Artificial Pleasure return to Beehive Candy with 'Lose Myself Again' (we featured 'Side By Side Together' last September). The new track mixes synth pop with deeper rhythmic vibes along with some notable, indeed splendid vocals. === Chris Pellnat has a new album entitled 'Rain'. Chris has appeared here as a solo artist, band member and also with Erin Pellnat, the one consistent in all guises is the quality of the music. New album 'Rain' takes us on a creative and variety packed journey, we have a video for the title track along with the full album below, enjoy! this is another really good collection. === We have enjoyed many artists down the years who have a day job along with their musical activities, however introducing a couple of CERN scientists takes us into new territory. Despite that Haneke Twins get our attention because of the music and 'River' is a fabulous post punk piece with that extra something that seals the deal.
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Artificial Pleasure - Lose Myself Again.
With their recent tracks ‘Side By Side Together’ and ‘Into The Unknown (Pt. II)’, Artificial Pleasure are gearing up to make the breakthrough they deserve. With both tracks previewing their upcoming second album, they’ve earned fresh plays from Gary Crowley at BBC London and Jess Iszatt at BBC Music Introducing, plus Seattle’s renowned KEXP.
They’ve also taken their attention-demanding live show to fresh faces, headlining nights curated by Andy Backhouse and Hidden Herd as well as a gig as guest to MF Tomlinson. The band were also recently nominated for INES, a project that seeks the best new talent for a range of key European festivals and music conferences.
Building upon their growing profile, the London trio now share their brand new single ‘Lose Myself Again’. It’s a tense, anxiety-fuelled march of cinematic synth-pop and leftfield industrial rhythms - a fusion of modernist and retro electro that would feel equally at home on the soundtracks to ‘Blade Runner’ or ‘Stranger Things’. The song also features backing vocals courtesy of Jylda, who previously collaborated with the band on ‘Boys Grow Up’.
“‘Lose Myself again is a song about the depths of depression, how it can control you and how lost you can feel,” says the band’s frontman Phil McDonnell. That concept is highlighted by his anguished vocal delivery in lyrics such as, “I just know it’s coming back.”
Artificial Pleasure’s Phil McDonnell (vocals/guitar) and Dom Brennan (synths/production) are life-long friends. By the time they were adults, their individual projects didn’t share much common ground: Brennan was producing ear-bleeding electronica while McDonnell was playing the hugely demanding repertoire of Frank Zappa in a touring cover band. But friendship and a shared passion for music overcame such expectations, and they recruited jazz/funk specialist Lee Jordan to provide the grooves to complete their vision for Artificial Pleasure.
Longtime friends, work colleagues and old bandmates, the two CERN scientists — originally from Greece, based in Switzerland — decided to form Haneke Twins and record their first EP in 2018.
Haunting baritone vocals blended with eerie but catchy guitar licks resulting in a “Bauhaus/Joy Division meet Interpol” debut album. 2020 finds Haneke Twins with a brand-new 2-track single, precursor of their upcoming album expected to be out later this year.
Haneke Twins are Paschalis Vichoudis (vocals and bass guitar) and Stefanos Leontsinis (guitars).
Helga has released a collection of five songs on her new E.P 'The Autumn Lament'. Each track is distinct, the moods change as does the level of power or melodic construction and overall this is one very compelling E.P. The Handsome Bandit have shared a video for 'Believe You Me' a song described as progressive piano pop/rock, I could not put it better I'd just add that it is exceedingly catchy.
It's been some time since we last featured Artificial Pleasure they return with 'Side By Side Together' a hook laden and vocally led alt rocker that is the first taste of their new album due next year.
Mr Ben & The Bens have released a video for their recent single 'Transmissions' a sprightly indie pop song and ahead of the forthcoming album 'Who Knows Jenny Jones?' due in October.
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Helga - The Autumn Lament (E.P).
Hailing from the dark forests of Dalarna, Sweden, HELGA re-emerges from the wilderness to release her intense second EP ‘The Autumn Lament’ on September 20th.
Writing from the solitary confines of her cabin with just a guitar for company has given Helga’s songwriting a unique sense of introspection. Employing an eclectic blend of pop, metal, post-rock, goth, folk and classical influences to devastating effect, Helga tells us that the new songs are:
“a musical translation of my inner and physical world. I personally love reverb-drenched music and sounds, drawing inspiration from my dream world, the misty forests, and Swedish folk music.”
In a time when the environment is ever more under threat, it’s only natural that meditation upon the state of the world, while full of beauty, is tinged with darkness and melancholy.
Opening with the previously released pop-goth destroyer 'Mörker' we are immediately transported into a sinister and engaging landscape. Tribal drums, throat singing a la The Hu and ominous strings soon give way to churning bass and razor edged metal breakdowns, with Helga’s haunting vocal remaining a solitary guide through the dark.
Elsewhere across the 5 tracks on ‘The Autumn Lament’ we find Kate Bush meets Opeth influenced tracks like 'Into The Light' and 'Worlds Apart'.
Proving that despite proudly emerging from black metal roots, Helga is willing to embrace modern pop and folk elements. Distinctly melodic without giving up it’s unsettling character, it makes for an eclectic, unique blend, and cements Helga’s status as one to watch on the dark pop / nu-goth scene.
Celebrated as “a refreshingly catchy new band that’s fearless, demands the stage, and charms their audience!” The Chicago Band, The Handsome Bandit discovered its unique cocktail blend of Pop-Rock with a sprinkle of Swing when two creative singer-songwriters merged their artistic passions.
Eric Niequist’s powerful lead vocals and edgy bass riffs weave alongside the intricate piano melodies and warm vocals of Allison Hogan. The Handsome Bandit will have you energized and enthralled with their foot stomping sing-alongs, dynamic ballads, and thunderous anthems!
“Believe You Me” an original work by The Handsome Bandit. This track is progressive Piano Pop/Rock changing tempos and written in compound time. Influencers: Panic!, Fall Out, Queen, Ben Folds, The Dear Hunter
Mixing style, art school flair and an arsenal of killer songs, London’s Artificial Pleasure made a strong impression with their debut album ‘The Bitter End’. Earning the support of NME, The Guardian, The Independent, The Line of Best Fit, Dork and Clash, the four-piece inspired references with LCD Soundsystem, Talking Heads and Brian Eno while making music entirely on their own terms.
Now Artificial Pleasure have morphed into 2.0 mode as they drop their brand new single ‘Side By Side Together’. It’s the first taste of their second album which will follow in 2020.
‘Side By Side Together’ represents a confident evolution in Artificial Pleasure’s sonic approach. While it plays on their love of the greats of the Stax Records era, their rich textures of synths ensure that the track looks boldly towards the future rather than merely playing homage to the past. Topped by frontman Phil McDonnell’s charismatic vocal and complemented by vocal harmonies from JYLDA and bass/synths from Sam Mason (of Die Mason Die), it’s anthemic future-soul played with the vibrancy of road-hardy touring band.
McDonnell wrote the song in the back of the band’s tour van while driving through Europe at night. It was subsequently recorded with engineer Moritz Kerschbaumer (Foreign Poetry) in his studio in Hackney Wick, East London.
‘Side By Side Together’ is a love song about friendship and the need for unity and kindness in a world that is progressively getting more fd,” says McDonnell. “The long nights, long drives, the hardships, the fun, the falls and high points of touring all bind us together in a way that goes beyond friendship and they are experiences that bond people for life, regardless of distance.”
Artificial Pleasure’s Phil McDonnell (vocals/guitar) and Dom Brennan (synths/production) are life-long friends. By the time they were adults, their individual projects didn’t share much common ground: Brennan was producing ear-bleeding electronica while McDonnell was playing the hugely demanding repertoire of Frank Zappa in a touring cover band. But friendship and a shared passion for music overcame such expectations, and they recruited jazz/funk specialist Lee Jordan to provide the grooves to complete their vision for Artificial Pleasure.
Renowned for their inventive visuals, especially on ‘Wound Up Tight’ which pushed McDonnell’s endurance to the max, Artificial Pleasure also gained respect for their theatrical life show - a confrontational mix of Sid Vicious hedonism and Bryan Ferry suave.
Mr Ben and The Bens share the video for their recent single "Transmissions", taken from the forthcoming album Who Knows Jenny Jones? which is out on 25 October via Bingo Records. Mixing psychedelic indie-pop with funky Chic-style bass-lines, the song is a danceable cosmic disco number. The video follows Ben as he dishes out free basslines to the unsuspecting public of Sheffield.
"Transmissions" is a pivotal track on the album, which is the story of a shrinking violet called Jenny Jones in 1970s Sheffield. The song is about Jenny’s abduction by aliens in a graveyard where the aliens impart disco knowledge to her through signals transmitted via a sensory deprivation tank.
Mr Ben and The Bens is the brainchild of polymath Ben Hall. The record is an experimental pop exploration of a kitchen sink narrative with a celestial twist. Originating from Lancaster’s thriving co-operative scene (home to The Lovely Eggs among others), Ben is now based in Sheffield and his adopted city has had a profound influence on the concept of the new album.
Mr Ben and The Bens head out on tour in October, starting in their hometown of Lancaster and ending in their adopted city of Sheffield.
On Tour in October:
Fri 25 October: Lancaster - Yorkshire House
Sat 26 October: Huddersfield - Northern Quarter
Sun 27 October: Newcastle: Cumberland Arms
Tue 29 October: Manchester - Gulliver’s
Wed 30 October: Nottingham - Rough Trade
Thur 31 October: Cardiff - The Moon
Fri 1 November: London - Sebright Arms
Sat 2 November: Sheffield - Delicious Clam.
Background - Originating from North Norfolk’s rural outback, Morganway’s fiery, Americana-influenced style is packed full of powerful riffs, charismatic five-part harmonies and compelling, honest song writing. The band was established by twins Callum (acoustic guitar, lead vocals) and Kieran Morgan (lead guitar), and features Yve Mary B (lead vocals), Matt Brocklehurst (keyboard) and Simon Tinmouth (drums).
The Norfolk five-piece pride themselves on the high standard of their engaging live performances, and they have caught the eye of a range of festivals. Subsequently, they recently headlined The Open's prestigious OH1 festival, in their hometown of Norwich, on the Banking Hall stage. Other early 2017 shows include London gigs at The Troubadour, The Islington and The Bedford, as well as a special headline performance at Cambridge’s muchloved Portland Arms.
Morganway released their second EP ‘The Hurricane EP’ a few days ago, following the glowing reception of their debut EP ‘No Tomorrows’ last year. Website here, Facebook here.
We featured Morganway last month and the new video for 'Hurricane' provides us with an opportunity to share the title track from their latest EP. The Americana influences give the band a natural, honest sound and their fine compositions and all round delivery is a delight.
Background - After just a handful of tracks, Artificial Pleasure have earned plaudits for their dancefloor-friendly, art school-styled electro-pop with many critics placing them as descendents of influential and timeless greats such as Talking Heads and David Bowie.
The latest stage in the quartet’s introductory mission comes with the release of their brand new track ‘Like Never Before’ which also acts as the title track to the band’s debut EP of the same name. While ‘Like Never Before’ echoes the sparkling riffs and vociferous funk grooves of their recent tracks, it’s also a track that’s darker-hued in nature. An almost industrial introduction imbibed with doomy synths sets a cinematic tone before Phil McDonnell’s crooning baritone and an insistent clatter of cowbells switches the tone from apocalyptic to animated.
In addition to ‘Like Never Before’, the EP is completed by the opener ‘All I Got’ - the first of Artificial Pleasure’s tracks to reach a wider audience - as well as the recently issued follow-up ‘The Hand On My Shoulder’. The band maintain a firm DIY ethic. Almost all of their material is self-produced and self-mixed, with McDonnell and Brennan leading the way with the arrangements before Brennan’s self-taught engineering skills heighten the strength of the finished track. All of the songs are written with live performance in mind – the result being an exertion of raw energy: no tricks or gimmicks, just pure adrenaline. Website here, Facebook here.
We featured the fabulous video for 'All I Got' last month describing the track as "High Octane rock'n'roll that is delivered in an effortlessly cool manner, and head turning vocals". The latest song to be released by the band is 'Like Never Before' which is an electro pop beauty. Powerful synths and a robust beat provide the backdrop for the defining vocals, another magnificent song!
Background - Hot on the heels of landing over a million streams at Spotify, Low Island add to their burgeoning discography by sharing the brand new track ‘Rest Your Head’.
After ‘Holding It Down’ blended menacing vocals, dancefloor intensity and a cacophonous wall of sound, ‘Rest Your Head’ drops down the gears to present a very different angle to this intriguingly multi-faceted band. Its groove is a dreamlike trance in which mellifluous vocal harmonies head a soothing production rooted in hypnotising synths and downtempo beats.
Low Island was formed as an accidental by-product of a theatre score composed by Jamie (vocals/guitars/keys/electronics) and Carlos (vocals/guitar/keys). The pair, who also enjoyed some success in the world of dance music with a residency at The Warehouse in Leeds, called upon bassist Jacob with whom they’d played in an alt-rock band as teenagers. The line-up is completed by percussionist Felix, who previously toured with the Brooklyn jazz ensemble Snarky Puppy.
They introduced themselves to the world with the ‘Just About Somewhere’ EP, which prompted comparisons with the likes of Caribou, Arthur Russell and Grizzly Bear, and it was soon followed by ‘Holding It Down’. Low Island’s radio support to date has included Huw Stephens, Phil Taggart and MistaJam (who picked the band as a recent New Name) at Radio 1, and at 6 Music by Tom Robinson, Tom Ravenscroft and Lauren Laverne. Facebook here.
'Rest Your Head' is very different from a track we featured by Low Island back in January. This is a flowing, dreamy and tranquil song where the melody is warm and hazy. This band have talent and are firmly on my musical radar.
Background - In literature and in songwriting, the American South is where writers go to face their fears. Hannah Aldridge doesn’t just dip her pen into the well of the South, the Muscle Shoals native embodies it. With every song, she’s facing down demons of a life once lived from substance abuse to failed relationships and scars from the lashes of the bible belt. “Gold Rush” is Hannah Aldridge’s second album, a follow up to her 2014 debut “Razor Wire.” While that album launched her career, drew the attention of music writers and sent her touring across the world, “Gold Rush” shows a more mature and introspective artist with more life experience - and music experience - under her belt. The honesty Hannah Aldridge crafts into each track is off-set by her stubborn, maybe defiant, nature, which gives her music a hopeful silver lining. “I start writing with ‘this is how I’m feeling and I need to talk about it.’ Doing that helps me sort out my own thoughts on it. My music is an introspective look at the things that happened in my life. It’s me trying to sort through and put feelings into words,” she said. Hannah Aldridge is the daughter of Muscle Shoals legend Walt Aldridge. An Alabama Music Hall of Famer, Walt Aldridge is a prolific and decorated songwriter of countless Number One and Top Ten hits recorded by the likes of Lou Reed, Reba McEntire, Travis Tritt, Earl Thomas Conley, Ricky Van Shelton, Ronnie Milsap, and Conway Twitty. Mixing her personal life and the sounds of her hometown, Hannah Aldridge’s new album also draws in influences from across the rock genre. Working with people with one foot in country music and one foot in rock, Hannah Aldridge makes a fresh kind of Southern Rock styled by Southern Gothic storytelling. You can hear it in “Gold Rush”’s ode to burning out, or in the yearning of “Burning Down Birmingham”, and anthem-for-the-lonely “No Heart Left Behind” – a track that is shot-through with wild riffs. Hannah Aldridge shares the video for new single "No Heart Left Behind." New album "Gold Rush" is out in the UK on June 16 via Rootsy Music. July UK tour dates can be found on Beehive Candy's tour page, Website here, Facebook here.
If you fancy a slice of lively, passionate, southern rock then 'No Heart Left Behind' from Hannah Aldridge ticks all of those boxes. If the new album is on a par with this song, then I reckon a considerable number of music lovers will be very satisfied.
Background - The origins of Marlon Brando Island lie in the prolific bedroom recordings and determinedly DIY ethos of vocalist and guitarist Marcus Fulcher, whose up-and-at-’em attitude would soon establish him as a notable presence on London’s solo singer/songwriter circuit. However, it took the muscular contributions of Marco Testa Ryan (drums) and Edward J Thorpe (bass) for Fulcher’s sprawling, widescreen songs to realise their full potential. The London trio’s aggressive, experimental, innovative post-punk output has been variously likened to artists as diverse as Shellac, The National, Cloud Nothings, Talking Heads and Future Islands. The glue that binds these disparate influences into a cohesive and intoxicating alt-rock unit is the band’s shared belief that music can be transformational, that it should make such an impression on the listener as to change them for ever. And with a sound as stimulating as Marlon Brando Island’s, that change will only be for the better. About ‘A Troubled Past’ “When that part of you died, did you feel nothing?” A gritty blast of passionate post-hardcore, where an abrasive six-string arcs across a pounding bass and drum track that strains under its own sense of urgency, ‘A Troubled Past’ delves into themes of apathy and self-righteousness, inspired by frontman Marcus Fulcher’s experiences as a support worker. “I was always appalled but equally fascinated by how inept yet at ease people were in just losing humans between the cracks,” he explains. “It was frightening how that gets rationalised.” The track’s rawness lies in its original conception as a demo, before South London producer Paul of Sound (Goat Girl) turned it into something altogether larger. Yet it retains an exposed feel, leading to an effect both unsettling and ecstatic. ‘A Troubled Past’ makes its mark as an ode to the lost as well as an exhilarating call to arms. Facebook here.
Energy and passion combine with 'A Troubled Past' a sub three minute rocker, that cuts to the chase and left me hitting the replay button straight away.
Background - Essie is the stage name of alt/rock guitar player and vocalist Essie Laugharne from Perth, Western Australia. Her signature sound is a confident mix of bluesy guitar chops and soaring vocals. Essie's debut EP Run Red and single “Sugar Rush” drew on an earthy mix of influences from The Black Keys, U2, and Gin Wigmore, as well as Australian talents Little Birdy and Eskimo Joe. Hailed in press as “Alternative rock with a superb 70s twist”(Fireworks Magazine), the success of these DIY releases prompted Essie to relocate to London in 2015 to pursue a career in music. Essie’s new single “Someone” will be released in March 2017 through The A&R Department. This song was written in Essie’s university days, and re-vamped with a fresh set of lyrics during her work with The Animal Farm in 2016. “Someone” was recording at The Animal Farm studios in South London, by Jamie Dodd, with all music and lyrics written by Essie Laugharne and Ben Pohlmann. “This song is a typical breakup story, but with gritty undertones of the sorrow and melancholy that can come with the territory.”- Essie “Someone” draws influence from the Arctic Monkeys AM album, as well as Band of Skulls, coupled with Essie’s typical Amy Winehouse inspired vocals. It’s as raw as any heartbreak, which suits her trio style performances well: the simplicity of growling guitar riffs, punchy drums, and backbone bass, with vocals soaring overhead. Performing with her trio, Essie is a regular in the UK capital's clubs, where she is building a devoted fan base enthralled with her raw, confessional songwriting and assertive blues guitar. Her mini EP titled Not Easy was released on The Animal Farm label in September of 2016. Website here, Facebook here.
A little mix of funk and bluesy vocals add to the chemistry as 'Someone' an alt rock song hits the spot, and builds from there.
Background - Following their explosive arrival to the scene last year, London quartet Artificial Pleasure have shared their follow up track ‘All I Got’ which has earned the band yet another rush of acclaim. A disco-infused track with shades of Bowie, ‘All I Got’ has been noted for its modern twist that sends an honourable nod to the past.
Now Artificial Pleasure are ready to present a brand new video for their latest single ‘All I Got’. The track is taken off their forthcoming EP ‘Like Never Before’ which follows on April 21st. They band will also play their debut headline show at The Camden Assembly on April 25th.
Directed by the band’s previous collaborator Dylan Holmes Williams (Huntar, O Chapman), the video for ‘All I Got’ moves in surprising directions with a mad chef, camp theatricality and vibrant dance moves all contributing to its surreal visuals. Actor and West End figure Sebastien Torkia (Sweeney Todd, Guys and Dolls, A Streetcar Named Desire) stars as the demented chef who is determined to win over his diner’s date at all costs. Website here, Facebook here.
A fabulous video needs a song to match and 'All I Got' more than achieves that requirement. High Octane rock'n'roll that is delivered in an effortlessly cool manner, and head turning vocals ensure this is a song that will and is getting noticed.
-------------------------------------------------------------------------------------------------------------------------- Jon C Butler - A Little Misunderstanding.
Background - 'There has been a misunderstanding hasn’t there?' laughs Jon C Butler. 'I mean, we all know it isn’t meant to be like this and maybe there should be a reassessment of the deal. Although we all start out in life with good intentions and kind hearts, things don't always turn out as we hope. Maybe life has taken us down one too many roads less travelled. Or it’s thrown us a curveball when we needed an easy catch. Or perhaps we flew too close to the sun. Or we made a wrong choice at the crossroads. We can't go backwards, of course. Carpe Diem! But, sometimes, when we take a quiet moment of reflection to make sense of our life, we're allowed to wonder if perhaps there was a little misunderstanding somewhere along the way.’ A Little Misunderstanding is available from 14 April 2017 on Strataville. Website here.
Well I have had more than a few of these down the years, 'A Little Misunderstanding' is a refined alt rock song with just a hint of Americana about it, and plenty of hooks to pull the listener in.
Background - Strange Americans share the video for their track "No Punches". "'No Punches’ explores the relationship between the American Dream and the American Reality," the band explains, "...few of us question the meaning of work, what purpose that work is meant to serve and what direction it will take us in life." The track is from their forthcoming new album, 'Borrow You, Brother,' out later this year. This Saturday April 1st, the band will headline a hometown show at Denver's Hi Dive. Musically, Strange Americans’ third full-length album, 'Borrow You, Brother' remains committed to the general guitar-driven, blue-collar Americana rock element that permeates their earlier releases. This latest album, however, diverges in subtle ways : from the keys to the drums, bass and guitars, the sounds, tones and parts are more explorative. At times this means dynamic restraint, craft, control and beauty ; at others it means total freedom, chaos and noise. For the better part of a year, the Denver, CO band made three trips to The Echo Lab in Denton, TX, where they worked with engineer/producer Matt Pence (Centro-matic, Justin Townes Earle). Pence’s penchant for the creative process combined with the band’s original vision for the songs drove the tracking and mixing process and resulted in a unique record that is simultaneously novel but grounded in tradition. Lyrically, the songs tend to explore social themes including income and wealth inequality, individual success and materialism, but also work, travel and happiness. It’s a little raw, a bit loud, unapologetic and honest. It’s blue-collar rock and roll and it’s something that Denver’s Strange Americans are crafting with both brawn and finesse. Facebook here.
'No Punches' has a well travelled and developed feel, the band are tight and the vocals laid back, however between them the passion and commitment is all apparent, in what is just right rock and roll.
Background - “Michigan” is the second single from Massachusetts-based Grammar. Barrie Lindsay played and recorded all the parts in her bedroom studio in the summer of 2016. She started writing the song after rewatching the Virgin Suicides, and she was thinking about what the movie would sound and feel like as a song. She wanted to capture the movie’s saturated, dreamy, 1970s-inspired production. After she finished the song and took it to New York to work with the producer Billy Pavone, they ran the tracks.
The track was produced written and recorded by Barrie Lindsay, produced by Billy Pavone (Wet, St. Lucia, Delorean) and Barrie Lindsay, and engineered by Josh Bonati (Mac Demarco, Sufjan Stevens)."
Grammar is an alternative pop group created by multi-instrumentalist Barrie Lindsay of Boston in 2015. The band started as a home recording project of Lindsay, who writes, records, and produces the music. The band’s first release, the single “Americana”, was featured on Spotify’s New Music Friday playlist in August 2016. Grammar have opened for Rhye, Marian Hill, Beacon, Reptar, and others. Facebook here.
There is a rich synthy feel, and as the band kick in, everything goes up a gear on 'Michigan'. The smooth and dreamy vocals glide above, on what is a fine atmospheric song. Beware the hooks, for they are everywhere...
Background - 18-year-old, Texas-based singer songwriter Colin Onderdonk is not concerned with his music referencing pop culture or appealing to trends. Unlike most of his contemporaries, the subjects he approaches through his deeply introspective songwriting carry immense philosophical weight.
His debut EP, Proximity Effect, references the effect a source of sound has on its receiver; i.e., the closer a vocalist is to a mic, the fuller his or her voice sounds. Colin maintains that this concept can be expanded into a more tangential metaphor, saying “As people get closer to God along their spiritual journeys, the more they feel connected.”
Onderdonk’s distinctive songwriting is influenced by Marcus Mumford and Kendrick Lamar as well as the work of Steinbeck, C.S. Lewis and the Cohen Brothers. His young age betrays his refined taste and tendency to process things in a conceptual manner. Ambitious songs like the EP’s “Prologue” attempt to sonically portray the creation of the world while “Foreign Home” encourages the listener to not settle for ephemeral beauty when there is so much more beyond the earth plane. Proximity Effect is out now. Facebook here, website here.
'Tidal Bomb' has a funky and potent vibe that is there throughout. Colin Onderdonk's vocals are beautifully distinct and the strings add another dimension into this very catchy and original song.
Artificial Pleasure - I’ll Make It Worth Your While.
Background - London-based trio Artificial Pleasure earned a rush of acclaim for their debut single ‘I’ll Make It Worth Your While’ which inspired comparisons with the likes of David Bowie, Talking Heads and The 1975. They’re now set to add to that initial rush of attention with a strange and compelling new video for the track.
Directed by Dylan Holmes Williams (Huntar, O Chapman) and produced by Ailsa Vanessa Tapping (Sundara Karma, Biffy Clyro), the video for ‘I’ll Make It Worth Your While’ moves in surprising directions with body horror, camp theatricality and vibrant dance moves all contributing to its surreal visuals. Dancer, actor and choreographer Tiago Gambogi stars as a patient who is trapped in a hospital while suffering with a very peculiar ailment.
‘I’ll Make It Worth Your While’ bursts from the blocks with an irrepressible energy powered by riffs that feel like Gang of Four playing disco alongside effervescent flourishes of synths and vocalist/guitarist Phil McDonnell’s persistent and rhythmic cry of ‘Let me out!’. Set to a tightly hypnotic groove, the track recalls elements of Artificial Pleasure’s influences such as Talking Heads, Deutsch Amerikanische Freundschaft, LCD Soundsystem and Atlantic Records’ great soul era.
Friends since childhood, McDonnell and Brennan previously worked together with drummer Lee Jordan in the band Night Engine. Following a split from other band members and a renewed focus on their sound, which evolved into something bolder and brighter, the three redefined themselves with the new moniker Artificial Pleasure.
Artificial Pleasure’s songwriting is always informed by how the material will work in a live setting. As a result, their intense energy means that their songs flow with a rush of adrenaline without the need for any tricks or gimmickry. They recently played their first show at London’s Electrowerkz as guests to German electro duo Lea Porcelain, which they followed with a date as support to The Bay Rays. Website here, Facebook here.
A fabulous song becomes even more spectacular with the new music video for 'I’ll Make It Worth Your While'. It's not often the stuff of nightmares can put a huge smile on my face, wonderful!
Background - American Dreamer, an Austin, TX based orchestral folk ensemble, specializes in approachable, yet sophisticated fretless pop. Their topical and politically driven material is couched in intimate chamber music, sonically falling somewhere between Sufjan Stevens and Yo-Yo Ma, Chris Thile, Edgar Meyer, and Mark O’Connor’s Goat Rodeo Sessions.
Band spearhead Sasha Klare-Ayvazian first got a taste of the lush combination of folk and classical music when his roommate began playing cello along with his songs during his freshman year at Oberlin College outside of Cleveland, OH. Sasha attempted to capture this sound through multi-tracking American Dreamers’ self-titled EP, released in 2014, and continued ruminating on the power of this tradition until he returned to school to get his master’s degree. There he connected with new friends who turned out to be classically trained string players.
The newly formed line-up released the live EP, Winding up a Dream, in 2015 and began performing across Central Texas, snagging a Global Music Award along the way. As a band with four fretless instruments, the challenges associated with intonation forced the band members to become highly attuned to each other and after a solid year of writing and performing new material, American Dreamer was beginning to realize the sound Sasha had been envisioning for years.
Earlier this year, American Dreamer entered Austin Signal Studios and, with the help of engineer/producer Andrew Oedel, recorded their first LP Restless Nights. “Calling the record Restless Nights is a reference to our band name” Sasha reflects. “The American Dream doesn’t seem to be doing so well at this time, so we wanted to offer a form of respite and spent a lot of time exploring the space we wanted to create.” Website here, Facebook here.
Another band that sneaked under Beehive Candy's radar earlier this year, and who are so worth a feature are American Dreamer, on this occasion with the song 'Words Do The Walking'. Beautifully creative music, you can hear a whole lot more via the website link above.
Background - UK old-school rockers The Blinding Lights are excited to share their debut music video “Can’t Get Enough”. The video gives an intimate glimpse into the bands recording sessions, perfectly capturing the bands unrelenting youthful energy. It also compliments the songs devil may care attitude, which describes a young man’s bedroom adventures with his amorous girlfriend, all to the accompaniment of catchy hooks and electrified piano riffs.
In the band’s own words: "Can't Get Enough was written to give people an escape - it's letting everything else go and just living in that few minutes of rock'n'roll. It may not be about a lot, but what it is about is embracing that feeling of giving yourself over to a particular moment, where all that matters is that moment.'"
Written in early 2016 by bandleader Callum Lury, the track came about as he gorged on the songs of songwriter-producer Jim Steinman (the man behind Bat Out Of Hell and so much more), plus The Wild, The Innocent & The E Street Shuffle-era Springsteen. Playing around with riffs which would not have been out of place in the golden era of Motown, and shaking it up with a top layer of Steinman-style piano lines, he took it to the rest of the band who worked it up into a frantic rumbling rhythm & blues number, given a further flourish with a horn arrangement to drive it along. Together, the band stands as a throwback to the R&B inspired, fast and poppy tunes from a time when rock was still in its youth. Their goal is to rekindle the abilities of the genre’s heroes to excite, to elevate and, even, to anger – but above all, to make you feel alive. Facebook here, website here.
'Can't Get Enough' is one gritty and powerful rock'n'roll song. Stripped back to the basics the band create a classic and timeless sound, and with the roaring sound of horns coming in, it's energy unleashes even further.
