain music, so I flipped the roles and wondered aloud whether it was the same for her.

This track is part of my debut album 'Bread & Circuses'. It was initially inspired from messing around in Nick Drake's CGCFCE guitar tuning and trying to fit in a cello and clarinet line I'd picked up from Mozart Requiem. The guest Clarinet and Bass Clarinet feature is from Gustavo Clayton-Marucci.”

Directed and Animated by Alex Uragallo, the new abstract visual opens with a record spinning, which flourishes into everyday objects; a cleverly crafted metaphor capturing the idea that music evokes nostalgic memories. During the instrumentals of the track, colourful textured motifs created by Giulia Carisi encapsulates psychedelic-like sensations.

Of his new video, Crawford says “I got in touch with Alex Uragallo who is an animator I know from my time at college to ask whether he was interested in making a video that could use everyday objects to explore a theme of being reminded of someone every day when a song plays. Alex suggested collaborating with visual artist Giulia Carisi, to create colourful visual motifs that could be attached to the different instrumental lines, the motifs are inspired by her synesthesia when she hears the track.”

Recorded in Antwerp, the Crawford’s debut full-length ‘Bread and Circuses’ consists of ten tracks in which in his words “hopes will illustrate the conviction of an individual confronting their internal struggles, wrestling them to the ground but all the while waving a white flag of surrender.”

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Oracle Sisters - The Dandelion.

Parisian trio Oracle Sisters have shared ‘The Dandelion’, their new single and first taste of upcoming EP ‘Paris II’. The accompanying video, directed by Celia Marie and lead guitarist Lewis Lazar, is shot on double 8mm and takes the viewer through the personification of Paris. With the band as your beatnik tour guides, the video explores the gothic moods and noire spirit of the city.

Over the past twelve months, Oracle Sisters have built up a loyal and global following, blurring the lines between music and visual arts. Support for their music has come from NME, The Line Of Best Fit, W Magazine, Vanity Fair, Beats1, COLORS, BBC 6 Music, and more. This culminated in the critically acclaimed release of Paris I, mid-way through 2020.

Now, Oracle Sisters turn their attention to its sequel, their next EP ‘Paris II’ (due for release Spring 2021) with ‘The Dandelion’ the first taste of this new music. The track continues Oracle Sisters’ journey as musical auteurs that combine elements of rock, psychedelia, soul & disco into a sound that is truly their own. Speaking on the track, the band say, “the song is inspired by Chet Baker’s singing with a sort of disco back beat behind it”. Oracle Sisters’ influences are broad but also unconventional, and it’s this ability to dip into every musical style that sets them apart from their contemporaries.

With members hailing from across Europe, the band are uninhibited in their influences, finding inspiration within the art, cinema, philosophy, and music of the world over; resulting in a sound that is both sonically sophisticated and warmly familiar. Lyrically, they explore timeless narratives of love, mysticism and spirituality, scattered with intriguing insights into their own personal lives and experiences resulting in songs that are cryptic yet paradoxically familiar.

Oracle Sisters have been working hard in Greece currently finishing off their debut album. Along the road, they’ve also played impromptu shows on the island of Hydra with friends from The Murder Capital & Fontaines D.C – capturing the troubadour spirit of the band.

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Owen Meany’s Batting Stance - Krakow.

Operating under the moniker Owen Meany’s Batting Stance, Canadian singer-songwriter Daniel Walker is still exploring the expanses of human emotion following the release of his debut LP, Feather Weights.

For Daniel, creating Feather Weights was a pursuit of catharsis – trying to understand his personal experiences. After delivering his self-titled EP and doing rounds of the live circuit, he collated eight thoughtful, singularly voiced stories, all recorded above a fishmonger’s shop in the Halifax Regional Municipality.

The latest addition to the Feather Weights narrative is a visual aid for the emotionally charged number, Krakow. The track itself is a reflection of loneliness and absence accompanied with lulling guitar and soft vocals. Written during the final days of an overseas tour in Europe, Daniel contemplates spending Thanksgiving alone, being surrounded by unfamiliar faces and missing important life events all whilst fulfilling his life’s passion.

Directed by Nicole Cecile Holland, the video manifests this separation, following a solitary Daniel traipsing desolate, icy wilderness, whilst constantly being haunted by memories of the people he loves despite his attempts to rid himself of them.

No stranger to telling stories, he explains the inspiration for Krakow: “It was Canadian thanksgiving but, as the lone Canadian in the hostel, was spent navigating language barriers rather than family chatter over the dinner table... During the course of the tour, I also missed out on major life events friends and family celebrated. The crux of the song is how pursuing what you love can take you from who you love.”

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Peach Kelli Pop - Crawford Mack - Plants and Animals

Peach Kelli Pop returns just a month after sharing 'Cut Me Off' with her latest single 'Stupid Girl' and it's another bright and breezy two minutes+ blast of vibrant natural pop. === Crawford Mack has impressed us already this year with a couple of magnificent songs and his brand new release 'A Love I Can't Live Up To' is another exquisite and beautiful piece. === Plants and Animals share 'Love that Boy' ahead of 'The Jungle', their fifth studio album set to be released on October 23rd. The new single is highly original laid back indie rocker that gently ebbs and flows.

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Peach Kelli Pop - Stupid Girl.

Peach Kelli Pop is a musical project conceived of by songwriter Allie Hanlon. "Stupid Girl" is two minutes of pure guitar pop brilliance, but a self deprecating theme runs through the upbeat song.

"As a non-linear thinker and someone that always felt uncomfortable in school, I grew up thinking I was stupid. This is still ingrained in me to some extent." Hanlon says of the new single.

In 2009, in her hometown of Ottawa, Canada, Hanlon taught herself to play guitar and bass, arrange songs and record them. The band is now based in Southern California, after Hanlon relocated in 2013. 

Peach Kelli Pop has toured extensively both domestically and internationally, making frequent trips to Japan. With four full-length releases and a handful of singles under her belt, Peach Kelli Pop is back with her Lucky Star EP on October 7th via Lauren Records. The EP features 4 brand new songs, including a cover of "Sing And Pretty" by Tokyo's The Pat Pats.

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Crawford Mack - A Love I Can't Live Up To.

Intimately involved in all aspects of his art; Glaswegian composer Crawford Mack is not just a musician and lyricist, but a video and art director; the whole focused on the perfect expression of his musical vision.

Crossing genres from his original jazz background, through to rock, electronic, and classical music; Crawford has concocted a sound that he hopes will illustrate the conviction of an individual confronting their internal struggles, wrestling them to the ground but all the while waving a white flag of surrender.

Following on from his beguiling track ‘Depends On Where You Stand’ and the dark, vulnerable, yet defiant ‘Firing Squad’, Crawford returns with his confessional new single ‘A Love I Can’t Live Up To’; the third track to be taken from the artists forthcoming debut album ‘Bread and Circuses’.

New offering ‘A Love I Can’t Live Up To’ is a ‘how-not-to’ guide to happiness, featuring realisations that came too late. With a knack for merging a razor-sharp hook with a harmonious foray of orchestral strings, this genre-bending offering see’s Crawford deliver one of his most impactful releases yet.

Discussing the inspiration behind the track, the artist tells us: "I was set a challenge by Sir Ray Davies to write a song where the bridge would hold the main meaning of the song, and to use musical materials I hadn't found a place for yet. The song draws on different moments in my life… it started out as a reflection of carrying feelings of inadequacy from some early relationships, and eventually evolved into a reflection of how they affected my actions getting older."

Crawford Mack · A Love I Can't Live Up To

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Plants and Animals - Love that Boy.

Plants and Animals are releasing a brand new single and video for “Love That Boy,” an intimate song created out of childhood memories and reflection about the constant evolution of family. The Jungle, their fifth studio album, is set to be released on October 23rd via Secret City Records.

Warren shares the inspiration behind the song: “It’s a song about my family, present and past, but it feels more like a meditation. I was upset, frustrated and feeling like no one knew me—the kid me, the me I still feel I am. And then writing the song chilled me out and put me right. It was a way to connect with my dead parents and with my new life as a dad, and to give everyone a proper hug.”

The music video, directed by Yann-Manuel Hernandez, was also inspired by Warren’s early life memories. The singer-songwriter continues: “I have a strong memory of being a kid in the backseat of my parent's car driving down the road at night in Halifax. 

The moon was bright and I watched it as it danced, interrupted by trees, like a strobe light or a stop-motion film. It followed us as we drove and I couldn’t figure out how it was doing that. Nothing else I could see out the window kept up. Why is the moon not moving? I hadn’t thought of that for a very long time, but somehow the song brought me back to that place.”

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Natalie Schlabs - Sonny Winnebago - Crawford Mack - Maxwell Stern

Natalie Schlabs returns here for a third time this summer with 'Don't Look To Close' and it's another reminder that her forthcoming album is a gorgeous collection of imaginative tracks. === Sonny Winnebago shares the beautifully upbeat modern pop song 'Lemonade' where feel good vibes roam free. === Crawford Mack impressed us back in July with 'Depends On Where You Stand' and his brand new release 'Firing Squad' continues the trend from this refined singer songwriter. === Maxwell Stern has released 'Pull The Stars Down' a catchy and smooth flowing song with a country rock feel, ahead of his debut album 'Impossible Sum' due next Friday.

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 Natalie Schlabs -  Don't Look To Close.

Nashville-based singer/songwriter Natalie Schlabs writes songs that explore the complicated emotions and perspective-shifting moments that make up family relationships. Her music often blends sublime vocal harmonies with lyrics about the secret desires and difficulties of living life among loved ones. Her first full-length album Midnight With No Stars was celebrated for its willingness to explore the personal. New Slang praised the album for revealing “a rugged truthfulness we often save for conversations with ourselves.” There’s a richness and clarity to Schlabs’ voice reminiscent of artists like Norah Jones and Jill Andrews, making her a popular choice for harmonizing background vocals. She frequently collaborates with other musicians on tour and in the studio. 

 Her stunning duet with Irish-born artist Ben Glover “Fall Apart” features vocals that “ring and resound like a fork tapping crystal” (hyperlink) and was Song of the Week on The Bluegrass Situation in 2016. Schlabs’ introduction to Nashville music came through collaboration, singing background vocals for fellow Texan Ryan Culwell and performing with Katie Herzig at Paste Studio NYC in 2018. “I think there’s something cool about the act of stepping into someone else’s sound and blending with it. It’s a challenge, and a kind of freedom, too.” Like many other Nashville musicians, the West Texas native grew up singing in church, but unlike others the majority of her early musical experiences took place at home with family. Her three brothers were musicians— one a pianist, one a guitarist and drummer, and one guitarist and songwriter— her mom sang, and her grandfather, a guitarist and vocalist who performed classics, often invited the family to sing with him. “It was very normal for all of us to be together in a room, playing instruments and singing together. My love for music comes from my family, and my love for family is often the substance of my songwriting.”

Breaking a bit from her country roots, Schlabs’ new album Don’t Look Too Close (set for release October 16, 2020)steps into indie territory with a compelling mix of instrumentation laced with solo vocals that bloom into easy, delicate harmonies. Co-produced by Juan Solorzano and Zachary Dyke, with Caleb Hickman on saxophone and her husband Joshua Rogerson bass,the albumswells and ebbs with elegant, absorbing shapes. The songs are moody, candid, and tender, each featuring Schlabs’ characteristically sleek vocals front-and-center, backed by charming instrumental moments that add form and depth to the melodies. “Juan’s got a great ear. He created really original textures with layered guitar. That’s a big part of the sound of the record.” Recorded the year of her 30th birthday and largely written while pregnant with her first child, the album naturally focuses on tensions between past and present. “I was thinking about how to raise a child, how to pass down values. There’s a dismantling of what I thought I knew. What do I value in my life and where did those things come from? What do I want to share with my children and what do I want to spare them from?”

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Sonny Winnebago - Lemonade.

Drawing inspiration from 1970s influences including Harry Nilsson and Cat Stevens, Sonny Winnebago is the stage name of Welsh-Australian pop troubadour Harvey Jones.

With a slice of his childhood spent making Lemonade in Perth, the musician eventually relocated to Wales; swapping lemons for guitars. Occupying his free time by perfecting his craft, Winnebago has moulded a sound that is bright, avant-garde pop; even when exploring the sombre themes in life.

Layered with a warm-hued melody and Winnebago’s soft vocals, his new infectious offering Lemonade is a perfectly crafted uplifting anthem for the warm summer days. Discussing the inspiration behind the track, he says: “I was walking to my job as a barista one sunny day, and saw some little go-getters selling lemonade outside their house. I thought that was really cool and reminded me of when I used to make lemonade from a lemon tree we had in the back garden.”

Having teamed up with producer Charlie Francis, and session musicians Davey Newington (Boy Azooga) and Matt Evans (KEYS), the feel-good bop sparks the nostalgic sound and recollections of being back in a classroom.

The artist tells us: “Everyone's got good memories of picking up a recorder or triangle in school, so we used lots of instruments. Davey brought along some shakers, there’s also a ukulele, woodblock, kazoos & a kalimba. My school instrument was the flute, so we put that in too.”

Sonny Winnebago · Lemonade---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

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Crawford Mack - Firing Squad.

Intimately involved in all aspects of his art; Glaswegian singer-songwriter Crawford Mack is not just a composer and lyricist, but a video and art director, the whole focused on the perfect expression of his musical vision. The jazz trained singer, guitarist and lyricist has concocted a musical sound that, in his words, found ‘the sweet spot between Led Zeppelin and Joni Mitchell’.

We see a change in the singer, as he swaps orchestral melodies for downtempo acoustic stings in his second offering ‘Firing Squad’. Building a sharp momentum using melodious gentle guitar riffs and a rhythmic drumbeat, ‘Firing Squad’ explores the power of a guilt-ridden conscience that one might feel due to their own behaviour; specifically targeting the action of mistreating others.

Accompanied by a short film conceptualised by the songwriter, the new music video directed by Liam Hendrix Heath, borrows heavily from space oddity era Bowie and Stanley Kubrick; following an astronaut’s journey through suburbia and his past in a jarring, mirroring the claustrophobia and hidden menace of the track.

The lyrics draw on the use of power to oppress the powerless and were inspired by a reference in a William Mcllvanney book to the blindfold used in firing squads being to spare the shooters seeing the condemned eyes. The teacher in the film embodying a particular personal memory for Crawford.

Discussing the new music video, Crawford tells us: “I didn't want to go for something obvious with a literal 'Firing Squad' and soldiers because I think I've seen plenty of that in music videos before. Liam and I spent a long time over lockdown talking through what the song was about for me, until one day out of the blue, he came up with the idea of the astronaut walking past tableaus that are flashbacks of his life. The idea grew from there until we started to create our antagonist teacher character for the final face-off.”

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Maxwell Stern - Pull The Stars Down.

Maxwell Stern Unveils New Single From Upcoming "Impossible Sum" LP on Lauren Records who will release Maxwell Stern's debut solo album, Impossible Sum, on September 25th.

"Brave the trains and meet me across town. We’ll go out spinning stories, trying to pull the stars down." sings Stern in this song that is the product of a lot of drunken reminiscing with old friends in new places.

"I think it's really easy to romanticize the past which can be kind of an unhealthy thing to do, to just kind of live in nostalgia-world and think that things aren't ever going to be as good as they were. I think it's ultimately about developing a healthy relationship with your memories but not letting them rule you." Stern says of the track, adding "Remembering that appreciation for the past and hope for the future aren't mutually exclusive and in fact, sometimes they can reinforce each other."

Impossible Sum may be Max’s first solo record, but it certainly isn’t a solo effort. In addition to Laura Stevenson, a stacked personnel of other longtime friends and collaborators helped Max bring these songs to life, including Adam Beck (Sincere Engineer, Into It. Over It.), Matt Arbogast (The Gunshy), Jon Hernandez (Timeshares) and Kyle Pulley (who produced, engineered, and mixed the album).

For Maxwell Stern, Impossible Sum—his first proper solo record after being in bands like Signals Midwest, Meridian, Timeshares—is an honest-to-God effort to wrangle heartfelt and sometimes confusing feelings of adjustment, displacement, and settling into song. These songs have the kind of heart-on-the-sleeve vulnerability that fans of his other bands have come to admire, but presented in a completely unfiltered fashion, existing exactly as they need to be.

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Jess Locke - Sandtimer - Certain Animals - Eleni Drake - Crawford Mack - Godcaster

Jess Locke has shared 'Fool' and it's a hook filled indie pop song with some grittier rock attitude alongside. === Sandtimer return just a month after we featured 'Different Seas' with another new track entitled 'Three Cars' a stunning indie folk piece. === Certain Animals make their seventh appearance here in less than a year such is the calibre of the music and the newest alt rock song 'Too Long' keeps the momentum going. === Eleni Drake has released 'Melbourne Blues' ahead of her E.P ‘Vanilla Sky’ and it's a beautiful example of what to expect. === Crawford Mack shares 'Depends On Where You Stand' which is a striking singer songwriter track with refined vocals and a fabulous musical arrangement. === Godcaster cut to the chase with 'All the Feral Girls In The Universe' a feisty track and if the video and title doesn't grab your attention the song is just as amazing.
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Jess Locke - Fool.

Melbourne artist Jess Locke is known for penning indie pop tracks that are at times subtle and full of melancholy, at times delivered with an acerbic tongue, but always steeped heavily in narrative. As premiered by triple j's Home & Hosed, new offering in ‘Fool’ is simple and raw, seeking to partner dirty grunge guitars, a fuzzy lead, gritty vocals and a punchy rhythm section. With the new track comes the announcement that Locke has inked a deal with cherished Melbourne label Dot Dash, of which artists such as Gena Rose Bruce, Methyl Ethel and Donny Benét call home.

Revealed by The Music, Jess Locke shares "I'm so excited to be signing with Dot Dash. I'm a big fan of the artists on the label and I couldn't be happier about becoming part of the family.'"

Dot Dash Recordings & Remote Control Records' Head of Label & Promotions, Sweetie Zamora adds "It’s an absolute joy to officially welcome Jess to the Dot Dash Recordings family. She’s been part of the extended Remote Control family since 2017 and we’ve long admired her dedication to songwriting, art and gluten-free vegan baked goods. The forthcoming music from Jess, Chris and Jim floored us and we’re immensely proud that they’ve trusted us to share it with the world."

“Is this the best you can do? You look like a fool” by Locke’s own admission this is as acid as her tongue gets. Delivered with irony, ‘Fool’, gives voice to real feelings of disappointment in people and in the way they treat each other, the way some set about to divide and exploit when threatened.

Of the track Locke asserts: “I originally imagined the chorus being sung by the Earth, or some other omniscient entity, to humans, like a loving parent to a wayward teenager - not angry, just disappointed. Although I wrote the song more than a year ago, I feel like it could have been written as a soundtrack to 2020”.

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Sandtimer - Three Cars.

‘Did he sell his soul so he could buy it back somewhere down the track?’

Three Cars is the next single from indie-folk group Sandtimer. Featuring on their upcoming album, Running In Sunlight, it is a stripped back reflection on materialism and the illusions it can create. With warm three part harmonies, intricately woven guitars and an ambient brass accompaniment, this song draws on classic and contemporary folk elements.

Regarding Three Cars, vocalist and guitarist Rob Sword said: “Some time ago I saw three sports cars in someone’s drive. They had personalised number plates and were parked in ascending numerical order. Seeing this made me think about what the owner might have sacrificed of their own freedom and happiness to acquire these status symbols.”

The album Running in Sunlight, which will be released this October, sees the band take a loose and immediate approach to the creative process, with the songs being written and recorded over a short timeframe, with sparser instrumentation than their previous music.

“This album isn’t about anthems,” says Simon Thomas, vocalist and guitarist. “It’s our attempt at exploring the raw edges of the climate we live in- the uncomfortable parts as well as the beauty. We wanted to give ourselves space to do this intimately and honestly.”

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Certain Animals - Too Long.

Without warning, new Certain Animals single Too Long takes you along a torrent of scraps of memories. Carried on a Chicago shuffle, the song roars past topics such as politics, religion, alienation and domestic disputes at the speed of a steam train. With abrasive vocal cords and an expanding lung capacity you will be swept away on an inner adventure, with Dylan-esque poetry as a backdrop. When the distorted guitar parts seem to glow like coal in that steam train, it suddenly stops. And whispering and almost vulnerable the band muses about the freedom that life as a musician brings, only to stoke the fire even more to end the journey with three-part vocals!

Dutch band Certain Animals serves you melodic rock filled with vocal harmonies. The members aren't afraid to show which records they've been listening to. Musical titans from the '60s and '70s are spinning on their turntable on a daily basis. The Beatles, The Beach Boys, Neil Young, Crosby, Stills & Nash and Electric Light Orchestra are regular companions in their musical life, but also the fuzzy and phasey sounds of contemporary bands like Tame Impala influence the music of Certain Animals.

Without being stuck in the past and with a critical view on the present, the band brings you their intriguing sound which makes for an energetic live show filled with intimate moments and explosive bursts of energy.

In less then three years, the band managed to build a strong live reputation by playing shows on major Dutch festivals in famous venues all over the country, and they also performed across the border in Belgium and Germany.

TCBYML · Certain Animals - Too Long

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Eleni Drake - Melbourne Blues.

Eleni recently signed to Ninja Tune and is set to make her latest release with her delicately crafted new EP ‘Vanilla Sky’. The first single ‘Melbourne Blues’ is out today 24th July.

Written by Eleni and produced by Frank Colucci (Tom Grennan, Rose Gray, Dan Caplen), 'Melbourne Blues' is the first single from the rising Eleni Drake's upcoming EP (due this Sept).

Coming on like The War on Drugs played by Crazy Horse, with music direction by Yo La Tengo and fronted by Lana Del Rey, 'Melbourne Blues' is a raw and empowered ballad, influenced as much by Laurel Canyon as it is Lauren Hill. Previous support from Spotify UK, US and JP (Soultronic, Fresh Finds, Monday Spin, Cintra.net).

"I never really know whether I want to gravitate more towards melancholy jazz ballads, or stick to that "demo-esque" rock influenced indie music... so i thought, fuck it, why not completely offend both genres”.

Eleni Drake · Melbourne Blues

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Crawford Mack - Depends On Where You Stand.

Crawford Mack is not your average new artist. His fellow Glaswegians would argue that he is not particularly new for starters, given his regular live performances across the city. With his debut solo album set to drop in the fall, the singer-songwriter teases listeners with new offering ‘Depends On Where You Stand.'

Crawford’s music and lyrics are drawn from a voracious appetite for reading as wide a variety of literature - from pulp to classics. Intimately involved in all aspects of his art; Crawford is not just a composer and lyricist, but a video and art director, the whole focused on the perfect expression of his musical vision.

Upcoming single ‘Depends On Where You Stand’ was recorded during sessions for his debut album in Antwerp. An exercise in powerful subtlety, the gracious track weaves a string led melody of guitars and violins around the tale of two former lovers struggling to find a middle ground of communication. It is simple, effective and affecting.

Elaborating on his interpretation of the track, Crawford tells us: “Two former lovers meet together in an art gallery and they’re out of awkward pleasantries to exchange. No amount of hastily formed opinions on the artwork displayed can drown out what they are neglecting to discuss. They play-out a Hollywood-esq sequence of trying not to be caught sneaking a glance, whilst attempting to give each other enough space by dancing around each other at a pace that is as excruciating as it is conspicuous.”

Crawford Mack · Depends On Where You Stand

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Godcaster - All the Feral Girls In The Universe

Rising from the underground river of primordial goo that runs between New York City and Philadelphia and ascending toward some unknown ethereal plane beyond our comprehension, comes to us the revelatory debut of music and mythos from Godcaster, Long Haired Locusts.

The venerated and shining troupe of David McFaul (keys), Von Lee (flute, vox), Lindsay Dobbs (trombone, vox), Bruce Ebersole (bass guitar), Sam Pickard (drums), and Judson Kolk (vox, guitar) transmit a brand of devout, sassy rock and pop that thrashes through stages of blissful, comforting highs and devastating lows, preaching the convergence of the holy and the heretical.

Songs like “All the Feral Girls in the Universe” naturally builds upon an undeniably danceable composition until it reaches, like the album as a whole reaches, a phenomenally euphoric peak.

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