Showing posts with label Clap Your Hands Say Yeah. Show all posts
Showing posts with label Clap Your Hands Say Yeah. Show all posts

Monday Mix: Clap Your Hands Say Yeah - The Raveonettes - Sarah Beatty - The New Respects

Clap Your Hands Say Yeah - Down (is Where I Want To Be).

Background - Clap Your Hands Say Yeah, heads into its twelfth year and the release of its fifth album, The Tourist. Like previous Clap Your Hands Say Yeah records, The Tourist nods to Alec Ounsworth’s musical heroes—a group that includes artists such as John Cale, Robert Wyatt, Tom Waits and Nick Cave. However, this album also shows a natural progression from previous records. “Better Off” and “The Vanity Of Trying” are lush, keyboard-augmented songs, while “A Chance To Cure” and “Ambulance Chaser” are rhythmically askew, and the sighing “Loose Ends” is delicate, acoustic-based folk-rock.

Ounsworth spent about a week recording The Tourist at Dr. Dog’s Philadelphia-based studio with a drummer and bassist. After that, he and engineer Nick Krill spent a few months “tidying things up” and recording additional embellishments: backup vocals, keyboards, guitars and more percussion. That gives The Tourist more of a band feel than the last album, and contributes to why the record possesses a musical lightness. The dreamy opening track “The Pilot” especially has a lilting edge, courtesy of Smiths-reminiscent acoustic guitars strums and Ounsworth’s hiccupping, conspiratorial vocals.

The Tourist was then mixed by Dave Fridmann, who also worked on two previous Clap Your Hands Say Yeah albums, 2007’s Some Loud Thunder and 2014’s Only Run. Ounsworth says he and Fridmann are on the same musical wavelength, which makes their long-time working relationship an anchor of sorts.  “Dave and I don’t necessarily stick with what’s easiest which is fine and anxiety-inducing, in a good way,” he says. “He challenges me to do something a little bit different.” Website here, Facebook here.


The new single release 'Down (is Where I Want To Be)' is taken from 'The Tourist' album, due out on February 24th. We featured the first single (Fireproof) last month, and our enthusiasm for the forthcoming album remains buoyant with this powerful and pleasing song.

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The Raveonettes - Pendejo.

Background - The Raveonettes have completed their Rave-Sound-Of-The-Month series with December's release of the final track "Pendejo." The full digital album will be available February 17th, with the CD out April 21st & Vinyl release set for Record Store Day on April 22nd via Beat Dies Records.

The Rave-Sound-Of-The-Month playlist began at the start of 2016 where the band would upload a freshly recorded track on the last Friday of every month throughout the year. The 'anti-album' features a collection of new tracks that aren't bound by the constraints of the format.

The Raveonettes also continue their new Pledge Music Campaign where fans can pledge for the CD and vinyl of the forthcoming new album. Sign up for the Pledge Music Campaign here. Website here and Facebook here.


We featured Octobers song release (This Is Where It Ends) and thought it a good thing to dip back into the series of music, with the last one 'Pendejo'. Atmospheric, vibrant and something of an epic piece at twelve minutes long, The Raveonettes complete their Rave-Sound-Of-The-Month series in epic style.

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Sarah Beatty - Bandit Queen (Acoustic).

Background - Out on February 3, Bandit Queen is a folk fabled concept album that began with a 19th century horse thief named Belle Starr. The title track “Bandit Queen” documents the creative transition from concision, which was central to Sarah Beatty's first album Black Gramophone, towards a supersonic mythological expansion that happens in the new album. There are all kinds of mythologies telling people who they are and who they aren’t. "With this song, I wanted to invite the dark parts into the storyline and inspire listeners to be their whole, real, bodacious, outlawed selves".

Bandit Queen really came into existence in the 19th century through the historical account of an exceptional and flawed woman. Sarah Beatty says When I read about Belle Starr, the fabled bank heist mastermind turned horse thief, she grabbed my attention immediately. And from that original inspiration, I began imagining and contemplating all kinds of stories that rarely get told about women, even in the 21st century. Each of the songs on this record tells a different story, and as a collection they become the spine of a whole other adventure. Website here and Facebook here.


Sarah Beatty has created one very fine album that takes the listener on a musical journey that mixes Americana with Folk Rock, Blues and pretty much every genre in between. Final song is the acoustic version of the title track 'Bandit Queen' and is one of thirteen fabulous tracks. This is one of those albums that deserves to be heard, and hopefully many will do just that.

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The New Respects - Money.

Background - Nashville's The New Respects has returned with a new single, "Money," releasing the track today at all digital music services. 2017 is shaping up to be a breakout year for The New Respects, having recently signed with Credential Recordings and music distributor Caroline. 

“'Money' was written while we were in college, when we didn’t have much,” reflects the band's bassist Alexis Fitzgerald. “The chorus says 'life ain’t about money,' and that’s true; we found happiness at a time when money was tight, and we wanted to share that sentiment with our fans. Our producer, Jeremy Lutito, helped us create a fun chorus and rhythm that would allow our audience to let loose and enjoy life in the moment."
It was a chance meeting in Nashville that brought The New Respects together with producer/drummer Jeremy Lutito (of rock group Leagues). Lutito took an immediate liking to The New Respects' soul/rock sound, and produced this single along with the group's previous two tracks, "Trouble" and "Hey," which landed on Spotify's U.S. Viral 50 Chart.

The New Respects is a family affair, made up of three siblings, twins Alexis (bass) and Zandy Fitzgerald (guitar), along with their brother Darius (drums), and cousin Jasmine Mullen (vocals/guitar). The group is heavily influenced by the gospel music they were surrounded by growing up in Nashville, which extends to artists including Aretha Franklin, Alabama Shakes, and John Mayer. Looking ahead, The New Respects will showcase as an official artist at this year's SXSW in Austin, TX. Website here, Facebook here.


Second time around on Beehive Candy for The New Respects this time with the funky and feisty 'Money'. The band are energised, the song is full of hooks, the chorus says 'life ain’t about money,' and we agree. 

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Genre Wander: Clap Your Hands Say Yeah - The Darts - Vibronics meets Conscious Sounds

Clap Your Hands Say Yeah - Fireproof.

Background - Clap Your Hands Say Yeah’s 2005 self-released debut album set a precedent for how bands might begin to approach making music independently. The record — which vocalist/multi-instrumentalist/songwriter Alec Ounsworth wrote entirely by himself— received widespread critical acclaim and was named one of “The 50 Most Important Recordings Of The Decade” by NPR.

In the ensuing years, Ounsworth has continued pushing himself creatively, releasing three additional Clap Your Hands Say Yeah full-lengths (for which he again wrote all of the music and lyrics) and issuing two solo projects. The group has also grown a robust international fanbase: In 2015 alone, Clap Your Hands Say Yeah toured in Latin and South America, Japan and Europe. All of these experiences have helped Ounsworth refine his vision for Clap Your Hands Say Yeah, as the group heads into its twelfth year and the release of its fifth album, The Tourist.

Like previous Clap Your Hands Say Yeah records, The Tourist nods to Ounsworth’s musical heroes—a group that includes artists such as John Cale, Robert Wyatt, Tom Waits and Nick Cave. However, this album also shows a natural progression from previous records. “Better Off” and “The Vanity Of Trying” are lush, keyboard-augmented songs, while “A Chance To Cure” and “Ambulance Chaser” are rhythmically askew, and the sighing “Loose Ends” is delicate, acoustic-based folk-rock.

No matter what the style, however, The Tourist‘s arrangements are laser-sharp and deliberate, without feeling labored-over. For example, “Down (Is Where I Want To Be)” combines piano flickers with anxious keyboards, gnarled electric guitars and teeth-baring drums—but yet feels cohesive, not chaotic.

The Tourist emerged from a period where Ounsworth was doing a lot of intense soul-searching, and processing personal events that irrevocably shaped his life and future. But although most of these songs came together during this time of reflection, he considers the record to be cathartic—an exhale of sorts, rather than a collection of songs where he was indulging in self-pity or letting things stagnate or fester.

“The album was a type of purge,” he says. “A purge of certain emotional confusion that manifested itself in the last several years. It was not an easy album to make, by virtue of the fact that it was an emotional time for me.”

Having that space and freedom to explore as part of Clap Your Hands Say Yeah is crucial to Ounsworth and a vital part of the band’s identity. As anyone who’s seen him perform a living room show will attest, this mindset also often results in songs with dramatically different arrangements. But as a musician and leader of an independent project, Ounsworth prides himself on honesty across all aspects of the band, from live performances to the studio. Website here and Facebook here.


Clap Your Hands Say Yeah are one of those bands where the wait for new material always seems worth it and 'Fireproof' suggests that remains the case. As for the song well in part it's a juxtaposition of being understated and gentle, whilst the rhythm is funky, fresh and energised. What's more the arrangement is just right for the thoughtful lyrics and there delightful delivery.

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The Darts - Running Through Your Lies.

Background - The Darts (US) are an all-grrrrl garage-psych-rock supergroup featuring Nicole Laurenne (The Love Me Nots, Motobunny, Zero Zero), Rikki Styxx (The Two Tens, The Dollyrots, Thee Outta Sites), Christina Nunez (The Love Me Nots, Casual Encounters, The Madcaps), and Michelle Balderrama (Brainspoon).

The band formed in early 2016 when, after watching each other’s bands from the sidelines for years, Nicole and Michelle realized there was no good reason why they shouldn’t just start writing songs together already. With six songs ready, Rikki and Michelle recorded their tracks in Los Angeles and then Nicole and Christina tracked their parts in Phoenix. Arizona producer Bob Hoag then masterfully stirred the mess together over a piping hot console. The results are two smoking 10” vinyl EPs full of garage riffs, girl-group harmonies, fuzz bass, farfisa organ, badass drum fills, and all-around lo-fi-turned-hi-fi goodness.

Soon after their October 2016 release, the singles “Running Through Your Lies” and “Revolution” enjoyed instant radio airplay and  “Take What I Need” was selected by Sirius/XM’s Underground Garage channel as “The Coolest Song In The World 2016.” The band played its first live show in October, 2016, and signed with London’s Dirty Water Records shortly thereafter. The Darts will tour across the southern US in January 2017 with Oakland’s all-girl rock duo Steel Cranes, and then… The Darts will invade Europe on tour in May 2017. Bandcamp here, Facebook here.


The first of six tracks on the EP and 'Running Through Your Lies' immediately lets the listener know that The Darts have some real depth to their music. Mixed with more feisty garage rock, the collection of songs may be small in number, but they pack a punch and demand your attention throughout!

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Vibronics meets Conscious Sounds - Half Century Dub  - 50 years in the mix.

Background - As Dub Reggae music becomes a global force, Vibronics & Conscious Sounds present an album that celebrates 50 years of dub music. Dougie Wardrop & Steve Vibronics present an album that takes classic music from each decade of dub, starting with 1970s Jamaica music right up 2010s worldwide dub sounds. The two prominent UK Dub producers will take each decade in turn, as the listener is catapulted across half a century of roots rocking Reggae music. This unique dubwise concept album will feature reworking of classic tunes from 1970s, 1980s, new versions of crucial music from the Conscious Sounds & Vibronics back catalogue from 1990s & 2000s and some brand new future dubs for the 2010s. Dubwise music across 50 years.

Vibronics meets Conscious Sounds and Half Century Dub - 50 years in the mix 2 X Maxi 10" includes a Limited Edition Vinyl singles January 2017 and also Vinyl / CD / Digital Album Release January 2017. Website here.


If you go to their website (link just above) there are nine songs to listen to, unfortunately we cannot embed the music here, however to wet your appetite a little, we have Vibronics - Furious Dub & Conscious Sounds Mix (Taken From Personal 10), as an indicator of the quality and musical delights due in January.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...