Calva Louise - Tug Of War.
London punksters Calva Louise share gripping new single Tug Of War, the third track taken from their debut album Rhinoceros out 1st February.
Laying down a firm marker within London’s raucous punk scene over the last 18 months, the rising trio have since earned support slots alongside the likes of Albert Hammond Jr, Spring King and Anteros and recently finished an extensive UK tour with label-mates The Blinders.
Bursting with ferocity in their trademark anthemic style, Tug Of War encapsulates everything that’s come to be expected of the band. Silky guitar work, biting vocals and infectious, chaotic riffage takes centre stage and only adds to their growing reputation heading into next year’s debut LP release.
Discussing the video, the band stated: “We feel like in any kind of relationship there are unwritten rules everybody should follow, and that becomes a constant tug of war, dealing with unnecessary pressure. If everybody could have a complimentary point of view, then that tug of war could be a fun game where there are no set rules”.
We have featured Calva Louise twice this year and the new song 'Tug Of War' makes it three. The trio once again provide us with an energised punk come garage rocker, where the vocals add some melodic refinement whilst the music just crunches on with exuberance. The video adds a little humour as this London band continues to impress.
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Team Picture - Clone You.
Leeds-based six-piece, Team Picture have just shared their new track, ’Clone You’. Co-produced with Chris Mulligan (Treeboy & Arc, WH Lung), the track, which was initially penned during the band’s infancy, arrives as part of a AA-side alongside ‘Bedroom Genius’ which is due for physical release as a limited edition cassette via Big Dumb Music (DSP launch for AA-side set for January 18, 2019).
Speaking about the release, guitarist JL says: “‘Clone You’ and ‘Bedroom Genius’ are two songs dating from a period when we were still experimenting with different sounds and lineups which would culminate in ‘RECITAL'. It's the sound of us trying to reconcile our fondness for floaty waves and chunky guitar habits: of a band in the infancy of trying to educate themselves away from popular alt-rock tropes.” The AA-side release acts as the first piece of music from the band since the 6 Music-supported mini-album, ‘Recital’ which arrived earlier this year, produced by Matt Peel (Autobahn, Eagulls, Menace Beach). News arrives ahead of the band’s headline at Leeds’ Hyde Park Book Club on December 7, 2018 (tomorrow).
“The focus of the lyrics wasn't dwelt upon much at the time, but in hindsight, they both feel like they're about loneliness. Something I only really realised when Rufus Newell (designer) sent through his ideas for the artwork.”
Since forming in late 2016, Team Picture have earned praise at Radio 1, 6 Music, Radio X and BBC Introducing, as well as opening for the likes of Rolling Blackouts Coastal Fever, Parquet Courts, The Orielles and Trudy & The Romance. Earlier in 2018, they released the mini-album, ‘Recital’, before embarking upon their debut headline tour, ticking off a stop at Leeds’ Brudenell Social Club and further festival dates at The Great Escape, Liverpool Sound City and Hit The North. The band are set to return to the studio in the early stages of 2019 with view to releasing more new music throughout the year.
It's our third Team Picture feature this year with new song 'Clone You'. Once again the band explore different musical territory with a creative and notable style, the vocals are outstanding the mood a little dark, the overall experience is hypnotic and gorgeous.
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Tullycraft - Passing Observations.
Tullycraft debut their first single/video "Passing Observations" off their upcoming 7th album "The Railway Prince Hotel" due out on vinyl & CD on February 8th on HHBTM Records. Tullycraft is known for writing indie pop anthems. Over the years they've penned a handful of songs that practically define the twee movement in America.
While the mainstream has largely ignored Tullycraft, their status in the indie pop underground is undeniable. Formed in 1995, they are considered to be one of the genuine pioneers of the American twee pop movement. Touring relentlessly during the last gasp of the truly independent indie-underground, they influenced countless young bands. They were once called “the Johnny Appleseed of Indie Pop - making their way across the country, leaving new bands, promoters, zines and record labels to sprout up in their wake." In recent years the band has stopped performing live, instead shifting their focus to their personal lives, while still writing and recording music together.
The Railway Prince Hotel is Tullycraft’s seventh album, their first since 2013’s Lost in Light Rotation. This new batch of songs sees Sean Tollefson and Jenny Mears continue to share most of the vocal duties, while long time musical stalwarts Chris Munford and Corianton Hale create most of the music. It would be selling Tullycraft short to say that The Railway Prince Hotel picks up where their last album left off. These new songs have a modestly different sound, somewhat due to the fact that long-time drummer (and original Tullycraft member) Jeff Fell, doesn’t make an appearance, but also because of the fresh approach the band took to recording this record. Equipped with lyrics, vocal melodies and rough bass lines (provided by Tollefson) the band composed many of the new songs from the ground up in the studio. This was an untried approach for Tullycraft. The result is an extraordinary album of 12 ultra-catchy, whip-smart gems that take aim at everything from failed relationships to the danceability of Billy Joel songs.
Throughout the album the music has an exciting urgency which is likely attributed to both the band’s spontaneous recording process and the enthusiasm each member brought to the new material. Are the wonderfully snarky, self-referential indie pop lyrics still here? Of course they are, this is Tullycraft after all. A deep dive into the lyrics uncovers an embarrassment of obscure indie references to be discovered. It’s hard to imagine a band or artist genuinely hitting their stride on their seventh outing, but much like Achtung Baby (U2’s 7th album) or Blonde on Blonde (Bob Dylan’s 7th album) somehow Tullycraft has hit the sweet spot between deliberate and daring. The result is a truly great batch of songs. With standout tracks like “Passing Observations,” “Has Your Boyfriend Lost His Flavor on the Bedpost Overnight?” and the much too short “Lost Our Friends to Heavy Metal” – the question needs to be asked: Could The Railway Prince Hotel be Tullycraft’s true masterpiece? Honestly, it very well could be.
The second of twelve tracks on Tullycraft's seventh album due next February is 'Passing Observations' accompanied by a clever cartoon video. It's a good representation of what to expect from 'The Railway Prince Hotel,' where the band seemingly tear their way through the album with some highly original indie pop songs, that consistently have the bands unique and adorable sound.
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Showing posts with label Calva Louise. Show all posts
Showing posts with label Calva Louise. Show all posts
Calva Louise - Vaureen - Eliza Shaddad - Julie Kember - Mantell - Jesika von Rabbit
Calva Louise - I Heard A Cry.
Background - London newcomers Calva Louise launch pulsating new anthem I Heard A Cry, offering another glimpse of the trio’s unbridled potential ahead of their debut album release early next year.
Having developed a fierce live reputation within London’s flourishing punk scene, the chaotic garage rockers have since earned support slots alongside the likes of Albert Hammond Jr, Spring King and Anteros and will be heading off on tour with label-mates The Blinders later this autumn.
In their newest cut, two minutes of boundless energy showcasing a band brimming with potential, the three-piece lay down a real marker and reinforce why they’ve received extensive backing throughout the online community (Clash, Dork) and across the airwaves (BBC Radio 1, BBC 6 Music, Radio X).
Discussing their upcoming release, the outfit stated: “I Heard A Cry deals with the misinformation we often feel regarding what’s happening elsewhere in the world. But at the same time, it’s about the will of many people who are trying to inform themselves”. TWITTER.
Back in July we shared the track 'Outrageous' from Calva Louise and 'I Heard A Cry' is another feisty garage rocker from the band. Masses of energy and attitude is one thing (and there is plenty of that), however this song comes armed with a salvo of enticing hooks and at just over two minutes duration, hitting repeat play is as compulsive as it is instinctive.
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Vaureen - Secret.
Background - Formed in 2011 in Brooklyn, New York, three-piece Vaureen are anything but straight-forward. Combining the off-kilter fuzz of mid-90’s grunge aligned against abreactive passages of noise, left-of-centre shoegaze and the bleak doom of psych-infused stoner rock, Vaureen create a brooding, nihilistic sound, steeped in a raw energy and honesty that could shake even the most apathetic listener. With an acclaimed EP behind them along with a number of US live dates under their belt, the band are now set to release their debut album ‘Extraterra’.
Vaureen’s forthcoming album exhibits their unique brand of ethereal yet intensely foreboding alt-rock, which could be equated to the sound of early-The Breeders meets Fugazi meets Chelsea Wolfe meets The Sword. Tracks such as ‘Stare Into The Sun’ showcase vocalist Andrea Horne’s sonorous and dynamic vocals while stripped back instrumentation seamlessly transforms into atmospheric shoegaze infused post-rock, driven forward by a powerful rhythm section. The entire album is flooded with progressive moments like this with songs evolving at every opportunity. You’d be forgiven for thinking the band might have some affiliation with Sargent House, but despite having these moments of beguiling familiarity their music remains entirely distinctive. Elsewhere, you can hear a much heavier set of influences such as on ‘Forms Beyond My Own’, where fuzz laced guitars descend into doom-inspired riffs, becoming more caustic, whilst also hinting at their more experimental influences.
Recorded by long-time friend and esteemed producer Aaron Bastinelli (Fun Sound Studio), ‘Extraterra’ sees Vaureen release their most dynamic and consummate material to date. Speaking about the album, Andrea Horne (vocals/guitar) says, “I came to music from an art background and I have a form of synesthesia. For me the album is highly visual. The title comes from my personal interest in spaces beyond direct perception, both within and without… like Carl Sagan’s Pale Blue Dot and Charles & Ray Eames’ Powers Of Ten.”
Debut albums boasting the dexterity of ‘Extraterra’ are extremely rare. Vaureen refuse strict categorisation and in doing so have produced an incredibly textured record, which is all at once dark, pensive, expansive and airy, and will appeal to many both on and beneath the surface. The new album 'Extraterra' due out 26th October via Rising Pulse Records. WEBSITE.
Pretty much a month to the day since we first encountered Vaureen they return with 'Secret'. Fuzzy guitars build a shoegaze orientated wall of sound, that mellows just a little when the sweeping and atmospheric vocals kick in, this is powerful and impressive music.
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Eliza Shaddad - Just Goes To Show.
Background - Following recent singles ‘White Lines’, ‘My Body’ and ‘This Is My Cue’, 'Just Goes To Show' is the anthemic new cut from Eliza Shaddad’s eagerly-anticipated debut album Future. Like singing the words of her own secret diary aloud, Eliza’s personal truth is laid bare through her smouldering vocals alongside foggy swathes of vintage 90s guitar. Bringing together the brooding melancholy of The Cranberries, Wolf Alice’s understated ferocity and the sincerity of Marika Hackman, the song’s drive will wound and kiss everything better.
“’Just Goes To Show’ is about that gross, desperate, world-ending feeling you get just as you’re being broken up with," offers Eliza of the familiar raw emotions that drive her latest release. “Like many songs on the album it deals with themes of escape and regret, but in a rare case here it’s from the perspective of the person being left behind.”
Returning to the wildest depths of Devon for Future’s recording sessions, Eliza reunited with Mercury-nominated producer Chris Bond, who had worked on her earlier Run and Waters EPs, to give this track its heady post-rock charm.
Equally at home in libraries perusing Scottish murder ballads and sat under baobab trees decoding Arabic scales, Eliza’s music exists through discovery of the world around her. Whether culled from her travels as a nomadic solo musician, touring with jazz group Hansu-Tori, adventures through pop as a vocalist with Clean Bandit, experiencing folk festivals in her teens, or being raised across seven countries throughout Europe and Africa by her Sudanese and Scottish parents, each song collates and celebrates a variety of musical styles. “There’s a wide and wild array of influences coming out on these tracks - typically creating huge dynamic shifts in each song so they’re going from very quiet, which I guess comes from my folk roots, to this huge wall of sound, very likely from the grunge I used to listen to growing up,” Eliza says. TWITTER.
Eliza Shaddad is another artist we have featured just once before ('White Lines' back in April) and her latest single 'Just Goes To Show' is a gorgeous indie rocker that just exudes class. On the strength of the singles shared so far, her debut album is looking very good, to say the least!
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Julie Kember - Undone.
Background - Julie Kember shares revealing new single 'Undone' from her upcoming album 'Million Lives'. With critical acclaim, chart success, international TV syncing and awards a-plenty, it is hard not to see Australian songstress Julie Kember as a bona fide overachiever. The beating heart of all her wild success is wonderful music that touches the soul. Built around the gorgeous timbre of her voice, Kember's songs are majestically poetic, cinematic and relatable – providing her with a passport to tour the world. From Tamworth and Boyup Brook, to Nannup and Nashville, Julie Kember's music is at home anywhere it touches the ground.
Capturing her story in all its globetrotting glory, Julie Kember is currently preparing her new album, Million Lives. Some of her revelations on the album are deeply personal and vulnerable. Thumping blues number and first single Undone is a perfect case in point. Written under the storm cloud of anxiety, Julie took the emotion of her struggles as an artist and from them created a metaphor we can all relate to. It is a representation of both the dark tunnel of mental illness, and the light that exists at the end of it. Summoning strength and determination, Undone is the voice of encouragement.
With a WAM Award for Outstanding Regional Artist, and several coveted WA Country Music Awards in her trophy cabinet, it would be easy for people to assume Julie Kember is a genre specialist. Alas, the multi-talented songwriter is better known for a more sophisticated, nuanced sound. Incorporating the best aspects of blues, soul, folk and pop, her music is versatile and creative – expanding beyond one style into a wondrous new thing all its own. Sewn throughout all of Julie Kember's deeply personal songs, this beautiful uniqueness is what makes Undone and the forthcoming Million Lives an exceptional work of art. FACEBOOK.
'Undone' is a fabulous alt country rocker, with Julie Kember's enticing vocals just right for the style. Passionate, mischievous and with a hint or two of attitude, this is put simply, a catchy and appealing song.
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Mantell - Lulu.
Background - Hailing from Melbourne’s inner suburbs comes Mantell, an indie rock quartet set to take on the city’s ever-evolving music scene. The band offers a fresh take on the genre with an alluring mash up of diverging guitars, harmonious base lines and classic seventies drumming, contributing to their unique and modern edge.
A blend of dulcet and upbeat tunes which pay homage to influences including Big Scary, The War on Drugs and Radiohead make up the self-described ‘racket’ that is Mantell. The band had humble beginnings as two brothers jamming in their suburban garage, soon joined by a cousin and a high school friend to complete the outfit.
Officially formed in 2013, Quintin and Connor Tuan, Brayden Filippone and Sam Reader experimented with different styles and utilised an array of techniques before they reached their signature sound for their debut EP thirty two.
The opening track Lulu was recorded at their home studio in their garage over the period of a week with a mix of vintage instruments and analogue recording equipment. Mantell’s take on old school recording techniques is a nod to the music that the boys hear on their favourite albums. Matt Stapleton (of Magic America) mixed the song and helped shape the sound with his unique approach to post production processing and effects.
Lulu captures the carefree essence of youth through a nostalgic lens, with the lyrics creating an evocative narrative. The track drew some of its inspiration from the jangled guitar sound heard in Hockey Dad tracks such as ‘So Tired’. The outro features a guitar solo reminiscent of The War On Drugs- a sound which you can sing along as well as you can a vocal melody. FACEBOOK.
Opening with some steady and rhythmic guitar riffs 'Lulu' seemingly upgrades as soon as the sweeping and melodic vocals begin. The clever synth driven reprise and classic rock drumming throughout add even more, and as my first listen to Mantell, this is a real delight to hear.
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Jesika von Rabbit - Calypso Facto.
Background - Jesika von Rabbit releases Dessert Rock, and the LP title is a funny play on the name of the synth-infused singer-songwriter's home in the California desert. Known as "Queen of the Hi Desert," Jesika von Rabbit has been making fun music about her beloved desert region, but this time she takes a few pokes at her quirky surroundings.
Jesika von Rabbit has a great outlook on life and sense of humor that keeps her fans clamoring and a sense of music that people respond to. Her music has been called enlightening upbeat pop by the critics and her work is familiar to TV watchers, as her catchy tunes are often used on series and TV commercials.
The album opens with the upbeat "Calypso Facto," moves into the social commentary "Palm Springs Livin'," before wending its way through the rest of the selections, all of which are related to her own life.
"Dessert Rock is built on the themes of freedom, adventure and little darkness that all stem frpm personal experience," von Rabbit said. "We all have hard times once in a while but hopefully the good times outshine the rest. Our music is fun with a message. We want the people to have fun and think, too." WEBSITE.
This is one of those "if you like the featured song you must check out the album" moments. 'Calypso Facto' is but one dimension of the whole piece and an addictive one at that. The album is full of upbeat and feel good vibes, it's not without depth and feeling either, in fact there is a considerable amount of ideas packed into the collection, so dig deeper and enjoy...
--------------------------------------------------------------------------------------------------------------------------
Background - London newcomers Calva Louise launch pulsating new anthem I Heard A Cry, offering another glimpse of the trio’s unbridled potential ahead of their debut album release early next year.
Having developed a fierce live reputation within London’s flourishing punk scene, the chaotic garage rockers have since earned support slots alongside the likes of Albert Hammond Jr, Spring King and Anteros and will be heading off on tour with label-mates The Blinders later this autumn.
In their newest cut, two minutes of boundless energy showcasing a band brimming with potential, the three-piece lay down a real marker and reinforce why they’ve received extensive backing throughout the online community (Clash, Dork) and across the airwaves (BBC Radio 1, BBC 6 Music, Radio X).
Discussing their upcoming release, the outfit stated: “I Heard A Cry deals with the misinformation we often feel regarding what’s happening elsewhere in the world. But at the same time, it’s about the will of many people who are trying to inform themselves”. TWITTER.
Back in July we shared the track 'Outrageous' from Calva Louise and 'I Heard A Cry' is another feisty garage rocker from the band. Masses of energy and attitude is one thing (and there is plenty of that), however this song comes armed with a salvo of enticing hooks and at just over two minutes duration, hitting repeat play is as compulsive as it is instinctive.
--------------------------------------------------------------------------------------------------------------------------
Vaureen - Secret.
Background - Formed in 2011 in Brooklyn, New York, three-piece Vaureen are anything but straight-forward. Combining the off-kilter fuzz of mid-90’s grunge aligned against abreactive passages of noise, left-of-centre shoegaze and the bleak doom of psych-infused stoner rock, Vaureen create a brooding, nihilistic sound, steeped in a raw energy and honesty that could shake even the most apathetic listener. With an acclaimed EP behind them along with a number of US live dates under their belt, the band are now set to release their debut album ‘Extraterra’.
Vaureen’s forthcoming album exhibits their unique brand of ethereal yet intensely foreboding alt-rock, which could be equated to the sound of early-The Breeders meets Fugazi meets Chelsea Wolfe meets The Sword. Tracks such as ‘Stare Into The Sun’ showcase vocalist Andrea Horne’s sonorous and dynamic vocals while stripped back instrumentation seamlessly transforms into atmospheric shoegaze infused post-rock, driven forward by a powerful rhythm section. The entire album is flooded with progressive moments like this with songs evolving at every opportunity. You’d be forgiven for thinking the band might have some affiliation with Sargent House, but despite having these moments of beguiling familiarity their music remains entirely distinctive. Elsewhere, you can hear a much heavier set of influences such as on ‘Forms Beyond My Own’, where fuzz laced guitars descend into doom-inspired riffs, becoming more caustic, whilst also hinting at their more experimental influences.
Recorded by long-time friend and esteemed producer Aaron Bastinelli (Fun Sound Studio), ‘Extraterra’ sees Vaureen release their most dynamic and consummate material to date. Speaking about the album, Andrea Horne (vocals/guitar) says, “I came to music from an art background and I have a form of synesthesia. For me the album is highly visual. The title comes from my personal interest in spaces beyond direct perception, both within and without… like Carl Sagan’s Pale Blue Dot and Charles & Ray Eames’ Powers Of Ten.”
Debut albums boasting the dexterity of ‘Extraterra’ are extremely rare. Vaureen refuse strict categorisation and in doing so have produced an incredibly textured record, which is all at once dark, pensive, expansive and airy, and will appeal to many both on and beneath the surface. The new album 'Extraterra' due out 26th October via Rising Pulse Records. WEBSITE.
Pretty much a month to the day since we first encountered Vaureen they return with 'Secret'. Fuzzy guitars build a shoegaze orientated wall of sound, that mellows just a little when the sweeping and atmospheric vocals kick in, this is powerful and impressive music.
--------------------------------------------------------------------------------------------------------------------------
Eliza Shaddad - Just Goes To Show.
Background - Following recent singles ‘White Lines’, ‘My Body’ and ‘This Is My Cue’, 'Just Goes To Show' is the anthemic new cut from Eliza Shaddad’s eagerly-anticipated debut album Future. Like singing the words of her own secret diary aloud, Eliza’s personal truth is laid bare through her smouldering vocals alongside foggy swathes of vintage 90s guitar. Bringing together the brooding melancholy of The Cranberries, Wolf Alice’s understated ferocity and the sincerity of Marika Hackman, the song’s drive will wound and kiss everything better.
“’Just Goes To Show’ is about that gross, desperate, world-ending feeling you get just as you’re being broken up with," offers Eliza of the familiar raw emotions that drive her latest release. “Like many songs on the album it deals with themes of escape and regret, but in a rare case here it’s from the perspective of the person being left behind.”
Returning to the wildest depths of Devon for Future’s recording sessions, Eliza reunited with Mercury-nominated producer Chris Bond, who had worked on her earlier Run and Waters EPs, to give this track its heady post-rock charm.
Equally at home in libraries perusing Scottish murder ballads and sat under baobab trees decoding Arabic scales, Eliza’s music exists through discovery of the world around her. Whether culled from her travels as a nomadic solo musician, touring with jazz group Hansu-Tori, adventures through pop as a vocalist with Clean Bandit, experiencing folk festivals in her teens, or being raised across seven countries throughout Europe and Africa by her Sudanese and Scottish parents, each song collates and celebrates a variety of musical styles. “There’s a wide and wild array of influences coming out on these tracks - typically creating huge dynamic shifts in each song so they’re going from very quiet, which I guess comes from my folk roots, to this huge wall of sound, very likely from the grunge I used to listen to growing up,” Eliza says. TWITTER.
Eliza Shaddad is another artist we have featured just once before ('White Lines' back in April) and her latest single 'Just Goes To Show' is a gorgeous indie rocker that just exudes class. On the strength of the singles shared so far, her debut album is looking very good, to say the least!
--------------------------------------------------------------------------------------------------------------------------
Julie Kember - Undone.
Background - Julie Kember shares revealing new single 'Undone' from her upcoming album 'Million Lives'. With critical acclaim, chart success, international TV syncing and awards a-plenty, it is hard not to see Australian songstress Julie Kember as a bona fide overachiever. The beating heart of all her wild success is wonderful music that touches the soul. Built around the gorgeous timbre of her voice, Kember's songs are majestically poetic, cinematic and relatable – providing her with a passport to tour the world. From Tamworth and Boyup Brook, to Nannup and Nashville, Julie Kember's music is at home anywhere it touches the ground.
Capturing her story in all its globetrotting glory, Julie Kember is currently preparing her new album, Million Lives. Some of her revelations on the album are deeply personal and vulnerable. Thumping blues number and first single Undone is a perfect case in point. Written under the storm cloud of anxiety, Julie took the emotion of her struggles as an artist and from them created a metaphor we can all relate to. It is a representation of both the dark tunnel of mental illness, and the light that exists at the end of it. Summoning strength and determination, Undone is the voice of encouragement.
With a WAM Award for Outstanding Regional Artist, and several coveted WA Country Music Awards in her trophy cabinet, it would be easy for people to assume Julie Kember is a genre specialist. Alas, the multi-talented songwriter is better known for a more sophisticated, nuanced sound. Incorporating the best aspects of blues, soul, folk and pop, her music is versatile and creative – expanding beyond one style into a wondrous new thing all its own. Sewn throughout all of Julie Kember's deeply personal songs, this beautiful uniqueness is what makes Undone and the forthcoming Million Lives an exceptional work of art. FACEBOOK.
'Undone' is a fabulous alt country rocker, with Julie Kember's enticing vocals just right for the style. Passionate, mischievous and with a hint or two of attitude, this is put simply, a catchy and appealing song.
--------------------------------------------------------------------------------------------------------------------------
Mantell - Lulu.
Background - Hailing from Melbourne’s inner suburbs comes Mantell, an indie rock quartet set to take on the city’s ever-evolving music scene. The band offers a fresh take on the genre with an alluring mash up of diverging guitars, harmonious base lines and classic seventies drumming, contributing to their unique and modern edge.
A blend of dulcet and upbeat tunes which pay homage to influences including Big Scary, The War on Drugs and Radiohead make up the self-described ‘racket’ that is Mantell. The band had humble beginnings as two brothers jamming in their suburban garage, soon joined by a cousin and a high school friend to complete the outfit.
Officially formed in 2013, Quintin and Connor Tuan, Brayden Filippone and Sam Reader experimented with different styles and utilised an array of techniques before they reached their signature sound for their debut EP thirty two.
The opening track Lulu was recorded at their home studio in their garage over the period of a week with a mix of vintage instruments and analogue recording equipment. Mantell’s take on old school recording techniques is a nod to the music that the boys hear on their favourite albums. Matt Stapleton (of Magic America) mixed the song and helped shape the sound with his unique approach to post production processing and effects.
Lulu captures the carefree essence of youth through a nostalgic lens, with the lyrics creating an evocative narrative. The track drew some of its inspiration from the jangled guitar sound heard in Hockey Dad tracks such as ‘So Tired’. The outro features a guitar solo reminiscent of The War On Drugs- a sound which you can sing along as well as you can a vocal melody. FACEBOOK.
Opening with some steady and rhythmic guitar riffs 'Lulu' seemingly upgrades as soon as the sweeping and melodic vocals begin. The clever synth driven reprise and classic rock drumming throughout add even more, and as my first listen to Mantell, this is a real delight to hear.
--------------------------------------------------------------------------------------------------------------------------
Jesika von Rabbit - Calypso Facto.
Background - Jesika von Rabbit releases Dessert Rock, and the LP title is a funny play on the name of the synth-infused singer-songwriter's home in the California desert. Known as "Queen of the Hi Desert," Jesika von Rabbit has been making fun music about her beloved desert region, but this time she takes a few pokes at her quirky surroundings.
Jesika von Rabbit has a great outlook on life and sense of humor that keeps her fans clamoring and a sense of music that people respond to. Her music has been called enlightening upbeat pop by the critics and her work is familiar to TV watchers, as her catchy tunes are often used on series and TV commercials.
The album opens with the upbeat "Calypso Facto," moves into the social commentary "Palm Springs Livin'," before wending its way through the rest of the selections, all of which are related to her own life.
"Dessert Rock is built on the themes of freedom, adventure and little darkness that all stem frpm personal experience," von Rabbit said. "We all have hard times once in a while but hopefully the good times outshine the rest. Our music is fun with a message. We want the people to have fun and think, too." WEBSITE.
This is one of those "if you like the featured song you must check out the album" moments. 'Calypso Facto' is but one dimension of the whole piece and an addictive one at that. The album is full of upbeat and feel good vibes, it's not without depth and feeling either, in fact there is a considerable amount of ideas packed into the collection, so dig deeper and enjoy...
--------------------------------------------------------------------------------------------------------------------------
Calva Louise - Lucky 757
Calva Louise - Outrageous
Background - Raucous garage rockers Calva Louise share the visuals for their deafening anthem Outrageous, further reiterating their unbridled potential ahead of a series of eagerly anticipated dates on the festival circuit throughout the summer months.
Having feverishly honed their craft within London’s thriving punk scene, the trio (one part Venezuelan, one part Māori and another part English) have since toured with Spring King and Anteros, receiving widespread praise for their tenacious live shows in addition to considerable BBC Radio 1 and BBC 6 Music airplay.
Crammed full with skyscraping riffs, sumptuous harmonies and frontwoman Jess Allanic’s biting vocals, the band have earned plaudits throughout the online community for their latest effort and will be supporting Albert Hammond Jr in London this September.
“The video for Outrageous shows (sort of) what it’s like to be in a band for us”, the three-piece stated. “As a band with no money but with a lot of willpower, we’d go on adventures in our tiny old car, going from London to Berlin to Glasgow, facing, at first, a lot of struggles but always having the maddest adventures and all kind of challenges. In the end, nothing really gets easier, but it does get funnier to experience!” TWITTER.
Live Dates:
21 July – Tramlines, Sheffield
28 July – Wonkfest, London
04 Aug – Humber Street Sesh Festival, Hull
31 Aug – Electric Fields, Dumfries & Galloway
14 Sept – Electric Ballroom, London (supporting Albert Hammond Jr).
Garage rock with a truck load of attitude 'Outrageous' is a determined blast of lean and mean music, where the vocals almost threaten you to defy listening to the end. As for the video, every conceivable element of the song is visually translated, leading to the thought that car rock might now officially be a sub-genre of garage rock!
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Lucky 757 - Spanish Shore.
Background - Portsmouth, VA-based, modern surf band Lucky 757 pay tribute to the founding pioneers of the early rock n roll and rockabilly from the 50’s and 60’s. Their high energy take on American roots music nods it’s hat to the genres forbears - Dick Dale, Carl Perkins, Chuck Berry and Gene Vincent. The latter sharing the same hometown of Portsmouth, area code 757.
The band formed in 2014 around core songwriting team of father/son duo Danny (rhythm guitar and backup vocals) and Cory (lead vocals and lead guitar). Wielding their twin Gretsch guitars, Danny and Cory deliver the classic hollow body sound in spades, drenched in Copycat tape echo, and aided by the vintage rockabilly rhythm section of Sam Haga (upright bass, electric bass, producer, and backup vocals) Angel Lopez (all things drums and percussion, backup vocals)
Together, the quartet set off to deliver their high-energy, feel good vibes all over Virginia and down the coast, playing alongside The Screaming Rebel Angels and opening for Rev. Horton Heat and Big Sandy and tearing up big stages such as the Gretsch stage at Lake Havasu Rockabilly Reunion (NV), and the Rats Nest Run Inn (NY), and the Americana Music Fest (Virginia Beach).They released their debut self-titled album in 2015 and quickly followed up with a second album was tracked in a feverish all night session at Sun Studios in Memphis in May of 2016. Both releases were praised by the rockabilly community and found airplay on radio stations around the world, eventually landing them a feature in Rockabilly Deluxe Magazine.
While their music might be perceived as nostalgic, the band is aggressively pushing the genre forward with contemporary influences. Their forthcoming album, Lonesome Lagoon, may elicit hang tens, banana palms, gogo boots and Ennio Morricone scores, yet it is structured in a way that feels fresh and current - a modern take on the classic rockabilly surf sound. WEBSITE.
The first of ten tracks on the forthcoming 'Lonesome Lagoon' album is 'Spanish Shore' a gorgeous and timeless roots rock instrumental. If this works for you, then prepare to devour the album, where rockabilly and old style rock and roll is produced to an exceptional standard of musicianship. Varied and crafted and with that all important level of energy and feeling, both old and young folk can fall in love with this music.
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Background - Raucous garage rockers Calva Louise share the visuals for their deafening anthem Outrageous, further reiterating their unbridled potential ahead of a series of eagerly anticipated dates on the festival circuit throughout the summer months.
Having feverishly honed their craft within London’s thriving punk scene, the trio (one part Venezuelan, one part Māori and another part English) have since toured with Spring King and Anteros, receiving widespread praise for their tenacious live shows in addition to considerable BBC Radio 1 and BBC 6 Music airplay.
Crammed full with skyscraping riffs, sumptuous harmonies and frontwoman Jess Allanic’s biting vocals, the band have earned plaudits throughout the online community for their latest effort and will be supporting Albert Hammond Jr in London this September.
“The video for Outrageous shows (sort of) what it’s like to be in a band for us”, the three-piece stated. “As a band with no money but with a lot of willpower, we’d go on adventures in our tiny old car, going from London to Berlin to Glasgow, facing, at first, a lot of struggles but always having the maddest adventures and all kind of challenges. In the end, nothing really gets easier, but it does get funnier to experience!” TWITTER.
Live Dates:
21 July – Tramlines, Sheffield
28 July – Wonkfest, London
04 Aug – Humber Street Sesh Festival, Hull
31 Aug – Electric Fields, Dumfries & Galloway
14 Sept – Electric Ballroom, London (supporting Albert Hammond Jr).
Garage rock with a truck load of attitude 'Outrageous' is a determined blast of lean and mean music, where the vocals almost threaten you to defy listening to the end. As for the video, every conceivable element of the song is visually translated, leading to the thought that car rock might now officially be a sub-genre of garage rock!
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Lucky 757 - Spanish Shore.
Background - Portsmouth, VA-based, modern surf band Lucky 757 pay tribute to the founding pioneers of the early rock n roll and rockabilly from the 50’s and 60’s. Their high energy take on American roots music nods it’s hat to the genres forbears - Dick Dale, Carl Perkins, Chuck Berry and Gene Vincent. The latter sharing the same hometown of Portsmouth, area code 757.
The band formed in 2014 around core songwriting team of father/son duo Danny (rhythm guitar and backup vocals) and Cory (lead vocals and lead guitar). Wielding their twin Gretsch guitars, Danny and Cory deliver the classic hollow body sound in spades, drenched in Copycat tape echo, and aided by the vintage rockabilly rhythm section of Sam Haga (upright bass, electric bass, producer, and backup vocals) Angel Lopez (all things drums and percussion, backup vocals)
Together, the quartet set off to deliver their high-energy, feel good vibes all over Virginia and down the coast, playing alongside The Screaming Rebel Angels and opening for Rev. Horton Heat and Big Sandy and tearing up big stages such as the Gretsch stage at Lake Havasu Rockabilly Reunion (NV), and the Rats Nest Run Inn (NY), and the Americana Music Fest (Virginia Beach).They released their debut self-titled album in 2015 and quickly followed up with a second album was tracked in a feverish all night session at Sun Studios in Memphis in May of 2016. Both releases were praised by the rockabilly community and found airplay on radio stations around the world, eventually landing them a feature in Rockabilly Deluxe Magazine.
While their music might be perceived as nostalgic, the band is aggressively pushing the genre forward with contemporary influences. Their forthcoming album, Lonesome Lagoon, may elicit hang tens, banana palms, gogo boots and Ennio Morricone scores, yet it is structured in a way that feels fresh and current - a modern take on the classic rockabilly surf sound. WEBSITE.
The first of ten tracks on the forthcoming 'Lonesome Lagoon' album is 'Spanish Shore' a gorgeous and timeless roots rock instrumental. If this works for you, then prepare to devour the album, where rockabilly and old style rock and roll is produced to an exceptional standard of musicianship. Varied and crafted and with that all important level of energy and feeling, both old and young folk can fall in love with this music.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...