Coventry, England's Candid have just released 'Concrete Jungle' where the band deliver an indie rocker fuelled by exuberance, mega hooks and good old natural rock and roll intensity.
The self titled album from Espanola is a festival of guitar driven rockers, with the focus on what feels right and good, rather that an album in pursuit of perfection, which in a sense is also a reasonable definition of what rock was originally all about.
The new single form Katie Rose is entitled 'Beginnings', a song that tackles anxiety and depression, doing so with a majestic musical arrangement and the very fine vocals of Katie.
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Candid - Concrete Jungle.
Backed by the likes of BBC Introducing and Fred Perry, Candid are fittingly honest when they come to describing their sound – music to dance to. On their forthcoming single, ‘Concrete Jungle’, they live up to the promise. Taking up the indie-on-the-dancefloor dynamics of their peers (think the pulsating post-punk pizzazz of Franz Ferdinand, the spiky shrugging of The Strokes, the bleary-eyed bluster of Catfish and the Bottlemen), Candid’s new single is a foot-to-the-floor rocker built around fuzz-drenched thrills, infectious rhythms and a soaring chorus.
Like their fellow Coventry compatriots, The Enemy, Candid, made up of Rob Latimer (Vocals, Guitar), Dan Latimer (lead guitar), Sam Baines (bass) and Ben Williams (drums), deal in a brutal emotional honesty funnelled through songs that can be as sharp as they are soothing. And just like Tom Clarke’s Coventry heroes, who have given the band their personal backing, Candid share an unbinding tie to their home city – the title of ‘Concrete Jungle’, after all, stems from the surroundings of the West Midlands area.
Buoyed by a searing, overdriven guitar riff, irresistible drum beats and a slinky bass riff, it has the hallmarks of some of indie rock’s most revered statesmen – think the up-in-arms anthems of Oasis, the summer haze of The Kooks and the juggernaut guitars of Catfish.
It’s no surprise that Candid have already garnered some impressive gigs, showcasing their unbridled energy and thrilling charisma with established acts as diverse as Scouting for Girls and The Hoosiers to The Pale White and RedFaces. They’ve also become a staple of the festival circuit, playing the main stage of Coventry’s much sought-after Godiva Festival last year and now being announced on the main stage of this year's Coombe Weekender, playing alongside The Libertines, Tom Grennan and Circa Waves.
“Juggling university, a part-time job and the dream of one day making it in a band can be quite the challenge, especially when you’re a professional procrastinator,” says the band’s singer, Rob Latimer. “I’d never learn my lesson though, the whole ‘spinning the plates’ metaphor, one would always suffer or ‘drop’, but it was definitely an event that reoccurs quite often.”
On ‘Concrete Jungle’, he and the rest of Candid are really getting the balance right. As the chorus goes, ‘If we don’t look back, how can we move forwards?’ – judging from the sound of their new single, Candid may make nods to the music of the past, but forwards – and upwards – is the only direction they’re headed.
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Espanola - Espanola (Album).
You may not expect such a decidedly “guitar” record from a pedal steel player, but that’s what this is. About half the tracks were cut five years ago in a remote studio on the grid roads of Saskatchewan.
They are presented here as little imperfect representations of what it’s like to learn to make one’s own record after contributing to so many others’ over the years.
Alongside them are some more recent tracks that were bashed out at my headquarters, Baldwin Street Sound.
They’re a testament to my assertion that perfection is a fool’s pursuit. I love putting together a song that feels good; I love taking the standard electric guitar for a spin now and again. I hope both of those things are evident on this record. And I hope not to take 10 years to make the next one.
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Katie Rose - Beginnings.
“Beginnings”, the new single from singer-songwriter, Katie Rose, liberates the often crippling weights of anxiety and depression. The single pays homage to a friend who took their own life and draws back a bulky emotional curtain, shedding new light to reveal glimmers of prosperity. Cascading waves of melodic piano and choir-backed vocals shine through concaves of the mind that were once lonely and trapped in the dark. “Beginnings” is out for release now.
“Beginnings” acts as a guide through a tumultuous storm of anxieties. After losing a friend to suicide, Rose reflected on her own experiences with depression and wrote a song telling others what she wished someone would have told her during the darkest hours. The single’s ever-growing volume and profound tempo stand tall like a pillar supporting a broken soul. “Beginnings” starts off with just Rose’s quaint, fluttering vocals and delicate piano, but then crescendos into a full percussive choir of friends coming together. With immense surety, the solidarity extends far beyond the measures of a song. It reaches out to every part of the spirit and mind, offering a hand to anyone who has been left abandoned by hope.
Katie Rose began writing and playing music at just 12 years old and played her first live show in 2011 at age 13. Turning her journey of self-discovery into music, she wrote her first album, Everything Yesterday, when she was 17 with the help of Eric Rickert and Jeff Leonard at Ocean Industries Studios.
Ever refining her solo show in her hometown of Charleston, SC, Rose toured in 2017 with platinum selling artist Howie Day, followed by a tour with nationally acclaimed band, Jump Little Children. She released a live EP, I Am, in 2017. In 2018 she toured with Carbon Leaf, opened again for JLC, and did a mini tour with Vienna Teng. Her last single, "Don't Hold Me Down," was featured on SceneSC's 2018 Sampler. Her upcoming single, "Beginnings" is out for release June 28, 2019.
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Sunscreen - Zoey Jurss - Charcoal Burners - The Prime - Ben Evolent
Sunscreen have just released their new single 'High Over Love'. The bands alt rock style is uncluttered, each instrument has it's space, with the vocals adding further melodic vibes on this pleasing song.
With influences such as First Aid Kit and Gillian Welch one things for certain, Zoey Jurss has very good musical taste, and what's more, her latest song 'Love, Love, Love' indicates she is pretty talented in her own right.
Charcoal Burners album 'The Best Day You Could Imagine' came out in April, however the New Zealand band have only just hit our radar, and their distinctive and hard to categorise rock is well worthy of a mention and a share.
The Prime have recently released their new E.P. 'Eternal Sky' and these accomplished rockers know their stuff, having originally formed in 2010, they got back together last year and the new material is top level natural rock!
We are back down under for Ben Evolent and his latest entitled 'Shiver' a folk rock song where is vocals are just right for the genre, as the musical backdrop adds in the rock dynamic.
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Sunscreen - High Over Love.
Beloved Sydney four-piece Sunscreen return with new single 'High Over Love', the first taste of forthcoming second EP via Spunk! Records. The band take their captivating live show on the road this July in support of the single, visiting Sydney, Brisbane and Melbourne.
A compelling example of the band’s penchant for dynamic, hook-driven rock, 'High Over Love' sees Sunscreen reckon with a questionable romance through soaring guitar riffs and Sarah Sykes’ commanding, magnetic vocals. The first release from Sunscreen since their debut 2017 EP Just A Drop, the track explores how “Society's idealisation of being in love can often convince us we are in love when actually we are not - and when the reality is closer to unhealthy dependence, or simply a fear of being alone”, Sarah Sykes explains.
Born from a garage in Sydney’s inner west, Sunscreen began as a collaboration between friends one day when vocalist Sarah Sykes invited Alexander McDonald (guitar) and Hugo Levingston (drums) over for a jam in 2016. Receiving its worldwide premiere with Noisey, Sunscreen's debut EP Just A Drop attracted airplay on triple j and community radio stations across Australia, as well as airplay from college radio in the United States with breakout single ‘Voices’ airing nationally on ABC’s rage for six weeks straight upon release.
Since then, the band have garnered significant buzz, signing to booking agency New World Artists, earning support slots for DMAs, Rolling Blackouts Coastal Fever, Jen Cloher, Ali Barter and Jack Ladder, as well as taking stage at Farmer & the Owl and Grampians Music Festival. Drawing sonic comparisons to The Go-Betweens, Alvvays and the Cocteau Twins, Sunscreen’s unapologetic live performance and intoxicating sound has been praised for the way it yields power through emotional vulnerability. Embarking on East coast tour this July in support of ’High Over Love’, the band will take their incomparable live show to Sydney, Brisbane and Melbourne where fans will be treated to never before heard music.
Exuding a beautiful toughness, the band's forthcoming energetic five-track EP was produced by Simon ‘Berkfinger’ Berkelman (Philadelphia Grand Jury, Art Vs. Science) and reflects the psyche of a romantically confused young person trying to survive in the big city. Written over the course of years, the EP explores romantic idealisation, heartache and self-possession with frank, powerful vulnerability. “All five songs were written at different times when I was undergoing rapid change in my life and loosing sight of who I was” says Sarah Sykes. Including input from new bass player Oliver Ellis, the EP finds the band’s lush, indie-rock sound, informed by a new-found confidence and lucidity.
Building upon the immersive, hook-filled catalogue, 'High Over Love' finds Sunscreen forging their own path with their unique, ever-evolving sound that's more bold and honest than ever before.
-------------------------------------------------------------------------------------------------------------------------
Zoey Jurss - Love, Love, Love.
Delicately crafted and wondrously spirited, Zoey Jurss’ debut single ‘Love Love Love’ introduces the upcoming Brisbane singer-songwriter’s exciting new country-folk blend brilliantly.
Driven by warm, sliding guitars and a bright, gentle drumline courtesy of Danny Widdicombe and the Honey Sliders (of Wilson Pickers fame), it’s Zoey’s soothing melodies which glide effortlessly throughout and elevate listeners to bliss.
A cheerful and tranquil backbone, Zoey’s themes contrast this wonderfully as she weaves in traces of love, loss and heartache. Exploring the vulnerability and internal conflict at the closing stages of a relationship, Zoey’s adept storytelling tows the line between the anguish and the light at the end of the tunnel. It’s not long until the comforting nature of ‘Love Love Love’ unravels to spread an infectious stream self-love and optimism.
The depth and passion found within Zoey’s debut translates across to her live performances in a different angle, stripping back her sound as opposed to the lively full entourage on record. Combining dual acoustic guitar with her effortless vocals at the forefront, Zoey's broad sound is influenced by the likes of First Aid Kit and Gillian Welch.
With her debut EP on the horizon, followed by a string of intimate performances, now is the time to drift into Zoey Jurss’ sparkling marvel.
-------------------------------------------------------------------------------------------------------------------------
Charcoal Burners - The Best Day You Could Imagine (Album).
The Best Day You Could Imagine completes a trilogy of albums, all produced by Thomas Bell (David Kilgour and the Heavy Eights, The Shifting Sands) and recorded at the iconic Chicks recording studio in Port Chalmers, Dunedin.
If the electro dark-folk of Charcoal Burners (2017) was earth, and the glacial soundscapes of Orders From the House (2018) water, The Best Day You Could Imagine is fire.
Having teamed up with Shane Gilchrist for Charcoal Burners and then gone solo for Orders From the House, The Best Day You Could Imagine sees Spittle with a classic three piece line up, with Sally Lonie joining on bass and vocals and the enigmatic Finn making a furious racket in back.
Plenty of guitar bands still walk the Earth today, but none share the singular vision realized on The Best Day You Could Imagine. Think Husker Du playing The Overlook hotel.
--------------------------------------------------------------------------------------------------------------------------
The Prime - Eternal Sky (E.P).
The Prime formed in 2010 with high school friends Drew Delneky on guitar and vocals and Max Shreffler on drums. Shortly thereafter, they added bass player Mike Koelling to the lineup. The band quickly gained attention in the Chicago music scene by performing at venues such as The Elbo Room, Martyrs’ and The Double Door and then expanded their range, playing shows in Missouri, Iowa and Wisconsin.
The Prime released their first full-length, “In," in April of 2011. The album was produced and engineered by Joe Koelling at Great Plains Recording Company in Des Moines, Iowa and received positive reviews. In 2012, Max left the band to pursue other opportunities.
With the addition of new guitar player Matt Widowiarz and drummer Jay Lutterman, The Prime evolved into a heavier band in 2012 and decided to start playing shows under the name "Night of Fire" in 2013. Night on Fire released one official single, “Leave Me Alone,” before parting ways.
In 2018, Delneky and Koelling decided to reform The Prime and begin playing shows again. Taking a page from where the band started, Drew once again recruited friends from his high school days (this time Bobby Shields and Will Moeller). The band officially kicked off the re-launch in style with an epic performance at the House of Blues in Chicago in September of 2018 and celebrated the release of Eternal Sky at Reggie’s Rock Club in Chicago on June 14.
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Ben Evolent - Shiver.
One of Northern Territory’s most celebrated songwriters and live performers, Ben Evolent, is about to release his debut album Wanderous. Shiver, the lead single taken from the album, is a song that persuasively rocks through self-reflection and the humbling presence of Nature’s potency.
‘Shiver was written in Timor Lest'e in 2017 after walking around the island of Atauro. Shiver is about the moments in life where a choice of left or right can be made. It is you taking the plunge knowing that you are in the right place doing the right thing.’ - Ben Evolent
Shiver was written in tandem with Ben Evolent’s 2018 single Dagger and signals the steady embellishment of his broadly Australian style, born of the far north in all of its vibrancy and splendour, through tales of compassion for the people and the land. Shiver’s string arrangements sweep across gentle strums allowing Ben Evolent the space to capture hearts and imaginations.
In his two EPs and single to date, Ben Evolent has developed a dynamic range, from wistful folk to sweltering swamp-rock. His talent has garnered consistent nominations in the prestigious NT Song of the Year Award, winning in 2016 with his song Next Time. In 2017 he released the EP Next Time to a sold out crowd at Darwin Railway Club, the enthusiastic reception holding the no.10 spot in the AMRAP charts for 2 weeks, airplay on national broadcaster Triple J and over 100 000 plays on Spotify.
His lively and magnetic style has seen him support touring acts such as Kingswood, Bubsy Marou, Boo Seeka, Benny Walker, Caravana Sun and All Our Exes Live in Texas, and secured spots at Darwin Festival and in Tourism NT social media campaigns.
With this wealth of experience and breadth of expression firmly established, in 2019 Ben Evolent offers his debut album Wanderous. Building upon the robust nature of his catalog, Shiver is the shimmering affirmation that Ben Evolent is a storyteller on a wondrous journey.
-------------------------------------------------------------------------------------------------------------------------
With influences such as First Aid Kit and Gillian Welch one things for certain, Zoey Jurss has very good musical taste, and what's more, her latest song 'Love, Love, Love' indicates she is pretty talented in her own right.
Charcoal Burners album 'The Best Day You Could Imagine' came out in April, however the New Zealand band have only just hit our radar, and their distinctive and hard to categorise rock is well worthy of a mention and a share.
The Prime have recently released their new E.P. 'Eternal Sky' and these accomplished rockers know their stuff, having originally formed in 2010, they got back together last year and the new material is top level natural rock!
We are back down under for Ben Evolent and his latest entitled 'Shiver' a folk rock song where is vocals are just right for the genre, as the musical backdrop adds in the rock dynamic.
--------------------------------------------------------------------------------------------------------------------------
Sunscreen - High Over Love.
Beloved Sydney four-piece Sunscreen return with new single 'High Over Love', the first taste of forthcoming second EP via Spunk! Records. The band take their captivating live show on the road this July in support of the single, visiting Sydney, Brisbane and Melbourne.
A compelling example of the band’s penchant for dynamic, hook-driven rock, 'High Over Love' sees Sunscreen reckon with a questionable romance through soaring guitar riffs and Sarah Sykes’ commanding, magnetic vocals. The first release from Sunscreen since their debut 2017 EP Just A Drop, the track explores how “Society's idealisation of being in love can often convince us we are in love when actually we are not - and when the reality is closer to unhealthy dependence, or simply a fear of being alone”, Sarah Sykes explains.
Born from a garage in Sydney’s inner west, Sunscreen began as a collaboration between friends one day when vocalist Sarah Sykes invited Alexander McDonald (guitar) and Hugo Levingston (drums) over for a jam in 2016. Receiving its worldwide premiere with Noisey, Sunscreen's debut EP Just A Drop attracted airplay on triple j and community radio stations across Australia, as well as airplay from college radio in the United States with breakout single ‘Voices’ airing nationally on ABC’s rage for six weeks straight upon release.
Since then, the band have garnered significant buzz, signing to booking agency New World Artists, earning support slots for DMAs, Rolling Blackouts Coastal Fever, Jen Cloher, Ali Barter and Jack Ladder, as well as taking stage at Farmer & the Owl and Grampians Music Festival. Drawing sonic comparisons to The Go-Betweens, Alvvays and the Cocteau Twins, Sunscreen’s unapologetic live performance and intoxicating sound has been praised for the way it yields power through emotional vulnerability. Embarking on East coast tour this July in support of ’High Over Love’, the band will take their incomparable live show to Sydney, Brisbane and Melbourne where fans will be treated to never before heard music.
Exuding a beautiful toughness, the band's forthcoming energetic five-track EP was produced by Simon ‘Berkfinger’ Berkelman (Philadelphia Grand Jury, Art Vs. Science) and reflects the psyche of a romantically confused young person trying to survive in the big city. Written over the course of years, the EP explores romantic idealisation, heartache and self-possession with frank, powerful vulnerability. “All five songs were written at different times when I was undergoing rapid change in my life and loosing sight of who I was” says Sarah Sykes. Including input from new bass player Oliver Ellis, the EP finds the band’s lush, indie-rock sound, informed by a new-found confidence and lucidity.
Building upon the immersive, hook-filled catalogue, 'High Over Love' finds Sunscreen forging their own path with their unique, ever-evolving sound that's more bold and honest than ever before.
-------------------------------------------------------------------------------------------------------------------------
Zoey Jurss - Love, Love, Love.
Delicately crafted and wondrously spirited, Zoey Jurss’ debut single ‘Love Love Love’ introduces the upcoming Brisbane singer-songwriter’s exciting new country-folk blend brilliantly.
Driven by warm, sliding guitars and a bright, gentle drumline courtesy of Danny Widdicombe and the Honey Sliders (of Wilson Pickers fame), it’s Zoey’s soothing melodies which glide effortlessly throughout and elevate listeners to bliss.
A cheerful and tranquil backbone, Zoey’s themes contrast this wonderfully as she weaves in traces of love, loss and heartache. Exploring the vulnerability and internal conflict at the closing stages of a relationship, Zoey’s adept storytelling tows the line between the anguish and the light at the end of the tunnel. It’s not long until the comforting nature of ‘Love Love Love’ unravels to spread an infectious stream self-love and optimism.
The depth and passion found within Zoey’s debut translates across to her live performances in a different angle, stripping back her sound as opposed to the lively full entourage on record. Combining dual acoustic guitar with her effortless vocals at the forefront, Zoey's broad sound is influenced by the likes of First Aid Kit and Gillian Welch.
With her debut EP on the horizon, followed by a string of intimate performances, now is the time to drift into Zoey Jurss’ sparkling marvel.
-------------------------------------------------------------------------------------------------------------------------
Charcoal Burners - The Best Day You Could Imagine (Album).
The Best Day You Could Imagine completes a trilogy of albums, all produced by Thomas Bell (David Kilgour and the Heavy Eights, The Shifting Sands) and recorded at the iconic Chicks recording studio in Port Chalmers, Dunedin.
If the electro dark-folk of Charcoal Burners (2017) was earth, and the glacial soundscapes of Orders From the House (2018) water, The Best Day You Could Imagine is fire.
Having teamed up with Shane Gilchrist for Charcoal Burners and then gone solo for Orders From the House, The Best Day You Could Imagine sees Spittle with a classic three piece line up, with Sally Lonie joining on bass and vocals and the enigmatic Finn making a furious racket in back.
Plenty of guitar bands still walk the Earth today, but none share the singular vision realized on The Best Day You Could Imagine. Think Husker Du playing The Overlook hotel.
--------------------------------------------------------------------------------------------------------------------------
The Prime - Eternal Sky (E.P).
The Prime formed in 2010 with high school friends Drew Delneky on guitar and vocals and Max Shreffler on drums. Shortly thereafter, they added bass player Mike Koelling to the lineup. The band quickly gained attention in the Chicago music scene by performing at venues such as The Elbo Room, Martyrs’ and The Double Door and then expanded their range, playing shows in Missouri, Iowa and Wisconsin.
The Prime released their first full-length, “In," in April of 2011. The album was produced and engineered by Joe Koelling at Great Plains Recording Company in Des Moines, Iowa and received positive reviews. In 2012, Max left the band to pursue other opportunities.
With the addition of new guitar player Matt Widowiarz and drummer Jay Lutterman, The Prime evolved into a heavier band in 2012 and decided to start playing shows under the name "Night of Fire" in 2013. Night on Fire released one official single, “Leave Me Alone,” before parting ways.
In 2018, Delneky and Koelling decided to reform The Prime and begin playing shows again. Taking a page from where the band started, Drew once again recruited friends from his high school days (this time Bobby Shields and Will Moeller). The band officially kicked off the re-launch in style with an epic performance at the House of Blues in Chicago in September of 2018 and celebrated the release of Eternal Sky at Reggie’s Rock Club in Chicago on June 14.
--------------------------------------------------------------------------------------------------------------------------
Ben Evolent - Shiver.
One of Northern Territory’s most celebrated songwriters and live performers, Ben Evolent, is about to release his debut album Wanderous. Shiver, the lead single taken from the album, is a song that persuasively rocks through self-reflection and the humbling presence of Nature’s potency.
‘Shiver was written in Timor Lest'e in 2017 after walking around the island of Atauro. Shiver is about the moments in life where a choice of left or right can be made. It is you taking the plunge knowing that you are in the right place doing the right thing.’ - Ben Evolent
Shiver was written in tandem with Ben Evolent’s 2018 single Dagger and signals the steady embellishment of his broadly Australian style, born of the far north in all of its vibrancy and splendour, through tales of compassion for the people and the land. Shiver’s string arrangements sweep across gentle strums allowing Ben Evolent the space to capture hearts and imaginations.
In his two EPs and single to date, Ben Evolent has developed a dynamic range, from wistful folk to sweltering swamp-rock. His talent has garnered consistent nominations in the prestigious NT Song of the Year Award, winning in 2016 with his song Next Time. In 2017 he released the EP Next Time to a sold out crowd at Darwin Railway Club, the enthusiastic reception holding the no.10 spot in the AMRAP charts for 2 weeks, airplay on national broadcaster Triple J and over 100 000 plays on Spotify.
His lively and magnetic style has seen him support touring acts such as Kingswood, Bubsy Marou, Boo Seeka, Benny Walker, Caravana Sun and All Our Exes Live in Texas, and secured spots at Darwin Festival and in Tourism NT social media campaigns.
With this wealth of experience and breadth of expression firmly established, in 2019 Ben Evolent offers his debut album Wanderous. Building upon the robust nature of his catalog, Shiver is the shimmering affirmation that Ben Evolent is a storyteller on a wondrous journey.
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Ana Egge - Bronston - The Dead South - Box Of Moxie
Ana Egge has just released the video for 'Cocaine Cowboys', it's her second feature on Beehive Candy the last being in April 2018 when we remarked on her "melodic and gorgeous vocals". Well that remains the same and the inclusion of Iris DeMent on harmonies this time, really is something special!
Scottish alt-rock four piece Bronston have released 'Burnt Snakes' a potent bluesy rocker with perfectly matched vocals and a tight and feisty band adding plenty more.
The Dead South are already well know to many and rather popular to say the least, however 'Diamond Ring' is just such a fabulous song from the Canadian Bluegrass band, it just has to be included.
In February we first featured Box of Moxie with the track 'Submission Admission' and he is more than welcome back with the new song 'Bounty From The Seas' as the genre wanderer continues to release more fabulous material.
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Ana Egge - Cocaine Cowboys.
On September 6, 2019, Ana Egge will release her new album Is It The Kiss via StorySound Records. The Brooklyn-based singer-songwriter shared the music video for the lead single "Cocaine Cowboys," which features Iris DeMent on harmonies and Buck Meek (Big Thief) on electric guitar.
"Produced by Nancy Howell and Mark Lerner, the music video for 'Cocaine Cowboys' is fittingly cute. Featuring a winsome collection of props and highlighting a cast of famed artists like Loretta Lynn, Patsy Cline, Charley Pride, and Hank Williams, it does well in accentuating the kind of affable romance that Egge is aiming for," states PopMatters. "Its gentle melodies, subtly awash with traditional country callbacks, make for an earwigging roots number."
"This one started out as a song in tribute to life on the road and the camaraderie and friendship of band mates and it quickly crossed into territory of honky tonk life on the road," says Egge about the track. "The impossibility of a hick from the country raised on a farm writing a song and becoming a wealthy star by singing his heart out and touring around the country in an old sedan. That’s one side of romance I’ve always been interested in. Music, the open road, adventure and friendship deep as the songs we dive into as a band and come out of together on the other end."
Is It the Kiss, Ana Egge’s eleventh album, has nine originals and one cover (Diana Jones), and features her singularly soulful singing and songwriting, which according to Steve Earle sounds “like she’s telling us her deepest, darkest secrets.”
The country side of things is well-represented on the album by pedal steel (Matt Davidson of Twain) and fiddle (Alex Hargreaves) and by the songs “Cocaine Cowboys” and her affecting duet with Iris DeMent on a cover of Diana Jones’ “Ballad of the Poor Child.” But this is something of a soul record. The tracks are grounded by the Brooklyn indie-all-star rhythm section of Jacob Silver and Robin MacMillan, the slow grooves are sweetened by horns like molasses (Cole Kamen-Green and Adam Dotson), and at the center of it all is Ana’s guitar, that sounds like it knows something about how Steve Cropper and Curtis Mayfield could delicately, but determinedly, provide a sweetly-beating funky heart. Plus there are alt-guitar flashes by Buck Meek (Big Thief) as well as wind and brass arrangements from multi-instrumentalist, arranger, and producer Alec Spiegelman (Cuddle Magic).
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Bronston - Burnt Snakes.
Bronston are proud to bring you their new single, 'Burnt Snakes', produced by Idlewild's Rod Jones.
Bronston are a Scottish alt-rock 4 piece, the members of which have deep musical roots within the Scottish music scene. From production and writing with Scottish up-and-comer Mt. Doubt to featuring on BBC Radio6 Music favourite Tom Joshua's latest single, the influence of Bronston's members can be heard heavily throughout music in the UK.
This latest single comes following the release of their last single 'Leaving Utopia' and presents another verse in a new chapter for Bronston as a band, in terms of both songwriting style and production.
Recording at Edinburgh's Post Electric Studio with Rod Jones, guitarist of Scottish indie-rock group Idlewild, Bronston have captured an aesthetic that conveys the raw energy of 4 talented musicians hammering it out together live, without compromising on an immense studio sound.
The narrative of Burnt Snakes offers two contrasting perspectives on the bizarre state of modern populist politics.The first part of the song is told from the perspective of a bemused citizen, someone who can hardly wrap their head around the utter nonsense that flows from the mouths of this new brand of politician.They listen to others as they attempt to somehow re-interpret or explain away the most jarring of these Politician's utterances, yet they cannot reconcile themselves to this twisted way of thinking. As the syncopated march of the rhythm section grooves through the first section of the song, the citizen feels increasingly out of step with this new cultural and political movement. Just before the perspective switches in the second section, the citizen finally gets to grips with the arrogance of these newly anointed thought-leaders.
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The Dead South - Diamond Ring.
Following on from their heavily praised 2016 sophomore album ‘Illusion & Doubt’, and their breakthrough hit ‘In Hell I’ll Be In Good Company’, which has so far smashed through the 100million views barrier on Youtube, Canadian bluegrass heroes The Dead South now return to showcase their highly anticipated third album ‘Sugar & Joy’ with their latest single ‘Diamond Ring’.
With their traditional arrangement of cello, mandolin, guitar and banjo, the four-piece look to continue their upbeat bluegrass heritage on this bright and vibrant return. With its distinct country influences, mixed with classic blues and soul throughout, ‘Diamond Ring’ is one of the band’s more uplifting and engaging cuts from their forthcoming release. Telling the story of William, a would-be groom robbed of his engagement offering; this new track channels the group’s compelling storytelling through the guise of foot-stomping chords and hip-shaking rhythm.
Produced by FAME-studio trained producer Jimmy Nutt, a long-time member of the Muscle Shoals music scene whose recent credits include a Grammy for his work on The Steeldrivers, ‘Sugar & Joy’ has been described as the band’s tightest, weirdest and most exciting studio album to date. Speaking about working alongside the band, Nutt added, “They have an obvious dedication to what they are doing. They really encourage each other, which you don’t see a lot.”
While the group have been making waves in North America these last few years, the UK has quickly adopted their uniquely uplifting direction as they are soon to become the first bluegrass band to ever headline Brixton Academy, and will also be stopping over at Glastonbury Festival later this month.
‘Diamond Ring’ is available to stream and download now, and their third LP ‘Sugar & Joy’ will arrive on the 11th October via Six Shooter Records. The band will also be taking to the road through the UK and Ireland later this month, as well as early next year in support of the new record. Check out the full list of UK and Ireland tour dates below.
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Box Of Moxie - Bounty From The Seas.
A combination of alt-rock, Americana, folksy rock, and avant-garde, Box of Moxie is a manifestation of material that Stephen Jacques gathered throughout his multifaceted professional life as engineer, custom builder, TV host, and actor.
Strumming his acoustic guitar along the way, Jacques' real life experiences reveal their truths in a delicate, dreamy, oftentimes humorous fashion.
--------------------------------------------------------------------------------------------------------------------------
Scottish alt-rock four piece Bronston have released 'Burnt Snakes' a potent bluesy rocker with perfectly matched vocals and a tight and feisty band adding plenty more.
The Dead South are already well know to many and rather popular to say the least, however 'Diamond Ring' is just such a fabulous song from the Canadian Bluegrass band, it just has to be included.
In February we first featured Box of Moxie with the track 'Submission Admission' and he is more than welcome back with the new song 'Bounty From The Seas' as the genre wanderer continues to release more fabulous material.
--------------------------------------------------------------------------------------------------------------------------
Ana Egge - Cocaine Cowboys.
On September 6, 2019, Ana Egge will release her new album Is It The Kiss via StorySound Records. The Brooklyn-based singer-songwriter shared the music video for the lead single "Cocaine Cowboys," which features Iris DeMent on harmonies and Buck Meek (Big Thief) on electric guitar.
"Produced by Nancy Howell and Mark Lerner, the music video for 'Cocaine Cowboys' is fittingly cute. Featuring a winsome collection of props and highlighting a cast of famed artists like Loretta Lynn, Patsy Cline, Charley Pride, and Hank Williams, it does well in accentuating the kind of affable romance that Egge is aiming for," states PopMatters. "Its gentle melodies, subtly awash with traditional country callbacks, make for an earwigging roots number."
"This one started out as a song in tribute to life on the road and the camaraderie and friendship of band mates and it quickly crossed into territory of honky tonk life on the road," says Egge about the track. "The impossibility of a hick from the country raised on a farm writing a song and becoming a wealthy star by singing his heart out and touring around the country in an old sedan. That’s one side of romance I’ve always been interested in. Music, the open road, adventure and friendship deep as the songs we dive into as a band and come out of together on the other end."
Is It the Kiss, Ana Egge’s eleventh album, has nine originals and one cover (Diana Jones), and features her singularly soulful singing and songwriting, which according to Steve Earle sounds “like she’s telling us her deepest, darkest secrets.”
The country side of things is well-represented on the album by pedal steel (Matt Davidson of Twain) and fiddle (Alex Hargreaves) and by the songs “Cocaine Cowboys” and her affecting duet with Iris DeMent on a cover of Diana Jones’ “Ballad of the Poor Child.” But this is something of a soul record. The tracks are grounded by the Brooklyn indie-all-star rhythm section of Jacob Silver and Robin MacMillan, the slow grooves are sweetened by horns like molasses (Cole Kamen-Green and Adam Dotson), and at the center of it all is Ana’s guitar, that sounds like it knows something about how Steve Cropper and Curtis Mayfield could delicately, but determinedly, provide a sweetly-beating funky heart. Plus there are alt-guitar flashes by Buck Meek (Big Thief) as well as wind and brass arrangements from multi-instrumentalist, arranger, and producer Alec Spiegelman (Cuddle Magic).
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Bronston - Burnt Snakes.
Bronston are proud to bring you their new single, 'Burnt Snakes', produced by Idlewild's Rod Jones.
Bronston are a Scottish alt-rock 4 piece, the members of which have deep musical roots within the Scottish music scene. From production and writing with Scottish up-and-comer Mt. Doubt to featuring on BBC Radio6 Music favourite Tom Joshua's latest single, the influence of Bronston's members can be heard heavily throughout music in the UK.
This latest single comes following the release of their last single 'Leaving Utopia' and presents another verse in a new chapter for Bronston as a band, in terms of both songwriting style and production.
Recording at Edinburgh's Post Electric Studio with Rod Jones, guitarist of Scottish indie-rock group Idlewild, Bronston have captured an aesthetic that conveys the raw energy of 4 talented musicians hammering it out together live, without compromising on an immense studio sound.
The narrative of Burnt Snakes offers two contrasting perspectives on the bizarre state of modern populist politics.The first part of the song is told from the perspective of a bemused citizen, someone who can hardly wrap their head around the utter nonsense that flows from the mouths of this new brand of politician.They listen to others as they attempt to somehow re-interpret or explain away the most jarring of these Politician's utterances, yet they cannot reconcile themselves to this twisted way of thinking. As the syncopated march of the rhythm section grooves through the first section of the song, the citizen feels increasingly out of step with this new cultural and political movement. Just before the perspective switches in the second section, the citizen finally gets to grips with the arrogance of these newly anointed thought-leaders.
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The Dead South - Diamond Ring.
Following on from their heavily praised 2016 sophomore album ‘Illusion & Doubt’, and their breakthrough hit ‘In Hell I’ll Be In Good Company’, which has so far smashed through the 100million views barrier on Youtube, Canadian bluegrass heroes The Dead South now return to showcase their highly anticipated third album ‘Sugar & Joy’ with their latest single ‘Diamond Ring’.
With their traditional arrangement of cello, mandolin, guitar and banjo, the four-piece look to continue their upbeat bluegrass heritage on this bright and vibrant return. With its distinct country influences, mixed with classic blues and soul throughout, ‘Diamond Ring’ is one of the band’s more uplifting and engaging cuts from their forthcoming release. Telling the story of William, a would-be groom robbed of his engagement offering; this new track channels the group’s compelling storytelling through the guise of foot-stomping chords and hip-shaking rhythm.
Produced by FAME-studio trained producer Jimmy Nutt, a long-time member of the Muscle Shoals music scene whose recent credits include a Grammy for his work on The Steeldrivers, ‘Sugar & Joy’ has been described as the band’s tightest, weirdest and most exciting studio album to date. Speaking about working alongside the band, Nutt added, “They have an obvious dedication to what they are doing. They really encourage each other, which you don’t see a lot.”
While the group have been making waves in North America these last few years, the UK has quickly adopted their uniquely uplifting direction as they are soon to become the first bluegrass band to ever headline Brixton Academy, and will also be stopping over at Glastonbury Festival later this month.
‘Diamond Ring’ is available to stream and download now, and their third LP ‘Sugar & Joy’ will arrive on the 11th October via Six Shooter Records. The band will also be taking to the road through the UK and Ireland later this month, as well as early next year in support of the new record. Check out the full list of UK and Ireland tour dates below.
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Box Of Moxie - Bounty From The Seas.
A combination of alt-rock, Americana, folksy rock, and avant-garde, Box of Moxie is a manifestation of material that Stephen Jacques gathered throughout his multifaceted professional life as engineer, custom builder, TV host, and actor.
Strumming his acoustic guitar along the way, Jacques' real life experiences reveal their truths in a delicate, dreamy, oftentimes humorous fashion.
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Liam Duncan - Janice Prix - Those Who Ride With Giants
Liam Duncan has released his new album 'If I Don't Feel Better' from which we have chosen 'Broken Hearted' to share. The theme for the album is based around a relationship ending, in this case Liam's personal experience, and what is impressive is the maturity regarding this, it's not a "poor me" outpouring of angst, rather an honest appraisal of a sensitive subject.
'Glitch' from Janice Prix might be based on a heavy and hardly uplifting subject, yet is a superb alt rocker, one that takes a challenging story line and turns it into something of an anthem, perhaps this is another definition for the term - juxtaposition.
Those Who Ride With Giants (aka MJ Callaghan) has just released 'The Walk of Thunder' an atmospheric alt rock instrumental that genuinely sounds like a full band performing, so much so that a genuine live ensemble is being assembled to take this music on tour.
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Liam Duncan - Broken Hearted.
My name is Liam. I’m 22. I’m a songwriter, sideman, and mix/audio engineer. First and foremost: I’m releasing an album I worked on with my friends and with Howard Redekopp (Tegan & Sara, Mother Mother, New Pornographers, etc.).
I am very proud of this album and I hope you love it. In 2019, I’ll be touring this project heavily and making some more music. This album came out of a breakup. It’s an honest look at breaking up with someone, and how awful that can feel.
Song by song, I write about doubting a relationship that you’ve never doubted before, forcing yourself to deal with those doubts and learning to be honest with yourself and your partner.
For many years, I toured with a band called The Middle Coast. We started touring when I was 17, and toured 100-200 days a year until I was 22. With my two best friends, I toured Canada coast to coast, toured the U.S. a bit, and toured Japan. It was awesome.
I do a lot of work as a keyboard player – touring and playing with Michael Bernard Fitzgerald, Begonia, Roger Roger, Jadea Kelly, Sweet Alibi, Don Amero, Sol James, Roman Clarke, Madelaine Roger, Lucas Roger, and others.
I do a fair bit of work engineering and mixing other people’s music. I’ve engineered, produced, or mixed for: The Middle Coast, Super Duty Tough Work, Don Amero, Sebastian Owl, Ali Atwell, Housepanther, Wrecker, Roman Clarke, Dylan MacDonald, and done tons of editing for a bunch of people. It’s fun. Mostly.
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Janice Prix - Glitch.
Janice Prix formed in the small industrial town of Trollhättan, Sweden. Despite their passion early on, the local music scene didn’t exactly embrace their creative difference with open arms: one day, the band arrived at the studio to find fake obituaries of each member’s name nailed to the front door. But from performing at Berlin Music Week and being active in the Swedish Club scene, Janice Prix have successfully established a place for their unique indie-pop within a town traditionally dominated by metal and punk.
With dark choruses and pop sensibility, previous politically charged single ‘Waking’ is far from what their native town is used to hearing. The anthemic chorus and emotive lyrics make the political statement of the track even more profound. Inspired by the tumultuous narrative of refugees fleeing their war-torn homes, ‘Waking’ is a powerful testament to compassion and political awareness.
Janice Prix expand their sound further on new track ‘Glitch’ – an impassioned elegy for victims of violence from the perspective of a brutal murderer. A haunting piano opens before a reverb-drenched electronic beat kicks in. This ominous start is soon accentuated by an unnerving vocal and distorted guitar samples that drift in and out. With a Wembley-worthy chorus, ‘Glitch’ reaches stratospheric musical heights with lyrical content to match.
Elaborating on their new release, they said "It’s a song inspired by the tragic events taking place in our hometown of Trollhättan in 2015, where a man wearing a Darth Vader-esque mask killed students and teachers with a sword in racist attack. The lyrics revolve around the thought process within the mind of an assailant right after an attack. We wanted the melodies and gloomy soundscape to emphasize the concept of eternity and life sentence."
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Those Who Ride With Giants - The Walk of Thunder.
Those Who Ride With Giants brand new single is entitled ’The Walk of Thunder’.
The “band” is really just one man – Sydney, Australia’s illustrator/animator/instrumental art rocker MJ Callaghan.
The multi-layered instrumentation and spacious atmospherics make these performances feel like a full band playing off each other in the same room at the same time.
As a result of the phenomenal support that the two previous releases generated, from tastemakers as influential as Spotify and Apple Music, and increasing popularity on a global scale, a live band has now formed and Those Who Ride With Giants are in the process of booking their first run of dates in support of the upcoming release.
-------------------------------------------------------------------------------------------------------------------------
'Glitch' from Janice Prix might be based on a heavy and hardly uplifting subject, yet is a superb alt rocker, one that takes a challenging story line and turns it into something of an anthem, perhaps this is another definition for the term - juxtaposition.
Those Who Ride With Giants (aka MJ Callaghan) has just released 'The Walk of Thunder' an atmospheric alt rock instrumental that genuinely sounds like a full band performing, so much so that a genuine live ensemble is being assembled to take this music on tour.
---------------------------------------------------------------------------------------------------------------------------
Liam Duncan - Broken Hearted.
My name is Liam. I’m 22. I’m a songwriter, sideman, and mix/audio engineer. First and foremost: I’m releasing an album I worked on with my friends and with Howard Redekopp (Tegan & Sara, Mother Mother, New Pornographers, etc.).
I am very proud of this album and I hope you love it. In 2019, I’ll be touring this project heavily and making some more music. This album came out of a breakup. It’s an honest look at breaking up with someone, and how awful that can feel.
Song by song, I write about doubting a relationship that you’ve never doubted before, forcing yourself to deal with those doubts and learning to be honest with yourself and your partner.
For many years, I toured with a band called The Middle Coast. We started touring when I was 17, and toured 100-200 days a year until I was 22. With my two best friends, I toured Canada coast to coast, toured the U.S. a bit, and toured Japan. It was awesome.
I do a lot of work as a keyboard player – touring and playing with Michael Bernard Fitzgerald, Begonia, Roger Roger, Jadea Kelly, Sweet Alibi, Don Amero, Sol James, Roman Clarke, Madelaine Roger, Lucas Roger, and others.
I do a fair bit of work engineering and mixing other people’s music. I’ve engineered, produced, or mixed for: The Middle Coast, Super Duty Tough Work, Don Amero, Sebastian Owl, Ali Atwell, Housepanther, Wrecker, Roman Clarke, Dylan MacDonald, and done tons of editing for a bunch of people. It’s fun. Mostly.
--------------------------------------------------------------------------------------------------------------------------
Janice Prix - Glitch.
Janice Prix formed in the small industrial town of Trollhättan, Sweden. Despite their passion early on, the local music scene didn’t exactly embrace their creative difference with open arms: one day, the band arrived at the studio to find fake obituaries of each member’s name nailed to the front door. But from performing at Berlin Music Week and being active in the Swedish Club scene, Janice Prix have successfully established a place for their unique indie-pop within a town traditionally dominated by metal and punk.
With dark choruses and pop sensibility, previous politically charged single ‘Waking’ is far from what their native town is used to hearing. The anthemic chorus and emotive lyrics make the political statement of the track even more profound. Inspired by the tumultuous narrative of refugees fleeing their war-torn homes, ‘Waking’ is a powerful testament to compassion and political awareness.
Janice Prix expand their sound further on new track ‘Glitch’ – an impassioned elegy for victims of violence from the perspective of a brutal murderer. A haunting piano opens before a reverb-drenched electronic beat kicks in. This ominous start is soon accentuated by an unnerving vocal and distorted guitar samples that drift in and out. With a Wembley-worthy chorus, ‘Glitch’ reaches stratospheric musical heights with lyrical content to match.
Elaborating on their new release, they said "It’s a song inspired by the tragic events taking place in our hometown of Trollhättan in 2015, where a man wearing a Darth Vader-esque mask killed students and teachers with a sword in racist attack. The lyrics revolve around the thought process within the mind of an assailant right after an attack. We wanted the melodies and gloomy soundscape to emphasize the concept of eternity and life sentence."
--------------------------------------------------------------------------------------------------------------------------
Those Who Ride With Giants - The Walk of Thunder.
Those Who Ride With Giants brand new single is entitled ’The Walk of Thunder’.
The “band” is really just one man – Sydney, Australia’s illustrator/animator/instrumental art rocker MJ Callaghan.
The multi-layered instrumentation and spacious atmospherics make these performances feel like a full band playing off each other in the same room at the same time.
As a result of the phenomenal support that the two previous releases generated, from tastemakers as influential as Spotify and Apple Music, and increasing popularity on a global scale, a live band has now formed and Those Who Ride With Giants are in the process of booking their first run of dates in support of the upcoming release.
-------------------------------------------------------------------------------------------------------------------------
The Black Watch - The Riptide Movement
The Black Watch have just released 'Mad' ahead of John Andrew Fredrick releasing his 17th full-length album 'Magic Johnson' as lead song-smith of the black watch. With a quick tempo and slick rock delivery, it's notable just how the fresh the piece feels, considering how much music has preceded the song.
Dublin's The Riptide Movement have just announced a London show at The Islington on Friday 4th October hot on the heels of their recent new song release 'I'll Be There'. The song is a vibrant indie rocker that's rather catchy to put it mildly.
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The Black Watch - Magic Johnson.
An avowed Anglophile, author, English professor and irrepressible Los Angeles based songwriter John Andrew Fredrick is about to release his 17th full-length as lead songsmith of the black watch. 'Magic Johnson' is released in the UK through Atom records on the 8th of August 2019.
It reunites Fredrick with Scott Campbell (Acetone, Carina Round, Stevie Nicks), Andy Creighton (The World Record), and Rob Campanella (The Brian Jonestown Massacre, The Tyde) released by Atom Records in the UK in August. Fredrick’s songs are infused with bittersweet sunlit vibes distinctive of what he calls a 'quintessentially LA record', yet its influenced by his love of 80s English post-punk, Flying Nun records, C-86 and the psychedelic works of The Beatles.
It's preceded by the lead single 'Mad' in June that's wry, infectious songwriting is a jangly, joyous celebration of a lover’s craziness, that's sideways romp stokes the distant embers of acts as disparate as The Wedding Present, The Go-Betweens and The Cure, yet remains distinctively the black watch a band due the attention they genuinely deserve in the country that inspired much of their sound.
In 2019, the black watch issues Magic Johnson, its 17th long player, the songs (and the subjects they cover) on the new TBW LP certainly are singularly varied, if not truly weird, eerie, strange: a dream reimagined from a Thomas Hardy novel (“Eustacia’s Dream”); a breathtaking story of male violence and desire from Elizabeth I’s reign (“April Fools”); a childlike exhortation applied to adult disappointments (“Upsy-Daisy”). Anti-love songs, lovey love songs, carpe diem lullabies, a pulsating rocker mocking LA posers and trendies and “Coachella hat chicks” who are “always lonely, though never alone.”
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The Riptide Movement - I'll Be There.
Dublin four-piece The Riptide Movement are set to release their eagerly anticipated new single “I’ll Be There”
This song is an uplifting, energizing, guitar driven anthem with a massive chorus and is without doubt a return to form for the band. Co-produced in Attica Studios with the legendary Tommy McLoughlin (Villagers, SOAK) “I’ll Be There” could possibly be their best offering to date.
Complimenting this uplifting track is a 2D live action animated music video that was produced and directed by BAFTA award winning Jam Media.
With four studio albums to their name - most notably The RTÉ Choice Music Prize nominated, Gold selling, Number 1 Album “Getting Through” - The Riptide Movement are renowned for their phenomenal live shows and soaring, guitar driven, energetic tracks. Having toured extensively throughout 2018 on the back of critically acclaimed releases “All Works Out", “Elephant in the Room” and “Changeling”, a busy summer of festival appearances awaits.
“I’ll Be There” the brand new single from The Riptide Movement, is available on all streaming platforms and digital formats now.
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Dublin's The Riptide Movement have just announced a London show at The Islington on Friday 4th October hot on the heels of their recent new song release 'I'll Be There'. The song is a vibrant indie rocker that's rather catchy to put it mildly.
--------------------------------------------------------------------------------------------------------------------------
The Black Watch - Magic Johnson.
An avowed Anglophile, author, English professor and irrepressible Los Angeles based songwriter John Andrew Fredrick is about to release his 17th full-length as lead songsmith of the black watch. 'Magic Johnson' is released in the UK through Atom records on the 8th of August 2019.
It reunites Fredrick with Scott Campbell (Acetone, Carina Round, Stevie Nicks), Andy Creighton (The World Record), and Rob Campanella (The Brian Jonestown Massacre, The Tyde) released by Atom Records in the UK in August. Fredrick’s songs are infused with bittersweet sunlit vibes distinctive of what he calls a 'quintessentially LA record', yet its influenced by his love of 80s English post-punk, Flying Nun records, C-86 and the psychedelic works of The Beatles.
It's preceded by the lead single 'Mad' in June that's wry, infectious songwriting is a jangly, joyous celebration of a lover’s craziness, that's sideways romp stokes the distant embers of acts as disparate as The Wedding Present, The Go-Betweens and The Cure, yet remains distinctively the black watch a band due the attention they genuinely deserve in the country that inspired much of their sound.
In 2019, the black watch issues Magic Johnson, its 17th long player, the songs (and the subjects they cover) on the new TBW LP certainly are singularly varied, if not truly weird, eerie, strange: a dream reimagined from a Thomas Hardy novel (“Eustacia’s Dream”); a breathtaking story of male violence and desire from Elizabeth I’s reign (“April Fools”); a childlike exhortation applied to adult disappointments (“Upsy-Daisy”). Anti-love songs, lovey love songs, carpe diem lullabies, a pulsating rocker mocking LA posers and trendies and “Coachella hat chicks” who are “always lonely, though never alone.”
--------------------------------------------------------------------------------------------------------------------------
The Riptide Movement - I'll Be There.
Dublin four-piece The Riptide Movement are set to release their eagerly anticipated new single “I’ll Be There”
This song is an uplifting, energizing, guitar driven anthem with a massive chorus and is without doubt a return to form for the band. Co-produced in Attica Studios with the legendary Tommy McLoughlin (Villagers, SOAK) “I’ll Be There” could possibly be their best offering to date.
Complimenting this uplifting track is a 2D live action animated music video that was produced and directed by BAFTA award winning Jam Media.
With four studio albums to their name - most notably The RTÉ Choice Music Prize nominated, Gold selling, Number 1 Album “Getting Through” - The Riptide Movement are renowned for their phenomenal live shows and soaring, guitar driven, energetic tracks. Having toured extensively throughout 2018 on the back of critically acclaimed releases “All Works Out", “Elephant in the Room” and “Changeling”, a busy summer of festival appearances awaits.
“I’ll Be There” the brand new single from The Riptide Movement, is available on all streaming platforms and digital formats now.
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Youth Sector - Mathilde Fernandez - Winona Oak - Junaco
Youth Sector have just released 'Renting Spaces In My World' a crisp post punk song where the vocals have plenty of eighties new wave influence, the music is rhythmic & vibrant and when you put it all together, the whole is hook fueled and potent.
Mathilde Fernandez has just shared her latest single 'Chanteuse De Guerre' along with a suitably matched and impressive video, whether you understand the lyrics, or not, this is just to hard to resist.
We have two versions of 'He Don't Love Me' the new 'Stripped' version, along with a live video piece. Winona Oak is of course the artist and both versions are gorgeous, intimate and full of feeling.
Finally today we have Junaco and a song titled 'In Between' a gentle, tender and melodic piece where the vocals shine and the acoustic backdrop is just right.
--------------------------------------------------------------------------------------------------------------------------
Youth Sector - Renting Spaces In My World.
Brighton’s latest post-punk exports Youth Sector explode onto the scene with swashbuckling new release Renting Spaces In My World, out now.
Offering up a unique blend of drawling vocal melodies sashaying above sharp, crooked guitars, the quintet incorporate the influences of Talking Heads, Devo and Preoccupations with howling ‘80s-esque synths and angry driving bass lines to create a thrilling indie anthem bursting with tenacity.
“Renting Spaces In My World is about someone struggling to get to grips with reality”, the band revealed. “The lyrics tell the story of someone who, in their own grandiose delusion believes they own the whole world and all other people are like paying customers, renting the opportunity to exist within it”.
With their early releases having received widespread tastemaker approval and spins across the airwaves (BBC Radio 1, BBC 6 Music), not to mention an esteemed list of support slots alongside acts including Our Girl, King Nun and Goat Girl, the indie newcomers are primed for the spotlight and eager to take full advantage.
Youth Sector’s Renting Spaces In My World is released 21st June and will be available via all digital platforms. Youth Sector is Nick Tompkins (guitar, vocals), Josh Doyle (bass), Brad Moore (guitar), Harvey Dent (synth), Karl Tomlin (drums).
Live Dates:
26 June – The Old Blue Last, London
13 July – Patterns, Brighton (Hidden Herd Festival).
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Mathilde Fernandez - Chanteuse De Guerre.
Los Angeles record company Bordel Records is proud to announce the latest single from Mathilde Fernandez, "Chanteuse de Guerre", from her upcoming EP 'Back In Las Vegas'.
“Chanteuse de Guerre”, was born from the desire to create a monster. In mixing lyrical poetry laced with sarcasm and the absurd, Fernandez portrays a political icon who seduces and reassures the masses to face the horrors of the world. At the same time, she feeds on drama and misery to enhance her rhetoric while giving the impression of endless commitment.
The accompanying music video was produced in the city of Nezahualcóyotl, one of the largest slums in the suburbs of Mexico. Fernandez collaborates with Los Cogelones, a musical quartet of brothers who mix traditional instruments, Aztec songs and English punk rock. They play as music teachers and coach the military band of primary school students. Throughout their teaching Los Cogelones with to instill upon the younger generation values of discipline and collective work worthy of the heritage of their Aztec ancestors. Fernandez integrates her young War Singer into all of this, feigning political speech in a choreographed and terrifying kind of child's play.
"Chanteuse de Guerre" is the lead single off Mathilde Fernandez's EP 'Back In Las Vegas', out everywhere on September 20th.
Mathilde Fernandez is a singer and performer whose world combines dramatic visual arts, both living and plastic, is supplemented with powerful electro stylings and wild lyrical influences in her voice. As she began her multi media universe journey, Mathilde Fernandez enhanced her baroque universe with such collaborations such as Perez, La Femme, Casual Gabberz or Christophe. She released her first EP in December 2015 entitled Live in Las Vegas and “Hyperstition” in the Fall of 2018. Mathilde lives and works between Brussels and Paris.
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Winona Oak - He Don't Love Me (Stripped).
Swedish born, LA-based artist Winona Oak releases a stripped down version of her debut single “He Don’t Love Me” via Neon Gold Records / Atlantic Records. The single comes accompanied by a stunning and intimate, live performance video as well.
Winona Oak introduces her debut single “He Don’t Love Me” as follows: “We’re all capable of falling for people who don’t value us, grasping for a leaving hand. But we must understand that we’re just as capable of realizing that our worth does not lay in those heavy hands.”
Born and raised in the Nordic forests of Sweden on a small crop of land called Sollerön - known as the Island of the Sun - Winona Oak is every bit as enchanting as her origin story. With a childhood spent encountering more animals than people, she grew up a trained horse acrobat and pursued creative expression however she could, writing poetry and songs from a young age. Born into a musical family, Winona sang throughout her youth and began playing violin at 5 years old and piano at 9 years.
After moving to Stockholm to pursue her passion for music, a leap of faith to attend Neon Gold Records’ writing retreat in the Nicaraguan jungle in 2017 led her to Australian electronic maestro What So Not. She would go on to co-write his next two singles "Better" and "Stuck In Orbit", eventually stepping into the spotlight as both the writer and featured artist on his 2018 single "Beautiful".
Last year, Winona Oak covered “Don’t Save Me” from fellow Neon Gold Records signees HAIM for the label’s 10 year anniversary compilation: NGX: Ten Years of Neon Gold. The minimal production allows Winona Oak’s ethereal voice to shine through, slower than the original and drenched in ethereal melancholy. Now signed to Neon Gold / Atlantic Records and published by Warner-Chappell, she closed out 2018 collaborating with The Chainsmokers on their viral hit single “Hope”, co-written by Winona and featuring her stunning lead vocals, and currently boasting 250 million streams across all platforms globally.
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Junaco - In Between.
Junaco is the foundation of Shahana Jaffer and Joey LaRosa. Born in the unincorporated mountain town on the outskirts coastal Northern California, the duo found an escape from musical conventions. Fleeing the rituals of rushing through songs, away from the nonsense of worrying, a budding partnership was found based equally on half-parts progression and melody. Mellow bursts of epiphany and pleas of gentle seduction give way to driving grooves in Junaco’s music, leaving the immediate fan with a delicate, instantly familiar and completely unassailable batch of songs.
Jaffer, a natural talent whose limbs were too long to dance, met a counterpart in LaRosa, a guitarist and percussionist’s dream who from a young age had been told that “musician” wasn’t an achievable career. Though conventionally unlikely on the global scale that a Pakistani songstress would find her way into the creative adventures of a drummer from Indianapolis, they found in their partnership a desire to make music for music’s sake; to write honest songs that meant something true enough for themselves, that someone else might be able to take it and make it true for them, as well.
The forthcoming EP helmed by Omar Yakar (War on Drugs, Perfume Genius) from Boulevard Recording, whose engineering and production prowess brought this young and refreshing outfit’s mountainous incubations to life. The duo initially set out with the intention of nothing but creation and expression and resulted in a stunning collection of tracks detailing the emotions of freedom. Jaffer reveals, “The underlying theme is about coming to terms with experiences and hardships we have faced and finally putting them out there. It’s very healing”.
Junaco hope to create music that will leave listeners feeling a sense of connection and closeness to. With the aim to remind others of our innate human emotions, Junaco’s debut EP highlights just how similar we are at our cores.
--------------------------------------------------------------------------------------------------------------------------
Mathilde Fernandez has just shared her latest single 'Chanteuse De Guerre' along with a suitably matched and impressive video, whether you understand the lyrics, or not, this is just to hard to resist.
We have two versions of 'He Don't Love Me' the new 'Stripped' version, along with a live video piece. Winona Oak is of course the artist and both versions are gorgeous, intimate and full of feeling.
Finally today we have Junaco and a song titled 'In Between' a gentle, tender and melodic piece where the vocals shine and the acoustic backdrop is just right.
--------------------------------------------------------------------------------------------------------------------------
Youth Sector - Renting Spaces In My World.
Brighton’s latest post-punk exports Youth Sector explode onto the scene with swashbuckling new release Renting Spaces In My World, out now.
Offering up a unique blend of drawling vocal melodies sashaying above sharp, crooked guitars, the quintet incorporate the influences of Talking Heads, Devo and Preoccupations with howling ‘80s-esque synths and angry driving bass lines to create a thrilling indie anthem bursting with tenacity.
“Renting Spaces In My World is about someone struggling to get to grips with reality”, the band revealed. “The lyrics tell the story of someone who, in their own grandiose delusion believes they own the whole world and all other people are like paying customers, renting the opportunity to exist within it”.
With their early releases having received widespread tastemaker approval and spins across the airwaves (BBC Radio 1, BBC 6 Music), not to mention an esteemed list of support slots alongside acts including Our Girl, King Nun and Goat Girl, the indie newcomers are primed for the spotlight and eager to take full advantage.
Youth Sector’s Renting Spaces In My World is released 21st June and will be available via all digital platforms. Youth Sector is Nick Tompkins (guitar, vocals), Josh Doyle (bass), Brad Moore (guitar), Harvey Dent (synth), Karl Tomlin (drums).
Live Dates:
26 June – The Old Blue Last, London
13 July – Patterns, Brighton (Hidden Herd Festival).
--------------------------------------------------------------------------------------------------------------------------
Mathilde Fernandez - Chanteuse De Guerre.
Los Angeles record company Bordel Records is proud to announce the latest single from Mathilde Fernandez, "Chanteuse de Guerre", from her upcoming EP 'Back In Las Vegas'.
“Chanteuse de Guerre”, was born from the desire to create a monster. In mixing lyrical poetry laced with sarcasm and the absurd, Fernandez portrays a political icon who seduces and reassures the masses to face the horrors of the world. At the same time, she feeds on drama and misery to enhance her rhetoric while giving the impression of endless commitment.
The accompanying music video was produced in the city of Nezahualcóyotl, one of the largest slums in the suburbs of Mexico. Fernandez collaborates with Los Cogelones, a musical quartet of brothers who mix traditional instruments, Aztec songs and English punk rock. They play as music teachers and coach the military band of primary school students. Throughout their teaching Los Cogelones with to instill upon the younger generation values of discipline and collective work worthy of the heritage of their Aztec ancestors. Fernandez integrates her young War Singer into all of this, feigning political speech in a choreographed and terrifying kind of child's play.
"Chanteuse de Guerre" is the lead single off Mathilde Fernandez's EP 'Back In Las Vegas', out everywhere on September 20th.
Mathilde Fernandez is a singer and performer whose world combines dramatic visual arts, both living and plastic, is supplemented with powerful electro stylings and wild lyrical influences in her voice. As she began her multi media universe journey, Mathilde Fernandez enhanced her baroque universe with such collaborations such as Perez, La Femme, Casual Gabberz or Christophe. She released her first EP in December 2015 entitled Live in Las Vegas and “Hyperstition” in the Fall of 2018. Mathilde lives and works between Brussels and Paris.
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Winona Oak - He Don't Love Me (Stripped).
Swedish born, LA-based artist Winona Oak releases a stripped down version of her debut single “He Don’t Love Me” via Neon Gold Records / Atlantic Records. The single comes accompanied by a stunning and intimate, live performance video as well.
Winona Oak introduces her debut single “He Don’t Love Me” as follows: “We’re all capable of falling for people who don’t value us, grasping for a leaving hand. But we must understand that we’re just as capable of realizing that our worth does not lay in those heavy hands.”
Born and raised in the Nordic forests of Sweden on a small crop of land called Sollerön - known as the Island of the Sun - Winona Oak is every bit as enchanting as her origin story. With a childhood spent encountering more animals than people, she grew up a trained horse acrobat and pursued creative expression however she could, writing poetry and songs from a young age. Born into a musical family, Winona sang throughout her youth and began playing violin at 5 years old and piano at 9 years.
After moving to Stockholm to pursue her passion for music, a leap of faith to attend Neon Gold Records’ writing retreat in the Nicaraguan jungle in 2017 led her to Australian electronic maestro What So Not. She would go on to co-write his next two singles "Better" and "Stuck In Orbit", eventually stepping into the spotlight as both the writer and featured artist on his 2018 single "Beautiful".
Last year, Winona Oak covered “Don’t Save Me” from fellow Neon Gold Records signees HAIM for the label’s 10 year anniversary compilation: NGX: Ten Years of Neon Gold. The minimal production allows Winona Oak’s ethereal voice to shine through, slower than the original and drenched in ethereal melancholy. Now signed to Neon Gold / Atlantic Records and published by Warner-Chappell, she closed out 2018 collaborating with The Chainsmokers on their viral hit single “Hope”, co-written by Winona and featuring her stunning lead vocals, and currently boasting 250 million streams across all platforms globally.
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Junaco - In Between.
Junaco is the foundation of Shahana Jaffer and Joey LaRosa. Born in the unincorporated mountain town on the outskirts coastal Northern California, the duo found an escape from musical conventions. Fleeing the rituals of rushing through songs, away from the nonsense of worrying, a budding partnership was found based equally on half-parts progression and melody. Mellow bursts of epiphany and pleas of gentle seduction give way to driving grooves in Junaco’s music, leaving the immediate fan with a delicate, instantly familiar and completely unassailable batch of songs.
Jaffer, a natural talent whose limbs were too long to dance, met a counterpart in LaRosa, a guitarist and percussionist’s dream who from a young age had been told that “musician” wasn’t an achievable career. Though conventionally unlikely on the global scale that a Pakistani songstress would find her way into the creative adventures of a drummer from Indianapolis, they found in their partnership a desire to make music for music’s sake; to write honest songs that meant something true enough for themselves, that someone else might be able to take it and make it true for them, as well.
The forthcoming EP helmed by Omar Yakar (War on Drugs, Perfume Genius) from Boulevard Recording, whose engineering and production prowess brought this young and refreshing outfit’s mountainous incubations to life. The duo initially set out with the intention of nothing but creation and expression and resulted in a stunning collection of tracks detailing the emotions of freedom. Jaffer reveals, “The underlying theme is about coming to terms with experiences and hardships we have faced and finally putting them out there. It’s very healing”.
Junaco hope to create music that will leave listeners feeling a sense of connection and closeness to. With the aim to remind others of our innate human emotions, Junaco’s debut EP highlights just how similar we are at our cores.
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Little Church - Shiny Glide - Manwomanchild
We have the latest E.P from Little Church titled 'It's Not You' streaming in full below, it comprises of five songs opening with 'Last Night' a gorgeous track that typifies the bands music where various genres merge into a distinctive and refined band sound.
Shiny Glide (aka Antony Venneri) shares 'Innocent Moon' a beautiful, sweeping and natural ballad, accompanied by a fabulous video collage of old film and cartoon clips, that somehow add to the tenderness of this song.
It's been some time since Manwomanchild appeared here, that said 'Bellwether' is a welcome return, the lyrics are clever and the video suitably works alongside, the song is catchy, personal and very pleasing.
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Little Church - It's Not You (E.P).
On their latest release Its Not You, Little Church seamlessly merges rock, soul, layered psychedelia, and melody into their own unique form of art pop. Although a studio recording, the EP maintains a strong sense of live energy and showcases the bands musicianship - highlighted by Chelsea's soaring voice with a dose of purposeful edge against Christian's signature counter melody bass lines.
Little Church, the pop/soul/noise band from Chicago, took its name as a quote from a book that ultimately transformed into a metaphor for the band that occupies that name. Through their music, Little Church has connected spiritually and created a small congregation together. Bassist Christian Whiting explains that "[They’re] fairly tight-knit and thinks through the band were able to attain some spiritual fulfillment and we're really just one microscopic and localized part of the connection that the whole world has with music."
Through DIY venues and mutual connections, Little Church was formed within the Chicago music scene in 2016. When lead singer and guitarist Chelsea Foss-Ralston and bassist Christian Whiting first met, they realized they had a common musical vision and lived only four blocks away from each other - so they quickly jumped into songwriting together. It didn’t take them long to add the rest of the band members into the picture. Soon after Chelsea met drummer Khori Wilson at the DIY venue, the Dojo, the band's initial core was complete. Sean McConnell (synths) was later added in the spring of 2018 after serving as their mix engineer on the first Little Church recordings.
Once the band was fully formed, Little Church started coalescing their sound to what they now describe as "a smattering of art pop, rawk, soul, and gentle, gentle Eskimo kisses by a bear-shaped robot that can’t control its voltage." The inspiration and process for their writing and sound is a shared effort between Chelsea and Christian, often with a focus on the interplay between vocal melodies and bass countermelodies. Christian shares that they “primarily write songs built around vocals and bass and then built from there.” This allows them to highlight the primary movement and counterpoints before building the rhythms and textures. Not to be completely premeditative, the band still allows for spontaneous and unexpected elements to find a way into their writing by capturing effortless, fun and improvised moments that eventually get refined.
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Shiny Glide - Innocent Moon.
Shiny Glide (stage name of Antony Venneri) is a recording artist, poet, singer-songwriter, guitarist, music videos creator and stateless, charismatic figure with international experience.
Shiny Glide is pure music and inspiration, as free and natural as a gliding albatross. The music styles ranges from psychedelic rock to blues, from romantic and spiritual ballads to oriental and alternative music.
Shiny Glide is an international artist available for tours and festivals and always open to artistic collaborations and any kind of professional and spiritual support as long as it doesn't hurt peace of mind and creative freedom.
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Manwomanchild - Bellwether.
Manwomanchild is a rock band from Philadelphia, Pennsylvania fronted by David Child.
The band was started in Rhode Island in 2008. In February 2010, the band release a self-titled EP recorded at Machines with Magnets in Pawtucket, RI. The band’s lineup for the EP and album consisted of David Child on vocals, guitars, and synths, Mason Neely on drums, and Craig Gifford on bass. In May 2010, Manwomanchild released the song “Chile La Roja” in support of Chile’s 2010 World Cup team. The song was featured in 4 national newspapers and on 2 Chilean TV networks.
The band released its self-titled debut album on December 14th, 2010 on West Cortez Records. In 2013, Manwomanchild (now consisting of just David Child) moved to Philadelphia. In April 2014, Child wrote and recorded the soundtrack for Decidedly‘s iOS and Android game “Floyd’s Worthwhile Endeavor“.
In September and October of 2014, the band released the singles “Wedding Toast” and “Recent History”, followed by another, “The Telepath Returns,” in December of the same year. In March 2015, “The Difficult Years” was released. Music blog “Surviving the Golden Age” described the song’s sound as “LCD Soundsystem being fronted by Ben Gibbard” as well as “hybrid glam rock/chamber pop”. In June of 2016, Manwomanchild released its sophomore album, Awkward Island.
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Shiny Glide (aka Antony Venneri) shares 'Innocent Moon' a beautiful, sweeping and natural ballad, accompanied by a fabulous video collage of old film and cartoon clips, that somehow add to the tenderness of this song.
It's been some time since Manwomanchild appeared here, that said 'Bellwether' is a welcome return, the lyrics are clever and the video suitably works alongside, the song is catchy, personal and very pleasing.
--------------------------------------------------------------------------------------------------------------------------
Little Church - It's Not You (E.P).
On their latest release Its Not You, Little Church seamlessly merges rock, soul, layered psychedelia, and melody into their own unique form of art pop. Although a studio recording, the EP maintains a strong sense of live energy and showcases the bands musicianship - highlighted by Chelsea's soaring voice with a dose of purposeful edge against Christian's signature counter melody bass lines.
Little Church, the pop/soul/noise band from Chicago, took its name as a quote from a book that ultimately transformed into a metaphor for the band that occupies that name. Through their music, Little Church has connected spiritually and created a small congregation together. Bassist Christian Whiting explains that "[They’re] fairly tight-knit and thinks through the band were able to attain some spiritual fulfillment and we're really just one microscopic and localized part of the connection that the whole world has with music."
Through DIY venues and mutual connections, Little Church was formed within the Chicago music scene in 2016. When lead singer and guitarist Chelsea Foss-Ralston and bassist Christian Whiting first met, they realized they had a common musical vision and lived only four blocks away from each other - so they quickly jumped into songwriting together. It didn’t take them long to add the rest of the band members into the picture. Soon after Chelsea met drummer Khori Wilson at the DIY venue, the Dojo, the band's initial core was complete. Sean McConnell (synths) was later added in the spring of 2018 after serving as their mix engineer on the first Little Church recordings.
Once the band was fully formed, Little Church started coalescing their sound to what they now describe as "a smattering of art pop, rawk, soul, and gentle, gentle Eskimo kisses by a bear-shaped robot that can’t control its voltage." The inspiration and process for their writing and sound is a shared effort between Chelsea and Christian, often with a focus on the interplay between vocal melodies and bass countermelodies. Christian shares that they “primarily write songs built around vocals and bass and then built from there.” This allows them to highlight the primary movement and counterpoints before building the rhythms and textures. Not to be completely premeditative, the band still allows for spontaneous and unexpected elements to find a way into their writing by capturing effortless, fun and improvised moments that eventually get refined.
--------------------------------------------------------------------------------------------------------------------------
Shiny Glide - Innocent Moon.
Shiny Glide (stage name of Antony Venneri) is a recording artist, poet, singer-songwriter, guitarist, music videos creator and stateless, charismatic figure with international experience.
Shiny Glide is pure music and inspiration, as free and natural as a gliding albatross. The music styles ranges from psychedelic rock to blues, from romantic and spiritual ballads to oriental and alternative music.
Shiny Glide is an international artist available for tours and festivals and always open to artistic collaborations and any kind of professional and spiritual support as long as it doesn't hurt peace of mind and creative freedom.
-------------------------------------------------------------------------------------------------------------------------
Manwomanchild - Bellwether.
Manwomanchild is a rock band from Philadelphia, Pennsylvania fronted by David Child.
The band was started in Rhode Island in 2008. In February 2010, the band release a self-titled EP recorded at Machines with Magnets in Pawtucket, RI. The band’s lineup for the EP and album consisted of David Child on vocals, guitars, and synths, Mason Neely on drums, and Craig Gifford on bass. In May 2010, Manwomanchild released the song “Chile La Roja” in support of Chile’s 2010 World Cup team. The song was featured in 4 national newspapers and on 2 Chilean TV networks.
The band released its self-titled debut album on December 14th, 2010 on West Cortez Records. In 2013, Manwomanchild (now consisting of just David Child) moved to Philadelphia. In April 2014, Child wrote and recorded the soundtrack for Decidedly‘s iOS and Android game “Floyd’s Worthwhile Endeavor“.
In September and October of 2014, the band released the singles “Wedding Toast” and “Recent History”, followed by another, “The Telepath Returns,” in December of the same year. In March 2015, “The Difficult Years” was released. Music blog “Surviving the Golden Age” described the song’s sound as “LCD Soundsystem being fronted by Ben Gibbard” as well as “hybrid glam rock/chamber pop”. In June of 2016, Manwomanchild released its sophomore album, Awkward Island.
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Annabel Allum - UV - Kyle Craft & Showboat Honey - We Are Strangers
It's our fifth feature for Annabel Allum in just over a year and we don't mind! The Guildford (UK) artist continues to deliver impressive and driven songs packed full of hooks, the more the merrier as far as I am concerned.
UV's vocals are striking and emotive whilst the ambient musical backdrop gives them even more exposure on 'Wilt' a powerful and intriguing song.
Kyle Craft & Showboat Honey have just shared 'Deathwish Blue' along with a video, it's a dreamy, atmospheric and pleasing power ballad and it's hard to resist a second play.
Finally we have seven songs to enjoy on We Are Strangers new E.P. It's hard to categorise the music and yet it also has the conundrum of a timeless feel on some of the songs, whatever, give it a listen this is very good music.
--------------------------------------------------------------------------------------------------------------------------
Annabel Allum - When The Wind Stopped.
It’s becoming increasingly difficult to ignore the rise of Guildford slacker-pop sensation Annabel Allum. From playing local pubs in her hometown six nights a week, to acclaimed performances around the world, Annabel is certainly approaching the peak of her startling development. From single to single, the emerging songwriter has evolved and added further layers to her trademark punk repertoire, with second EP cut When The Wind Stopped, out via cult London label Killing Moon, proving the latest remarkable addition to her rousing collection of vital, snarling songs.
A common theme throughout her material is the ease with which tracks simmering with steely angst can sit side by side with touchingly sentimental tracks dedicated to friends and family. When The Wind Stopped, with its anthemic tendencies and undercurrent of billowing fury exemplifies this style with aplomb. Discussing the release, Annabel revealed:
"When I was a kid I had such big expectations of how life was gonna be. I think most people do. But somehow we lose track of our dreams and what we really want from life. It’s so easy to shut yourself in a societal box and put your dreams to bed. I say # that. If you want something, go get it. Less moaning, more chasing”.
Long marked out as one to watch, the swell of praise for Annabel Allum from all corners is resounding. Long-time championed by BBC Radio 1, she’s hit the daytime playlist, recorded a live session at the iconic Maida Vale studios and performed on their SXSW stage, a festival she’s now taken by storm twice. Other notable shows include a dream-come-true emotional performance at Reading festival, as well as The Great Escape & Live At Leeds; tours with Nadine Shah, Alex Lahey and Beth Ditto have been the perfect way to cut her teeth in the presence of esteemed artists with plenty more opportunities lined up this autumn.
--------------------------------------------------------------------------------------------------------------------------
UV - Wilt.
UV is the solo project of London-based artist & award-winning composer Marina Elderton.
Today see’s the release of new single ‘Wilt’. Following the 2018 single ‘Defender’ and 2019’s ‘Joys Of Pain’, ‘Wilt’ is yet another demonstration of UV’s haunting combination of powerful vocals and hypnotically ambient soundscapes. Once again co-produced by Knut Jonas Sellevold, ‘Wilt’ sees Elderton's distinct vocals draped over interlaced harmonies, guitar strands, electronic textures and pulsing rhythms.
Previously fronting ethereal-psych band Kull and electronic duo White Russia, Marina Elderton is also co-founder of the female sound artist collective Erinyes, has also composed soundtracks for Film4, Royal Television Society award winning documentaries, and shorts, and commercially for the likes of Lynx, NBA and Cadburys.
Supported by the PRS Women Make Music Foundation, the debut EP ‘Defender’ will be released on July 19th.
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Kyle Craft & Showboat Honey - Deathwish Blue.
Kyle Craft & Showboat Honey have delivered a very sweet video for “Deathwish Blue,” a highlight from Showboat Honey, the group’s forthcoming album, out July 12th worldwide from Sub Pop and directed by Eleanor Petry.
Craft had this to say of the visual, “I can’t dance and my fiancée Lydia isn’t the biggest fan of it either...we’d actually never danced together before the shoot. We wanted to have fun and aim for a Pulp Fiction vibe. So, I just slicked back the mop, cranked Spirit in the Sky over the bar speakers, and we went for it.”
Showboat Honey was recorded and produced by Kyle Craft, Kevin Clark, and Billy Slater at their own Moonbase Studios in Portland over 2018. The album was mixed by Trevor Spencer and mastered by April Golden at Golden Mastering.
Showboat Honey is now available for preorder through Sub Pop Mega Mart. Preorders of the LP through megamart.subpop.com and select independent retailers in North America, the UK and Europe will receive the limited Loser edition on a clear blue translucent mix with spots red hi-melt (while supplies last). There will also be a new T-shirt design available.
--------------------------------------------------------------------------------------------------------------------------
We Are Strangers - We Are Strangers (EP).
We Are Strangers is the new music project from Josh Kramon, a talented TV composer who has written scores for The CW’s iZombie and Veronica Mars, Fox’s Lethal Weapon and ABC’s Forever, among many others.
It’s with this background in TV composition that Kramon’s new songs could have only been written by someone who is used to matching sound to pictures and telling stories. Each track is an atmospheric, cinematic short story that exists on its own, but also lends itself to a dramatic scene or an end credit.
Most songs on this project explore his time in recovery, the universal human need for connection, how we often fail in our relationships and find redemption in moving on. He leans heavily on sounds from the late 70's and early 80's fusing together acoustic and electric guitars with lots of atmospheric vintage synths.
--------------------------------------------------------------------------------------------------------------------------
UV's vocals are striking and emotive whilst the ambient musical backdrop gives them even more exposure on 'Wilt' a powerful and intriguing song.
Kyle Craft & Showboat Honey have just shared 'Deathwish Blue' along with a video, it's a dreamy, atmospheric and pleasing power ballad and it's hard to resist a second play.
Finally we have seven songs to enjoy on We Are Strangers new E.P. It's hard to categorise the music and yet it also has the conundrum of a timeless feel on some of the songs, whatever, give it a listen this is very good music.
--------------------------------------------------------------------------------------------------------------------------
Annabel Allum - When The Wind Stopped.
It’s becoming increasingly difficult to ignore the rise of Guildford slacker-pop sensation Annabel Allum. From playing local pubs in her hometown six nights a week, to acclaimed performances around the world, Annabel is certainly approaching the peak of her startling development. From single to single, the emerging songwriter has evolved and added further layers to her trademark punk repertoire, with second EP cut When The Wind Stopped, out via cult London label Killing Moon, proving the latest remarkable addition to her rousing collection of vital, snarling songs.
A common theme throughout her material is the ease with which tracks simmering with steely angst can sit side by side with touchingly sentimental tracks dedicated to friends and family. When The Wind Stopped, with its anthemic tendencies and undercurrent of billowing fury exemplifies this style with aplomb. Discussing the release, Annabel revealed:
"When I was a kid I had such big expectations of how life was gonna be. I think most people do. But somehow we lose track of our dreams and what we really want from life. It’s so easy to shut yourself in a societal box and put your dreams to bed. I say # that. If you want something, go get it. Less moaning, more chasing”.
Long marked out as one to watch, the swell of praise for Annabel Allum from all corners is resounding. Long-time championed by BBC Radio 1, she’s hit the daytime playlist, recorded a live session at the iconic Maida Vale studios and performed on their SXSW stage, a festival she’s now taken by storm twice. Other notable shows include a dream-come-true emotional performance at Reading festival, as well as The Great Escape & Live At Leeds; tours with Nadine Shah, Alex Lahey and Beth Ditto have been the perfect way to cut her teeth in the presence of esteemed artists with plenty more opportunities lined up this autumn.
--------------------------------------------------------------------------------------------------------------------------
UV - Wilt.
UV is the solo project of London-based artist & award-winning composer Marina Elderton.
Today see’s the release of new single ‘Wilt’. Following the 2018 single ‘Defender’ and 2019’s ‘Joys Of Pain’, ‘Wilt’ is yet another demonstration of UV’s haunting combination of powerful vocals and hypnotically ambient soundscapes. Once again co-produced by Knut Jonas Sellevold, ‘Wilt’ sees Elderton's distinct vocals draped over interlaced harmonies, guitar strands, electronic textures and pulsing rhythms.
Previously fronting ethereal-psych band Kull and electronic duo White Russia, Marina Elderton is also co-founder of the female sound artist collective Erinyes, has also composed soundtracks for Film4, Royal Television Society award winning documentaries, and shorts, and commercially for the likes of Lynx, NBA and Cadburys.
Supported by the PRS Women Make Music Foundation, the debut EP ‘Defender’ will be released on July 19th.
--------------------------------------------------------------------------------------------------------------------------
Kyle Craft & Showboat Honey - Deathwish Blue.
Kyle Craft & Showboat Honey have delivered a very sweet video for “Deathwish Blue,” a highlight from Showboat Honey, the group’s forthcoming album, out July 12th worldwide from Sub Pop and directed by Eleanor Petry.
Craft had this to say of the visual, “I can’t dance and my fiancée Lydia isn’t the biggest fan of it either...we’d actually never danced together before the shoot. We wanted to have fun and aim for a Pulp Fiction vibe. So, I just slicked back the mop, cranked Spirit in the Sky over the bar speakers, and we went for it.”
Showboat Honey was recorded and produced by Kyle Craft, Kevin Clark, and Billy Slater at their own Moonbase Studios in Portland over 2018. The album was mixed by Trevor Spencer and mastered by April Golden at Golden Mastering.
Showboat Honey is now available for preorder through Sub Pop Mega Mart. Preorders of the LP through megamart.subpop.com and select independent retailers in North America, the UK and Europe will receive the limited Loser edition on a clear blue translucent mix with spots red hi-melt (while supplies last). There will also be a new T-shirt design available.
--------------------------------------------------------------------------------------------------------------------------
We Are Strangers - We Are Strangers (EP).
We Are Strangers is the new music project from Josh Kramon, a talented TV composer who has written scores for The CW’s iZombie and Veronica Mars, Fox’s Lethal Weapon and ABC’s Forever, among many others.
It’s with this background in TV composition that Kramon’s new songs could have only been written by someone who is used to matching sound to pictures and telling stories. Each track is an atmospheric, cinematic short story that exists on its own, but also lends itself to a dramatic scene or an end credit.
Most songs on this project explore his time in recovery, the universal human need for connection, how we often fail in our relationships and find redemption in moving on. He leans heavily on sounds from the late 70's and early 80's fusing together acoustic and electric guitars with lots of atmospheric vintage synths.
--------------------------------------------------------------------------------------------------------------------------
Eli Raybon - The School Book Depository - Far Caspian
Eli Raybon first appeared with us back in March when we commented on his "sci-fi weirdo auteur" description, however as 'Primitive Man' demonstrates he is also a really fine songwriter and performer. His sci-fi concept album, Supertoys, is due out July 12th, and it's packed with some superb material, it's well worth checking out when you get the chance.
We featured The School Book Depository a couple of times back in 2017 and now we have the new song 'The Trail', where once again the vocals of Fredrik Solfors are so engaging as is the whole atmospheric smooth rock vibe running through this piece.
Having already featured 'Astoria' and 'A Dream Of You' from Far Caspian's brand new E.P. 'The Heights' it's good to be able to include the full collection from this excellent Leeds (UK) trio, in fact this makes it appearance number six on Beehive Candy, clearly they are doing something we really like, how about you?
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Eli Raybon - Primitive Man.
21-yr-old Eli Raybon's sound plays like the lovechild of King Krule & Chromeo - a blissfully weird take on future funk, bathed in 80's pop. He's quickly established himself as a synthwave auteur, with Noisey, Ones to Watch and Earmilk lauding his retro tunage. His ready-to-be-shared single is like a mashup of 80's Bowie, MJ, Devo: "Primitive Man" Eli's sci-fi concept album, Supertoys, is due out July 12th. With only a few releases to his name, 21-year-old Eli Raybon has quickly established himself as a sci-fi weirdo auteur. The staunch non-conformist is now priming his most rebellious release yet: a sci-fi concept album called Supertoys.
Raybon’s work is fueled by an unrestricted imagination, born from a serious case of childhood nostalgia. His formative years were spent exploring small-town Mississippi, writing songs, and directing his own Hi8 tape movies. But as he grew, Eli became keenly aware of the sobering realities that faced him and his peers – a conveyer belt existence where they were destined to become carbon copies of their parents. He himself was on route to New York to study computer science and mathematics, before pulling the emergency brake and changing his plans only two days before freshman orientation.
When the dust settled, Eli began recording his debut LP, The Machine & My Dilemma, which documented his desire to jump off the hamster wheel of life. Following its release, Raybon moved to LA to pursue music full time. Never one to flounder, Eli immediately recorded and released two lauded singles. The track 30 Cents was accompanied by an ambitious music video which was screened at film festivals across the country. He soon followed up with Green, an EP that drew praise from Buzzbands LA, Noisey and Paste.
Eli became infatuated with hardware synthesizers and moved from writing material on the guitar to a more expansive pallet on synths. Feeling his new material called for a producer beyond his skillset, Raybon sought the help of synth guru Prozak Morris, who had transitioned from making bass heavy hip hop to calibrating cutting edge vaporwave. The two collaborated on a remix and Eli quickly realized this was the producer he had been dreaming of. They began work on an album, recording from opposite coasts, Eli on the East and Prozak on the West, connecting through frequent phone calls as they slowly pieced their production together.
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The School Book Depository - The Trail.
The School Book Depository is an imaginary storage facility where the Swedish moniker and songwriter Fredrik Solfors releases his songs and videos. The motto of the project has always been ”It’s my party, I can do whatever I want”, in order to embrace all forms of creative outlet both musically and lyrically. The songs range from groovy, psychedelic hop hop to noisy and catchy garage pop and beautiful, atmospheric post-rock.
In 2017 he released hos self-titled album which got high praise with words like ”classic Americana with a touch of modern electronica” and ” a gem of an album, with philosophical lyrics to be considered and huge melodies to be enjoyed”. Now he’s back with another albumet titled ”Bob and the Pitchfork Mob” due release on the 20th of June.
Fredrik started playing the drums early in his hometown but moved on to vocals, guitar, piano and songwriting in bands as Wagon, The Low Season Combo and Kinetics, appointed best international act by the British magazine Pure M in 2015. He also played drums in Surrounded, a Swedish band signed by American Deep Elm and British One Little Indian. Fredrik is now living in Bollebygd outside of Gothenburg in Sweden.
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Far Caspian - The Heights (E.P).
Flitting between insular, emotionally engaging bedroom-pop and moments of festival-ready breathlessness across their luscious dream pop sound, Leeds trio Far Caspian’s sonic formula is earning them fans at an exponential rate. From recent single Astoria with its calm, slowly grooving verses clearing the decks for expansive choruses, to previous effort A Dream Of You and its wistful, effervescent undercurrent, the band have delivered once again in sophomore EP The Heights, out June 18th via Dance To The Radio.
Emerging last year with a collection of catchy lo-fi gems on hazy debut EP Between Days, and crafting their self-coined ‘melanjolly’ style to widespread critical praise, the three-piece’s newest material showcases their trademark sound with fresh commercial overtones and a very intentional 80s production sheen. Blending these two shades on a UK tour in support of the debut EP in the spring peaked with thrilling, sold-out debut headline shows in London and Manchester.
Discussing their forthcoming EP release, frontman Joel Johnston reveals: “The Heights has taken us a lot of work to get to where it is. We started with some songs that were brought into a studio and we soon realised we weren’t the sort of band that could work that way. We took the tracks away and then re-recorded it in our house.
The themes on the EP are about embracing the present and enjoying the good times you do have even if you’re struggling through something else. From writing and recording this project we went from a pretty dark place into a place of contentment and I feel like the tracks have that feeling within them”.
--------------------------------------------------------------------------------------------------------------------------
We featured The School Book Depository a couple of times back in 2017 and now we have the new song 'The Trail', where once again the vocals of Fredrik Solfors are so engaging as is the whole atmospheric smooth rock vibe running through this piece.
Having already featured 'Astoria' and 'A Dream Of You' from Far Caspian's brand new E.P. 'The Heights' it's good to be able to include the full collection from this excellent Leeds (UK) trio, in fact this makes it appearance number six on Beehive Candy, clearly they are doing something we really like, how about you?
--------------------------------------------------------------------------------------------------------------------------
Eli Raybon - Primitive Man.
21-yr-old Eli Raybon's sound plays like the lovechild of King Krule & Chromeo - a blissfully weird take on future funk, bathed in 80's pop. He's quickly established himself as a synthwave auteur, with Noisey, Ones to Watch and Earmilk lauding his retro tunage. His ready-to-be-shared single is like a mashup of 80's Bowie, MJ, Devo: "Primitive Man" Eli's sci-fi concept album, Supertoys, is due out July 12th. With only a few releases to his name, 21-year-old Eli Raybon has quickly established himself as a sci-fi weirdo auteur. The staunch non-conformist is now priming his most rebellious release yet: a sci-fi concept album called Supertoys.
Raybon’s work is fueled by an unrestricted imagination, born from a serious case of childhood nostalgia. His formative years were spent exploring small-town Mississippi, writing songs, and directing his own Hi8 tape movies. But as he grew, Eli became keenly aware of the sobering realities that faced him and his peers – a conveyer belt existence where they were destined to become carbon copies of their parents. He himself was on route to New York to study computer science and mathematics, before pulling the emergency brake and changing his plans only two days before freshman orientation.
When the dust settled, Eli began recording his debut LP, The Machine & My Dilemma, which documented his desire to jump off the hamster wheel of life. Following its release, Raybon moved to LA to pursue music full time. Never one to flounder, Eli immediately recorded and released two lauded singles. The track 30 Cents was accompanied by an ambitious music video which was screened at film festivals across the country. He soon followed up with Green, an EP that drew praise from Buzzbands LA, Noisey and Paste.
Eli became infatuated with hardware synthesizers and moved from writing material on the guitar to a more expansive pallet on synths. Feeling his new material called for a producer beyond his skillset, Raybon sought the help of synth guru Prozak Morris, who had transitioned from making bass heavy hip hop to calibrating cutting edge vaporwave. The two collaborated on a remix and Eli quickly realized this was the producer he had been dreaming of. They began work on an album, recording from opposite coasts, Eli on the East and Prozak on the West, connecting through frequent phone calls as they slowly pieced their production together.
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The School Book Depository - The Trail.
The School Book Depository is an imaginary storage facility where the Swedish moniker and songwriter Fredrik Solfors releases his songs and videos. The motto of the project has always been ”It’s my party, I can do whatever I want”, in order to embrace all forms of creative outlet both musically and lyrically. The songs range from groovy, psychedelic hop hop to noisy and catchy garage pop and beautiful, atmospheric post-rock.
In 2017 he released hos self-titled album which got high praise with words like ”classic Americana with a touch of modern electronica” and ” a gem of an album, with philosophical lyrics to be considered and huge melodies to be enjoyed”. Now he’s back with another albumet titled ”Bob and the Pitchfork Mob” due release on the 20th of June.
Fredrik started playing the drums early in his hometown but moved on to vocals, guitar, piano and songwriting in bands as Wagon, The Low Season Combo and Kinetics, appointed best international act by the British magazine Pure M in 2015. He also played drums in Surrounded, a Swedish band signed by American Deep Elm and British One Little Indian. Fredrik is now living in Bollebygd outside of Gothenburg in Sweden.
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Far Caspian - The Heights (E.P).
Flitting between insular, emotionally engaging bedroom-pop and moments of festival-ready breathlessness across their luscious dream pop sound, Leeds trio Far Caspian’s sonic formula is earning them fans at an exponential rate. From recent single Astoria with its calm, slowly grooving verses clearing the decks for expansive choruses, to previous effort A Dream Of You and its wistful, effervescent undercurrent, the band have delivered once again in sophomore EP The Heights, out June 18th via Dance To The Radio.
Emerging last year with a collection of catchy lo-fi gems on hazy debut EP Between Days, and crafting their self-coined ‘melanjolly’ style to widespread critical praise, the three-piece’s newest material showcases their trademark sound with fresh commercial overtones and a very intentional 80s production sheen. Blending these two shades on a UK tour in support of the debut EP in the spring peaked with thrilling, sold-out debut headline shows in London and Manchester.
Discussing their forthcoming EP release, frontman Joel Johnston reveals: “The Heights has taken us a lot of work to get to where it is. We started with some songs that were brought into a studio and we soon realised we weren’t the sort of band that could work that way. We took the tracks away and then re-recorded it in our house.
The themes on the EP are about embracing the present and enjoying the good times you do have even if you’re struggling through something else. From writing and recording this project we went from a pretty dark place into a place of contentment and I feel like the tracks have that feeling within them”.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...