Charlie Fittler - The Nude Party - Ellie Turner - Marek Kubula
There is a saying that you have to live it to sell it, and if that is true, then Charlie Fittler, is the real deal. He has lived his entire 19 years on his family's fifth- generation Merino sheep property in the New South Wales Northern Tablelands outside of Armidale. This is the heartland, and country life runs in his veins.
That true country experience is laid front and centre on the lead and titled track lifted from his forthcoming EP – “Dying Breed”. “I wrote this song with my older brother Tom at home in 2021”, says Charlie. “I wanted to write a song that had a different arrangement but still had that traditional country rock vibe. The song is about imperfect people that sometimes aren't always what they seem”.
Both the single and EP are produced by Bill Chambers who – thanks to his traditional roots and outlaw ways - is the perfect fit as producer for the young artist. “Bill is a no-bs person, yet when he gives you advice about songwriting, recording or anything in general, he takes his time and is incredibly accommodating, and you shut up and listen”.
Chambers assembled a stellar A-team of musicians for the EP including Jeff McCormack (Bass), Rod Motbey (Electric Guitars), Glen Wilson (Drums), Mick Albeck (Fiddle) and Michael Sparrow (Harmonies) – joining Chambers (Slide Guitars, Mandolin, Dobro, Steel Guitar, Harmonies) and Fittler (Guitars) to round out the mighty studio band. Jeff McCormack mixed and mastered the track adding that further touch of Australian Country Music magic dust. The EP, “Dying Breed”, is earmarked for release on Friday 12th May 2023 and according to Charlie, he’s excited to unleash it to the world.
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The Nude Party - Hard Times (All Around).
The Nude Party returns with Rides On March 10th via New West Records. The 13-song set was produced by The Nude Party and mixed by Sam Cohen (Kevin Morby). Rides On is the anticipated follow up to their 2020 LP Midnight Manor which debuted at #1 on the Alternative New Artists Album chart. Met with critical acclaim, in their 4 out of 5 Star review, Mojo Magazine said they “...thrillingly embrace the moment… Top Class” while The Line of Best Fit said, “The band started with a really strong debut album, but Midnight Manor somehow takes this to new heights. You'll hear the Stones, you'll hear Lou Reed, you'll even hear a bit of Alice Cooper in there - and you’ll come away having connected with a new, intensely fulfilling sense of cool.” All songs included on Rides On were written by the band with the exception of “Somebody Tryin’ to Hoodoo Me,” by Dr. John.
Rides On, the band confidently says, is their best record. It’s also the most homegrown and the most organic record they have created to date. Unlike their first two albums, they decided to produce Rides On themselves. Tired of paying for studio time and being rushed, they used the funds they’d saved and spent a year building a studio space out of a barn in upstate NY. When the band met the Tampa-based engineer Matthew Horner, they discovered they had the opposite problems: Matthew had a collection of incredible gear with no studio and The Nude Party had a great new studio with no gear. So they invited him to move his equipment up to the Catskills to record an album together. Tired of paying for studio time and being rushed, The Nude Party methodically worked at their own pace. Out were the sessions lasting a strict handful of days. In were impromptu writing moments and picking every sound as they went along. The relaxed atmosphere of the sessions, and arriving with only loosely structured material, allowed the band to thrive in the studio. It also unleashed a diverse sonic texture compared to their previous releases. The lack of pressure allowed them to record over 20 songs, including some that dabbled in electro-pop and stripped-down country before settling on the final 13 songs.
Now The Nude Party release the second track from the album, “Hard Times (All Around).” Frontman Patton Magee said, “'Hard Times' started as a tune that Don demoed on piano. He showed it to me while I was driving down to Brooklyn from upstate, listening to early Bob Dylan demos. There’s an old American folk tune called '(Hard Times) Down on Penny’s Farm' by the Bentley Brothers in 1929. In 1965, Bob Dylan rewrote it as “Hard Times in New York Town,” changing most of the lyrics. I was listening to Don’s piano and thinking about that. Thinking about the folks in the country, and our friends in the city. Thinking about hurricanes and the Supreme Court. How much we are at the mercy of big movements we can’t control. How life gets hard on every one of us, with no exceptions. And feeling something heavy, but ultimately brotherly about all that.”
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Like any good folk songwriter before her, Ellie Turner hones in on the twists and turns of her journey—not so much her destination—to tell the collective story of her debut album, When The Trouble’s All Done. And Turner’s path has taken quite a few twists and turns. Originally from Dallas, Texas, Turner has always been creative, although her passion was initially channeled into visual art and design. “I was all set to attend Savannah College of Art and Design,” she explains, “but a last-minute conviction of spirit led me elsewhere. I ended up at The University of Arkansas on a total whim where I studied Economics, and more importantly, where I fell in love with folk music. It filled me up like nothing else ever had. I couldn’t get enough… I think that was probably when I first started to understand the power folk music had to stop time.”
After a few years working as an analyst for Southwest Airlines, she “finally mustered up the courage to leave my corporate gig for something more creative,” although she still didn’t pursue music. It would take one more year and a brief stint at the interior design company The Citizenry before she finally gained the confidence to say yes to the thing she truly loved. “I was at breakfast with my Dad on a Saturday morning when I made the decision to quit my job, sell my house, and move to Nashville. It was July of 2018, I was 26 years old, and I felt so behind,” Turner says. Fast forward to current day where Turner is on the cusp of releasing her first album, surrounded by friends and community and a steadfast dedication to crafting folk songs able to “stop time”—Turner’s songs do seem to exist on their own metaphysical planes, as meditations of sorts.
The first track from When The Trouble’s All Done is “One More Day.” The last song written for the album, “One More Day” features Turner’s signature soft yet piercing vocals, which feel like a secret told to a best friend, floating atop a lightly-grooving bed of acoustic guitars and upright bass. Album producer, and fellow recording artist, Jack Schneider sings the low harmony on the song’s refrain: “Just one more day until tomorrow / One more day you’re on my mind.”
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Marek Kubala, describes himself as an indie/lo-fi artist based in East London. His superb new E.P was released last Friday on shoegaze/post-punk label Shore Dive Records (UK). Comprising of two new tracks and two club mixes, (including slow psychedelic house maestro Mytron - Multi Culti, Les Yeux Orange, Razor N Tape), this is an impressive array of creativity and refined imagination.
Hailing from Huddersfield (UK), Marek Kubala has received critical acclaim with previous releases in the past 18 months, including on Outpost and EMI Publishing (KPM), and featured on BBC Introducing, Mystic Sons, CLOUT, Americana UK, Amazing Radio, and elsewhere.
Most recently, Marek's last single 'Fault Lines' appeared on episode 1 of BBC2 comedy show 'Cheaters' (Clerkenwell Films), broadcast in February 2022, sharing the soundtrack with the likes of Metronomy , Jungle and Biig Piig. Marek's debut EP 'Awhile', fused the progressive electronics of Air with the acoustic subtleties of Elliot Smith and Nick Drake. The followup single 'Fault Lines' marked a change in direction, with Marek adopting a more upbeat lo-fi indie sound with quirky electronics thrown in.
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