MARBL - Kindsight - Allegra Krieger - Sandy Bailey - Silva & Steini - William The Conqueror
Tel-Aviv based singer songwriter MARBL is releasing her new single "A Song for Mom", that is part of the artist's unique piano project. "Mom has always let me paint my unique trails to walk along. She knows best how to plant the confidence and passion in me, to do whatever my heart desires the most, and quiet down the voices of fear.
She is an eternal home to me, where I can find endless support, listening, and unconditional love. "A Song for Mom", is the least I can give her as a gift." - Moria Or MARBL's music has its own widely spread range of influences like Sufjan Stevens, Laura Marling, Norah Jones, Big Thief, Iron & Wine and more.
MARBL has already drawn the attention of dominant radio stations, music bloggers, journalists & publicists in France, the UK, Spain, Italy, Germany, The Netherlands, Luxembourg, Portugal, Austria, Switzerland, Israel, the USA, Japan, and more, and hit some big official Spotify playlists around the world, alongside leading TV commercials and campaigns. Nowadays, MARBL is releasing a unique piano project, in which she offers a glance into her very first musical passion - the piano, that draws the likes of Norah Jones, Tori Amos, Kate Bush.
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Danish four-piece Kindsight make music that draws from 80’s and 90’s alternative rock and combines it with the shimmering Scandinavian pop that the region has become so renowned for, resulting in a sound that is both fuzzy and melodic in equal measure.
This week the band share the new single 'Tibet'. The single follows the atmospheric 'Love You Baby All The Time' and experimental slowly building "Madhouse Breakout Multitool" and continues to expand the band's sound without losing their lovable characteristics. The band is playing Roskilde Festival on June 26th, a festival they've attended many times and as so many danes before them, partly grown up at.
About the track, Kindsight says: "Our most political love song to date, Tibet celebrates the wildest forms of conformity and anti-self-realization."
In 2022, the band released their debut LP via Rama Lama Records to praise such as "your new favourite band". Titled "Swedish Punk", it's an album packed with charming and infectiously catchy noise-jangle-pop melodies full of exuberant optimism and coming-of-age tales inspired by acts such as Pixies, Cocteau Twins, Snail Mail and Big Thief. The album was followed by tour dates in Scandinavia, UK and Germany as well as several shows at SXSW.
Atop jangling guitars, Nina Rasmussen’s distinctive voice dances somewhere between that of Mazzy Star’s Hope Sandoval and Alvvays’ Molly Rankin, leaving the listened renched in the nostalgic optimism of summers gone by. There’s not a single song that would feel out of place in an 00’s independent movie. The band possess an unmistakable talent for crafting disarmingly buoyant yet achingly nostalgic indie-rock songs based on the everyday.
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Allegra Krieger - Lingering.
In May, the New York-based songwriter Allegra Kreiger announced her signing to Double Double Whammy (Florist, Babehoven, Hatchie) for the release of her new LP I Keep My Feet on The Fragile Plane (out July 21st). The first single from the album, "Nothing In This World Ever Stays Still," attracted immediate attention, earning praise from outlets like FADER, Stereogum, BrooklynVegan, Exclaim, NYLON and Paste, who called Krieger "one of the best working songwriters."
This past Sunday Krieger played the release show for Greg Mendez' new LP at Purgatory in Brooklyn, and this week she's sharing a new single entitled "Lingering." "Lingering" neatly captures the chaotic possibility of city living. Rich with little details – black mold on an apartment ceiling, the smell of piss and garbage – the track has a timeless quality, and showcases Krieger's ability to imbue the outlines of everyday experience with a deep emotional resonance.
"Lingering is about new love, entering that fragile plane, shared pleasure, returning to the stasis of a room, of an apartment in a city that is always moving," Krieger explains to NYLON. "Objects sitting and hanging. Wanting something, but not wanting to want anything. Crossing the street. A nice day, a nice moment."
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Massachusetts-based singer-songwriter Sandy Baileyhas unveiled “Get The Message Through,” the lead single from Daughter Of Abraham, her first LP with Red Parlor Records, set for release on August 18th.
“The latest single from Sandy Bailey -a soft-country power ballad about mortality and heartbreak and everyday existentialism -is the kind of song that country music was built on,” says Hollerin their premiere. “Delivered with a faux breeziness, it’s both painfully real and bleakly comical. Her almost throwaway, conversational delivery making the lines land even harder as she ponders her grown up children leaving home, while the song slowly spirals towards a deeper truth about how disconnected and isolated we become from each other as adults....
It’s like if an AI music generator had been tasked to come up with a Carole King song that perfectly tapped into the futility of doom scrolling and the existential dread of the pre-apocalypse.”“A headline caught my eye in The Wall Street Journalthat read ‘Moms in Middle Age: Rarely Alone, Often Online and Increasingly Lonely,’” Bailey told Holler. “I thought about my love/hate relationship with social media and wrote a song about the irony of the current environment that we live in, where we are more connected than ever through the internet but also lonelier than ever.”For the video, Bailey put a team together from the Massachusetts Museum of Contemporary Art.
“We knew we wanted the video to have a throwback 70's feel,” Bailey explained to Holler. “In going through a bunch of vintage stock footage for ideas, the director Sofi Taylor was inspired by a video of a clean, empty kitchen. The contrast of a once vibrant house now unlived in was our inspiration for showing change, loneliness, and the passage of time.”
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Silva & Steini - If It Was.
Entrepreneur, filmmaker and bestselling author Scott Blum has announced his next venture, FOUND, a US-based independent record label focusing on the contemporary music scene of Iceland. The label’s first signings include jazz vocal duo Silva & Steini, composer Magnús Jóhann, and punk band GRÓA.
FOUND is marking the occasion with the release of the music video for Silva & Steini’s “If It Was” from their debut album More Than You Know. The popular song already has 2 million streams on Spotify and was written by Alan Hampton (Andrew Bird, Fiona Apple, Sufjan Stevens, etc.).
The video is directed by noted Icelandic visual artist Anna Maggý and was shot in gorgeous black & white at the unique "Library of Water" location in Stykkishólmur, Iceland, a fine art installation by Roni Horn featuring large tubes of water from glaciers around Iceland. The dreamlike visuals echo the lyrical themes of memory, loss and rebirth from the evocative song. "Anna Maggý used her unique mind and talent to create and capture something magical," notes singer Silva. "She manages to make her work one of a kind because she is so passionate and knows exactly what she wants in the moment."
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William The Conqueror have just unveiled the video to their new single ‘The Bruises’. Taken from their forthcoming album ‘Excuse Me While I Vanish’, out 28th July on Chrysalis Records, the track is the follow-up to last month’s single ‘The Puppet and the Puppeteer’. Produced by the band in a playground of vintage gear and mixed by Barny Barnicott (Arctic Monkeys, Sam Fender, Kasabian), the ten tracks on ‘Excuse Me While I Vanish’ marry earworm tunes with insistent, imperious, soaring rock shapes, punctuated by chorus hooks that are simultaneously nuanced and anthemic. William The Conqueror, who performed to a packed room at The Great Escape last month, head out on a European tour with Nathaniel Rateliff & The Night Sweats next week. The band will embark on a headline tour of the UK in October.
"My favourite kind of songwriting is when you have no control over what's happening” explains frontman Ruarri. “The song just arrives, finding its way through your fingers onto the fret board, as the pen wanders the page and somehow says everything you didn't realise you needed to say. The Bruises was like that. It wasn't and then all of a sudden, it was." Bassist Naomi adds, “'The Bruises' will stay with you all day. And with a verse that catchy, you don’t really need a chorus. Which is lucky.”
‘Excuse Me While I Vanish’, very nearly didn’t happen. Following the imposition of lockdown restrictions, Joseph found himself cocooned at home in Cornwall, ruminating on an uncertain creative future, watching on as his wife Mandy, a valiant mental health social worker, engaged with the all-too-real dilemmas of the pandemic-riven here and now. Her example motivated Joseph to become a temporary care worker, an experience which would provide renewed focus and influence the songwriting on the new album.
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