.jpg) |
| Photo Derek Bremner |
In their new video for “Narrow Tracks”, Berries splice fuzzy live footage together with shots of lead vocalist Holly Carter ripping up jigsaws, devouring books backwards, and walking the pavement like a tightrope in her crimson Converse. Each shot reflects the indecision and doubt that runs throughout the song’s lyrics, with many playing in reverse or at an unnatural speed.
“Doubts tingle with the facts, like passing trains on narrow tracks,” the band sing as the video cuts to live shots of the band performing at their BBC Introducing session earlier this year. The new release also acts as a lyric video, layering handwriting-style text over each shot.
The band explain the themes of the song: “'Narrow Tracks' is a song for anyone who struggles with OCD. It speaks of those tingling doubts, the constant stream of dark thoughts and the longing to be able to do the simplest of tasks, but ultimately it’s an optimistic track. It’s about fighting back and finding strength to keep those thoughts at bay.”
============================================================================
 |
| Photo - Sophia Perras |
Art-folk songwriter Aistis delves deeper into theatrical arrangements and introspective lyricism in his most ambitious work yet. Using wit and candour as mortar and pestle to grind the ego into finer granules of inner truth, Lithuanian-Canadian singer-songwriter, producer, and multi-instrumentalist Aistis returns with his third full-length album, Caviar For Seagulls.
With “Caviar For Seagulls” Aistis has conjured up a sweeping odyssey that delves deep into the complexities of the human experience. His latest compilation is a poignant testament to the power of storytelling, evoking the lyrical mastery of Leonard Cohen and David Berman. As Aistis weaves together folk traditions and theatrical flourishes, he creates an immersive world where vulnerability and theatricality entwine, giving birth to a deeply personal yet universally resonant collection of tracks.
From the whimsical "Nothing Here Ever Changes" to the soul-stirring "Rejoice", and the poignant ode to Leonard Cohen in "86/Dove", Aistis takes listeners on a sonic journey that is both deeply introspective and cinematically grand. Even in the midst of exploring the darker corners of human struggle, the artist finds solace in the words "A part of me believes the best is yet to come". This album is a masterclass in blending melancholy and resilience, crafting a sonic tapestry that is both sorrowful and hopeful. Aistis cements his status as a singular voice in alternative folk, leaving an indelible mark on the genre, with “Caviar For Seagulls”.
============================================================================
 |
| Photo - Jackie Lee Young |
Will Johnson - Floodway Fall.
Prolific Texas songwriter Will Johnson announces his 10th solo album, Diamond City, today, sharing the lead single “Floodway Fall.” The Centro-matic frontman and current member of Jason Isbell’s band The 400 Unit, writes: “The idea for ‘Floodway Fall’ cropped up before a summer 2022 rehearsal with Scott Danbom. We were still setting up, getting sounds and levels. I remember him looking out the window, loosely playing along on his fiddle, likely unaware that I was recording it. I quickly forgot about it, then stumbled across it a few months later and decided to see the song through. For the most part, it's a small town document of tension, travel, and ultimately undying love.”
The lead track on the album unfolds with Johnson’s distinct cinematic sound, bolstered by longtime collaborator Britton Beisenherz’s production contributions. In the past year Will Johnson has shared stages with Guided By Voices, Alejandro Escovedo, Little Mazarn, and Renée Reed. Next month his full band Will Johnson & Wire Mountain will play SoCo Stomp at C-Boy’s in Austin, TX on Wednesday, March 12th.
Diamond City, out April 4th on Keeled Scales, surveys mythical places whose spirit dwells among barren Midwestern landscapes and stark Southern outlands, reflecting the hollows of Johnson’s childhood in southern Missouri and the spartan Texas expanse where he now lives. Like many towns that line America’s midsection, Diamond City’s fancy name belies its reality. As with albums such as John Prine’s “John Prine” or Bruce Springsteen’s “Nebraska,” Diamond City’s vast fortune is found in its gritty folk tales — of hovering ghosts, open wounds, tender hearts, little jokes, and the everyday people and scenery that compose a cracked iconography. Like Muhlenberg County, Kentucky or Mahwah, New Jersey, Diamond City is a place that people may leave but never truly escape.
============================================================================
 |
| Photo - Freya Davies |
Oslo Twins - I Wake Up Slowly.
Bristol-formed, London-based outfit Oslo Twins today release new single 'I Wake Up Slowly' a riveting, pulsating new taste of forthcoming EP 'Tresor', out 14th March via Half-Normal Records.
Produced by band members Eric C. Davies and Claudia Vulliamy in their east London studio, new EP 'Tresor' highlights a rejuvenated sonic depth for the London outfit - drawing influence from Nation Of Language, Angel Olsen, This Mortal Coil, Everything But The Girl, Lamb, Chromatics, Grace Ives and Ladytron.
New single 'I Wake Up Slowly' is thudding and transportive - "Plunging in plum coloured sleep / Bruises from another dream" sings Claudia Vulliamy, drifting between the spiralling, minimalist synth-pop arrangements.
Speaking on the song's lyrical inspiration, Claudia Vulliamy said: "In a sense it’s about beginning to move after being stuck inside your head, going from something statuesque to something dynamic. That’s why the upbeat rhythm and pace of it, the syncopation and the repetition, felt essential. But it’s also about literally waking up and trying to remember something that felt significant to your sleeping self. For me, the deepest sleep produces dreams that feel deep purple, a colour that matches the sound of a deep, rumbling bass and sometimes feels like a bruise upon waking."
============================================================================
