BEEHIVE CANDY

Reloaded 05/May/2015  King Crimson made their live debut on April 9th, 1969. They became widely known three months later, by playing at the free concert in Hyde Park, London, staged by The Rolling Stones in July 1969, before 650,000 people. The first King Crimson album, In the Court of the Crimson King was released in October 1969 . Among those impressed by the album was Pete Townshend from The Who, who described the album "as an uncanny masterpiece." King Crimson (along with quite a few other bands) have been credited as the founders of progressive rock - I am never really sure if that is a good thing! This is King Crimson live at The Fillmore West, San Francisco, on the 14th of December 1969. King Crimson were the opening act at the Fillmore West on this particular night, providing support for The Chambers Brothers and The Nice. Not only was this the final night of King Crimson's first U.S. tour, it was also the last concert played by the original lineup. Se...

This is Jackson Browne live in concert a year before he released his debut solo album. Prior to this Jackson Browne had already written songs for, (and recorded by) Nico, The Byrds, Bonnie Raitt, and The Eagles (with whom he later co-wrote 'Desperado' and 'Doolin' Dalton'). Tracing the roots of Jackson Browne's career leads back to the mid 1960's and Los Angeles and Orange County folk clubs. Born in Germany to American parents, Jackson's family returned to Los Angeles when he was three. Except for a brief period in NYC in the late 1960's, when he was an integral presence in the coffeehouse scene there, he has always lived in Southern California. This then is Jackson Browne solo and playing guitar and piano, live at the Jabberwocky Club (a small, 200 seat nightclub), at Syracuse University, New York, USA, back on the 27th, March, 1971. This is the first known recorded live show of Jackson Browne. Source: The source is from a first generat...

This is hardly making it's Internet bootleg debut here, however the Bob Dylan and Johnny Cash sessions from 1969, remain elusive for many collectors, and I am happy to do my bit to help. The often asked question regarding these sessions is, why have they never been officially released ? The musically historical importance, audio quality, and perhaps the actual performances themselves, make that a reasonable question, however in all honesty forty years on, the 'cats out of the bag' if you get my drift? The contents of the sessions are detailed in track lists below, if you have just passing interest in either of these two artists, I would suggest that the recordings are well worth a listen. Source: Taken from an early generation silver CD. Sound Quality: Very good stereo soundboard, studio and auditorium. Genre: In all fairness Bob Dylan and Johnny Cash will suffice. Track List: BS studios, Nashville, TN , USA - February 17th -18th, 1969 . 01 Good Ol...

Joni Mitchell first played Club 47 in Cambridge, MA (USA), in December 1966, she returned for a second time in late April 1967. While she was playing one night during November 1967 at 'The Gaslight South', a club in Florida, David Crosby walked in and was immediately struck by her ability and her appeal as an artist. He took her back to Los Angeles, where he set about introducing her and her music to his friends. David convinced a record company to agree to let Joni record a solo acoustic album without all the folk-rock overdubs that were in vogue at the time, and his clout earned him a producer's credit in March 1968, when Reprise records released her debut album, Song to a Seagull . It is therefore likely that Joni Mitchell's third appearance at Club 47, a three night set of performances, from the 8th to 10th January 1968, were just prior to the recording of her debut album. It is really something then, to have a good quality recording of an artist with th...

This is Janis Joplin live in Honolulu, USA, on the 6th July 1970. Sadly she would only perform nine further concerts after this, and died aged 27 on the 4th October 1970. She was with out doubt, one of the most popular and influential singers of the sixties and is considered to be one of the greatest female rockers of all time. This is a complete & unedited concert by Janis Joplin with Full Tilt Boogie, recorded through the soundboard (stereo quality @ 160kbs). Janis is in incredible form, her interaction with the audience and the whole concert is just wonderful. This is in my opinion an absolute must for any fan, and even those of you, with just a passing interest. Set List: 1-Tell Mama. 2-Half Moon. 3-Move Over. 4-Stage Problems. 5-Maybe. 6-Summertime. 7-Janis Banter. 8-Get It While You Can. 9-Kozmic Blues. 10-Encore Break. 11-Piece of My Heart. Much has been written about Janis Joplin since her passing, however her music remains as vibrant and timeless...

When I was a mere young lad in my teens, this Led Zeppelin bootleg was often talked of, in 'hushed undertones', however neither my friends or I ever owned a copy. For a while it became something of a status symbol to have heard it, or even know of someone, that had a copy. In reality as far as bootlegs go this really is something special. Cutting and pasting shamelessly from Wikipedia, (where this boot has it's own entry!) here is a rough history of the bootleg. Live On Blueberry Hill (also known as Blueberry Hill) is an audience recording. It is well known for being one of the first ever Led Zeppelin bootlegs, and indeed one of the first ever rock and roll bootlegs ever released. It was initially released on the Blimp label. The sleeve notes described it as "One hundred and six minutes and fifty three seconds of pure alive rock." The album was subsequently pressed on the Trade Mark of Quality label and shipped to England. Live On Blueberry Hill de...

Am I glad I was just a minor in 1967. The whole hippie, summer of love, flowers in your hair, psychedelic thing would surely have sucked me in. These day's, I'd be recounting tales of just how 'far out' I really was, in that boring monotonous way that only old stoners can. Hmmm maybe... This is another moment in rock music history. First of all the venue, the 'Cafe Au Go Go'. The Cafe au Go Go was a Greenwich Village night club located in the basement of 152 Bleecker Street, New York, NY. The club was the first New York venue for the Grateful Dead, and has a veritable whose who, of 1960's artists that played there. Jefferson Airplane performed for two weeks at the Cafe au Go-Go, with supporting act Richie Havens, from February 1967. This recording was from 4th March 1967. As far as the Jefferson Airplane go, they had formed in 1965, in San Francisco, with their debut show on August 13th 1965, at the Matrix nightclub (San Francisco). Vocalist ...

When is a bootleg, not a bootleg? "I think 1986 was a peak", states The Waterboys founder Mike Scott, "We never really came back to where we were in 1986." How good was their concert at Glastonbury in 1986? So good that in 1998, Mike Scott released a live album of The Waterboys including the Glastonbury performance, despite the fact it had been bootlegged from the radio broadcast twelve years earlier! It's all a bit of a conundrum, when you consider the 'official release', and what has subsequently happened, it goes like this. According to Mike Scott, the album was put out by New Millennium Records (although Amazon.com credits it to "Msi", and All Music Guide credits it to "Pilot" and "Griffin"). Mike Scott claims that New Millennium stopped paying royalties to the band but continued to sell the album. The album is not listed on the band's own 'official' discography. Whatever the actual facts are,...

Carlos Santana is sixty years young this year, yep once again another one of those now familiar milestones for music fans. Was it really 35 years ago that I bought Caravanserai , an album of timeless qualities, which I think pretty much sums up so much of the music of Santana. This concert was recorded in 1976. Lets get the period in context. Carlos Santana along with Tom Coster, producer David Rubinson, and drummer Ndugu Leon Chancler had formed yet another version of Santana, adding vocalist Greg Walker. The album "Amigos" was released in 1976 which featured the songs "Dance, Sister, Dance" and "Let It Shine" and had a strong funk and Latin sound. The album also received considerable airplay on FM (USA) album oriented rock stations with the instrumental "Europa (Earths Cry Heavens Smile)" and re-introduced Santana back into the charts. Rolling Stone magazine ran a second cover story on Santana entitled; "Santana Comes Home"...

Welcome to Bootleg Originals number one , an occasional look back to some of the defining moments in rock bootleg history. Bootlegs have been around for a long time, way before rock'n'roll, however this series will focus on the rock/pop era. 1969 tends to have tacit agreement, as the year rock bootlegs began to surface for sale, particularly in the USA. Bob Dylan is often regarded as an early 'target'. Other obvious candidates were The Beatles, and The Rolling Stones. It was made easier when the Rolling Stones undertook a 17 date US tour, in November 1969, culminating at the notorious Altamont concert on December 6th. The third date (two shows) on November 9th 1969, at The Oakland Coliseum in California, has been widely circulated as a boot. It was the US 1969 tour, and the subsequent bootlegs, that lead to the official release of the 1970 Rolling Stones album 'Get Your Ya Ya's Out!' (predominately recorded from the Madison Square Garden concerts element ...