Showing posts with label Bad Hammer. Show all posts
Showing posts with label Bad Hammer. Show all posts

Bad Hammer - Emily Breeze - SOMOH

Bad Hammer - Away.

Berlin-based shadow-pop newcomers Bad Hammer have shared sombre love song, 'Away'. The track and accompanying video are the final pieces to be shared ahead of the release of their debut album, End Of An Age, which is due out this Friday. On their new album, the duo blend melancholic melodies with poignant guitar riffs, meandering along warm synth pads and subtly driving drum beats to dazzling effect. Thematically the songs that make up their forthcoming debut, End of an Age, are connected by referring to a state of being on hold, undetermined, between looking forwards and back, holding on to something and anticipating change.

Bad Hammer are Lisa Klinkhammer (synthesisers, vocals) and Johannes Badzura (guitar, drums, vocals). In 2019, they released their debut EP, Extended Play, and have been touring extensively throughout Europe ever since, opening for like-minded artists including Molly Nilson, Sean Nicholas Savage, Jaakko Eino Kalevi and more.

The album’s title was inspired by a photobook of the same name by British photographer Paul Graham. The images were taken at the turn of the millennium, not long before 9/11. “Somehow we felt that these pictures captured a feeling that we were also observing in our surroundings, some kind of coming of age on our own personal level as well as sensing a change to come on a much larger scale,” explains Badzura.

Bad Hammer's timeless pop songs take inspiration from the past. “We use analogue synths from the 80s and a drum machine from the early 90s so the sounds are kind of nostalgic but we like to subtly mix genres, like putting some dubby rim shots onto a pop beat,” says Klinkhammer. “On some of the songs we like to try and subvert traditional songwriting techniques by occasionally denying the ultimate climax. Or in some simply destroying it! Like the way our rather candy 60s song ‘Away’ is destroyed at the end with some guitar shreds,” she continues.


======================================================================

Emily Breeze - The Bell.

The Bell is the third single from Emily's upcoming solo album Rapture due for release February 2023 which Emily describes as "A collection of coming-of (middle) age stories which celebrate flamboyant failure, excess and acceptance", recorded at Rockfield Studios with Stew Jackson (Massive Attack).

A story teller through and through, Emily describes the single as "a love song to nights spent in the local pub where you swing by for a quick pint after work. You are probably meeting a friend who is having a crisis, just one quick pint and then straight home. Your first glass is empty just as the conversation is getting to the important part but it's fine, two pints on a work night is totally fine.

Crisis friend leaves to put the kids to bed and just as you are putting your jacket on, in walks an old mate who you haven't seen for ages. Go on then, just a half, oh alright yeah a pint, you have a lot to catch up on. You crack jokes and reminisce in the sepia glow of the golden hour and it is fun. Real actual fun. You talk of good times and desperate times, you're getting sentimental now, this is some grade A lager fuelled nostalgia.

You stop counting drinks as it’s just started raining and somehow everyone you have ever known and loved is here. A Little Richard song comes on the stereo and you declare that soul and rock n roll are the highest forms of art. You seem to be making a speech and enter a heated debate with that weird guy who always sits at the bar as the quiet voice inside telling you to go home surrenders completely to the pub, the conversation, the good tunes, the cold beer and the old friends.  F it tomorrows gonna be alright.”



======================================================================

SOMOH - I Know You Care.

London’s SOMOH impresses once more on her sophomore single ‘I Know You Care’ further cementing herself as an artist worth keeping an eye on throughout 2023 with her brilliant debut EP ‘A Plan To Get Home’ being a stunning piece of work out in the first quarter.

Speaking about this mellow, cathartic new single, SOMOH said “This song is about how people’s intentions don’t always reflect well in how they act towards you. I tend to just walk away from situations that hurt me, without holding the person accountable because I’m not the best at confrontation. At least I can get my anger out in writing songs!”

Last month SOMOH released her debut single ‘Anything’ which amassed lots of tastemaker support from the likes of BBC Radio 1, Clash & The Line Of Best to name but a  few.  Along with today’s new song, Anything will also make its way onto the tracklist of her debut EP ‘A Plan To Get Home.’ The song’s lyrics spoke of the meaning behind loving somebody deeply. 

She said “This song is about coming to terms with your love for someone & knowing that you’d do just about anything for them. It’s a scary but beautiful feeling to fall that deeply for a person.” The song was produced and mixed by Joel Johnston & Mack Jamieson, who has also produced and mixed the entire EP that will be released on Tiny Library Records.

======================================================================

Bad Hammer - Julian Shah-Tayler - Fe Salomon - ALASKALASKA

Bad Hammer - Call Me.

Berlin-based shadow-pop newcomers Bad Hammer have shared new single 'Call Me'. The single comes alongside news that they will be touring the UK and Europe in November and December, including dates with NY's Black Marble. Bad Hammer blends melancholic melodies with poignant guitar riffs, meandering along warm synth pads and subtly driving drum beats to dazzling effect. 

Thematically the songs that make up their forthcoming debut, End of an Age, are connected by referring to a state of being on hold, undetermined, between looking forwards and back, holding on to something and anticipating change. End Of An Age will be released on November 25th.

Their new single, 'Call Me' is is a song about the connection between a mother and her child. A six-minute pop epic drenched in emotion and longing. On their new single, Bad Hammer says: "It's about communication, through the umbilical cord, then through touch, then through words, through machines like a telephone, through thoughts and eventually through energies when one is not there anymore. There is that desire, that feeling of solitude and vastness when that connection has become ethereal.”

Bad Hammer are Lisa Klinkhammer (synthesisers, vocals) and Johannes Badzura (guitar, drums, vocals). In 2019, they released their debut EP, Extended Play, and have been touring extensively throughout Europe ever since, opening for like-minded artists including Molly Nilson, Sean Nicholas Savage, Jaakko Eino Kalevi and more.

======================================================================

Julian Shah-Tayler - Elysium (Album).

Julian Shah-Tayler is a new-wave electro-rock artist hailing from Leeds, UK now based in South Pasadena, California. He draws his inspiration from 80s and 90s New Wave, Britpop and Electronic Rock with lyrics inspired by literature and a lifetime of professional touring. Fans have described his sound as “David Bowie and Depeche Mode had a baby”. Synthy, complex, sexy music to make love to.

The album features contributions from David J (Bauhaus/Love and Rockets) and MGT (Tricky/Mission UK) as well as coproductions with Robert Margouleff (Stevie Wonder/Devo)

The new album, the third under his own name, entitled “Elysium” is “the story of *the* love of my life from the very moment we met, and the subsequent and very relatable emotional rollercoaster that comes with the territory of being in love and overcoming vast distances, both literal and metaphorical”.

The record opens with “End Of The Line” which narrates the dissolution of old pain, paving the way for new beginnings. It then takes the listener on a voyage through the building back of hope through the different moods and stages of love and resolves with the triumphant universalism of “Darkling U.” In a word Beehive Candy has no hesitation but to say "superb" no make that SUPERB!!!

======================================================================

Fe Salomon - Quintessential England.

Arriving like a twisted fairy tale from the heart of Middle England, the new single from Fe Salomon is off-kilter and unpredictable at every turn. Taking the listener into “the countryside, in the middle of nowhere, with postcard villages and fresh clean air”, “Quintessential England” finds an artist reflecting on a period of her life where she gave up the bright lights of the city in search of a new life in Rutland (the smallest county in the UK on the Northamptonshire / Leicestershire border). 

While this beautiful pocket of England provided the change of environment she craved, after spending a couple of years playing at the good life, petting sheep and living an isolated existence’ the daydream began to fade and Fe began to realise that the demons that had driven her there hadn't disappeared.

With its toy-town like melodies, topsy-turvy vocal trills and clockwork-like percussive ticks, it’s a song that twitches with a very palpable presence of paranoia and claustrophobia. Speaking about how she formulated its unique score, Fe remembers: “The starting points of this song were the howls and chirps made by the studio cat, mixed with vocals, then transcribed into violin parts and played with chopsticks.”

Through wry lyricism and vivid imagination, “Quintessential England” paints a lucid, if lonely, depiction of a life lived out in the sticks; one that ultimately arrives at the conclusion that perhaps “the grass isn’t always greener”. She’s still searching for that place to belong.

======================================================================

ALASKALASKA - Glass.

ALASKALASKA (pronounced “Alaska-laska”) share their long awaited new album, Still Life, via Marathon Records (Lava La Rue, Courtney Barnett, Pond etc). It comes ahead of their 13-date UK tour supporting Porridge Radio, which kicks off next week (dates below). Still Life finds writers and producers Lucinda Duarte-Holman and Fraser Rieley embracing a more free-form electronica while exploring the privileges associated with modern domestic existence and the pressures that come with technology, social media and climate change.

The highly anticipated album features singles "TV Dinners", "Still Life" and "Growing Up Pains (Unni's Song)", which drew support from BBC 6 Music's Lauren Laverne, Chris Hawkins and Tom Ravenscroft, BBC Radio 1's Jack Saunders and Nels Hylton, BBC Introducing's Jess Iszatt and more. Produced by Jas Shaw (of Simian Mobile Disco), the album is full of digital sounds, drum machine and synth melodies cunningly sat beside rich, organic, acoustic instrumentation–a looping tug of war between existential dread and everyday simple pleasures.

To celebrate the album release, they also share a video for the new album single “Glass”  Lucinda says of the track: "Glass is about the unhealthy relationships some of us have with work. Do you live to work, or do you work to live? Do you feel like you have a choice? It feels like a lot of people are starting to re-asses their work/life balance after the effects of the last couple of years. Ultimately I think there needs to be a shift in work ethics in general. Bring in the 4-day working week and pay people properly for their time and energy!"


======================================================================

Listen To BCMR (Beehive Candy Music Radio) streaming 24/7 with all the music featured on Beehive Candy in recent weeks and an eclectic mix of music from days gone by. BCMR-HERE.  

Dance Lessons - Luke Warm and the Cold Ones - Bad Hammer - Hunting - Julia Jade - Melissa Carper

Dance Lessons - Wet Batteries / I Like Lies.

London-based trio Dance Lessons share double A side single ‘Wet Batteries / ‘I Like Lies’, mixed by Andrew Maury (Lizzo, Shawn Mendes, Kimbra, Lewis Del Mar) in NYC.

Dance Lessons are a female fronted and produced band, made up of Ann, Tom and Nat. Blending alternative pop, electronica, disco, soul and jazz, the trio create their own genre that they’ve coined ‘Serrated Pop’. They create music for fans of the likes of Little Dragon, Porij, SAULT, and Jungle, whilst embracing influences from further afar with nods to icons such as Massive Attack, Bjork and Rosin Murphy.

Dance Lessons are the product of an actual dance-off between Tom and Ann at a house party back in 2019, after Tom took the crown with a slut drop, the pair got talking and established that they shared a love of disco, soul, jazz, alternative and pop. From this, Tom invited Ann along to the new project he was starting with long-time friend and collaborator, Nat and thus, Dance Lessons were born. Having released their first three, critically acclaimed singles during the midst of the pandemic and subsequent lockdowns, the fear and uncertainty of releasing music during this time, threw all their inhibitions away, and encouraged the trio to focus on music they love. Their new double A side ‘Wet Batteries / I Like Lies’ is the product of this.

‘Wet Batteries’ is an upbeat, funky tune, with dreamy vocals and smooth saxophone backdropped by fierce electronics with an angsty riff reminiscent of Bjork’s ‘Army Of Me’. The track is a celebration of being carefree and holding onto your inner child. The single’s juxtaposition of high energy versus the ethereal lightness, opens questions to everything. “It's about keeping that Peter Pan personality alive” they add.

‘I Like Lies’ is a softer, soulful and more sensual single, with Ann’s enticing vocals at the forefront. Floating through on dreamy sax and electronics, this shimmery track is made up of attitude, embracing stroppy childishness within an adult context. It explores the idea that blissful ignorance might not offer much resolution but it can be healing in its own way, as Ann repeats “don’t speak the truth,” acknowledging that the heartbroken are better off unaware.

======================================================================

Luke Warm and the Cold Ones - Paradise Lost.

Luke Warm and The Cold Ones are sharing a nostalgic and reflective single, the alternative and folk rock inflected “Paradise Lost.” Written by lead singer Greg Chomut after visiting a friend he hadn’t seen in awhile, the song’s lyrics flowed out of him.

Emotive guitars, earnest vocals, and the violin skills of Dreamhouse Studios’ Kara MacKinlay create a melancholic overture which illustrates the importance of caring for what you have before it’s too late.

Luke Warm and The Cold Ones is a rock band based out of Thunder Bay, Ontario. As such, their music is reflective of the Northern experience of living ina small Canadian town.

The variety of influences which their five members bring to the band creates a sound that is familiar and new at the same time. Everything from punk to folk, metal, classic rock, and hip hop seamlessly blend into a refreshingly contemporary sound. Much of their music focuses on the more painful side of the human condition, but in a fun way that gets people moving and having a good time in a therapeutic manner.

======================================================================

Photo - Chris Filippini
Bad Hammer - Court Of Love.

Berlin-based shadow-pop newcomers Bad Hammer have announced that their debut album, End Of An Age, will be released on November 25th. Bad Hammer blends melancholic melodies with poignant guitar riffs, meandering along warm synth pads and subtly driving drum beats to dazzling effect. Thematically the songs that make up End of an Age are connected by referring to a state of being on hold, undetermined, between looking forwards and back, holding on to something and anticipating change.

Their new single, 'Court Of Love' is cocktail of punchy post–punk drums, cool synth waves and psychedelic guitar riffs. “Come on baby sue me right” sings Lisa Klinkhammer, summoning the courtroom as a stage for the end of a relationship.

On their new single, Bad Hammer says: “The song deals with a potential destructiveness and almost sportive hostility in and post relationships that finally end (in divorce), while the video takes a rather light-hearted perspective on the economics in the court of love."

The self-produced music video for 'Court of Love' depicts a day in the lives of 'Bad & Hammer', a successful divorce lawyer duo. Within the documentary style video out-dated TV ads for their services pop up, reminiscent of the aggressive 80s/90s TV ads by New York lawyer Jim “the hammer“ Shapiro.

Bad Hammer are Lisa Klinkhammer (synthesisers, vocals) and Johannes Badzura (guitar, drums, vocals). In 2019, they released their debut EP, Extended Play, and have been touring extensively throughout Europe ever since, opening for like-minded artists including Molly Nilson, Sean Nicholas Savage, Jaakko Eino Kalevi and more.

======================================================================

Photo - Jessicka Yliruusi

Hunting - Piano Fire.

Indie-pop duo Hunting have announced their upcoming third album, You’ve Got Love (But It Even Tears You Apart), for a November 11 release via Nevado Music, sharing a first single from the record - a cover of the Sparklehorse song “Piano Fire,” in honor of what would have been Mark Linkous’ 60th birthday tomorrow.

Hunting have covered a Sparklehorse song on each of their albums. Discussing the inspiration to cover “Piano Fire”, Bradley noted, "I’ve always loved the Sparklehorse album ‘It’s a Wonderful Life'. It was given to me at a time when it was exactly what I was looking for sonically and emotionally. I find Mark's lyrics so interesting and surreal. Mark's mom actually got a message to us after hearing our cover of 'Gold Day', it was so incredible and heartbreaking. 'Piano Fire' is one of the more upbeat songs on that album and I thought it would be a perfect cover for us.”

On You’ve Got Love (But It Even Tears You Apart), Hunting reject the clichéd fairy tale ending and dive deep into all sides of love: the beautiful and the ugly. The duality of the record is perhaps best summarized on the track “Hit Me Jane,” when Ferguson sings, “go fuck yourself. Are we still in love?”

Bradley and Jessicka (who also releases electro-pop music under her own name) know a lot about the ups and downs of love given that they’ve been married for 10 years. On the balmy sounding “This Year,” we get a glimpse into their schedule during pandemic lockdowns - highlighted by day drinking in local parks - and the heart-eyed highs they’ve had together. But on the piano-pop duet “Hollywood Love Song,” the pair are upfront with the challenges of being in a long-term relationship and come together to sing, “love is trouble.”




======================================================================

Julia Jade - unfaithful.

A queer-feminist singer-songwriter who has an opinion on everything. From LA to Boston to Nashville, Julia Jade has brought her penchant for introspective storytelling and songs of social conscience everywhere she’s gone. 

Jade creates quirky, piano-based indie pop with something for everyone— thought-provoking lyrics for the dreamers and witty/sarcastic one-liners for the skeptics. 

Her style is most notably equated to those of Dodie, Regina Spektor, Ingrid Michaelson, and Kate Nash. It is nearly impossible not to sing along to this suit-wearing femme who doesn’t take herself too seriously.

This is a gorgeous song with a timeless vibe, the video takes us back to the day's of Diners and enhances the 50's & early 60's feel of the song. The humour is subtle and works!

======================================================================

Melissa Carper - Ain't A Day Goes By.

The amazing Melissa Carper has announced her forthcoming LP Ramblin' Soul, out on November 18 via Thirty Tigers, with the release of its first single and video this week, "Ain't A Day Goes By."

Of the track, written after the death of her beloved dog Betty in 2014, Melissa says, "This song is very emotional for me. It was difficult to go through my Dad's death, then my Mom's death only a year later, and really, in a sense, losing my younger brother to severe mental health issues that have changed his personality completely. Betty's death crushed me because she had been through it all with me. The grief just started pouring out at that point. I wrote ‘Ain't A Day Goes By’ within a year of her death, but could not sing it without crying until recently, so I haven’t performed it much in my shows. Now, it gets its rightful debut on Ramblin' Soul because it is a true soul song.”

In 2021, Melissa released her critically-acclaimed LP, Daddy’s Country Gold, which was lauded by NPR, Rolling Stone, No Depression, Wide Open Country, Folk Alley, and so many more. In 2020, she decided to relocate from Nashville to an Austin, Texas-area farm, trading her work on the farm for room and board in a tiny trailer, plus all the organic veggies and fresh air she could handle. She also found her muse again, resulting in Ramblin' Soul, full of soulful grooves and vintage R&B, mixed in with her signature old-school country and jazz stylings.  Her message is about joy and heartache, but also celebrates the simple things in life. In this turbulent time in history, a reminder that the world is still beautiful is always a good thing.

======================================================================

Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...