The Pinkerton Raid - Where the Wildest Spirits Fly (New Album).
Background - Durham, North Carolina’s The Pinkerton Raid makes ebullient, dynamic Americana and indie pop. The music starts with Jesse James DeConto’s intimate songwriting. A big, joyful band of six to 10 players can bring brilliant brass and bright harmonies. Or Jesse can whisper over plaintive picking on his ancient Gibson J45.
It’s why The Pinkerton Raid has shared stages with high-energy pop acts like The Collection, The Soil & The Sun and The Old Ceremony or with gentle folk singers like Noah Gunderson, Denison Witmer, The Cactus Blossoms or Lowland Hum. They’ve played notable venues from The Surf Club in St. Paul to the Rock & Roll Hotel in Washington D.C. They’ve also played festivals and music series all over the East Coast and Midwest.
Their self-titled debut in 2012 and their 2014 follow-up A Beautiful World won significant acclaim. Critics have hailed their 2017 effort, Tolerance Ends, Love Begins, comparing the sound to both the dark beauty of The National and the pure joy of Edward Sharpe and The Magnetic Zeroes. Over the course of three full-length albums, the desperate wail of DeConto’s indie-rock songwriting has yielded space to the hooks of classic pop and the charms of twee folk.
Near the start of The Pinkerton Raid’s fourth full-length album, Where the Wildest Spirits Fly, songwriter Jesse James DeConto asks, “Where’s the star to lead us home?” Amid landscapes pigmented with pain, the question is a quest for meaning, in resistance to Camus’ absurdity and the Will-to-Power in the White House. And the answer, over and over again, in a repeating cycle of realistic truth-telling and undeterred hope, is simply this: We sing together.
Where the Wildest Spirits Fly will be/was released on Tuesday, May 1 and the band will celebrate the release with a show at Cat’s Cradle in Carrboro, North Carolina on Saturday, May 5. TWITTER. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
It was back towards the end of November 2016, that we first came across The Pinkerton Raid and it is with real pleasure that Beehive Candy can be first in featuring the bands new album in full! 'Where the Wildest Spirits Fly' comprises of eleven beautifully crafted tracks and from the very first song 'Meteors' expectations are set high.
Musically the band drift stylishly across differing genres, that include Indie rock/folk/pop, with hints of Americana adding more intrigue and anticipation as the album unfolds. Whatever direction they choose, there is always at the very least, a pleasing & fresh vibe.
Vocals and harmonies are notable throughout, as is the tight and engaging musicianship, this is a band that come across as comfortable in what they are doing, and keen to please, something they do consistently. Natural, uncomplicated, melodic and fresh, The Pinkerton Raid have produced a fine album here, we don't do many premieres by choice, this one was to good to pass up on, so dive in and enjoy 'Where the Wildest Spirits Fly.'
Background - Kluster was founded by four friends and a virtual drummer in Malmö 2014, a real life drummer joined in shortly afterwards and the gang was complete. Since, the quintet has been active on as well the Malmö indie scene as playing shows in Berlin, Copenhagen, Stockholm, supporting acts such as Frankie Cosmos and Nicole Sabouné. Debut single Over My Head was released in February to praise from Line of Best Fit, Spotify's Fresh Finds and more. Today, the success of the debut is followed by new single In Your Hometown and the announcement of debut album civic, out June 15th via Rama Lama Records.
In Your Hometown is yet another glimpse of Kluster's playful sound - a melting pot of broad influences such as pop, punk, noise, lo-fi, indie and jazz. According to the band, "In Your Hometown is somehow about paranoia; it's about a very scared man who hid in his hoody for all his life and never discovered the world around him. He was a great collector of thoughts and things but remained trapped in his own mind".
The members have a history as academic jazz players, forming Kluster after longing to find a collective process free from strict genre playbooks and narrow-minded academic rules. A process that resulted in Kluster's captivating characteristic dynamic and turning points, alternating from melodious to dissonance, complex to simple.
Debut album civic is out on June 15th via Stockholm indie label Rama Lama Records (Steve Buscemi's Dreamy Eyes, Delsbo Beach Club, Melby etc.) and is the labels first full-length release. The LP was recorded at Malmö's famous Tambourine Studios and is a elegant showcase of the quintet's exciting ability to blend experimental and accessible in their very own way. Or to put it in Kluster's own words, "civic is a look into the everyday ordinary, the changeable and the constant" with eleven songs treating "situations, emotions and people in our mind at the time, consciously or not". TWITTER.
Kluster's desire to play what feels right to them, rather than sit in one specific genre silo is all apparent on 'In Your Hometown' a vibrant "Indie Anything" tune. This piece has some beautiful twist and turns and gorgeous hooks that change shape along the way but always keep the interest at a high level.
Background - Tight grooves, crisp tones, emotive lyrics, waves of mood oriented improvisation. Shaman Elect was born inside warehouses turned art studios in Brooklyn, NY. It started as a fusion of styles between Ethan Warshowsky (synths, vocals) and Fredy Garcia (guitar, vocals).
Together, they began developing each other’s songs by combining elements of jazz, rock, and electronica. In early 2017, leading up to their first live performance, Mike Malkowski (drums, vocals) joined the group, contributing his inventive and dynamic drumming. Expressive singer, Sarah Warshowsky (lead vocals) became the group’s frontwoman.
"“Ships Ahoy” is about the inevitability of change, and how we choose to act in its presence. The final scene of the film ‘Apocalypto’ was actually a big inspiration for the track - after a crazy tribal chase in the Mexican jungle following a human sacrifice gone wrong, white man in majestic Ships shows up on the beach for the first time.
After so much personal and localized drama, and achieving survival against seemingly insurmountable odds, one single unpredictable event changes everything. The film ends with the protagonist (Jaguar Paw), looking at the Ships from the safety of the jungle with his family. TWITTER.
There is a tight sophisticated musical vibe from the opening chords on 'Ships Ahoy', where the bands slick performance, is accompanied by some melodic vocals that sync beautifully. Jazz rock and electronica seemingly collide and do so to great effect, this is impressive to say the least.
Background - South London’s Margot emerge with strikingly accomplished debut single Desensitised, a dream-pop lament to the repetitious nature of modern capital-city life.
From the opening guitar chimes onwards the touchstones to dream-pop artists old and new are apparent, yet there’s a unique thread running throughout, generated by the collective way the quintet create not only their music, but art and visuals as well.
Throwing their concrete surroundings into the hazy sounds, Margot bring routine realism to life: “Desensitised is about the commute to office blocks, and how its oppressive nature, from the geography to the lonely crowds, can infiltrate, misdirect and dowse appetite and ambition” explains vocalist Alex Hannaway “Writing the song was cathartic, an act of strength and perseverance, a determination not to become desensitised."
Making a decision to be completely self-sufficient through the creative process, Margot record over long weekends at drummer Ben Andrewes' place, in between working weeks. This DIY approach and the autobiographical realism are reflected in the subject matter of the songs. FACEBOOK.
Having lived in London for a good many years, some of which included a daily commute into the city albeit some time ago now, 'Desensitised' still resonates that experience, one I suspect has only become more arduous down the decades. Margot manage to catch so much of that, and in just five minutes convert it into a meaningful, and very special song.
Background - She calls herself "lucky". We would like to blame it all on talent and charisma. And whoever has been so lucky to see and hear Carter Sampson perform or to be familiar with her CDs, will know exactly what we are talking about here.
When we released her Wilder Side album in 2016, we knew we had one talented lady on the label, but we could never imagine that she would immediately hit the Euro Americana Chart to stay there for 4 months, that she would do 7 European tours within the next year, that the reviews and airplay just kept coming and that as a result we had to release a compilation of The Queen of Oklahoma by public and media demand.
Now, 2 years later, Carter Sampson returns with 10 new tracks that include crowd pleasers like Rattlesnake Kate and Queen of the Silver Dollar. A great mix of originals and well chosen covers. The enthousiasm of Carter and her players to share these new recordings with us just bursts out of the speakers full energy! WEBSITE.
May 2018 Carter Sampson "Lucky" Tour: With fellow-Okies Lauren Barth and Jesse Aycock. Za. 5-5 Leusden – In The Woods Zo. 6-5 Amen – De Amer Ma 7-5 Eindhoven - Mr. Frits Do 10-5 Goes – Het Beest Vr 11-5 Wageningen – Junushof 12th - The Glad Cafe, Glasgow. 13th - Fulford Hall, Stoke On Trent 14th - Kitchen Garden Cafe, Birmingham 15th - The Hawth Theatre, Crawley 16th - St Pancras Old Church, London 17th - Fat Lil's, Witney 18th - DK Copenhagen, Reffen Za 19-5 Amsterdam – Paradiso Noord Zo 20-5 Arnhem – Luxor Live Ma 21-5 Zuilen – Parelsessies Di 22-5 Den Bosch – Blue Room.
'Lucky' typifies the fabulous new album from Carter Simpson, due to land in late May. Americana is as good a description as any for this collection of music. Whether the tempo is fast or slow, the material personal or a cover version, Carter Simpson makes it her own with beauty and total commitment apparent throughout.
Background - Wendy McNeill does not need any further presentation, since the debut album 'Such A Common Bird' 2004, she has released five albums, made music and toured together with Ane Brun, The Tiny and worked with Loney Dear. Her sixth album "Hunger Made You Brave" has just been released and this week we get a music video to the single "This Hope".
In this part of the world tonight- through the shadows there’s a bell that’s ringing- In this part of the world tonight- there’s a growl and the softest sigh- In this part of the world tonight- there’s a child, and I see her dancing- as she pivots her face toward me- she’s kicking at stars and laughing
In this part of the world tonight- there’s a bear weightlessly lumbering- through the steps of a twice dead girl and the promise of a different world- In that part of the world tonight- there’s a river and a father crying sees wind messing with the reflection not the message that the stars are sending- "sorry for your troubles friend- but life gives and it takes- like all the beasts and elements- you need to learn to play- even the hearts of galaxies have black holes at their base- but timeless is love’s offering you’re going to be ok"
In this part of the world tonight- a soul accepts it's failings- In this part of the world tonight- a fear becomes a friend- In this part of the world tonight- strange shapes whispering ‘freedom’ he abandons the strain of striving opens his arms and breathes in - Wendy McNeill. WEBSITE.
'This Hope' refuses to be easily categorised into any one or more genres, which makes this gorgeous taste of music all the more wonderful. Keeping it very simple, like this song equals devour the new album, and enjoy the delicious musical feast that awaits.
Background - Personality Cult, are a brand-new post-punk project out of Los Angeles. The brainchild of the prolific artist and songwriter James Clifford, Personality Cult will be releasing its self-titled debut EP on June 1st (move over, Kanye) and now, he's sharing its undeniable lead single “Decay,” which opens with a wall of airy synths and guitar tones reminiscent of Disintegration-era Robert Smith, and doesn’t let up in intensity for the duration.
With vocal similarities to Depeche Mode’s Dave Gahan, Clifford deliberately employs rough production techniques to add a punk flavor to new wave-inspired songwriting. Think if New Order had attended the sessions for Raw Power and decided to make a similar sounding record, or if The Smiths abandoned guitars and got into Kraftwerk.
Propulsive drum machines clash with abrasive guitar lines, while Clifford’s evocative baritone keeps everything balanced with lyrics that touch on isolation, youth, and finding hope in obscure places. The three tracks on the EP are purposely unpolished and compact, designed to impact the listener on a visceral level. The focus isn’t so much on form and harmony as it is on translating fragments of the subconscious. At once acerbic and vulnerable, the EP makes for an engaging listen. FACEBOOK.
With a feisty beat and some carefully layered synth sounds 'Decay' is already sounding good before the vocals kick in adding a real post punk presence to the song. Atmospheric and dramatic this is a fine and addictive piece.
Background - Cascading harmonics and intricate finger style thrust us into the immersive sonic world of Ennor’s ‘Wave After Wave’. A melancholic reflection on climate change, the band question at what point will we have gone too far, an apposite reflection that metaphorically extends to universal concerns of the human condition in love, friendship, politics. No less rich in the idyllic imagery that courses through their catalogue, Ennor’s peerless sound is awash in multitudinous textures and colours.
A rich electric lead flows into the track, foreshadowing the song’s mounting crescendo towards it’s relentless skygazing second half. Restless drums and stacked vocals exhilaratingly draw the listener on to the proverbial edge before Ennor’s searing outro reveals a blinding ambition and humbling instrumental nous not commonly seen in folk rock groups. By turns both intimate and visceral, ‘Wave After Wave’ is a stunning testament to the musicianship of its makers - a vital new sound that could only hail from the surfer heartland of the UK.
With their musical and emotional roots embedded in the far corners of Cornwall, Ennor write songs that have a palpable sense of openness and raw emotion. It’s the culmination both of their journeys across the UK and a nostalgic longing for the Cornish sea. By turns folk and rock, the four-piece’s infectious sound has garnered attention from London to Penzance, as well as the acclaim of BBC Introducing. The poeticism and sincerity of frontman Tom Elliott is propped by the blistering work of the rhythm section. TWITTER.
We first featured Ennor just last month with 'Farewell To Atlantis' describing that track as "a marvellous mixture of upbeat rock tinged with some delicious folk sensibilities." Now we have 'Wave After Wave' a slower and more folk centric song. The vocals are bright adding a melodic dimension to the piece, whilst the musical arrangement is subdued to start with, but slowly unleashes the bands natural rock energy.
Background - “Don’t Be A Stranger” is an ode to Stranger Things title sequence composers Kyle Dixon and Michael Stein of Survive. Analog synths accompany Victoria’s ethereal vocals in the opening of the second single of the album. The track paints a parallel universe to the rest of the album, making it a standout track. Opposing the glossy synths of the lead-single “Final Kiss”, “Don’t Be A Stranger” leads the listener into ghostly, uneasy sonic territories. The track ends with distortion filters on both Victoria’s vocals and the lead synth, pulling us into a post-apocalyptic digital nightmare.
'We were binge-watching the Stranger Things on Netflix in between recording sessions, and we love the theme music Survive did. We had some time off whilst mixing the album, and so we had the idea of making the theme tune into a song - as an homage to the original. We got busy with the synths and vocoders, and just as we were finishing, there was a spooky power cut and it shut down all our computers and we thought we'd lost everything we'd recorded! Luckily it seems iCloud is immune to the upside-down and it saved the day...' - Polychrome
Victoria studied Creative Music Tech in Cambridge and has contributed a large amount of the production on the album; she feels there is still a massive fight for women in the industry and wants them to get into production and songwriting in the typically male-dominated industry. Victoria considers production during the songwriting process, visualising which effects, samples, and techniques might be used.
East-London-based Polychrome, who channel the spirit of Cocteau Twins with the electronic ecstasy of M83, are made up of Oliver of The Bronze Medallists and Victoria of Victoria and Jacob. FACEBOOK.
We featured 'Final Kiss' by Polychrome last month and said at the time "whatever influences Polychrome might be channelling, they are doing so with significant style." The new song 'Don't Be A Stranger' a cover of sorts for the Stranger Things theme is a beautiful piece. Vocals are gentle almost a melodic whisper of sorts, the synths drive the track with majestic rhythm, collectively this is a gorgeous & atmospheric piece.
Background - Blending the beautiful storytelling of folk and roots music with some of the more hard hitting attributes of modern rock, Perth singer-songwriter Robert Hinton returns with his new single Footprints, taken from the soon to be launched album There Are No Winners Here, Only Beginners Here.
Growing up in the northern suburb of Craigie and still just a stone’s throw from the ocean, it's no surprise these surroundings have had a strong influence on Hinton’s lyrical content, in the literal sense and the metaphorical. Footprints is an exquisite duet featuring female Perth artist Kim Stolen and a perfect example of Hinton’s raw sincerity and dynamic versatility as a songwriter.
There Are No Winners Here, Only Beginners Here is a solid ten track offering from Hinton and his third album following the well received Winter Sun (2013) and Explaining Colour (2015). Opening with the bluesy, guitar driven Moth to the Flame, the wonderfully crafted body of work goes on to feature ballads, sing-alongs and ambient trips while exploring energetic and reflective moods, closing with the aptly titled When the Sunlight Fades.
A regular live fixture up and down the West Coast, Hinton performs both solo and with a four-piece band, having shared the stage with many local and interstate acts while supporting Oz legends like James Reyne, Mental As Anything and Darryl Braithwaite.There Are No Winners Here, Only Beginners Here out May 11 (pre-order).
The first single from the next months album release is 'Footprints' a refined acoustic singer songwriter affair that is melodic and engaging. The dual vocals are the icing on the cake, adding even more depth and beauty, to a track that oozes quality.
Background - Canadian sibling trio The Garrys release their new single 'Makeout at the Drive-In' on 13th of May 2018, through Grey Records. A shimmering slice of surf pop, tremulous guitar licks are draped in subtle strings, framed by percussive backdrops and infused with The Garrys longing entwined vocal harmonies. This delectable song conjures up images of summers days of the past spent pulling up to Drive in with your date.
'Makeout at the Drive-In' is a shimmering slice of surf pop, tremulous guitar licks are draped in subtle strings, framed by percussive backdrops and infused with The Garrys longing entwined vocal harmonies. With elements of dream pop that could be lifted from a Beach House record, allied to the influence of reverb-heavy 1950s harmonies and a cinematic quality that recalls the Twin Peaks soundtrack. This delectable song conjures up images of summers days of the past spent pulling up to Drive in with your date
The Garrys are a trio of sisters from Saskatoon, Saskatchewan, Canada who play garage surf pop doo-wop. Their harmonies are dreamy and precise, and their instrumentation stays true to the likes of Dick Dale and early Beatles. Formed in the spring of 2015, The Garrys pull a strong influence from early reverb rock'n'roll and 1950s era vocal harmonies. If Ed Sullivan went on a date with the Shangri-Las, they would eat ice cream sandwiches and dance to the Garrys. Like father, like daughter(s). The Garrys are Erica Maier, Julie Maier, and Lenore Maier. BANDCAMP, TWITTER.
'Makeout at the Drive-In' really does convey a sense of gorgeous summer days gone by. The Garry's have created a distinct and totally hook filled surf pop song, I just know I will play this again (and again) - fabulous!
Background - Quiet as a Mouse are an Edinburgh based indie/alternative band formed by Alex Moran (Singer/Songwriter), Darren Irwin (Lead Guitar), Eamon Gilson (Guitar) and Martin Patrick (Bass) and Graham Longbottom (Drums) in 2012.
The group’s live reputation has quickly grown as QAAM have supported Hinds (Deers), The Orwells, Palma Violets, The Big Moon, The Orielles, Coasts and The Crookes. Their first batch of London shows were with Club Fandango at Bull & Gate & Buffalo Bar as well as headlining Birthdays and The Old Blue Last.
These outstanding performances have earned them “Gig of the Day” from Ruth Kilpatrick at Amazing Radio, airplay support from Tom Robinson (BBC 6 Music), Vic Galloway (BBC Radio Scotland), Chris Martin, Charlie Ashcroft and Jim Gellaty at Amazing Radio.
Quiet as a Mouse are releasing their debut album 'Is It Funny When It Hurts?' (Part funded by Creative Scotland and produced by Kris Pohl (Idlewild) at Post Electric Studio in Leith) on 27th April 2018. WEBSITE.
The second single 'Northern Rain' falls kind of midway between the styles to be found on the brand new album 'Is It Funny When It Hurts?' released today! I say that's because Quiet As A Mouse can be anything but quiet and when they are going full steam ahead they deliver some feisty rock and roll material. On the other side of the coin they can and are melodic, gentle and quite touching at times. They have already received some well deserved recognition within the UK, hopefully that will travel further, as Scotland continues to grow some fine artists.
Background - The Gothenburg-based quartet OX delivers colorful post-apocalyptic pop.
With a fusion of brittle yet powerful voices, beats, organ, and ukulele they have created a dreamlike soundscape characterized by melancholy as well as euphoria.
Their first video “Hidden” was released this week and is recorded by the Swedish filmmaker and editor Simon Hjortek (Magnificent Beast). Ox are Ida Gudmundsson, Tone Persdotter, Simon Larsson & Ragnar Bern. FACEBOOK.
Ox appear to be one of those bands that let their music do the talking, as the above few words are all I have been able to uncover about them. So what does 'Hidden' tell us. Well first of all Ox have a pretty definitive sound, where melody and energy combine to give us some catchy vibes despite being described as post-apocalyptic pop. There is a hint of Altered Images with this track, consider that a massive thumbs up, and the creative video adds another level of interest. Keep an ear out for Ox, they are well worth having on our musical radar.
Background - “'Strange' tries to find humour in an age where many of our own identities seem based on an insta-filter and the right angle.” Ay Wing A parody of 21st-century digital narcissism, the video partnering ‘Strange’, the latest dazzling electro-pop release from Ay Wing, features the singer cast as various iconic movie characters, transported into the social media arena, taking selfies in the most precarious situations. Thus we have everyone from Princess Leia to Morticia Addams to Uma Thurman’s Mia Wallace wielding the selfie stick at inopportune moments.
Inspired by Andy Warhol’s celebrated “...famous for 15 minutes” quote, ‘Strange’ continues Berlin-based singer-songwriter Ay Wing’s run of smart, slick poppy nuggets, with its bouncy synth foundations, indisputable earworm of a chorus and even a Baroque-style breakdown all sure to rack up the likes and shares on the very social media channels it cheekily pokes fun at.
The track forms part of a new EP, ‘Ice Cream Dream’ – three colourful takes on eclectic electronica and kaleidoscopic psych pop that encapsulate Ay Wing’s joyful partnering of sweet, seductive tunery with subject matter and songcraft of great depth.
A singer, songwriter, producer, performer and bandleader, Swiss-born, Berlin-based Ay Wing has it pretty much covered when it comes to ensuring her beat-driven fluorescent synthpop is exactly as she wants it. And, primarily, she wants it so that her audience dance and her listeners are entranced. Big on retro synths, bouncy guitar riffs and dirty beats, hers is accessible electronica of the classic kind, savvy three-minute pop bangers enhanced by Ay Wing’s strict attention to the most exacting musical detail.
Prior to the release of the ‘Ice Cream Dream’ EP in the spring of 2018, Ay Wing has been prolific in her appearances on stages across Europe, from clubs to open-air festivals to sweaty live-music dens, making sure that all who see her recognise a new pop star-in waiting. ‘Ice Cream Dream’, in all its technicolour glory, backed by further showcase gigs across Europe, will ensure that Ay Wing will not be waiting for long. FACEBOOK.
The vocals are just a little sultry and most certainly engaging on 'Strange' a catchy and feisty song, where electronica rubs shoulders with psych pop and a few other places along the way. The video adds a splash of colour and humour to this desirable track.
Background - Good music seems instantaneous: a decisive rush of expression and dopamine. Hamilton, Ontario's Ellevator capture that direct hit of immediacy, with a closer listen revealing the meticulous design of their muscular pop songs.
Frontwoman Nabi Sue Bersche delivers raw lyricism with quiet power. Her nimble melodies anchor the electric hooks and cinematic timbres Ellevator has refined on countless stages.
The bands self-titled debut EP is now officially out. "We conquered our fears, learned our lessons, lent our ear to strangers, took advice, ignored advice, played to empty bars, sweat it out with full rooms, bet the farm, spun tall tales, told the truth, rode the highway, took a long, hard look in the mirror, got proud, and stayed humble to bring you this record. We offer it to you and hope you find some piece of yourself in it. It’s made of everything we’ve got". TOUR DATES, TWITTER.
'Voices' is a hook fuelled alt rocker where the band are musically tight and vibrant whilst the vocals add melody and emotion, on this whirlwind of fresh sounding rock and roll.
Background - The third Bad Breeding single Dehumanised, is taken from their forthcoming EP Abandonment out this week on One Little Indian Records.
The Stevenage-based anarcho punks recorded the EP on the eve of a European tour, in one room in Berlin with Ben Greenberg (Uniform) at the controls. The result captures all the urgent turbulence of their live show, bristling with an uncontained power.
Bad Breeding will also host a headline show at The Waiting Room in Stoke Newington on International Workers’ Day (1st May 2018) to help raise funds for People for People - Stevenage, a locally-run group that provides relief for marginalised sections of the town’s community.
On the four tracks that make up the Abandonment EP, the band engage in an honest and attentive fury that avoids ulterior motive. True to themselves and where they come from, the band fix upon an irrepressible surge of agitation that is, in every sense, important at a time when ‘profit negates life’, when the neglected are ‘left to sink’ and when there seems to be ‘no end to disillusion’. WEBSITE.
Shows: 1st May - IWD @ Waiting Room, London 6th May - Prince Albert, Brighton.
Strap yourselves in tight for some full on and timeless sounding anarcho punk! 'Dehumanised' hurls out the power and emotion from the opening moments, the band soften the pace marginally to make room for some deeply embedded vocals, punk lovers from any era should give this a listen.
Background - There is an enigmatic bigfoot-like character that just came out of the woods after 15 years of being lost. He goes by the handle Ghostly Beard, and he’s a visionary artistic entity with a boundlessly creative sweep that encompasses soft rock, jazz, prog-rock, fusion, pop, classic rock, and more.
Ghostly Beard’s kaleidoscopic creativity has garnered him comparisons to such diverse artists as Steely Dan, Pink Floyd, James Taylor, Genesis, XTC, Cat Stevens, Weather Report, Michael Franks and Chicago. He crafts immersive dreamy sonic landscapes that emotionally blur the line between dark catharsis and subtle rays of hope. Now, he lets us into his universe with an eclectic clutch of thoughtfully sequenced EPs and albums to be released in the coming months.
Ghostly Beard will release his third and best album to date. The songs collection forms a unique blend of many influences ranging from classic rock, soft rock, progressive rock, jazz, blues and pop and is the culmination of many years spent defining his own style.
The ten-track album opens with the laid-back “How Does It Feel?” an existentialist tune that grows strong with many guitar tracks, the second track “The Love in Your Eyes” is more up tempo but bittersweet, “Gone” errs in almost Country territory with a tale from the past that grows into an anthem, followed by “Autumn Blues”, a rich blues rock instrumental. “Night Train” tells the tale of a dream with a progressive rock twist, while “Let Go” is a classic soft rock with beautiful guitar lead. “It Doesn’t Matter” which blends Jazz and Rock in a new way while “9 to 5 (Barely Alive)” is the epic of the album with many twists and turns. “Let It Rain” is the perfect chill tune for your ears and the rocking “Going Away” concludes the album with a positive tone. WEBSITE.
'Going Away' is the tenth and final track on Ghostly Beard's new 'Inward' album. The differing influences and creative mixture of genres makes it difficult to pick out any specific track as overly representative of this collection, however the featured song does provide a fine indication of the notable quality found across the album. Vocals are melodic and refined and the guitar work is of a very high standard, if you like 'Going Away' then make sure you dig a little deeper into this album, your in for something very rewarding.
Background - Band Of Missfits invent their sound using some unshakable components. The Perth four-piece bear both the smoothness of classic rock and the fuzzier tones of grunge. They can transition from a brooding country swagger to an arena-sized crescendo in a heartbeat. Their latest single, Nothing At All, is the perfect case in point.
Taken from their electrifying EP Higher Passage, Nothing At All makes an instant and lasting impact. Everything is big: the drums, the guitars, the vocals, and especially the hooks. This is due in no small part to producer Sean Lillico (Fur Real Studio), who has done an outstanding job of capturing the band's massive live sound and on-stage energy.
Band Of Missfits have developed substantially since their last offering – 2017's Into The Storm EP. Described by one rock critic as having an 'earthy heavy ethereal feel to it', the band's sound beautifully combines acoustic and electric instruments with a powerhouse lead vocal. Taking things down a grittier path than their debut, Band Of Missfits have found more of their edge on Higher Passage, which delivers its hooks through bitter-sweet melodies.
While Higher Passage shows what Band of Missfits can do in the studio, this is first and foremost a live band. So their plan for the year is to play as many shows as possible, both at home and on the road, as they continuously work their way towards a debut full-length album. FACEBOOK.
Upcoming shows: Friday April 27 - Bar Four5Nine, North Perth w/ K Ridge, Spudgun, Ultrasound (fb event) Saturday May 5 - Fly by Night Club, Fremantle w/ Utlrasound, Spudgun, The Ivory Lies (fb event) Friday June 15 - The Den @ The Civic Hotel, Inglewood w/ The Silent Deeds, Paul McCarthy Band, Kilmister (fb event).
The vocals are passionate and distinct on 'Nothing At All' and benefit greatly from the musicianship that sounds great whether the band are powering up or dipping into a more restrained reprise. Band Of Missfits deliver a hook laden rocker of a song which finishes up as something of an anthem, those who get to hear this live, will be singing along in no time!
Background - Following their return a few weeks ago with their first track in two years, Little Jack, angular art-rock quintet Post Louis have revealed another brand-new experimental-indie gem, Stress Fracture. The band will also play a headline London show at Paper Dress Vintage (27 April).
Post Louis' music has always addressed fragility. Stress Fracture pushes this interest to its logical conclusion, depicting actual damage, breakage and decomposition. Throughout the infectious track, lead vocalist Stephanie Davin toys with the parallels between physical and emotional damage – how so often they can feel the same and how they can reinforce each other. (“Mainline, please drive in my direction / Plastic wrapping for my protection / Car curl, lamppost, stretch out your veins / We might saloon our hearts in winter”).
Spikey guitar parts and contrasting male vocals appear from nowhere at different points throughout the song, creating a feeling of relentlessly being ‘on edge’. Yet more unpredictable are the wild tenor saxophone entries, courtesy of rising jazz star Alex Hitchcock.
In Stephanie’s words: “We wanted Andy’s backing vocal and Alex’s saxophone parts to tumble in out of nowhere, like a car falling off a highway. This song tracks the moment when panic sets in, temperature rises and emergency begins - when something fundamental gives way entirely, whether a bone or a belief.” WEBSITE.
'Stress Fracture' is a gorgeous and very addictive song. The vocals are simply fabulous, the band sprightly and slick, whilst retaining some natural rock and roll edge. I just love this song, it packs a whole lot of different and it works oh so beautifully !!!
YOWL - Warm (in the Soft White Fire of Modern Living).
Background - Peckham five-piece YOWL have announced their new single 'Warm (In The Soft White Fire Of Modern Living)'. The single follows the release of YOWL's second single and video for ‘Dark Room’ and UK tour with label mates LICE including a sold out headline show at Sebright Arms. It was then on to Europe to play Pitchfork Avant-Garde and London Calling Amsterdam.
Alongside the new single, YOWL have also announced two new live dates including a headline London show at Bermondsey Social Club on 31st May 2018 and a show supporting IDLES at the Trades Club in Hebden Bridge on 1st August 2018. The full list of YOWL's forthcoming live dates is as follows:
28th April – Portsmouth Psych Fest 28th April – Sticky Mikes, Brighton (Free entry) 6th May – Sounds From The Other City, Manchester 25th – 27th May – Dot to Dot Festival 31st May – Bermondsey Social Club, London 21st July – Truck Festival, Oxford 1st August – Trades Club, Hebden Bridge w/ IDLES
With an EP and two singles behind them YOWL have earned some impressive critical acclaim from the likes of NME, DIY, AnOther, Loud & Quiet and more. Following the release of 2016's Before The Sleep Sets In EP YOWL released debut single 'My Headache Likes To Speak' in May 2017. Across its noir-laden four minutes, the band marry gnarled razor-wire guitars and a swaggering rhythm section with the sick croon of vocalist Gabriel Byrde. 'My Headache Likes To Speak’ was the second release from London's Big Score imprint, after recently putting out material from Bristol's LICE. The label comes from the minds behind Golden Arm who have watched over the likes of HMLTD, Goat Girl, and The Big Moon.
Nobody’s happy putting up with poor job prospects and a city pricing out the poorest, but the Peckham-formed YOWL capture a frustration of the 9-to-5 London grind like few others. And in frontman Gabriel Byrde, they have someone who can spin poetry on songs about alienation and exhaustion. YOWL are often viciously loud, but Byrde’s fanciful delivery gives them an edge. TWITTER.
'Warm (in the Soft White Fire of Modern Living)' is a laid back alt rocker where the distinct vocals are engaging from the opening moments. The band open with an air of cool slacker vibes but when they power up, they really do power up!
Background - New artist Ellie Schmidly has released "Wild Is The Wind," the third single from her upcoming debut EP, Blossom & Bone. This whimsical cover is from George Cukor's 1957 film of the same name. Arranged and produced by Todd Gummerman (MuteMath), "Wild Is The Wind" captures Schmidly's crystal clear vocals over delicate strings and waves of pedal steel. "Wild Is The Wind" is available today at all digital outlets, with Blossom & Bone following on May 11.
"I first heard the song being covered by Nina Simone, in a very powerful and slow tempo with an obscure jazz piano accompanying," recalls Ellie Schmidly. "I was really taken by the lyrics – they are so expressive and unapologetically in love. I wanted the music to match the brimming-over feeling that the lyrics conjured, and I immediately ran to the Wurlitzer in hopes that I could give it a totally different feel."
Ellie’s journey to this point is a serendipitous story. Starting to write and record this EP was daunting process because she felt so far behind everyone else. She hadn't set out to become a songwriter. She wasn't attending a music program in Nashville, and wasn't considering music as her career path. Instead, her music was discovered by famed producer Charlie Peacock (The Civil Wars, The Lone Bellow) after one of her performances was posted to Twitter.
Peacock was so taken with her Springfield, MO house show performance that he reached out to her the very next day to introduce himself. Peacock invited Ellie to Nashville to partake in songwriting sessions and introduced her to those in the community that could help cultivate her music. She says Charlie’s encouragement was life-changing. It turned out to be literally life-changing because she left her home, friends, family, and school in Missouri where she was studying public policy, to make the move to Nashville. After years of working on her music and continuous writing, Ellie has arrived at this seminal point when she'll unveil her debut, Blossom & Bone. WEBSITE.
It's our third feature for Ellie Schmidly in just a couple of months this time with 'Wild is the Wind'. Previously we have described her vocals as "personable and charming plus enticing and melodic" perhaps that in it's self is reason enough for sharing this track. That it is a fabulous cover of a sixty years old song with a gorgeous musical arrangement is the real purpose for featuring it!
Background - Taking a page out of the Brian Wilson songbook, Wesley Jensen & the Penny Arcade deliver a glistening retro-pop tune that harkens back to the golden age of 60s baroque. "Everything" is the lead single from the upcoming EP Something New. Both musically and lyrically complex, the track is chalk full of warm textures and orchestral layers all while sounding inherently modern. Jensen says the track deals with themes "trying to survive in the world and what it means to find success."
Wesley Jensen was born and raised in a quaint Northern CA town, and his music often reflects this small-town upbringing, heavily inspired by the people and scenery surrounding him. After breakout record, Tales of a Wandering Man, and follow-up, Californian, Jensen’s sound has evolved from singer-songwriter into a fully formed heavyweight of indie folk-pop.
His lyrics are honest and music pure, mixing the best of new and old sounds. Infusing 60’s pop with modern production, Jensen finds a way to create something entirely unique, all while remaining true to his roots. He is a consummate story-teller, not afraid to let his guard down and address relatable ideas and imagery with charm and sincerity.
Currently residing in the artistic hub of Denton, TX, Wesley and his band have played with the likes of Deep Sea Diver and the Wild Reeds. While constantly touring in their own right, in 2017 they made their SXSW debut in Austin. The band’s musical presence continues to blossom throughout TX and beyond. Wesley Jensen & the Penny Arcade's new EP Something New will be available worldwide May 25, 2018. WEBSITE.
Vibrant, catchy, and full of timeless musical vibes 'Everything' is both nostalgic and yet fresh and uplifting. It's indie something, perhaps surf, sixties, folk or pop, lets just say it's indie brilliant.
Background - Berlin based Bonnie Li’s new single ‘Décroche’ tackles addiction, and the way it affects both an individual and those suffering around them. In the band’s words “Décrocher is a French verb which means to pick up the phone. It also means to take down what was hooked, to kick off a habit, to switch off. The song explores the highs and the lows of an addiction and its effect on its entourage.”
The track is sung in three languages – English, French and Mandarin. Bonnie tells us “I wanted to describe the topic using three different languages: the song starts in French showing the poetic and melancholic aspect of the addiction, the chorus is in Chinese Mandarin representing the little cute voice that draws you back to it, the rest of the verses are in English, because it’s a matter that speaks to everyone.”
With crystal clear production, trip hop samples and hypnotic vocals, the song is underpinned by a throbbing bass line that creates intense feelings dread, mirroring the lyrical subject matter. Li punctuates the tension with a piercing scream that sounds like it came from the mouth of Blixa Bargeld himself.
Armed with her megaphone, Bonnie Li is musical polymath. Growing up in Hong Kong, Li’s music has brought her to Montreal and San Franciso, her travels have seen her collaborate with the likes of Al’Tarba and Mobb Deep. In Berlin she combined forces with Elia M, 1990s free party pioneer and founder of Techno label Sycomor. Elia’s background in industrial, dark sounds proved to be the perfect pairing to Bonnie’s vocals. TWITTER.
The vocals on 'Décroche' are magnificent as is the use of three different languages and the intriguing effect this has. The music is detailed and adds to the piece as it creates depth and atmosphere, overall this is one very addictive song.
Background - Easy Ruckus is a Canadian music group out of Golden, British Columbia. Creating all original music with a unique sound fusing between rock, blues, folk, reggae & psychedelic - resulting in a style and feel yet to truly be shaped.
Influenced by The Beatles, Led Zeppelin, Radiohead, The Black Keys, LCD Soundsystem & Current Swell.
Easy Ruckus has supported groups such as Folk Road Show, Lion Bear Fox, Five Alarm Funk & Boogie Patrol.
Their latest Album "Tango" is set to release early May. Ahead of this, they have released a single off the album titled "Pretty Face". WEBSITE.
Even the vocals on 'Pretty Face' are hard to put into any one genre as they mix soulful moments with a more potent rock & roll feeling. The band are slick and refined adding a sweeping undercurrent that again refuses to be placed in one particular style, that the track is catchy goes without saying.
Background - Made up of members of Family Manderson, Sunshine Republic, KLLR, Hot Sauce Pony, Modern Men and Brenda, Rat the Magnificent are a heady mix of obstinance and oblivion. Think an overlapping of a Venn diagram made up of Jesus Lizard, Sally Bowles, My Bloody Valentine, Slint, Oxbow and Son House and you’re in the right borough.
The trio’s cacophony of beguiling yet unnerving fuzz-laced experimental noise rock has earned the group a reputation as a must-see live act, having played with the likes of McLusky, IDLES and Adam Betts. Not least, they have also previously recorded with Steve Albini earning the rare would-be plaudits of “I’d have no problem with you being my house band.” Now with an EP and several singles to their name, Rat The Magnificent are set to release their debut LP, ‘The Body As Pleasure’. A collection of 10-tracks that fully encompass the raw, unhinged energy and dark melodic sensibilities that have garnered them much acclaim in the past.
However, like all strong drinks - the whiskey, the coffee - you need balance in strength. The core trio of Anderson’s open blasted guitar checks primitive tradition and bleeds into Davies’ evangelical bass and Dodridge’s fervent drum rhythms, providing a bed for Anderson to belie his vocals. Brooding in white hot intensity, the albums lyrical content tackles personal yet assimilable topics such as the immediacy of desire, animal magnetism, familiar high-stakes anxiety and trial by fire learning. Dexterous vocals layer often voyeuristic glimpses into both the bands misfortunes and success, backed up by oblique and often deceptively catchy instrumentation.
Recorded over the course of three years with Brad Hemsell, ‘The Body As Pleasure’ also features huge range of inimitable guest musicians, who add even further depth and dynamics to the record. Guests include: Ian Catskilkin (Future Of The Left, Art Brut), Jen Macro (MBV, Graham Coxon, Charlotte Hatherly, Hurtling), Stephen Gilchrist (Graham Coxon, The Damned, The Cardiacs, Vic and Bob), Jeff Fairley (Cheel Ghar) and Caroline Gilchrist (Hot Sauce Pony). WEBSITE.
Sometimes a blast of full on swaggering rock helps clear the cobwebs and 'Up The Street' is all of that. The vocals are immersed in the mix, the guitars dominate with serious intent and the driving rhythm is mesmerising.
Background - Pushing beyond the echo-chamber, Childcare follow the slinky art-rock of Put Down Your Pen with the bold and brooding Big Man, an alternative take on dealing with bubble-breaking disagreement and family friction.
The second single from their upcoming ‘Luckyucker’ EP, Big Man seeks to address the difficulties of contrasting world views, immigration and accusations of liberal elitism, all in a tidy 3 minutes and 53 seconds. Frontman Ed Cares explains:
"There's a place for fighting and affirming the values you stand up for, but too often we ridicule and dismiss those we disagree with. I'm bored of broad-brush Tory bashing and of hearing that everyone who voted for Brexit is stupid. This song is a reminder that we need to listen and try and understand those who believe differently from us."
The band will head out on a two week UK headline tour in October to support the release of the ‘Luckyucker’ EP. With a sling of festivals including the legendary Reading and Leeds and a recent Radio 1 Maida Vale session tucked safely under their belts, the band’s vivid and visceral live show shouldn’t be missed. TWITTER.
This is our fifth feature for Childcare, I had not realised they had been on here so many times, so clearly they resonate well with Beehive Candy. At the centre of 'Big Man' are some refined vocals and harmonies that are added to, by a vibrant and punchy musical backdrop. Also a note of respect for the subject matter, that many artists I expect, would shy away from.
Levi Parham & them Tulsa Boys and Girls - My Finest Hour.
Background - May 18 will see the release of "It's All Good" a brand new album by Levi Parham. One of the most talented Okies around (Jimmy Lafave mentored him and produced his break through album "These American Blues"), Levi gathered an all star Tulsa band and took them to the iconic Muscle Shoals Sound Studio (now called Portside Sound Studio) to record 8 brand new songs. The outcome is an exciting mix of Tulsa swing, Southern grooves and mean guitar battles, almost bringing Derek and the Dominos back to life.
In Parham's own words: "I’ve always been an admirer of the music that’s come out of Muscle Shoals, from Aretha Franklin to The Allman Bros. After visiting a studio there last year while on tour, I got the idea to bring a group of Tulsa musicians, still carrying the torch of the legendary Tulsa Sound, and toss them in that iconic space and setting along the Tennessee River and see what would happen.
What happened in August 2017, with musicians Paul Benjaman, Lauren Barth, John Fullbright, Jesse Aycock, Dylan Aycock, Aaron Boehler, Dustin Pittsley, Michael Staub, and Lauren Farrah, was a combination of mean soulful guitar riffs and loose vibey grooves, with hints of inspiration and influence from Derek And The Dominos, The Band, The Rolling Stones, The Allman Bros, and even Oasis." TWITTER.
It's All Good Tour - NL 2018: Zo. 29-4 Hengelo - Cactus Cafe (band) Ma. 30-04 Amsterdam – Paradiso (band) Di.1-5 Leiden - Qbus (band) Wo 2-5 Utrecht – Tivoli (band) Do 3-5 E’hoven – Vunderke (solo) Za 5-5 Ospel – Moulin Blues (band) Zo. 6-5 Goes - Buunder Kunst (solo) Ma 7-5 Oss – Railroad Roots (solo).
'My Finest Hour' is just so good! Lovers of southern rock, blues rock, Americana and the better side of classic rock need to give this album a listen. It's passionate, slick, bluesy and builds on the above cited influences, to a point where it exceeds expectations by pretty much any measurement. Have a virtual thumbs up, this album belongs in many a rock fans collection.
Background - Sugar Candy Mountain shares second track "Crystalline" off upcoming album, Do Right. Part travelogue, part response to the current, turbulent climate, Do Right gives voice to the deeply nested anxiety of modern times attempting to offer a balm. Nature it seems, is where the band often goes to calibrate it’s moral compass so frequently upended by the daily news-cycle.
Sugar Candy Mountain invites you to join them on this journey singing “There’s a quiet place I go when I need to find my way/ There’s a quiet place inside/ Come on in just knock and a door will open”. Musically, the band remains rooted in 60’s and 70’s rock, with their signature honey sweet vocals. Do Right leans more heavily on synthesizer than the band’s previous records lending the album a more modern feel. The album pairs the ephemeral orchestral arrangements of The Beach Boys with the pop sensibility of George Harrison on “All Things Must Pass”.
Oscillating between the hazy psychedelic pop of Mild High Club, the driving energy of Dungen and the danceable familiarity of The Supremes, Do Right is a perfect cocktail of old and new, imploring the listener to take a ride into the sunset with Sugar Candy Mountain. WEBSITE.
Tour Dates: 04/27 - Boulder Creek, CA – DIO Fest 05/02 - Santa Barbara, CA – Soho 05/05 - San Luis Obispo, CA – Shabang 10 06/16 - Leggett, CA – Hickey Fest 06/23 - Miami FL – Miami Psych Fest.
We shared 'Split In Two' just over a month ago and the follow up song 'Crystalline' really does deserve a second feature for this creative band. The dual vocals are atmospheric and enticing, the musical setting adds some real depth, it's a little psychedelic and a whole lot addictive.
Background - Eliza Shaddad is back with 'White Lines', the first preview from her long-awaited debut album Future.
Eliza Shaddad's singular artistry was not formed in any one crucible alone, her work is the flourishing product of modernity without borders. Born to Sudanese and Scottish parents, she’s the descendant of a long line of progressive artists and poets dating back to the 1800s. She also speaks four languages and holds an MPhil in Philosophy and spent a postgraduate year at the Guildhall School studying Jazz Vocal Improvisation. Not beholden to the politics of indie or commercial regionalism, every facet of her music, from vocals to lyricism to performance and production, is the purest distillation of herself.
Even without the fascinating esoteric trivia that radiates from of her unique background, Eliza is a musician fit for the world stage. Having released two EPs on indie label Beatnik Creative, her music has found acclaim amongst the loftiest tastemakers. On the airwaves Shaddad’s slick songwriting has gained followings from all the key tastemakers across Beats 1, Radio X and BBC Radio 1, 2, and 6Music, along with critical support from publications as diverse as FADER, Sterogum, i-D, Nylon, Wonderland and The Sunday Times to name a few.
Her latest single ‘White Lines’ is the first to be taken from her upcoming album Future, which is produced by her Mercury-nominated longtime collaborator Chris Bond who also worked on her Run and Waters EPs. With it’s chorus-soaked guitars and throbbing leviathan bass grooves, it grips with a vitality and cleverness that’s rarely seen in indie of any period. Nothing feels spare in Eliza’s impassioned performance as she voraciously co-opts a nostalgic love of classic melodic-pop songwriting into her effortless alt-rock soundscapes. On writing the song during a spell of solitary travelling up Australia’s east coast Eliza says: "White Lines is about the jubilation felt on finally being brave, making the right decision, and heading into the great unknown." TWITTER.
Eliza Shaddad's vocals are melodic and smooth on 'White Lines' whilst the music arrangement is faster paced as it adds layers of instrumentation and ups the energy level. Indie pop/rock with plenty of hooks.
Background - Becca Mancari has released a new recording of her song "Golden" that originally appeared on her 2017 debut album Good Woman. The new version was produced by Juan Solorzano and features harmonies from Mancari's Bermuda Triangle bandmates Brittany Howard and Jesse Lafser.
"'Golden' is one of those songs that just keeps coming back. The story lives on. For this version, I wanted to recreate the song in way that focused on the vocals and felt dreamy like a memory," explains Mancari. "Juan Solorzano produced and wrote the most beautiful strings on this song which help bring the listener to such a special place.
I have been singing 'Golden' on the road with my other band, Bermuda Triangle, and I was thrilled to have my band mates and best friends, Jesse Lafser and Brittany Howard, on harmonies. It's just such a special moment for me, tracked in the same room at Trace Horse Studies. I could not be more excited to share this stripped down version of 'Golden!'" WEBSITE.
The new acoustic version of 'Golden' is gorgeous. The vocals are pristine, the harmonies beautiful, and the music is both calm and arranged to a very high standard. A perfect unwind song to dream away to.
Background - In today's world, the definition of a Folk/Americana artist is constantly evolving. Finding roots in the politically turbulent 60s, folk artists used their platform to highlight hypocrisies and expose wrongdoings whether they be social or political. Los Angeles singer-songwriter, Clare Means, is bringing the activism back to folk music with her new single, "Hollywood Zoo."
She is using her voice to express how she feels about the endless misogyny that is circulating around the city she calls home. "Hollywood Zoo" brings to light the constant state of sexism and mistreatment women in entertainment have had to deal with. Clare knows firsthand saying, "I've had experiences that were unsettling as have many women I know in the industry."
Clare Means is known in the LA music scene for her smoky voice, memorable melodies and thought-provoking lyrics. She’s about to release her fourth studio album, Sidewalk Astronomy, a cohesive patchwork of musings on life in Los Angeles, love, forgiveness, and the recent loss of her estranged father. As Clare says,
"Most of the songs were written over the course of a couple years and were sparked by a variety of moments in my life... the day I found out my father was sick, when I fell in love, when I knew my relationship was doomed, when I got my heart broken, the day my father died, and when I woke up from a strange dream about sheep." Clare’s quirky take on life is fresh and comforting at the same time. She’s a true underdog’s champion. WEBSITE.
Clare Means vocals are earnest, passionate and have plenty of power on 'Hollywood Zoo' a song with a message that is clearly delivered. Indie pop meets rock in a very catchy manner!!
Background - As the good fortune of Omni continues to soar, Chunklet is fortunate to release yet another single by this Atlanta three piece. Omni now shares the second single from Chunklet, "Confessional" on Immersive Atlanta.
"Confessional" follows the release of "Sunset Preacher". Recorded exclusively for this single, “Sunset Preacher” and “Confessional” are a resounding one-two in the gut reaffirming, yet again, that Omni are far and away one of the best bands going right now.
Frankie and Phillip continue to tighten the screws in their song writing and effortlessly bounding further down the path started by their masterpiece records on Trouble in Mind. Why is it every time you hear new Omni, it just makes you reach out your bowl and say “yes, I’ll have more please!” BANDCAMP.
Omni Tour Dates: 04/26 - Jackson, MS - Space Camp -- 04/27 - Dallas, TX - Deep Ellum Art Company 04/28 - Austin, TX - Levitation @ Barracuda -- 04/30 - Mobile, AL - The Merry Widow 05/8 - Bloomington, IN - The Bishop Bar -- 05/9 - Chicago, IL - Empty Bottle 05/10 - Toronto, ON - Horseshoe Tavern -- 05/12 - Montreal, QB - Bar Le "Ritz" P.D.B. 05/13 - Brooklyn, NY - Baby's Alright -- 05/14 - Philadelphia, PA - PhilaMOCA 05/15 - Washington, DC - Songbyrd DC -- 05/16 - Raleigh, NC - Kings Raleigh 05/22 - Atlanta, GA - 529 -- 06/1 - Barcelona, ESP - Primavera Sound 06/2 - Bordeaux, FR - Ahoy! Festival -- 06/4 - Ravenna, IT - Beaches Brew 06/6 - Lyon FR, - GRRRND Zero -- 06/7 - Cologne, GER - BUMANN & SOHN 06/8 - Gottingen, GER - NÖRGELBUFF -- 06/9 - Hilvarenbek, NL - Best Kept Secret Festival 06/11 - London, UK - The Lexington -- 06/12 - Leeds, UK - Hyde Park Book Club 06/13 - Manchester, UK - Deaf Institute -- 06/14 - Coventry, UK - Tin Music and Arts 06/15 - Ramsgate, UK - Ramsgate Music Hall -- 06/16 - Nantes, FR - Fumetti 06/17 - Paris, FR - Espace B -- 06/19 - Wurzburg, GER - Cairo 06/20 - Vienna, AT - FLUC -- 06/22 - Krakow, PL - Klub RE 06/24 - Halles, GER - Pierre Grasse -- 07/7 - Roskilde, DK - Roskilde Festival 07/28 - Binic ,FR - Binic Blues and Folk Festival -- 07/29 - Binic, FR - Binic Blues and Folk Festival 08/17 - Becons Brecons, UK - Greenman Festival.
Feisty and with of plenty of hooks 'Confessional' is hard to pigeonhole. The songs musical arrangement reminds me a little of Television, I think it's the guitar style, however the band carve out a fresh energised sound that is very much their own. Music like this is made to perform live, something the band plan to do very soon.
Background - So the world did not end in 2012 after all – but that same year, the German singer and guitarist Tino Bogedaly was drawn to Berlin to discover a new one. The city's rock 'n' roll underground, centred around the legendary 8mm bar, provided what he’d been missing out in the sticks. Inspired by the local music culture – he founded the Mystery Art Orchestra.
What started as a warmer psychedelic sound turned cooler when André Wlodarski joined the band on keyboards and has since evolved into a modern interpretation of post-punk - but without losing sight of its roots. Drummer Bastian Müller is the driving force, giving minimalistic rhythm to varied guitar arrangements while electronic bass and synthesizer add another dimension, echoing and observing the musical scenery from an ethereal distance.
The result is sometimes disruptive and sometimes strangely familiar, almost as if different musical decades have been torn apart and stitched back together in unexpected ways. After several live shows in Germany, England and Portugal, Bogedaly, Wlodarski and Müller have produced the debut album "Prismatic Dream", which will be released on 25 May 2018 on their own label robojim. It seems we can be lucky the apocalypse has been postponed for now. WEBSITE.
One of eleven tracks on the forthcoming 'Prismatic Dream' album, 'Awake' is a very good indicator of the bands style and musical direction. What's more the overall quality of this collection is consistently impressive and very addictive. I am confident to say that if 'Awake' is your thing, the album will be a massive delight. Mystery Art Orchestra are unpretentious, solid and just get on with being a notable rocker of a band.
