Showing posts with label 2011Candy (New music and more). Show all posts
Showing posts with label 2011Candy (New music and more). Show all posts

Thursday, 29 December 2011

2011Candy - December Edition.

Background: Canada has always been a great importer of indie pop. From Sloan to The New Pornographers, you never know what the Great North will produce. Meet your new favorite musical obsession, Andrew Johnston. Taking a page out of the book of great indie bands and stellar Canadian acts, Johnston will have your attention faster than you can say "awesome."

Based in Montreal, Andrew Johnston has been playing under his name, or the moniker Andrew vs. the Enabler since 2006.  No stranger to music, Andrew played in the critically acclaimed group The Gentlemen’s Club, and appeared on JF Robitaille's brilliant album, Calendar.  If you haven’t discovered Andrew Johnston yet, let the journey start today.

Now is the time for Johnston to branch out on his own. Grounded in the simplicity of easily hummed folk and pop tunes, Andrew’s heartfelt indie rock sound is ready to take the world by storm.  On his most recent release, The Wake of the Wonder Years, influences of such high profile indies such as The Constantines and Matthew Sweet embrace a little bit of Hall and Oates-a combination that can't be beat.  The 12-song album will astonish you with remarkable vocal layers, thunderous drums and deep grooves, with drummer George Donoso (High Dials) and bassist Alexandre Lapointe (Jason Bajada) as well as vocalist Amanda Mabro.

2011Candy Says: Musically this is just so well mixed and Andrew's vocals are spot on. Builds gently into a really special song.
Listen: Something You Already Know.
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Background: Washington DC-based quartet Deletes Scenes have debuted "The Days of Adderall" with Prefix, a new single taken from their sophomore full-length, Young People's Church of the Air. Building on the dark, heady feel of their championed 2009 debut, Birdseed Shirt, the new LP pushes the band's rhythm section further, experimenting with 80s pop, R&B, surf rock, dark funk, and Go-Go. Deleted Scenes kick off a string of East coast dates today with Jukebox the Ghost and The Spinto Band, and will embark on a national tour with Chicago-based art-pop band, A Lull, in January.

Their newest collection of songs originated in frontman Daniel Scheuerman's basement taking on a live identity over the course of 300 tour dates. Recorded at the Garden Center in Hockessin, DE, with Nick Krill (The Spinto Band) and Birdseed Shirt producer L. Skell, the album mixes themes of family, love, death, and joy incorporating studio sounds and home-recorded lo-fi noise. Young People's Church of the Air's title was  fittingly taken from a 1930's radio-church hymnal Scheuerman found in an old piano bench at the Garden Center, and evokes the elusive and sometimes illusory nature of hope. Deleted Scenes have shared the stage with Cursive, Wild Nothing, Abe Vigoda, Black Kids, The Antlers, Medications, and Matt and Kim among others, and have performed at SXSW, CMJ, and Pop Montreal.

2011Candy Says: Harmonies surf over an interesting selection of instruments and sounds that just draw you in.
Listen: The Days of Adderall. Web: Blogspot.
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Background: Seeker Lover Keeper is a new band comprising Sally Seltmann (co writer Feist’s 1,2,3,4), Sarah Blasko (Australian icon) and Holly Throsby (singer songwriter extraordinaire). They are prepping their North American debut with their brand new, self-titled LP Seeker Lover Keeper, for release on January 17, 2012 on Spunk Records.

Individually, they’re known as three of Australia’s most innovative songwriters. Sarah Blasko writes haunting songs that veer from intimate ballads to orchestral showstoppers, and sings with what’s now one of the most recognizable voices in Australian music.  Sally Seltmann specializes in narcotic, dreamy, sweeping pop, aided by layers of cotton-soft vocals, pianos and synths. Holly Throsby is known for summoning melodies that sound beautifully crumpled, worn, and decades old. Together, these three musical forces form one of the most buzzed about indie folk groups to emerge in recent years.

All three are distinct talents, but there are common threads between their songwriting too: an underlying sense of nostalgia; the golden, sing-along pop tunes; and the complicated lyrics about seeking love, and how difficult it is to hold onto it once you’ve got it. It makes sense that the three of them would be good friends. Get them together in the same room—or even the same phone line—and it doesn’t take long before they recall shared stories and descend into fits of laughter. But get them together in the studio or on stage, and you’ve got an entirely new band: Seeker Lover Keeper. The album was co produced by Victor Van Vugt (Nick Cave, PJ Harvey) in New York City. Sally, Holly and Sarah played all instruments on the album except bass which was provided by Shizad Ismaly (Bonnie Prince Billy) and drums from Jim White (Dirty Three).

Sally Seltmann has released three albums in North America through Arts and Crafts, and is the co-writer of Feist's '1234’. Sally formerly recorded under the name New Buffalo. Sarah Blasko has released three albums worldwide via Universal. Her last album 2009’s As Day Follows Night was produced by Bjorn Yttling (Peter, Bjorn & John). Holly Throsby has released four albums via Spunk Records in Australia and Southern Records for the rest of the world. All three have toured extensively internationally. Holly Throsby supported Tallest Man on Earth through Europe in 2009; Sarah Blasko recently finished a headline tour of Europe (and supports to Lykke Li) and Sally Seltmann has opened for everyone from Feist to Broken Social Scene and done her own tours of North America.

2011Candy Says: I think Seeker Lover Keeper may well gain a lot of interest and acclaim in 2012, I hope so because they are superb and this song is only one aspect of a really delightful act.
 Listen: Light All My Lights. Web: Facebook.
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Background: Oxford, UK-based quartet Jonquil announce their forthcoming full-length, Point of Go, set for a February 21st release with Dovecote Records (The Futureheads, Hooray For Earth). The album follows their recently released split 7" single with Solid Gold Dragons (Jonquil bass/trumpet player Sam Scott), and their radiant One Hundred Suns EP, celebrated for it's upbeat tempos and creative integration of afro and indie-pop. Fronted by Hugo Manuel, who also performs under the solo moniker Chad Valley, the quartet recently returned stateside for CMJ '11, following a phenomenal US spring debut where they performed three sold-out New York sets in 48 hours.

Point Of Go emerges as a glimmeringly positive step in a new direction, a record that is, in their own words, "far more poppy and accessible" than anything they've previously written. Recorded over a six-week period in a farmhouse studio it takes the band's summery flourishes and intricate guitars, and strips them back to a set of immediate, direct pop songs. With influences rooted firmly in the past - from Fleetwood Mac to The Smiths, Chic and Earth, Wind and Fire to Arthur Russell - the quartet's LP is an exercise in classic pop sensibilities held up by a modern backbone. Point of Go will be released in the rest of the world by Blessing Force; a growing community of artists, musicians and writers in Oxford (UK) that involves the band's other projects Chad Valley, Pocket House and Solid Gold Dragons.

2011Candy Says: Gotta keep the British music flag flying here on Beehive Candy and Jonquil make that a simple task. Great band and Mexico is one fine song.
Listen: Mexico. Web: Facebook.
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Background: Portland-based dream-pop group Radiation City  has debuted a new single "Babies" as well as it's remix from Portland-based artist PoPoPePe, both available for free mp3 download at SoundCloud. Wrapping up a successful two-week recording session at their Trout Lake, Washington mountain cabin, the band will continue to work on their sophomore full-length set for a 2012 release.

"Babies" is the third single from the group's lauded full-length debut, The Hands That Take You, available now through Tender Loving Empire (Typhoon, Loch Lomond). Originally out via cassette on Radiation City founders Cameron Spies and Lizzy Ellison's cassette-only record label Apes Tapes, the album has been lauded by MTV, ELLE, Paste, FuseTV, Prefix, and The L Magazine among others, with NYLON saying, "Their dreamy, faraway sound reminds us of a sunshiny marriage between Reading Rainbow and the Dum Dum Girls...Either way, let's just say it's really good." The band recently released a new sampler Mixed Ape 3 with Apes Tapes and will perform a special Portland NYE's set covering OutKast's "Speakerboxxx/The Love Below" album in it's entirety.

12/31 - Portland, OR -  Mississippi Studios w/ Nurses, Wild Ones, DJ Beyonda

2011Candy Says: I went for the remix version to feature as it has a really different take on the band and gives glimpses of them through some quirky sounds, the original is really worth checking out, you only get part of the story on the remix.
Listen: Babies (Popopepe Remix). Web: Muxtape.
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Background: Before bands like Real Estate and Beirut took over the ear’s of music listeners, indie rock has had a quite a journey. Meet the true legends of indie music, The Thousand Pities.  Hailing from New Jersey, the seasoned group of musicians have a story to tell within each and every song, and they are here to tell you about their intriguing musical journey. Just releasing their first single “What If Everyone is Wrong,” off of Believe in Sound, the guys are ready to captivate you with their catchy brand of rock.

For fans of resident Jersey boy Pete Yorn, be ready to be in awe of what The Thousand Pities have to offer. Memorable hooks, and brilliantly bright guitars, will make you not want to leave 2011 without putting this song on your Year End List. Astonishing harmonies fill the room as tones echo throughout making one of the perfect blends of pop and rock.

The Thousand Pities are no stranger to music, that’s for sure. Formed by Matthew Davis, who has played in seminal late 80’s and early 90’s band, The Vestrymen, that had shared the stage with Aimee Mann’s ‘Til Tuesday, American Music Club, Robyn Hitchcock, Green Day and Belly. Putting the band to rest in 1994, Davis still had a deep passion for making music that didn’t re-emerge until 2006.

Recruiting guitarist Michael Carlucci (Winter Hours, East of Venus), keyboardist Billy Donohue (Vestrymen, John Cale, Inger Lore, The Blases), drummer Ken Meyer (Life in a Blender), guitarist/singer Matt Friedlander (Painted Birds, The Miscreants), and bassist Racine Romaguera.

Hold on tight, this is about to be one hell of a ride. Take a listen to “What If Everyone is Wrong,” and let The Thousand Pities prove to you that they are right.

2011Candy Says: Powerful New Jersey rock that oozes the passion and power you would expect of Bruce Springsteen. These guys are their own band and this is a great intro to the band.
Listen: What If Everyone Is Wrong. Web: Official.
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Background: Singer/songwriter/composer/lyricist Jeremy Schonfeld’s compositions have won numerous awards and been performed in front of captivated crowds but his latest project Iron and Coal is Jeremy’s biggest project yet. Produced by Werner Stranka & Martin Gellner for Beat 4 feet Productions, the album is simultaneously accessible and unpredictable. Listeners are invited on a lyrically personal ride that includes musical styling ranging from rock to full orchestral sounds.

Recorded in Vienna, Austria, Jeremy had internally debated Iron and Coal for years, but it wasn’t until his father fell ill that he began to write the project. The result is a raw take on the things he saw, felt and experienced from adolescence to adulthood as a child and grandchild of Holocaust survivors. As fate would have it Jeremy’s father passed away at the age of 77 on the exact date that Iron and Coal was being mastered. “I created this album as a tribute to my father, my grandparents, and to all of those who survived the Holocaust and their children who grew up living beneath the shadows of those horrific experiences,” says Jeremy.

The singer/songwriter concept album is not a new undertaking for Jeremy, his Drift album was translated into a production as a benefit concert at BB Kings in New York City starring Adam Pascal, Julia Murney, Terrence Mann, Jarrod Emick, and Adam Kantor, among others. It garnered Schonfeld several “Best of…” honors including “Best Show of 2009” from Triangle Arts & Entertainment, and “Best Original Music” from Indy Week.

Jeremy’s stage show is also very impressive. Recent performances include Madison Square Garden, Birdland, Joe’s Pub, BB Kings, The Public Theatre, Symphony Space, and Lincoln Center, the Upright Cabaret in Los Angeles, 14th Street Playhouse in Atlanta and Boston University’s “BU on Broadway” series. He’s also a regularly featured performer on the Rock and Roll concert series “Rockers on Broadway.”

2011Candy Says: The promo suggested Gordon Lightfoot as one reference point for Jeremy, well that may be true to a point but there is a natural energy and feel as this song demonstrates that stamps his own style all over the music. This song tease us with some magical horns but never overstates any one element - great.
Listen: Yet. Web: Official.
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Background: We have featured Pree before and they are such favorites of us that we will just do it all again. After touring for two years with Le Loup, guitarist May Tabol returned home to launch a new project with a close group of friends converging in the DC arts scene.  Now playing as a four-piece, Pree combines a wide variety of folk instrumentation with electric and digital elements to create a unique sound brimming with layered melodies and contagious energy.

Folly was written and recorded over the course of several heat waves and snow storms by May and her cohorts in a rotating cast of bedrooms, basements, and attics across the District, bearing witness to two foreclosures, a bit of squatting, a larger bit of eviction, and a subsequent life shuffle that would rival that of a wind-addled gypsy moth.  This patchwork, guerilla style recording, which grew out of necessity, ultimately served to instill a sense of tension throughout the record leaving one hanging on despite the imminence of something so delicate falling apart.

2011Candy Says: Unashamed fans of Pree are we (oops we have some poetry going on). Oh this song is just gorgeous, hence we feature them again.
Listen: Lemon Tree. Web: Bandcamp.
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Background: Featured track "Juan Loco" is a compelling and powerful representation of the unique hybrid of metal, latin and jazz that is the unmistakable signature of Rodrigo Sanchez and Gabriela Quintero - Rodrigo Y Gabriela. For Area 52, the duo took their sound a step further into the unknown -- "Juan Loco" now boasts a 13-piece Cuban Orchestra and brilliant bass by Carles Benavent, who has played with the likes of Paco De Lucia, Chick Corea and Miles Davis.

About the track, Rodrigo says, "For 'Juan Loco,' we decided to get Carles Benavent to play the bass as well as he did on 11:11 because it felt like he could just change the rhythm in terms of the bass line, in terms of making it a little bit less latin and more kind of his way - you know, which could be jazzy, could be more flamenco based style or whatever. And it goes well with the guitars because it's a very hyper-active track in terms of playability and he suits perfectly for these kinds of tracks."

JT Area 52 was produced by the legendary Peter Asher and will come out on January 24th, 2012. The record contains nine of Rod and Gab's favorite songs from their own catalogue re-arranged and re-configured for a 13-piece Cuban orchestra comprised of some of Havana's finest young players, collectively known as C.U.B.A. It's Rodrigo y Gabriela's first recorded collaboration with another group of musicians.

Area 52 was mixed by Rafa Sardina, one of the leading studio musicians in the Latin music world, and arranged by London-based pianist, composer and arranger Alex Wilson. Recording took place in the Miramar district of Havana, Cuba, at Abdala Studios, founded by the Cuban folk hero Silvio Rodriguez, as well as at Rod and Gab's studio in Ixtapa, Mexico. Other players on the record include: drummer John Tempesta (The Cult, Testament, White Zombie), sitarist Anoushka Shankar and drummer Samuel Formell (Los Van Van).

2011Candy Says: Superb to see live Rodrigo y Gabriela are annoyingly talented and make the whole thing look too simple for the frustrated would be guitarist within me! 2012 is gonna start with some fantastic new music, case in point here.
Listen: Juan Loco. Web: Official.
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Background: Hidden Shoal Recordings recently announced the release of ‘Supply Chins’, the second single from Perth’s widescreen indie-rock craftsmen Umpire, taken from their brilliant 2011 debut album Now We’re Active.

On an album crammed to breaking point with hooks, ‘Supply Chins’ has perhaps the catchiest hooks of all. Alternating between a massive fist-pumping chorus and reflective verses, the song builds towards a breathtaking climax punctuated by sumptuous horns, weaving vocals and driving guitars. This is indie-rock at its most unashamedly anthemic.

Umpire combine sprawling indie-rock sounds with reflective melancholy, expertly wielding massive sun-drenched melodies, serpentine guitar parts and soaring vocals to spectacular effect. From singles ‘Green Light District’ and ‘Supply Chins’ through the chiming guitar surge of ‘The Canyon’ to gorgeous finale ‘Cyclones Into Sunshowers’, Now We’re Active is a stunning release, as expansive as it is propulsive, as heartbreaking as it is life-affirming. Its easy to hear how the band won the WAMi Song of the Year for their track 'Streamers' in 2009.

2011Candy Says: Umpire get a second mention from us this year, well why not they are giving this fine song away, the very least we can do is say thanks, so thank you Umpire!
Listen: Supply Chins. Web: Free Download.
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Background: Cairo Knife Fight, New Zealand’s electrifying power rock duo, makes an intergalactic impact on US ground as they announce the arrival of their sonic sound to this year’s 2012 SXSW Festival in Austin, TX.  Cairo Knife Fight, who released their second EP “II” via Liberation Music in August 2011, is comprised of drummer / lead vocalist Nick Gaffaney and Aaron Tokona on guitar and effects.  Together, this potent pair issues forth pulsating guitar riffs illuminated with haunting vocals and phantasmal effects which have taken the stage alongside Foo Fighters, Them Crooked Vultures and Queens of The Stone Age. Says Gaffaney of the band’s sound, "It's about the sound of it, the power of it and the experimentation within it.”

Cairo Knife Fight’s music whips up a melodic storm of riff-fired power that takes your mind, body and soul on a hallucinatory rock 'n' roll ride. Think: Radiohead meets Kyuss meets Sigur Ros. The band’s vibe is just as alluring and forceful as their music, having booted down the back door of New York's influential CMJ music festival in 2010 to get themselves a gig and get noticed; and this year they got the official invite to return.  In addition, not many bands can claim to have been personally invited to support the Foo Fighters twice in a year -- Cairo Knife Fight opened for the Foo Fighters at the band's special Christchurch Earthquake benefit show in March 2011 at the Auckland Town Hall and will again in mid-December at Western Springs.

Their 2012 debut appearance at SXSW in Austin, TX marks a milestone in the band’s career as they are officially invited to hypnotize the audience of one of the most prominent music festivals on US soil with their epic, hallucinatory rock ‘n’ roll sound. Get to know Cairo Knife Fight’s gritty, mesmerising music and be prepared for their mosh-inducing live performances as they bring their heralded sound from down under to the US.


2011Candy Says: If the bands name does not grab your attention then this number will at the very least wake you up. They rock so loud there must be a couple of other members hidden away somewhere?
Listen: The Origin Of Slaves. Web: Official.
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Background: Hailing from Ypsilanti, MI, Lightning Love have announced their forthcoming EP, Girls Who Look Like Me, with Quite Scientific Records (Dale Earnhardt Jr. Jr., Cotton Jones). Comprised of Ben Collins (guitar), and siblings Aaron (drums) and Leah Diehl (vocals and keys), the young indie-pop trio started out when they were 16 and has repeatedly been awarded with "Best Indie" and "Best Pop Band" in Detroit by local publications. Leah was nominated this year for "Best Songwriter" at the Detroit Music Awards and the video for their single "Good Time," taken from their debut LP November Birthday, was featured on Pitchfork, and NME among others. The band performed at CMJ '11 and is preparing for an upcoming Chicago set and appearance at Ypsilanti's MITTENFEST IV.
 
Lightning Love's Girls Who Look Like Me is an amalgam of songs written at two different points in time - songs about differences in the way you feel about things as time pass. Both this record and their yet-to-be-titled full-length show a band who has grown since their first release. Moving on from the emotions that fuelled that first record, with time came advances in the band's ability to put down their ideas on tape. For Lightning Love, the process of recording their own albums is part and parcel to how these albums came into existence. Ben Collins' background in recording began an ability to document their growth over the past few years, as the band weaved in and out of relationships, strife, and the process of, well, being a bit older than you were a few years before.

2011Candy Says: Indie pop with a tinge of electro in this uptempo song. Simple sounds and wonderful vocals.
Listen: Deadbeat. Web: Official.
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Background: The Los Angeles based indie folk rock group, The Mowgli's, will be playing a series of shows late this December (you've missed them) and January in the Los Angeles area.  They will be making stops at The Roxy, Moscow at Boardners, and the Bootleg Theater alongside the likes of Death!Death!Die!, Jason Ellis, COYOL, and Molly Marlette.

The Mowgli’s are quite simply a group of friends who love nothing more than to make music together, listen to music together, and grow musically from one another. Blending country, blues, and folk with classic Rock n Roll, they add poetic lyrics that they hope people all over the world can feel. Best known and appreciated for their energetic stage presence, The Mowgli’s put on a show that the audience feels happy to be a part of. At the beginning and end of it all, The Mowgli’s are a California band with California soul.

If you're feeling generous this holiday season, donate a little money (or help spread the word) about The Mowgli's Kickstarter campaign to raise money for their new album.

1/8 Los Angeles, CA @ Bootleg Theater w/ COYOL, Molly Marlette.

2011Candy Says: If you like the demo, it's fair to say the band deserve to make the album, lets hope so, this is a great finish to this round up, get set for some great tunes in 2012 & hopefully The Mowgli's will be up there amongst it all.
Listen: San Francisco. Web: Facebook, and Kickstarter Campaign.
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Listen:

Wednesday, 30 November 2011

2011Candy - November Edition

Background: For those of you who follow folk on Twitter, you may well want to add Marissa Nadler to your selection. In recent weeks she has given away a number of songs from her 'Covers Volume II' album, in fact if you check over there now you may well still be in for a rather nice treat. Covers Volume II follows her critically acclaimed self titled full-length out now on her own Box of Cedar Records.

After releasing several albums with Kemado (and having one of her songs inspire the name for vinyl start-up Mexican Summer), Marissa Nadler ventured out independently for her critically acclaimed self-titled album, which has been featured on NPR "World Cafe: Next," NPR First Listen, Vogue, KEXP, Pitchfork 'Overlooked Records of 2011' with an 8.1 album review, and as one of SPIN's "5 Best New Artists for June 2011," among others.

Marissa Nadler released her first album, Ballads of Living and Dying, on Eclipse Records in 2004; her follow-up, The Saga of Mayflower May, was released in July 2005. Both albums have been long standing favorites at Beehive Candy and the positive reviews she has received over the last few years have in our opinion, been totally deserved. If you are new to Marissa then don't just take our word for recommending a listen - Her voice was described by the popular online music website Pitchfork Media as "a voice you would follow straight into Hades". In the Boston Globe, her voice and music is described: "She has a voice that, in mythological times, could have lured men to their deaths at sea, an intoxicating soprano drenched in gauzy reverb that hits bell-clear heights, lingers, and tapers off like rings of smoke. Hardly anyone considers Nadler a folk musician."

2011Candy Says: What can we add to the comments above, this is a haunting song that takes Bruce Springsteen's original into another dimension. Superb.

Featured: The River. Web: Official.
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Background: Dutch soul-act Fuel Box is going to release their dark debut-album "I" on 14th December, worldwide.

Fuel Box combines old, bluesy soul, dark dub and modern hip-hop into catchy, psychedelic, soul pop songs. (Don't worry, this is not another retro-soul ripoff...). On December 14, 2011 the complete, 14 track album "I" (One) will be released worldwide.

Producer Joshua Boon composed and produced the songs, while soul singer Remy Britsemmer laid the vocals down as they took a few years during turbulent times recording in (bath)rooms of old and dilapidated houses. Occasionally, they received help from guest musicians, but the only other vocalist on the album is Holland's legendary old skool rapper Deams (Gang Starr family, early Urban Dance Squad, Zulu Nation). Deams recently released the "The Legacy" EP, by the way, featuring De La Soul, Chuck D, Ice-T, Jeru the Damaja & Big Daddy Kane.

Fuel Box made it to the selection of Soul & Jazz talent on national Radio 6 and received airplay on multiple programs. They were also rewarded with positive reviews, interviews and entries in several print magazines and websites and through music blogs worldwide. Tracks were also featured in Game Kings (Dutch MTV) and the national campaign VrijSOAVrij.

2011Candy Says: We featured the band back in May and having now had a chance to listen to the new album in full, we urge you to check these guys out. New music is alive and kicking!

Featured: Get Out. Web: Official.
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Background: Forget everything you know about Scout. With All Those Relays, the band’s first album since 2003, Ashen Keilyn has deconstructed her band and put it back together piece-by-piece — new players, new producers and, most importantly, the best songs of Keilyn’s career. Scout’s new chapter finds Keilyn simultaneously at her most emotionally raw and her toughest yet, creating an album both empowering and vulnerable — and catchy as hell.

It all adds up to mean the breathless praise piled on her music from Billboard, SPIN, The New York Times and others rings true today. As the Village Voice wrote, “Ashen Keilyn is a star.”

Scout dropped its debut EP, Someplace Would Be Nice, in 1998 on Chrysalis; its breakthrough album, It Seemed Like a Good Idea at the Time, followed just two years later. On the strength of huge buzz from the album, Scout appeared on NBC’s “Late Night with Conan O’Brien,” became an “Editor’s Choice” pick at Amazon.com, had tracks featured in films and TV, and toured with rock icons Sunny Day Real Estate.

After the 2003 follow-up The Soft Life, though, it was time to take a break. Keilyn began working with other musicians and recording with new producers, but one thing was apparent: Ashen Keilyn was the beating heart of Scout, no matter who rounded out the lineup.

With that freedom, Keilyn set out to create All Those Relays, inspired by music, film, and the idiosyncrasies of everyday life. Scout’s new music was created organically, each song born exactly when it was ready. Some ache with the melancholy of Cat Power. Some float like the folk of Azure Ray. But each track is anchored by her hushed voice. Keilyn took her time with this music, and her careful, relaxed writing makes for gorgeous, free-flowing songs.

2011Candy Says: A driving beat that at first seems at odds with the vocals simply connects into a great song.

Featured: Please Excuse Me. Web: Official.
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Background: Performing their way down around the US at present, Yukon Blonde have be transforming their beards into waxed and groomed mustaches in support this year's Movember campaign.

Their recently released Fire//Water EP was produced by Colin Stewart (Black Mountain, Ladyhawk) the four song follow up to the quartet's Polaris and WCMA award nominated debut LP was written partially while on the road, and partially while off the road at a cottage in the Comox Valley (BC). The band recorded a total of 15 songs over the course of the summer, and  the remaining 11 tracks will be featured on their sophomore LP in early 2012.

Yukon Blonde's career has so far been marked by their on-the-road ethic. Last fall they embarked on a 30+ date tour supporting Good Old War, as well as several headlining runs down each coast. This summer the young B.C. band played at Milwaukee Summerfest with Edward Sharpe & The Magnetic Zeros and the last year and a half has seen them rack up nonstop tour mileage both in North America, and Europe, including festivals such as SXSW, CMJ and Popkomm Festival in Berlin along the way. Make sure to check them out this fall as they wind through the entire country.

01 Dec - Ames, IA @ The Maintenance Shop *           
02 Dec - Omaha, NE @ Slowdown Jr *            
03 Dec - Kansas City, MO @ Riot Room *        
04 Dec - Oklahoma city, OK @ The Conservatory *    
06 Dec -  Little Rock, AR @ Juanita's Cantina *           
07 Dec - Dallas, TX @ Double Wide *   
08 Dec - Houston, TX @ Fitz Downstairs *       
09 Dec - Austin, TX @ Emo's Inside *    
11 Dec -  Denver, CO @ Larimer Lounge *       
13 Dec -  Salt Lake City, UT @ Kilby Court *    
14 Dec -Boise, ID @ Neurolox *             
16 Dec - Spokane, WA @ A Club *       
17 Dec - Seattle, WA @ Crocodile  *     
18 Dec - Portland, OR @ Doug Fir  *    
21 Dec - San Francisco, CA @ Brick & Mortar Music Hall *          
22 Dec - San Diego, CA @ Soda Bar *
23 Dec - Los Angeles @ The Echo
29 Dec - New South Wales, Australia- Peats Ridge Festival Glenworth Valley
     
* All US shows after Nov 15 co-headline w/ The Fling.

2011Candy Says: Fine harmonies from this alt country/rock act that reminds me of C.S.N and Young with a lot more energy.
   
Featured: Fire. Web: Official.
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Background: The Handcuffs embody the spirit of rock music's uninhibited, sexy and overbearing appeal. Perfectly blending style and energy, they do not sound like anyone else, but at the same time they seem very familiar. They are influenced by everything good that sells and anything good that doesn't. Rock music is loud (not just in volume, but in its nature), pompous and fun and The Handcuffs embrace every reckless minute of it.

Chloe F. Orwell, the designated blonde of the duo, is the lead singer whose stage presence and vocal style oozes sex and scorches and rock and roll. She can slide from a corduroy growl to a shimmering silky sigh in a Detroit second.

Brad Elvis, the other half of The Handcuffs, is a black-haired, four-handed drummer whose manic-panic style paints a 747 jet rhythm to every Handcuffs tune. Brad is also the chief songwriter (although Orwell is known to have a song or two stashed in her boots) and one of the visionaries of the duo. Bam!

The Chicago-based pair originally teamed up when Elvis recruited Orwell as lead vocalist and contributing songwriter for his band Big Hello, which released three critically acclaimed CDs, played hundreds of shows and received airplay on college and commercial radio all over the globe. Their potent creative chemistry earned the duo praise from fans and critics alike for their musicianship and showmanship, plus accolades in the mainstream and alternative press throughout the world.

The Handcuffs evolved from Elvis and Orwell’s desire to explore a broad sonic territory while still believing in the power of a great radio hook. Their songs are fresh yet timeless, edgy yet accessible, skillfully crafted yet easily memorable. Their influences range from Bowie to Bacharach, P.J. Harvey to the Pixies, White Album to the Yeah Yeah Yeahs with some Ting Tings, T-Rex and Sparks tossed in for good measure. You could spend all day trying to name that tune, but by nighttime it would still be The Handcuffs.

The duo started out making boombox demos with Orwell on guitar or bass and Elvis often singing the lead vocals and keeping time on a cardboard box or whatever was handy. Proper studio sessions, with the help of additional guest instrumentalists, followed and The Handcuffs recorded more than three albums worth of material. Then came song placement in television shows and films, followed by a self-produced music video. With plans to release their debut CD, they finally decided to put a live band together.

To complete their line-up, the duo has welcomed three powerhouse musicians to help them deliver the rock including Emily Togni, a Tennessee-by-way-of-Arkansas native, Chicagoan Ellis Clark on guitar and former New Jersey girl Alison Hinderliter on keyboards.

2011Candy Says; Great driving riff and super vocals, the whole thing has a punky edge that really works.

Featured: Miss You On Tuesday. Web: Official.
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Background: On December 13th, Chicago's Old Town School of Folk will release a vast collection of live recordings by the countless musicians who have played the venue over the last 50 plus years.  The collection's 127 tracks will be sold digitally on iTunes and Amazon.  Among others there are songs by Andrew Bird, Steve Earle, Toumani Diabate, Lila Downs and many more.  The release represents the best in folk/roots music, past and present.

On a stack of DATs in a shoebox lay the history of American music. There were local legends and major icons, global musicians and indie rockers. Some captured beautifully from the board, some gleaned quietly from the dusty archives of a radio station, the recordings held wildly creative decades of sound from Chicago’s Old Town School of Folk Music, a roots-music touchstone for nearly 55 years. And no one had heard them.

Joan Baez and Donovan, Big Bill Broonzy and Ella Jenkins, Pete Seeger and Taj Mahal, Martin Carthy and Steve Earle, Doc Watson and Mahalia Jackson: It was a literal who’s-who of folk, gospel, country, bluegrass, blues, and world music, caught in hours of exciting performances. But someone had to put the pieces together—all 127 tracks worth—and someone had to clear all the rights with 85 different artists.

They succeeded, against odds that would have stopped others in their tracks. Live From The Old Town School (Old Town School Recordings; release: December 13, 2011) reveals not only the venerable institution’s storied start, but its role in the recent infusion of new energy into the roots music world, with everyone from Toumani Diabate and Oumou Sangare to Andrew Bird and Lila Downs.

This crucial collection of rare live gems is available for download from iTunes, Amazon, and CD Baby, with most of the proceeds going to benefit the School’s educational work with children and adults. And though very diverse, the tracks share a common quality.

“These are all performers who know how to communicate with the audience in a very personal way,” says Colby Maddox, librarian/archivist and teacher at the Old Town School, who spearheaded the project and attracted support for it from the Donnelley Foundation. “They don’t need that distance, that huge arena. They want to get down close and make people happy. And they are all coming from well-established traditions, all different, but all strong.”

2011Candy Says: Where do you begin? It's a massive collection of music's history and Andrew Bird was chosen at random simply because I did not know who to choose from this phenomenal collection

Featured: Andrew Bird - Tinys Tempo. Web: Official.
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Background: Ashtar Command's debut album, American Sunshine, is an evolved and involved labor of love from veteran musicians Chris Holmes and Brian Liesegang. It's an expansive and coherent album that defies being reduced to a single genre. Nick Drake could come to mind, as well as the Chemical Brothers. Spiritualized could be seen in there as well as The Beach Boys. There are songs of exquisite beauty and ones that unabashedly rock.

The duo were joined by guest vocalists Joshua Radin (whose debut album was produced by Holmes) on “Mark IV,” Alex Ebert of Edward Sharpe & The Magnetic Zeros (“Save Me”), Har Mar Superstar (“That’s How It Is”) and Rachel Yamagata (“Blister of the Spotlight”). The dreamy “Rosa,” already in heavy rotation at Los Angeles’ KCRW, is one of two tracks featuring Priscilla Ahn, while Z Berg’s crystal clear vocals provide a stunning counterpoint to the throbbing groove on “Gravity.”

The group are well known for their song on Red Dead Redemption called "Deadman's Gun". Sci-fi fans may recall the concept of “Ashtar Command” that emerged in the 1950’s – an intergalactic U.N. with the mission of assisting the human race in a time of crisis. Think evolution by enlightenment, which makes the name a fitting metaphor for the band and what they're trying to accomplish.

2011Candy Says; A number of famous names mentioned above, yes this is one of those songs that for some reason makes it hard not to look for comparisons. Not that it copies anyone, it's just so good you want to liken them to some highly regarded band, I will add Bowie to the list!

Featured: Save Me. Web: Official.
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Background: Beacon is Thomas Mullarney III and Jacob Gossett. Their “No Body EP” explores a combination of deep south bass music and ambient pop melodies, with R&B tinged vocals that accompany warm arpeggiated synthesizers.

The EP's atmosphere and narrative recall brooding spirituality in the wake of first love and the allure of the paranormal in teenage romance. Jacob and Thomas’s extensive work in the video production and set building worlds has given them the techniques to produce their own unique vision for the release of “No Body;” a cheap prom set where real and imaginary moments continually conjure up feelings of love, lust and all things in between.

2011Candy Says; A sparse sounding rhythmic intro that continues to build long after the beautiful vocals establish as a very special song.

Featured: No Body. Web: Soundcloud.
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Background:Holmes is a singer-songwriter who pens the kind of melodic, unpretentious songs that scream for usage in film and TV. There’s a humor, wistfulness and universality that would compare with some of the best of Ben Folds or Beck.” - Los Angeles Times

Los-Angeles-based multi-instrumentalist and producer Holmes (the alias of Roy Shakked) today releases a full-length cover album aptly entitled Holmes: Covers on his label Groove Gravy Records. This marks the third full-length album under this moniker, following 2007’s Stop Go and 2009’s self-titled album, and precedes an album of more originals due in the Spring of 2012.

Holmes: Covers includes songs from all across the board—from Ice Cube to Elvis Presley and Genesis to Michael Jackson. Each song on the album has undergone a complete transformation, with Holmes arranging the songs to cast the lyrics in a new light. Narrowing his list of song choices from 100 down to 13, Holmes chose each for their lyrics. “Lyrically, every song on this album really speaks to me,” says Holmes. “All artists, with the exception of Macy Gray and Massive Attack, were ones I grew up on. The other two I just really dig.”

The first single of the album, a cover of Ice Cube’s “It Was a Good Day,” is as far from the original as can be. The music behind Holmes’ version is a song he wrote several years ago, but never found the lyrics to do it justice. “It’s always tricky approaching a hip hop track to cover,” muses Holmes. “It’s just an opening to being hokey, not to mention an invitation for abuse. I really like the way it came together. ‘Cube’s lyrics are ridiculously good.”

The album was tracked and mixed in Holmes’ home studio in Silverlake, CA. A handful of amazing musician friends contributed to Holmes: Covers, including Joel Shearer (Damien Rice, Alanis Morissette), Chris Bruce (M'chelle Ndegeocello, Sheryl Crow) Lawrence Katz (Bosstones), and Michael Jerome Moore (Blind Boys of Alabama, Better Than Ezra). Holmes thanks his lucky stars for good friends.

2011Candy Says: If there is a benchmark for how to reinterpret a song then this surely is it! And it really works, complete with the parental guidance lyrics..

Featured: It Was A Good Day. Web: Official.
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Background: Rah Rah are a Canadian indie rock collective whose album Breaking Hearts was released to the U.S. a couple of weeks back along with a vinyl/digital remix album called Rahmixes.

The sextet are known for taking turns taking the lead, both in songwriting and while on stage, and constantly switching instruments and they've been compared to The New Pornographers, Stars, and Broken Social Scene.

Rah Rah's sophomore album, Breaking Hearts was recorded and mixed in Montreal by Kees Dekker (Plants & Animals) and was released on June 1, 2010 in Canada. It follows the widespread industry praise for 2008's debut album, Going Steady and reinforces the increasing visibility that has accompanied Rah Rah's relentless tour schedule. Rah Rah were crowned "Best new Canadian Band" and "Best New Alternative Band" by iTunes in 2009. The band has also been featured as iTunes Download of the Week and Starbucks Pick of the Week in Canada.

The proud prairie rockers sing of the seriousness of art, poetry, love, and politics, and contrast it with a stage full of confetti, pinatas, candy, and six friends loving life and having fun. But don't let their fresh faces, confetti cannons and constant sugar highs fool you, Rah rah are old souls. This young, six-member ensemble artully bridge sincerity with the absurd. Despite lyrics that touch on underwater sea creatures, stockbrokers, Saskatchewan (and now Montreal), and impressionist painters, their songs are built to break your heart. All this along with the melodic male/female vocals and diverse instrumentation (guitars, bass, drums, keys, violin, accordion, ukulele), ensures that a Rah Rah show will not disappoint.

2011Candy Says; I love this song, both the instruments used, the mix and the perfectly matching vocals. Music that crosses generations.
Featured: Parkade. Web: Official.
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Background: Lissy Trullie is going to release the follow up to her debut EP Self-Taught Learner on March 6th (2012) via Downtown records. The new album is self-titled and was produced by John Hill (Santigold, M.I.A., Shakira) and David Sitek (TV On the Radios, Yeah Yeah Yeahs, Liars).

 Lissy Trullie, made in the L.A. studios of both Hill and Sitek, is coolly confident in feel, its mostly brisk punk foundation yielding to memorable pop choruses along the way, especially on “Big Heart” and the reggae-tinged “It’s Only You.”  Trullie’s voice and presence is commanding throughout; with her elastic singing, she comes across at times like a modern-day Chrissie Hynde.  But the artful precision of the arrangements belies the more spontaneous nature of the sessions, as Trullie reveals: “I think the benefit of working with John and Dave is that there was no mention of pressure, and they had zero rules. It was just free-form creativity, any wacky suggestion was taken, and that’s how the sound of the record happened. That style of working just suits me very well.”

And while the planning set her off down her road, it was the out-of-nowhere diversions that created the most exciting results.  “We did track a lot of the band live, but when we did, it just happened; it was spontaneous. Our approach allowed for more accidents to happen that ended up being amazing. Dave is like a mad scientist – he has a house where his studio is located in one of the canyons and it’s a crazy wonderland.  John was more the contained mad man – soft spoken, contemplative, and wildly talented. We had a real yin-yang situation going on.”

The more unorthodox the idea, the better, Trullie says: “We did a lot of vocals with different mics. John fell in love with this tape recorder microphone from the sixties and it’s on everything - -the drum kits, guitars, my vocals. He would hang it like a light from the ceiling. Its sound is kind of gnarly but amazing at the same time; it made the drums sound thin and dirty. We would layer that track over the proper drum track and it created an interesting texture, so we did that with the vocals as well. We tracked lots and lots of vocals; they had me in there every day.” There was an open door policy to go with their open minds: “Anyone who walked through the house somehow ended up playing on the record.” Special guests included Jaleel Bunton of TV On The Radio, XL Recordings artist Holly Miranda, and Florence + the Machine’s guitarist Robert Ackroyd.

"I write so I can find something new and hopefully keep growing," says Trullie. “This was the first time I got into a real studio with real producers and by the end of the recording process I wound up with what I wanted from the very start – to make music that has evolved.”

2011Candy Says: Yep another emerging artist to watch out for, and another song that grows and builds into something special.
Featured: Madeleine Web: Facebook.
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Background: Following up their critically acclaimed debut, 2008’s A Mouthful, French-Finnish duo The Dø release their highly anticipated sophomore effort, Both Ways Open Jaws recently in the UK and in the US via Six Degrees Records.  After a series of live sessions, two visually stunning videos and album teasers leading up to the release, The Dø are receiving recognition globally. The album is receiving rave reviews around the world and the band has made a lasting impression on international powerhouses like NME, Clash Music, Drowned in Sound, Digital Spy, The Fense Post, Italian Vogue and more. In regards to the new album, Colossal Pop claimed, "The darker groove of “The Wicked & the Blind” is another flash of brilliance that reminds me of what the Velvet Underground might have offered had they had a better ear for “the masses.” The gorgeous “Was it a Dream?” is another wonderful moment" and Baeble Music noted “Funky French/Finnish outfit provided one of 2010's more exhilarating debuts (A Mouthful), so it's safe to say we're excited to see what album number two has in store.”
  
French multi-instrumentalist Dan Levy and Finnish vocalist Olivia Merilahti met in 2005 while recording the soundtrack to a French movie and started writing songs together on the side.  This side project took center stage when A Mouthful garnered praise from the likes of Pitchfork, and the band went on to play festivals and tour worldwide.

2011Candy Says; I have been a fan of The Do's since their debut, and this song see's them still developing and oozing energy and charm.

Featured: Slippery Slope. Web: Official.
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Background: Native New Yorker, Gina Zavalis, releases her first single, "In Your Eyes," off her debut self titled EP, Gina Zavalis. The album is now available for purchase on iTunes, as well as her website.

Gina Zavalis began her career as a young girl in Off Broadway shows, performing in several national tours and regional theatre productions. A lifelong passion for music combined with years of singing are what's behind the success of Gina Zavalis. "In my humble opinion Gina Zavalis is THE next great American voice. Her sheer talent and presence alone will win you over but just wait until you hear the girl sing...Remember I told you so when she is headlining the universe!" Remarked Joe Bonsall of the legendary Oak Ridge Boys.

Gina Zavalis' self-titled EP is filled with heartfelt lyrics, along with her intriguing sound and dynamic powerhouse vocals, showcasing her three plus octave range. LA Guitar Academy praises, "In her new song, 'In Your Eyes', Gina Zavalis' warm tone invites listeners to travel with her on the journey from despair to forgiveness. Her voice, plaintive at first, soars to brilliance as she captures the moment of transformation-a moment of pure freedom." The song is a snapshot of the transforming moment when the tangled chains of insecurity release into pure freedom. Introspective and brutally honest, Zavalis conveys the difficult emotion of giving in to the unknown.

2011Candy Says: On paper this should not be my thing. However the vocals are striking and the dominance of the piano (not being crushed by a full orchestra) makes this one fine song. Maybe I am finally growing up (time for another mid life crisis).
Featured: In Your Eyes. Web: Official.
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Background: From Paper Gardens Lovely Hearts Club we quote - Hours of listening to demo submissions eventually paid off when we opened The Great Afternoon's email to find that the banjo isn't just for making bluegrass tunes. Christina Ward has been rocking out on the banjo along side bassist Kris Knechel and Brian Huggins on drums for over a year now. Her soothing vocals carefully guide us through some of life's tougher realities while leaving a bit of hope for better days. Their first EP is not all doom and gloom as much as it is foot-tapping and and head bobbing thanks to a perfect blend of drum and bass lines with the unexpectedly soulful banjo picking.

The band has been playing a handful of shows around their hometown of New Jersey in support of their first EP "The Great Afternoon", which was released just a few months ago in August. Here's a stream of 'Science Fiction' but don't stop listening there, head to bandcamp or Facebook to stream the full album and maybe even make a purchase for just $7!

2011Candy says: I can see why Paper Garden spend ours listening to demo submissions, if this is the result of their labour. A great song and yes, yet another band to keep a watch out for.

Featured: Science Fiction. Web: Bandcamp.
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Featured Tracks:

Monday, 31 October 2011

2011Candy - October Edition

Background: Marilyn Carino is a straight up Bensonhurst, Brooklyn Sicilian-American woman, born on the mean streets of The French Connection with a corner fish shop known as a killing floor for mafia hits. Her cousin was in the CIA, her grandmother split the scene to jet-set with the queen of Spain, and her father was a real life Mad Men-esque ad exec.

Marilyn Carino’s undeniable talent and full-throttle attitude have moved her through headline performances at the iconic Blue Note jazz club in NYC, playing and recording with Mike Mills of R.E.M. and Billy Talbot of Crazy Horse, recording her first album at Neil Young’s studio, and being  hand-picked as a lyricist by legendary producers Sly and Robbie (Bob Dylan, Herbie Hancock, Grace Jones, Madonna). She has also gone beyond her records and live performances into the big bad world of television and film, with her songs “Hero of the World” and “Blown” prominently featured in the SyFy Channel series “Regenesis,” and other tracks used in the feature films "Slutty Summer," "Vampires in Venice," and "Going Down in LaLa Land."

Marilyn Carino is that rare artist who shocks but also grounds her listeners. Uncompromising, humanistic, and insightful, her music is about your life, just in a way you’ve yet to consider. “I keep trying to be brave, be totally myself. It’s sexy to care about art and excellence and the happiness of other people, and it’s important that my life and music encourage people to find those things in themselves.” She sincerely loves you all, but don’t get it twisted.

Featured Track: King Of The World. Web: Official.
2011Candy Says: The vocals are powerful, the music is sharp, the passion sets the song apart. This song is a little like a movie soundtrack but don't be fooled there is a lot more to Marilyn, consider this just one dimension.
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Background: In anticipation of the Nov 8th release of their new album Welcome To Condale, Summer Camp have created a beautiful scrapbook/zine to go along with the album.

It's available on their own website right now and they've also set up a version of the zine on issuu.com.

Check more out at their own website HERE, or you take a look at the scrap book HERE.

Featured Track: Better Off Without You.
2011Candy Says: Great song, pure and simple, this is a great pop song.


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Background: The ghost stories, murder ballads, and grimoires on the new full length album “If Then Not When” by Louisville, KY’s King’s Daughters and Sons are haunting, spare and at times explosively unsettling; part William Faulkner, part Led Zeppelin.  Informed by, but not beholden to the history of its members (Shipping News, Rachel’s, The For Carnation, Shannon Wright), their songs are singular, thoughtful and best heard on very large speakers.
The recording was made direct to 2 inch tape in 2008 and 2009 at The Funeral Home by Kevin Ratterman, engineer for California Guitar Trio, My Morning Jacket and Wax Fang.  Mastering by Bob Weston, Chicago Mastering Service.

The band are Kyle Crabtree - drums; Todd Cook - bass; Rachel Grimes - piano, voice; Joe Manning - guitar, voice; Michael Heineman - guitar, voice.

The music of King’s Daughters & Sons is dense, thickly layered and emotional. It can be calculated and stark, overt and loud. The band is by no means redefining music made by guitars; rather, it is offering a new talking point to the discussion. These songs live somewhere between post-rock tinkling and road music. Manning’s twangy growl blends with Heineman’s smooth tenor and Grimes’ alto to construct sublime, creative harmonies, while the oft-fingerpicked guitars tangle atop a march of drums and bass. It is a grand and dramatic soundtrack with well-placed pauses and explosions that demand patience and grace among its players, and attentiveness of its listeners.

Featured Track: Volunteer. Web: Official.
2011Candy Says: Reminds us of at least a dozen great bands of the last 10 or 20 years. Distinct music for those who like their art done in style and with a hint of uniqueness thrown in for good measure.
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Background: Building on a mutual affection for all things dissonant and atonal, Mutiny Mutiny crafts noisy art rock that mines sonic territory previously explored by bands like Unwound, Sonic Youth, Jawbox, Slint and Mission of Burma. Constellation, the debut album from the Seattle-based trio brings together angular chaos and gorgeous noise in 11 songs that meld the band’s diverse musical backgrounds with a good dose of homage to the bands that they love. Since forming in late 2009, they have shared bills around Seattle with bands like Screaming Females, forgetters, Title Tracks and others.

Mutiny Mutiny’s songs are crafted from an assortment of textures, combining delicate, brooding melodies with pleasantly punishing explosions of musical clatter. Guitarist Jason Dean’s jagged riffs and bright, feathery passages dance around bassist Jenn Schmidt’s driving melodic rhythms, inspired by her background as a classically-trained cellist. Drummer Marc Mazique completes the mix by shifting between rock-steady beats, jittery rhythmic pulses, and light percussion punctuated with accentual flourishes. Vocal duties ranging from gritty snarls to delicate harmonies are shared by all three members.

Featured Track: The Damage Is Done. Web: Official.
2011Candy Says: Ensuring that visitors to Beehive Candy don't nod off when checking out the new music selection we have Mutiny Mutiny. No nonsense music for lovers of no nonsense music. Superb chorus as well. 
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Background: Ed Hale and the Transcendence - All Your Heroes Become Villains is certainly titled appropriately for the times we live in. Like a shadow of today's chaotic world, "The Villains album," due out November 15th on the Dying Van Gogh Record label, is dark, moody and heavy, and yet every now and then it glimmers with hope and those catchy ear-candy melodies that fans of the band have come to love and expect.The collective, which reached up to 12 members during the recording process of their latest, weaves together their trademark post-modern rock meets Brit pop -- creating an unforgettable aural soundscape that is larger than life and will leave you humming.

It has been a fruitful time for members of the tight-knit collective: during this period the band self-released the digitally exclusive rarities collection The City of Lost Children while each member released a solo album. Hale recorded Ballad On Third Avenue, lead guitarist Fernando Perdomo formed the prog-pop group Dreaming In Stereo, and bassist Roger Houdaille released an album by the side group he formed called Ex Norwegian (also releasing their follow-up album, Sketch, on November 15th). Hale and the band worked for over a year, bringing in other musicians when needed as varied as a gospel singer, a second drummer, a Los Angeles DJ, and various horn players. The result is a mashup of sounds but highly cohesive as an album still recognizable as having "that Transcendence sound." Haunting melodies, bold sonic experimentation and Hale's richly layered and impassioned vocals all come together to create a highly memorable and moving listening experience. Sounding more like a rock musical or a concept album, the songs both musically and lyrically tie into one another seamlessly in one cohesively bold brash and powerful listen more akin to Pink Floyd or David Bowie's Diamond Dogs.

Featured Track: Blind Eye. Web: Official.
2011Candy Says: Read the above promo stuff to get Ed Hale and band in context, then engulf yourself in the fact that their is an incredible amount of new ideas on hand, that makes the band 'a tad special'.
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Background: Eight Bit Tiger is an electronic dance duo from Chicago composed of the Widman brothers, Erik and Kent, and is the new side project to the brothers’ indie rock outfit Love in October. The experiment began 15 years ago when the brothers started playing music together in a bedroom in northern Sweden and has mutated into a radioactive sonic isotope.

The music is influenced by 70s funk and 80s synth-pop, taking notes from artists like Michael Jackson, while borrowing the pop sensibility of Peter, Bjorn, and John, and mixing in the dance element of bands like Daft Punk. There is also the distinct vintage pop vibe of acts like Prince, New Order, and Blondie that harkens to a different sonic era.

“There’s so much music out there that is depressing, so we wanted to make something that makes you feel good when you listen to it. That’s what the world needs right now,” says vocalist Erik Widman.

Their debut album Parallel Synchronized Randomness was primarily recorded in Eight Bit Tiger’s tiny Chicago apartment, with some additional tracking done in Toronto, ON at Chemical Sound Studio. The brothers took the approach of treating themselves as an old record, sampling themselves, creating bass and guitar loops, and overall trying to recreate the sound of decades past. The loops are glued together with rich layers of synthesizer and pumping drums, creating a unique sound that spans decades of styles.

In their live act, the Widman brothers are joined by Chris Pagnani on the drums. Eight Bit Tiger will be performing shows throughout the Midwest and East Coast in support of their new album this fall.

Featured Track: Numbers. Web: Official.
2011Candy Says: Takes us back to the eighties, whilst reminded us that good dance/electronic/pop music can be as timeless as any other genre if done to this standard.
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Background: Vancouver’s Said the Whale recently announced the release of the first new music since 2009’s acclaimed full-length, Islands Disappear. On November 8, Hidden Pony Records will release the New Brighton EP, a 4-track digital EP, across North America.

The band recorded the EP this summer in addition to the album recording sessions at Blue Wave and Vertical Studios in Vancouver with longtime producer, Tom Dobrzanski. The new album, yet untitled, is being mixed by Jack Joseph Puig, a multiple Grammy Award winner who has worked with U2, Weezer and No Doubt and the official album release date has been set for release on March 6, 2012. On October 18, the first New Brighton EP track, "Lines," was released exclusively through Said the Whale’s website. The rest of the New Brighton EP tracks will follow, available digitally as of November 8th.

Featured Track: Little Bird. Web: Official.
2011Candy Says: Simple advice, if you are new to the Said The Whale, dig a little deeper, if you are a fan then buy the EP as the featured track needs all three other songs. Seriously, if this song gets your attention, we reckon you will love this band.


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Background: Starting November 29th the energetic and spunky duo Loves It! will begin their tour to around 50 different cities. The group who will be touring to promote their up and coming album YAY! which will be released on December 6th, combines the genres of folk, country, Americana, and Indie Pop to create their unique sound.

With Vaughn Walters on banjo, guitar, and vocals, and Jenny Parrott on guitar, mandolin, fiddle, and vocals, their tour is sure to gain lots of attention. Although neither members are strangers to the life of touring, both having played hundreds of shows a year with their other bands, this is their first major tour as Loves It!. "We show up, meet everyone who works there, and set up and talk a bit with whoever is there. We stand up, and sing our hearts out. It's the most wonderful thing, and I always have moments where I feel blessed and privileged to have music as my job." As talented multi-instrumentalists, both Walters and Parrott were in-demand players in Austin's wide-open music scene, but their personal and musical bond slowly drew them closer. They started writing together about a year ago, and the songs they composed became the foundation of their self-produced album YAY!

"We made the album at home," Parrott says. "Vaughn was set to record with another band, but the sessions kept getting canceled. So we rented some fancy mics and started on our own record. Vaughn has always been interested in recording and engineering and he took to it like an Austin musician takes to breakfast tacos. We made the album in a week, while I busy playing shows with another band and doing pre-production for an album for yet another band. It was a busy and wonderful time."

Walters and Parrott met in their adopted hometown of Austin, Texas five years ago. Walters is originally from West Virginia and grew up listening to folk, punk and honky tonk country music. Parrott comes from New Haven, Connecticut where she fell in love with soul, swing and gospel music. "We were best friends and then we fell into the big hole of love," Parrott explains. "We're both touring musicians and we were doing 150 or 200 shows a year on opposite schedules, and we decided to see where we could go doing our own thing. Vaughn's a great singer and songwriter and easy to work with, so I thought our own band would be the ticket to fun and musical fulfillment.

Although they've only been playing as Loves It! for a year, the duo is already winning fans with their exuberant presence, sparkling harmonies and ingenious song craft. "We're looking forward to jumping on the Loves It! train full time," Parrott says. "Living in Austin has made it possible to be touring musicians, a dream that may never have gotten off the ground had we lived in a less positive, less musical town. And the breakfast tacos are the blood of life."

Featured Track: My So Called Life. Web: Official.
2011Candy Says: Keep it simple if you have the charm and talent these folk's have. Damn fine music, so catch up with them if you get the chance, either live or recorded.
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Background: Recorded on vintage equipment in the heart of Sydney, Fallon Cush shares some words of wisdom, as they release their second single, "Sleeping Giant", off their self-titled album.
In "Sleeping Giant", singer and chief songwriter Steve Smith borrows from the fables we heard growing up in this modern day cautionary tale.  Hindsight is always 20/20, and it seems to be the case for Smith.  As the song progresses, he warns listeners to be careful what they wish for, as things are not always what they appear to be.  It's clear that Smith had to learn from his own mistakes of a failed relationship himself, but he also asserts that he's not dwelling on those mistakes or living on regrets, another piece of advice he has for his listeners.  The song itself, led by his warm acoustic guitar, and accompanied by Scott Alpin's soft touch on the piano, gives it all the makings of a classic pop tune.  A few more words of wisdom?  Don't miss Fallon Cush's second single off their upcoming self-titled album, due out November 1.

There is so much to love about Fallon Cush. And the results, nifty and polished though they may be, only hint at where this amalgam could go.
-Something Else! Reviews - Nick DeRiso

For fans of good old fashioned pop-rock, Fallon Cush will warm the cockles of your heart and give all music lovers genuine hope for the future.
-Power of Pop

Smith has a cadence similar to Tom Petty and/or Mike Viola and the album displays an easy-going pop jangle on most songs... A very rewarding and mesmerizing listen.
-Powerpopaholic

Featured Track: Sleeping Giant. Web: MySpace.
2011Candy Says: Fallon Cush do music as if they have been around for ever. We are hearing some Bob Dylan influences on this song, take that as an endorsement, we don't give out Bob awards that often!

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Background: Residing in Porto, Portugal A Beta Movement recently evolved into a trio with the addition of vocalist Marcela Freitas. Her voice mirrors the salty, shore-town vibes from which it resonates. In a similar vein as Marissa Nadler but with a sweeter finish, to which guitarist Pedro Cordeiro and his rustier cadence provide a gentle complement. A Beta Movement creates atmospheric pop with a steady pulse, as though these sounds floated across the Atlantic upon a lackadaisical breeze.

A Beta Movement began with the shared goal of fusing sound and the visual experience, an annotation on human perception. Citing Max Wertheimer's famous 1912 Experimental Studies on the Seeing of Motion as a formative influence of their sound, and band name, A Beta Movement seeks to create a sense of space through perceived physically sensual encounters. "Colour Mixing System" is a flourishing, tumbling track that blossoms and withers like a leaky metamorphosis. Hypnotic with just a touch of melancholy, the track is splashed with handclaps and vibrant instrumentals, reminding us that A Beta Movement will stay true to the visual element that was their primary inspiration.

Featured Track: Colour Mixing System. Web: MySpace.
2011Candy Says: Our initial reaction was 'love the vocals and harmonies'. Played it a couple of more times and discovered some seriously good rhythms as well.
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Background: The Sound: Comasoft is a pop rock band with a fuzzy keyboard fascination. Catchy hook choruses, anchored with melodic instrumentation and vocal harmonies, combine with dancey rhythms to create a bouncing sing-along party. Popular rock structure, combined with pulsing retro keyboard riffs, create a dance rock feel that still has the changes and builds of a pop rock song. The songs deal with themes like the nervous anticipation of a new love, paranoia and the recklessness of youth.

The Band: Comasoft started as Jay Ramirez, a Michigan native who moved to Chicago to form a band. Dan Evans and Jay began writing songs together soon after meeting in 2007. Chris Polinski joined after the band he was in played a show with Comasoft. Jay has played the drums since childhood and tracks most of the drums himself. Dan and Chris both play bass, guitar and keyboards, so the writing process is a culmination of ideas and parts played by whomever happens to be holding whatever instrument at any given time. Comasoft isn't just a band of talented musicians, they are best friends hoping to win over the world one listener at a time.

The Record: Burn to Shine is a 6 song EP featuring the single 10Volt. The video for the single was released in September of 2011. Each song is crafted with catchy vocal hooks and driving riffs. Powerful bridges lead to grand outtro choruses and endings.

The Mission: Comasoft hopes to reach as many people as possible with their music. they are looking to team up with the right label to push forward to new heights.

Featured Track: 10 Volt. Web: Official.
2011Candy Says: Powerful music, contrasting vocals and a energetic pulse throughout. Seems a little retro however for some reason it has clicked with the Beehive, probably because it is so cleanly mixed and to the point.

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Background: October 11th  marked the debut of super-hip-chill band, Sola Rosa’s debut of “Get It Together,” in North America. Eager fans have been waiting for release at the edge of their seats.

Since the start of the 2000s, Andrew Spraggon’s first formative releases as Sola Rosa has built him a growing reputation for his deft synthesis of styles and quiet disregard for the niceties of genre boundaries. Blending a sensational mix of hip hop, reggae, jazz, latin, soul and funk, Sola Rosa will take you on a musical journey like no other.

Already big names like Baeble and Popmatters have jumped on the Sola Rosa bandwagon and premiered the group’s U.S. debut single and video for “Turn Around,” featuring singer Iva Lamkum, that will stop you dead in your tracks. Filled with funky drumbeats, sultry and smooth vocals, and brilliant bass and horns, this track is sure to get you out of your seat and dancing around the club.  The song blends a mixture of musical elements and genres, creating the perfect cocktail of melodic ecstasy.  Something that is not easy to accomplish, but Sola Rosa does it perfectly.  The rest of the album is just as amazing. Each track fills the room and takes you on a musical journey.

Andrew Spraggon brings his most ambitious project to date to the table, just in time for you to make your Year End Lists. With long time collaborators Matt Short (bass), Ben White (guitar), and Will Scott (drums), the group is joined by Spikey Tee (Jah Wobble, Mr. Scruff, Bomb the Bass), MC Serocee , Bajka and Iva Lamkum.

Featured Track: Turn Around. Web: Official.
2011Candy Says: Musically this is just superb, the vocals extend the wonderful vibe and someone has sprinkled the required amount of 'fairy dust' to make the whole thing marvelous music...

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Background: Mirador is the music project of twenty-something Philadelphia resident Kyle Robinson. Kyle spent the majority of his youth planning for a career in the visual arts, and though he has since shifted his focus to music, this background is still very much apparent. Listening to Mirador is as much about what you see with your mind's eye as what you hear with your ears.

Combining the limitless instrumental palate of electronic music (soft synths and samplers) with live guitar, synth, effects pedals and percussion, Mirador build intricate worlds of sound for the listener to explore. Escapist in the best way, the music uses ambient textures and samples to conjure dense and surreal soundscapes, while using melodic themes and varied instrumentation to tell a story or take you on a journey. Another reference point could be a key line spoken by Bill Pullman in David Lynch's Lost Highway: “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” The music of Mirador works in much the same way, seeking to capture in sound the sprawling, intangible essence or feeling of a time or place, in all its ineffable power and potency.

Featured Track: Dance Of The Lantern People. Web: Bandcamp.
2011Candy Says: We finish this latest new music round up with Mirador. And why not as we like to end things on a high.
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Featured Tracks:

MF Tomlinson - Hippie Flowers - Little Low - Franklin Gothic

MF Tomlinson - Die To Wake Up From A Dream. MF Tomlinson shares the album's centrepiece and 9-minute title track, ‘Die To Wake Up From ...