Sneakpeek - Bethan Lloyd - Gal Musette - Sarah McQuaid

Sneakpeek - Serendipity.

Los Angeles duo Sneakpeek have just returned with new single “Serendipity,” to announce their long-awaited sophomore album, Scene Within A Dream, for a June 2 release..” Discussing, Sneakpeek’s Dora Hiller noted, "Inspired by the teachings of Abraham Hicks and Yogananda, ‘Serendipity' is about the magic of synchronicity and how the universe sends us messages if we are willing to notice the signs.”

Hiller and Aric Bohn reemerged last autumn with the single, “Dreams That You Discarded,” time away focusing their creative energies on other mediums. The duo had released their self-titled debut album in 2013 on Burger Records, with the LA Times hailing it as a, “noisy nine-track album offering up heavy, druggy guitar riffs that’d make Kurt Vile (or Lou Reed) proud.”

While that record combined elements of dream pop with grungy, garage-rock sludge, “Dreams That You Discarded” pointed to a new direction in the duo’s material, with one foot in abstract avant-garde and another foot firmly rooted within the sensibilities of new wave and disco embedded with strands of mutant DNA. Surrounded by walls of synthesizers and vintage drum machines in their Glassell Park home studio, Dora and Aric leaned into their psychedelic abandonments, taking them out on the dance floor.

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Bethan Lloyd - Metamorphosis (4 tracks).

Bethan Lloyd is a Welsh artist whose trance inducing vocals expand over an ocean of rave inspired production, harmonic layering and otherworldly ecstasy. Her sonic exploration has taken her from training as a classical singer, immersing herself in Berlin’s experimental music scene, to learning with shamans, masters and the ancient teachings of the natural world. In her latest album, Metamorphosis, Bethan, producing alongside Pre-Human bandmate and master of noise Isaac Ray, takes her intense explorations of the spirit and emotional realms and blends them into something playful and danceable, a gritty experimental pop.

 

 

Tracklisting
1.Boss Of Big Dreams
2.No Umbilical
3.Antares
4.Aria
5.Cutting Circuits
6.Parasitic Yes
7.None Of The Above
8.Whatever We Delete

Using expressive vocal layers and hypnotic acid breaks to pull the listener into an ecstatic experience, Bethan Lloyd begins this album by exploring the primal state of emptiness, a place where no thought exists and only being, acting and living remain. It is this state of emptiness and often The landscape itself which becomes the inspiration for Bethan's creativity. She is frequently journeying with her sonic tools to ancient Neolithic sites and places of awe and wonder and allowing her surroundings to inspire a unique vocal soundscape. A soundscape that stirs up a sense of the forgotten past.

The album explores the cosmos and the dark euphoria within it, the themes of mind control and diluted society ask a question about where we are headed as a collective. The music is a spell for transformation. A cry for a return to sovereignty and autonomy of mind and body. This project delves into the philosophy of animism, guiding humanity back from its abusive relationship with nature. Cutting the chords of consumerism. Cutting the circuits of control and returning to our true gifts, to the web and to the void.

Bethan Lloyd · Metamorphosis

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Gal Musette - Moment.

The new single "Moment" from pop noir singer/songwriter and piano virtuoso Gal Musette is quite stunning.

Gal confides, "Moment was a song I wrote one verse for 7 years ago, but at some point I lost the paper with lyrics on it and over time almost completely forgot the melody. Years later when I experienced a significant personal loss, I was struggling to express my grief and fell into a crippling season of writer's block.

By a stroke of serendipity, the lyric reappeared on a folded piece of paper in my glove compartment which triggered a memory of the melody, and led full circle to my finishing the song and beginning to let go." Gal's cinematic vocals sing bittersweet melodies over intoxicatedly esoteric chamber pop soundscapes.

Gal Musette · Moment

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Sarah McQuaid - If We DUB Any Deeper It Could Get Dangerous.

Ahead of a 21-show April-May UK tour that takes her from the West Country to Aberdeenshire and from Cumbria to Kent, folk singer-songwriter Sarah McQuaid has joined forces with Tim Norman of 1990s acid and ambient dub duo UVX ((Ultraviolet Explorer)) for “If We DUB Any Deeper It Could Get Dangerous”, a new remix of the title track from her 2018 album If We Dig Any Deeper It Could Get Dangerous.

“It all started with a tongue-in-cheek conversation when we were on tour in the USA to promote the album back in 2018,” explains Sarah’s longtime manager, producer and sound engineer, Martin Stansbury. “Long drives and longer days led, as they often do, to rambling chats that were occasionally intense and often frivolous in nature.”

One such conversation featured the development of a less-than-serious concept in which If We Dig Any Deeper It Could Get Dangerous could be reimagined as a dub album, akin to the Easy Star All-Stars’ classic Dub Side of the Moon.

The “dub remix” idea continued to pop up from time to time as a jokey reference over the ensuing years — until one day Tim Norman asked Martin to master a dub remix he’d done for a US-based singer/songwriter. This transformed into a simple labour exchange, and “If We DUB Any Deeper It Could Get Dangerous” became a reality.

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Erin K - Mary Anne's Polar Rig - Bethan Lloyd - IST IST - La Faute

Erin K - Keep Her.

With a growing audience of over 3 million streams on Spotify, following the fruitful collaboration on 2019s I Need Sound, the American-born London-resident musician has continued her work with co-producer Kristofer Harris (Belle & Sebastian, Ghostpoet) and recorded new album Sink to Swim at his Squarehead Studios in Kent.

Erin’s narrative-driven songs are as forthright and personal as they are engaging and the candid nature of her often fearlessly self-deprecating lyrics make repeated listens of the timeless songs rewarding. None more so than Keep Her.  “This song illustrates the circumstances of a girl who is bound to her relationship with a controlling partner”, Erin says. “It is written almost in the form of an encouraging letter to the dominant party, offering advice on how to “keep her by [his] side so she can’t let go”. As the verses unfold, the extent to which this girl is broken and bound are poetically revealed.”

This subject matter is intensely personal to Erin who “found myself in similar relationship dynamics in the past. It’s disturbing how reality can be so drastically altered in this way.”

The song evolved considerably from its original form to the final studio recording. “Musically, it was interesting to witness the evolution of this song, originating as something very sombre and heavy. The arrangement is lighter now, serving as a nice contrast to the subject matter”. The video for Keep Her was made in an unconventional way using cutting edge gaming technology.  Director Dylan Copeland explains, “Using camera trackers designed for gaming, and a hardware compositor designed for broadcast, we projected Erin and her guitar from our studio in London to a bench in a virtual clearing in a virtual forest in an Unreal Engine”.

 

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Mary Anne's Polar Rig - Som En Dröm.

Rama Lama Records proudly presents 'Makes You Wonder', the new album from Malmö's art-rock-fuzz-pop duo Mary Anne's Polar Rig. Their sophomore effort is shape-shifting art rock that’s alternatively brooding and euphoric, the record is packed with irresistible melodies, needle-sharp guitars, scuffed-knees scrappiness and Hofvander’s snarling, growling and yelping vocals, but compared to their debut it vastly expands the scope of what they can do with it. The album will be out March 24th on all platforms, CD and a limited gatefold double vinyl.

A lot of the story of Mary Anne’s Polar Rig’s new album Makes You Wonder is about ambition. It’s a record the band made to explore new territory, to really see what they could do. New single, and the record’s final one, “Som En Dröm”, is that ambition made real - it’s five minutes of soaring, grandiose music, skyscraping art-rock that feels bigger than anything they’ve made before.

“Som En Dröm” (Like A Dream) announces itself with a stomping guitar riff, and grows into a swirl of jangling guitar lines and thumping drums. It feels like a song written in different chapters, with its choppy intro, rock-and-roll sing-along chorus and helter-skelter, guitar-shredding outro. But fueling it all the way is a sense of restlessness, of longing to run towards the horizon and never look back.

Singer Malin Hofvander says: “We used to call this the ‘bob hund’ song as we were working on it. They’re probably one of our all-time favorite Swedish bands, so it’s no secret that they’ve been an inspiration for us, and especially on this song. It was the last song we wrote before going into the studio, and I think that made us want to experiment with it more. Production-wise, I was really looking for that dreamy feeling of walking through different atmospheres, never knowing where you’ll end up next. Zakarias Lindhammar, who did the mix on this one, really did an awesome job. It’s probably the track I’m most proud of on the album”

About the video, MAPR says: This song was a wild ride in the studio. Much like its title (translated to "Like a Dream") we wanted it to have many parts drifting in and out of each other in a way that somehow makes sense although it's slightly unnatural. It will be released together with a music video featuring the dreamworld of a twisted detective desperately seeking signs of alien activity in Malmö. It was shot and edited by our friend Oskar Rydlinger who filmed us on tour in Germany 2018 and for several different loose music video projects over the years that never reached the surface. So he used all of that archive material he had for this video to make it really feel like a warped timeline of nostalgic memories blasting at you. We also threw in some really old videos of ourselves as kids just to go full circle with it. Guess the story is not really supposed to make too much sense... it's like a dream.... finns ingen tid"

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Bethan Lloyd - Aria.

Bethan Lloyd is a Welsh artist whose trance inducing vocals expand over an ocean of rave inspired production, harmonic layering and otherworldly ecstasy. Her sonic exploration has taken her from training as a classical singer, immersing herself in Berlin’s experimental music scene, to learning with shamans, masters and the ancient teachings of the natural world. 

In her latest single, Aria, Bethan, producing alongside Pre-Human bandmate Isaac Ray, takes her intense explorations of the spirit and emotional realms and blends them into something playful and danceable, a gritty experimental pop.

The landscape itself often becomes the inspiration for Bethan's creativity. She is frequently journeying with her sonic tools to ancient Neolithic sites and places of awe and wonder and allowing her surroundings to inspire a unique vocal soundscape. Aria is one such example. Written in Bryn Celli Ddu, a Neolithic burial chamber on the Isle of Anglesey, Aria is an ode to the ancient Welsh, to the Sun gods and sleeping ancestors. Stirring up a sense of the forgotten past, the chorus is an emotional cry for a sense of belonging and the desire to truly find one's home.

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IST IST - Nothing More Nothing Less.

With their upcoming third album fast approaching, IST IST are pleased to unveil the latest track to be cut from the record: “Nothing More Nothing Less”. Chiming with the overarching concept of ‘Protagonists’ (out 31 March, via Kind Violence), the Manchester band’s new single finds them stepping into the shoes of a character trapped in a complex relationship and at odds with her true feelings. As frontman Adam Houghton explains:

““Nothing More Nothing Less” is a simple love song really written from a woman’s perspective who isn’t exactly sure what she wants.” Infusing atmospheric synthesisers and inspiriting backing vocals into their signature post-punk sound, “Nothing More Nothing Less” sees IST IST delivering one of their most cathartic and climactic singles to date.

“Nothing More Nothing Less” arrives as the next-in-line in a string of fascinating singles to have been released in recent months, with “Something Has To Give”, “Stamp You Out” and “Mary in The Black and White Room”, all leading the way to their upcoming ‘Protagonists’ LP later this month (31 March). A record all about new beginnings, the album will touch on the trials and tribulations of love, tricky family relationships, and the feeling of being trapped by the past. The title is inspired by songwriter Adam Houghton’s magpie-like method of writing, with its songs placing prominent characters, fictional and non-fictional, into dystopian worlds with new and uncertain outcomes. Recorded and mixed by Michael Whalley and IST IST at Milkshed Studios, the album was mastered by the legendary Greg Calbi and Steve Fallone at Sterling Sound (The National, Yeah Yeah Yeahs, Interpol) and as its precursory singles suggest it will see Ist Ist traversing a broader spectrum of genres and sounds than ever before.

Alongside the album, IST IST also delighted to confirm news of another exciting venture - a brand new community studio. Acting in response to the shock closure of the Brunswick Mill rehearsal spaces earlier this month, a facility used by IST IST since 2018 but also countless artists from across Manchester, the band quit their day-jobs and have decided to establish their own rehearsal rooms. Built with their own bare hands and located on the third floor at Nile Mill A in Oldham with just shy of 4,000 sq ft of space, KVR Studios aims to offer a safe space to all of the creatives in the city who have been evicted from Brunswick Mill and similar spaces blighted by gentrification. The studio will boast nine rehearsal rooms in total, a blackout photo studio big enough for photoshoots and videos, and lockable storage areas to store equipment. With 24 hour access to the facilities to accommodate all schedules and needs, rooms will be available to rent in four hour blocks or monthly, with multi-band sharing opportunities also available.

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La Faute - Watercolours.

A hidden gem from the frozen heart of Toronto, Canada, art school dropout and Sony Music Publishing artist La Faute (aka Peggy Messing) has released her lead single and music video, Blue Girl Nice Day, from the debut album of the same name.

La Faute is Messing’s dark, dreamy solo project. A visual artist, multi-instrumentalist and singer-songwriter originally from Winnipeg, Canada, she explores themes of surface vs. depth, longing, betrayal, mourning and desire. Using tenor electric guitar and obsolete hardware samplers, she created her captivating live show and released her debut EP just before the pandemic. She chose to pause performing live due to her health, and returned to focusing on creation, finding workarounds to the problem of isolation. She connected with fellow artists and producers in France, the UK, Canada and the US to create music during this time, most recently with LA-based Topher Mohr who produced her upcoming album.

She received unanimous praise for the first single from the album, ‘Blue Girl Nice Day’, in February 2023, an unsettling, haunting song inspired by the Milgram experiments of the 1960s. The song was accompanied by an eerie video that showed the artist making a bed in a windswept field with looming power lines in the background. Messing has become increasingly interested in filmmaking, art-directing and shooting music videos for each song herself, inspired by French new wave and film noir aesthetics.

Messing is a former Girls Rock Camp Toronto volunteer, and found inspiration through helping girls get into music, offering them something that she wished had existed when she was growing up.

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Bethan Lloyd - 7Descent - Marcus Lowry - Rowlette

Bethan Lloyd - No Umbilical.

Bethan Lloyd is a Welsh artist whose trance inducing vocals expand over an ocean of rave inspired production, harmonic layering and otherworldly ecstasy. Her sonic exploration has taken her from training as a classical singer, immersing herself in Berlin’s experimental music scene, to learning with magicians, masters and the ancient teachings of the natural world. In her latest single, No Umbilical, Bethan, producing alongside ‘Jet Pack Dog’ bandmate and master of noise Isaac Ray, takes her intense explorations of the spirit and emotional realms and blends them into something playful and danceable, a gritty experimental pop.

No Umbilical had been through a variety of alternate versions before arriving at the one we hear today from the upcoming album, Metamorphosis. Talking of impossible hertz and becoming the feeding ghost, it has always retained the stark lyrical ambition of its predecessors, but in its final form, Bethan and co producer Isaac Ray opted for a softer, rolling production, that hints at a 90s nostalgia with a modern twist.

Bethan’s lyrics delve into the philosophy of animism and her classical vocal training shines through in the choral layering that brings the piece to a close. Accompanied by a video shot on a now vintage handheld camera, on the outskirts of Berlin, in a decaying building where nature tries to regain a hold, No Umbilical, both aurally and visually, places itself in a liminal space between past and present, consumerism and ancestry.

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7Descent - Prisoner.

7Descent’s music video for their new song, “Prisoner” is a reminder that sometimes simplicity works best. Feauring new Lead Singer/Vocalist Saffron. The video is a multi-angled live performance, making it a very intimate experience for the viewers and the fans. Once the chorus hits, a “delayed” camera effect adds a cool effect layer to the video. Lead singer, Saffron belts her heart out and pours her soul into her debut performance. Saffron brings a new creative element to the band. She is heavily influenced by rock opera and her stage presence is authentically natural as she is a trained belly dancer.

“Prisoner” talks about the feeling of being trapped by love. The band recreates the emotion of the lyrics in their live performance with absolute abandon.The whole video focuses on the band and the band only. No props, no distractions bringing back the vibe of original rock bands from the 70's era.  Shot in one of Nashville's biggest sound studios, the viewer entertained by the live performance.  Ed Taylor's  lengthy but intentional guitar solo enters the song on cue reminiscent of a live rock concert. AJ Cremins on drums and Brian Coffey on Bass are in harmony with the shredding of Ed Taylor's guitar and Saffron's gritty intentional vocals.  Saffron carries those edgy long notes as if you are taken into a rollercoaster ride of emotions through rock music.

7Descent, consisting of four members, is a band that seeks to bring a personalized tone into the Nashville scene. Each member has their own feats and accomplishments that contribute to the band’s style. Influences ranging from metal mixes to opera & 80’s rock, the band hopes to showcase their personal style and unique approach to their music.

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Marcus Lowry - One Million Lights.

Marcus tells us: "One Million Lights” speaks directly to the beauty of life and the painful acceptance of its ephemerality.

At the time of writing my new single, I was reading Mary Oliver’s Devotions and was so inspired by her view of the world. It felt like she was so in tune with life and nature, embracing death with such calm and acceptance.

I struggle with anxiety and hurry sickness, so the inevitable passing of time is definitely a recurring fear for me. The songs on my upcoming album and the journeys depicted in their lyrics act as my own personal reminder that fear can threaten my ability to explore all of life’s richness.

So far in my career, I’ve been working as a guitarist in Montreal, accompanying other artists and singer-songwriters mostly in the jazz and folk scenes. I feel that I have grown so much throughout the process of crafting my debut album.

Marcus Lowry · One Million Lights

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Photo - Joanna O'Malley

Rowlette - Dreamer.

“Dreamer”, Rowlette’s first release of 2023, is an inspiring and intimate folk-pop track. In the unusual setting of a discount store, the song captures the beauty in everyday moments, and the feeling of knowing someone truly believes in you.

“I love this song because of its simplicity” says Rowlette, “I wrote it about a day a friend of mine came to visit me in my hometown. It was a wintery Sunday evening during the pandemic and there was really nowhere to go. We ended up going to Mr. Price and having a great time - it’s one of those places you always find things you didn’t know you needed! I got a lovely journal to write down what I wanted for the year, and I assumed he would think I was a bit silly, but instead he was just really supportive.”

“Obviously big gestures and that are nice, but I think there’s nothing better than when you can tell someone really believes in you and has your back.”

Talking about what she’d like from the song Rowlette hopes it reminds people to tell the people around them they believe in them; “Honestly there’s so much fake crap out there and online, I think the impostor syndrome is real for everyone! Tell your friends “You got this!” We all need to hear it sometimes.”

The acoustic pop track was produced by Dave Skelton and mastered by Aidan Foley. The singer’s distinctive vocals sit beautifully on top of her trademark acoustic guitar, alongside piano and some orchestral elements mixed with modern pop percussion and bass.

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