Kate Ellis - Piper Butcher - YOVA - This Coast Bias
Scars is the new single from Americana singer-songwriter Kate Ellis, born in Louisiana, raised in New York and now based in London. The single is a dysfunctional love song about the fine line between love and hate in relationships. This quote from author Blakney Francis perfectly sums up that duality: “There are all different sorts of love.
It can even become hate… really, hate is just another kind of caring.” Scars is the fourth and final single from Kate’s much-anticipated sophomore album 'Spirals' due for release on 4th February 2022, on River Rose Records.
The songs on Spirals create a series of scenes, moments and moods, but where the previous single Wonderland constructed an emotional and ethereal space, Scars makes you feel like you've just walked into a rowdy bar where two lovers are arguing like cats and dogs, but eventually kiss and make up. “It’s a love song with attitude and I love the humour in it", Kate says. "Also, how even after the endless rinse and repeat cycles of stormy emotion, there's still love there in the end - summed up by the song’s closing line: "I guess this must be love, 'cos we can't get enough”.
The song was produced by John Reynolds who has recorded and produced some of the most iconic artists in the music world, including Sinead O'Connor, the Indigo Girls, Daniel Lanois, Brian Eno, Belinda Carlisle, The Cranberries, and Damian Dempsey.
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Newcastle singer-songwriter, Piper Butcher, has been kicking some huge goals in the last few months.
Not only did her latest EP, “September”, chart at #1 on the iTunes Alternative Chart and at #2 on iTunes All Genres Albums chart just behind Kanye West, but she’s been playing shows with artists including Diesel, Felicity Urquhart & Josh Cunningham and Corey Legge. Piper was also recently announced to open for You Am I and as part of the 2022 Dashville Skyline Cosmic Country Weekender line up in February.
This week also marks the release of the third single lifted from her #1 EP – “Long Road”. According to Piper, the song - co-written with fellow roots act, Cassie Marie - covers the long road of heartbreak.
“The lyrics provoke sorrow and frustration but proves that leaving unhealthy people behind is a difficult but prosperous journey”.
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Reaching for a spiritual connection with their younger selves, “Haunted” imagines what words of reassurance and guidance about the ways of life YOVA would pass-on in light of what they know now.
“Listening to the voice within takes us on the right path in life” muses Jova Radevska. “The chorus lyrics tell of that life force, powerful voice as guidance to be followed: ‘There is something inside, wild & free it reaches out’”.
From its skeletal piano-based beginnings to the resplendent, lush string sections that blossom to life over the course of its five minutes, “Haunted” is very much a song for the winter months, but one that holds the promise of brighter times soon-to-come.
Arriving with bespoke visuals directed by Maltese/British photographer, filmmaker and author Mark Arrigo, the evocative official video for “Haunted” was shot in one-take and captures Jova Radevska in traditional dress, lost amidst the breathtaking and barren landscapes of the Lake District (Eskdale) at the height of mid-winter.
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“BKOT started out as a nonsense song I was singing in the shower. I loved the first melody of the chorus so much that I just decided to dry off and immediately start working on it. From the first mix to the final one, I’ve loved it. It’s the story of a toxic relationship that both people can’t stay away from, and I’m sure we can all relate on some level.”
This Coast Bias is the indie/bedroom pop project of Clay Milford; a songwriter and multi-instrumentalist based out of Oklahoma City, Oklahoma. After multiple stints in rock bands, Clay decided to start writing and recording music on his own, citing frustration with the hassle of, “gettin’ a group of people together.” He began releasing music as This Coast Bias in May of 2019, and has since released nineteen original songs, all of which contain a vast smorgasbord of poppy hooks, lush walls of synth, and lyrics with a penchant for calling out past girlfriends.
“I like to call the kind of music I write breakup pop. I always seem to end up writing music about things that annoy me in relationships, but don’t most people do that?” Clay cites Prince, Tame Impala and ABBA as his influences for This Coast Bias, but says his influences in music don’t stop there.
“I grew up on a hefty diet of disco and funk from my mom and rock from my dad. I might listen to Led Zeppelin for a week and then be sick of them and only wanna hear Donna Summer for a month straight. I don’t think you should have to pick between genres as a listener or a musician, and these days, the lines are more and more blurred by the day anyway.”
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