Logan Springer & the Wonderfully Wild - Kassi Valazza - H.C McEntire
Logan Springer & the Wonderfully Wild released their Americana Rock single, “Greenbacks and Gold” a couple of days ago. It’s off the album “Crow” due out March 3. A take on the anti-work movement, the song revolves around the idea of no longer dedicating your life to working for “the man” without being able to get ahead or partaking in the fruits of one’s labor.
“Greenbacks and Gold” tells the story of a blue-collar strip mine/gravel pit worker who is fed up with breaking his back for the profits of “The Man” who only takes from his town and keeps the workers on the verge of destitution. Romanticizing stickin’ it to the man, the narrator plans to rob the bank the strip mine uses to hold their profits. Springer says, “Growing up, I heard a lot of conversations like this; a lot of laborers are disillusioned by working their lives away for a big corporation but realized they have no other options.”
“Greenbacks and Gold” centers itself amongst the seasonal imagery and rural Midwest landscapes that can be found on the album. “Crow” navigates life in an uncertain world, telling the untold stories of rural, blue-collar life – the real problems Springer, his family, and neighbors have had.
Crow extends the theme of misunderstood animals that first occurred on Springer’s solo album, “Coyote – ‘kī-yōte.” Crows are thought to be dirty, trash birds when, in reality, they are incredibly intelligent and capable of learning. Springer says, “Your typical country song is like the social media of music; it only shows the good parts. I want to show what life out in the middle is really like, without all of the polish.”
The band recorded the album at Flat Black, a studio built in a 100-year-old barn on a farmstead in rural Iowa, as an homage to Springer’s home growing up.
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Portland, Oregon-based artist Kassi Valazza has signed with Loose (Margo Cilker, Jim White) for her forthcoming new album Kassi Valazza Knows Nothing set to release on May 26. Now she is sharing the first single from the 10-song set, “Watching Planes Go By,” which UNCUT calls a “slow-burning mix of Americana and Paisley Underground psych” as the opening track on their Sounds of the New West Vol 6 disc.
There has been a cult-like fascination growing around Valazza since the self-release of her 2019 debut album Dear Dead Days, which she followed with a surprise digital EP called Highway Sounds last year. She is seated squarely at the vanguard of new American songwriters strengthening and broadening the sound of country and western, both bearing the torch and bending the arc of roots music.
On Kassi Valazza Knows Nothing, the singer-songwriter uses the physical world around her to paint metaphors from the soul, carrying us through her mind and heart as an effortless narrator. Her gutsy and graceful vocal poetry is backed by swirling Western psychedelia created by multi-instrumentalists from Portland band TK & the Holy Know-Nothings. Though the music plays country cousin to British folk, calling to mind greats like Sandy Denny (Fairport Convention) and Karen Dalton, a Southwestern American streak carves its way through these solemn, sweetly sung melodies like a canyon.
"Watching Planes Go By” spins a cautionary tale about the dangers of standing still in life and accepting one's own fate. The song sets a curious and cosmic atmosphere of psychedelic folk-rock as Valazza reflects on the struggles of moving on, "Autumn leaves turn to yellow / and green turns to jealousy / Watching days go by." Valazza captures the romanticism of country crooners with the intuition of a realist poet, exploring themes of love and longing through metaphors from the natural world.
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H.C. McEntire releases her celebrated new album Every Acre via Merge Records. Along with the release, she shares a music video for “Shadows” feat. S.G. Goodman, a quiet rumination on surrender and loss, reminiscing and moving on.
“Like several of the songs on Every Acre, ‘Shadows’ is a result of a steady and balanced assembling of instincts between me and Luke,” explains McEntire. “We slowly and remotely wove together loose threads until we had something that resembled squares of cloth, eventually collecting enough of them to start stitching a quilt. He would send me instrumental voice memo recordings of chord progressions or guitar riffs—giving them funny titles we could remember, like ‘Boy Orbison’ and ‘Swamp Creature’—and I would take those and start building a world around them, adding vocal melodies and establishing some structure and eventually lyrics. ‘Shadows’ was the first of these collaborations, and it’s a great example of how Luke and I worked together on this album.”
Co-produced by McEntire, Missy Thangs and Luke Norton, Every Acre explores the acres of our physical and emotional homes, as she grapples with existential themes of grief, loss, and links to land and loved ones with an unwavering honesty. The album has received widespread acclaim from press including Rolling Stone, Guitar World, Under The Radar, BrooklynVegan, Our Culture, The Boot, No Depression and more. Pitchfork named it one of their “Most Anticipated Albums of 2023,” and Stereogum called “Rows of Clover” “a hell of a song, a soulful folk-rock outpouring.” McEntire is currently featured on the cover of INDY Week, and her single “New View” was recently hailed by NPR Music as “a song that evokes the winsome austerity of autumn via understated instrumentation reverberating with a warmth and sonic expansiveness reminiscent of Daniel Lanois' Acadie.”
Raised in the Blue Ridge foothills of rural Appalachia before earning her B.F.A. in Creative Writing, H.C. McEntire first established a reputation for her raw, soulful voice as frontwoman of Mount Moriah and later as a backup singer in Angel Olsen’s band. Her third solo effort, Every Acre is the follow-up to McEntire’s 2020 release Eno Axis and 2018 solo debut LIONHEART.
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