HARE - Rolls Along.
Background - HARE is the project of New Jersey based songwriter and musician Sebastien Isaac, accompanied by drummer Michael Santa Cruz, keyboardist Jon Caplan, and guitarists James Licata and Graham Orbe. After honing his songwriting during his time in college, Isaac returned to NJ and began showcasing at open mics around the tri-state area.
He soon began collaborating with Santa Cruz, Caplan, Licata and Orbe, developing a new unified sound, and set his sights on breaking into the New York City music scene.
Seb, admittedly, doesn't have all the answers. The NYC based pop-rock artist understands that his journey, up till now, has all the benchmarks of many millennial coming-of-age stories: a passion placed on the back burner, pursuing a pricey degree, accumulation of debt, a transitional period of stasis, and, finally, lifting the passion off the back burner in spite of all the raised eyebrows.
He knows that happiness may just be a fool’s errand, but that’s what makes his devoted search for it on his debut release so seductive. Even though immensely personal, he hopes that his music will be a place where others will be able to place their own agitation, insecurity, and confusion as well. TWITTER.
There is a warm relaxed vibe that flows through 'Rolls Along' a gorgeous alt rocker, which gradually adds layers of refined sound, providing an imaginative backdrop for the enticing vocals and harmonies that make this one very catchy song.
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Jaunt - Faster Interactions.
Background from Jaunt - We’re very pleased to announce our forthcoming EP, Cue, out on April 13th. The yin to Chat’s yang, it moves away from our previous light-hearted tendencies to something a little deeper and darker. Featuring vocals from Caitlin Woelfle-O’Brien (AKA Blunt Chunks) and Eliza Niemi of Mauno, Cue also finds the five of us collaborating more than ever before. The songs end up evolving into something we never could have imagined from their starting point.
“Faster Interactions” is probably our zaniest track to date! It was one of the first written for Cue, but also took the longest to complete. We quickly knew that it would be a single, and playing it repeatedly live has helped us finesse it’s nuances. Caitlin and Eliza really helped bring a new energy and dynamic, ultimately making the song more joyous. We’re also trying very hard to bring back the sound of cheap keyboard orchestra hits in pop music. :)
The video for “Faster Interactions” is a bit goofy. It’s a bit disturbing. The idea was born out of wanting to create something that complimented the unhinged nature of the song, while not taking ourselves too seriously. We had a lot of fun with the body-cam shots. TWITTER.
Aside from the intriguing video for 'Faster Interactions' we are treated to a fabulous tune that is different in a good sort of way. The band describe the track as zany, and yes there is that to it, it's also mightily addictive, keeping me coming back for more.
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Bokito - Love Gotten.
Background - Fusing angular art rock and lilting high-life melodies into their uniquely danceable tropical indie sonics, ‘Love Gotten’ finds Bokito in a reflective mood, lyrically at least. The song is, explains singer Moses, “about desperately rushing into a new relationship when your heart has in no way healed. And the true selfishness that goes with hurting good people as a result.”
Such an honest confessional doesn’t stop the band’s third single from being another that could prise the most reluctant wallflower from the back of the party, however, as the fat contrapuntal groove of ‘Love Gotten’ cuts a hip-swaying swathe beneath Moses’ crisscrossing soprano vocal until the whole band combine as one to elevate the slamming chorus. It almost goes without saying for a Bokito release, but ‘Love Gotten’ is a blast from first note to last.
Having signed to Lost In The Manor Records in early 2017, Bokito’s first two singles, ‘Better at Getting Worse’ and ‘Aloof’ took plaudits and radio plays in plentiful measure, while the band’s jaw-dropping live sets included rousing the rabble in front of a feverish full house at Brighton’s Great Escape, a clamorous full field at LeeFest and a psyched-up capacity crowd at Dublin’s Hard Working-Class Heroes showcase when the band, London-based but largely Irish-bred, voyaged across the Irish Sea.
Peddling an uproarious blend of rock, soca, funk and roots, Bokito have coined a phrase for their unique genre mashup: tropical indie. Anyone fortunate enough to have witnessed the five-piece live, where edgy grooves and unforgettable hooks are delivered as if every show is a sun-baked carnival, would relate to this label. Though much of the attention falls on singer Moses – a man whose extraordinary voice is married to eye-popping stage-front shape-throwing that proves a catalyst for the audience to follow suit – the vice-like tightness and melodious flourishes of the band, comprising Jody (bass), Joe (guitar), Tom (drums) and Sam (keys/percussion), are equally essential. Bokito take inspiration from such diverse sources as J Dilla, Jeff Buckley, Fela Kuti, Justin Timberlake and Queens of the Stone Age to bring a little celtic spirit to London’s global soundscape. TWITTER.
'Love Gotten' is a melting pot of musical styles that come together and gel quite spectacularly. Vibrant, energised and full of good vibes, the band are refined musicians and the vocals add so much more to what is already a terrific tune.
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The Black Delta Movement - King Mosquito.
Background - Explosive live sounds from a dynamite band, this outfit pack a mighty punch with a heady mix of garage rock and psychedelia. Formed in 2010 by Matt Burr and Dom Abbott and with heavy rhythm and a crushing beat, The Black Delta Movement’s swathes of sound and texture wash over you providing a vibrant soundscape taking you right back to early Stooges, MC5 and Sonics.
To witness a Black Delta Movement concert is less a performance and more a spiritual affair, wrapping crowds within their plated gown of volume, depth and incessant groove, the group do not ask for your attention but command it and you can do nothing but fall at their feet. Their music draws eclectically from contemporary artists and those of yesteryear from both sides of the pond, confidently ranging from The Brian Jonestown Massacre, The Black Angels and The Small Faces. It’s abrasive, raucous and rattles you down to your bones.
They have recorded an extensive list of EPs and singles over the years, each one demonstrating an different period in their time as a band; the sounds range from the far-flung psychedelia of 2011’s Peach Flavoured Hand Grenade through to the garage stomp of 2016’s Seven Circles via the darkness of Ghost Dance and Lavender House along the way. Soaring riffs loom over like fighter jets whilst pummelling rhythm sections possess the potential to bring down the Colosseum of Rome. Their latest offering, a cover of Kim Fowley’s ‘The Trip’ has seen them paint an original with their signature captivating groove, making the song become their own and a staple point of live sets.
The last Seven Circles EP recorded at Magic Garden Studio with Gavin Monaghan (Ocean Colour Scene, Editors) gives a taster of what we can expect from the band, as we wait for the latest ep to be recorded. It is sure to knock you over, watch you struggle and simply carry on with the same ferocity whilst you look around in daze. Fresh from a successful UK and European Tour, travelling over 6,500 miles and visiting 8 countries, The Black Delta Movement came full circle and returned to headline their own sold out show, it was a fitting sign off for that chapter of their story and now they sit gritting their teeth with the wide eyed anticipation of wolves, waiting to see what 2017 will bring.
2018 will welcome the bands first album, ‘Preservation’ recorded in London with Little Barrie collaborator Mike Burnham and mastered by Pete Mayer. UK and European tours beckon in what will be an exciting year for the band. WEBSITE.
One of ten tracks on the bands album 'King Mosquito' is just one dimension of this powerful collection of music. Sometimes full on garage rock, other times timeless psychedelic grooves, more often a mixture of both, the bands flowing psyched out vocals and potent guitar driven rock, is highly contagious.
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Chloe Styler - Storm Chaser
Background - Born and bred on the Gold Coast, Queensland, Chloe Styler isn’t your typical Country artist. The 20-year-old has been influenced by the likes of Fleetwood Mac, Joni Mitchell and Kacey Musgraves to become the artist she is today. In September 2016, Chloe travelled to the Central Coast of NSW to record her debut EP with Simon Johnson from Hillbilly Hut Recording Studios. Chloe is thrilled to have co-written a song with Lyn Bowtell titled Storm Chaser, which is featured on the record.
Chloe Styler’s self-titled debut EP showcases six original songs. Her lyrics are unashamedly real and open to her experiences in love, life and loss, which undoubtedly draws audiences in and keeps them craving more. Chloe took the idea for Storm Chaser to a song writing session with Lyn Bowtell in mid 2016 and was over the moon with the final product.
Co-written with six-time Golden Guitar winner, Lyn Bowtell, Storm Chaser was inspired by a toxic friendship that Styler endured for 10 years too long. It describes how individuals must take control of their life and their friendships within it in order to feel like themselves again. In January 2017, one week after Chloe released her debut EP, Australian Country Music singer Lee Kernaghan shared a post on his Facebook page congratulating the “rising star on the release of her brilliant debut EP.”
Her unique, youthful and captivating voice has attracted a variety of loyal followers. 2017 was an incredible year for Chloe, as she performed as an opening act for Lee Kernaghan in Shepparton, Frankston, Toowoomba and Twin Towns, as well as at the Big Red Bash in Birdsville. Chloe’s original song My Heart Is Yours was ranked number seven on the International Mainstream Country Music Top 40 Singles Chart during the first week of March. Furthermore, she was personally ranked number 36 on the IMCM Top 200 Artists Chart for that same week.
This year, Chloe was a Grand Finalist in the 39th Annual Toyota Star Maker competition and performed on James Blundell, Troy Cassar-Daley and Lee Kernaghan’s TCMF shows. During the TCMF 2018, Chloe was awarded the TSA Songwriters Salute Award for ‘Contemporary Song of the Year’ for her original Control. Chloe has high hopes for the future; already planning a trip to Nashville where she will continue songwriting for her debut album which she hopes to release within the next two years. WEBSITE.
Opening with some refined acoustic guitar chords 'Storm Chaser' is quickly joined by Chloe Styler's melodic and gorgeous vocals. Natural and with hints of modern folk, the song suggests the EP may well be something quite special, as this track certainly is.
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Sharaya Summers - Easy Life.
Background - Portland native, Sharaya Summers, eventually landed in Echo Park after a short stint of honing her craft in Nashville.
Her drowsy Laurel Canyon songwriting rings nostalgic , yet so pertinent to today.
Sharaya Summers tells a story of disillusionment, dysfunction and discovery. As her debut single ‘Light of the Moon’ rapidly gained over half a million streams on Spotify, she prepares to release her full EP in mid 2018.
Now we have the new song 'Easy Life' released this week. TWITTER.
Our second feature for Sharaya Summers this year as 'Easy Life' gently drifts into view and deserves to be heard. Dreamy, melodic and full of atmosphere, it's easy on the ears as the hooks slowly draw you in.
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Pale Rivers - Montparnasse.
Background - Based out of Cork and Tipperary, and having supported Teleman, British Sea Power and The Wedding Present in recent months, Pale Rivers new single ‘Montparnasse’ is available now.
Their sound sees electric guitars, drum machines, atmospheric synths and group vocals combining to create a distinctive, ambient sound. TWITTER.
Tour dates (+ The Shaker Hymn):
April 19 – The Roisin Dubh, Galway
April 20 – Bello Bar, Dublin
April 27 – Gleesons, Clonmel
May 4 – The Roundy, Cork
May 5 – Connolly’s of Leap.
'Montparnasse' mixes ambient musical swirls of sounds alongside some enticing vocals as the song slowly unfolds. Then the band take us a journey that is both passionate and creative, they are definitely worth checking out on some more.
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Vamos - You Are Wolf - Em Joy
Vamos - Outsiders.
Background - After a nearly three-year wait, Chicago garage punks Vamos are about to drop their sophomore LP, 1~2~3, via Maximum Pelt, a Windy City-based, small batch cassette and record label that specializes in punk, garage, psych, noise and experimental music.
Vamos (Ryan Murphy-guitar/vocals, Will Wood-bass, Josh Lambert-drums) formed during Chicago’s epic blizzard of 2011 and began playing the city’s thriving DIY scene, quickly garnering the attention of local blogs, including Chicagoist, who described the trio as having “a potent and turbulent energy both live and in their recorded material.” On the live front, Vamos graduated from playing shows at local underground venues, including Wally World and Animal Kingdom, to touring nationally, with show and festival appearances on both coasts, in Austin, Texas during SXSW and in their hometown for Riot Fest.
Vamos released the Heatwave EP in spring of 2013 and followed up quickly that winter with the EP Midwaste. The band’s 2015 debut LP Spiderbait (Maximum Pelt) was named one of Chicago’s best rock records of the year by the Chicago Reader and the single “Outsiders” (which appears on 1~2~3) was released in summer, 2016.
Vamos completed the recording of 1~2~3 in November, 2016 with the intention of releasing the LP and touring to support it from January of that year through February of 2017. Those plans were put on hold when, on December 30th, Murphy was hit by a car while riding his bike and broke both his arms. Having bounced back from his injuries, Murphy is ready to unleash 1~2~3, a record that he, Wood and Lambert describe as “a controlled descent into madness and mayhem [where] ghostly echoes and reverberations chase edgy, unforgettable melodies.” FACEBOOK.
Typifying the rumbustious nature of Vamos and their finally released 1-2-3 album we feature 'Outsiders' the second track of fourteen in this mesmerising collection of Garage, Grunge and purified Rock & Roll. Don't get me wrong there are more sedate moments of power pop, however at the core the band are high octane and empowered rockers of class.
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You Are Wolf - Breathe In Breathe Out.
Background - You Are Wolf is the alt-folk project of award-winning composer and vocalist Kerry Andrew. Releasing her second album KELD in March, it is the follow-up to her 2014 debut Hawk To The Hunting Gone, a record that explored British birds and folklore. Now working as a trio with multi-instrumentalist Sam Hall and percussionist Peter Ashwell, KELD - an old Northern English word meaning “the deep, still, smooth part of a river” – is an album that explores and develops the theme of freshwater. Wild swimming is a key passion and inspiration of hers, and she can often be found dipping into lochs, lakes, rivers and the sea in all weathers. Though there are countless traditional songs about the sea, there are less about our inland waterways, and Kerry decided to use this as a challenge: to source traditional material and write originals all inspired by freshwater folklore.
It was an aim of Kerry’s to find songs that featured an array of strong female characters, and KELD includes traditional songs about waterfall banshees, killer female water sprites, drowning boys and powerful witches. Original songs are inspired by wild swimming, vengeful rivers, nymphs and naiads, and even an Anglo-Saxon charm. You Are Wolf brings these ancient songs and stories into the present, with bold arrangements inspired by leftfield pop, new classical music and electronica.
The album is produced by MaJiker, best known for his work on French alt-pop queen Camille’s Victoire-winning albums. He has also remixed / worked with Fever Ray, Nitin Sahwney and Gaggle, and brings an experimental pop sensibility to the album. Where Hawk To The Hunting Gone was heavily vocal, with lots of vocal looping - inspired by the likes of Camille, Bobby Mcferrin, Meredith Monk and tUnE-yArDs – KELD is more expansive. With a wider palate of sounds including drums, ‘cello, vibraphone, trumpet, found sounds and field recordings, it’s an album that not only draws from innovative contemporary folk artists including Lisa Knapp (who features here on “The Weeper”), Sam Lee and The Unthanks, but also by music outside the folk sphere: everything from minimalist composer Steve Reich to PJ Harvey, traditional Central African Pygmy music and Julia Holter. The brilliant poet Robin Robertson also appears. WEBSITE, FACEBOOK.
'Breathe In Breathe Out' for me is one of those songs that grow on you step by step. Not that it took that long, by the time the track had reached the end it was down to be featured. Creative and just a tiny bit experimental, it's also subtly catchy and hard to resist another listen.
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Em Joy - The Feast.
Background - “I just can’t sing if I don’t have sunshine in my soul” - Em Joy. Behind the feel good vibes and cute voice, Em Joy’s music is a deep reflection of her colourful and sometimes chaotic life, having been in exile from Zimbabwe as a child, this joyful soul has seen the world through many different perspectives and has come out the other side with an important message for all of us.
Em Joy sounds like a mix between Colbie Caillat, Missy Higgins and Passenger with a dash of quirky Norah Jones along with some lighthearted but thoughtful musings similar to Jack Johnson. The music ranges from leaving you feeling happy and lighthearted to contemplating the deeper questions of life and love. It’s altogether ‘human’ - earnest, honest, vulnerable and true. Em Joy has shared the stage supporting many acts such as The Waifs, Matt McHugh and has been lucky enough to work with other artists such as Billy Otto and written and recorded music for Sony EMI. Her music has been featured in many advertisements and she has also had her voice featured on various TV shows including The Mustangs now showing in Australia.
“The Wanderings” is Em Joy’s latest 8 track album recorded in Perth, Western Australia at O2 studios at the culmination of her year travelling Australia in a custom made van. The album deals with many aspects of love, life and the wild dynamics of travel (due out on the 30th March 2018).
Em Joy was born in Zimbabwe, Africa. She grew up on a farm, riding elephants and learning about the wild African wilderness from a young age. Em Joy was known for whistling happy tunes from a young age her family often joked that her constant whistling might be due to her eating bird seed. She grew up listening to classical music and only when the family was forced to leave their farm due to political issues in Zimbabwe did she start listening to more contemporary music. Her musical career really started when she met a producer from Australia, Billy Otto, who heard her songs and suggested she should record them. Soon after her music was featured in TV advertisements around Australia. WEBSITE, FACEBOOK.
If you enjoy 'The Feast' then I am certain the other seven tracks on 'The Wanderings' will not disappoint, in fact lets turn that around to a positive, they are gorgeous and will delight you. Em Joy's sensitive and melodic singer-songwriter material is captivating and just so pleasing...
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Background - After a nearly three-year wait, Chicago garage punks Vamos are about to drop their sophomore LP, 1~2~3, via Maximum Pelt, a Windy City-based, small batch cassette and record label that specializes in punk, garage, psych, noise and experimental music.
Vamos (Ryan Murphy-guitar/vocals, Will Wood-bass, Josh Lambert-drums) formed during Chicago’s epic blizzard of 2011 and began playing the city’s thriving DIY scene, quickly garnering the attention of local blogs, including Chicagoist, who described the trio as having “a potent and turbulent energy both live and in their recorded material.” On the live front, Vamos graduated from playing shows at local underground venues, including Wally World and Animal Kingdom, to touring nationally, with show and festival appearances on both coasts, in Austin, Texas during SXSW and in their hometown for Riot Fest.
Vamos released the Heatwave EP in spring of 2013 and followed up quickly that winter with the EP Midwaste. The band’s 2015 debut LP Spiderbait (Maximum Pelt) was named one of Chicago’s best rock records of the year by the Chicago Reader and the single “Outsiders” (which appears on 1~2~3) was released in summer, 2016.
Vamos completed the recording of 1~2~3 in November, 2016 with the intention of releasing the LP and touring to support it from January of that year through February of 2017. Those plans were put on hold when, on December 30th, Murphy was hit by a car while riding his bike and broke both his arms. Having bounced back from his injuries, Murphy is ready to unleash 1~2~3, a record that he, Wood and Lambert describe as “a controlled descent into madness and mayhem [where] ghostly echoes and reverberations chase edgy, unforgettable melodies.” FACEBOOK.
Typifying the rumbustious nature of Vamos and their finally released 1-2-3 album we feature 'Outsiders' the second track of fourteen in this mesmerising collection of Garage, Grunge and purified Rock & Roll. Don't get me wrong there are more sedate moments of power pop, however at the core the band are high octane and empowered rockers of class.
--------------------------------------------------------------------------------------------------------------------------
You Are Wolf - Breathe In Breathe Out.
Background - You Are Wolf is the alt-folk project of award-winning composer and vocalist Kerry Andrew. Releasing her second album KELD in March, it is the follow-up to her 2014 debut Hawk To The Hunting Gone, a record that explored British birds and folklore. Now working as a trio with multi-instrumentalist Sam Hall and percussionist Peter Ashwell, KELD - an old Northern English word meaning “the deep, still, smooth part of a river” – is an album that explores and develops the theme of freshwater. Wild swimming is a key passion and inspiration of hers, and she can often be found dipping into lochs, lakes, rivers and the sea in all weathers. Though there are countless traditional songs about the sea, there are less about our inland waterways, and Kerry decided to use this as a challenge: to source traditional material and write originals all inspired by freshwater folklore.
It was an aim of Kerry’s to find songs that featured an array of strong female characters, and KELD includes traditional songs about waterfall banshees, killer female water sprites, drowning boys and powerful witches. Original songs are inspired by wild swimming, vengeful rivers, nymphs and naiads, and even an Anglo-Saxon charm. You Are Wolf brings these ancient songs and stories into the present, with bold arrangements inspired by leftfield pop, new classical music and electronica.
The album is produced by MaJiker, best known for his work on French alt-pop queen Camille’s Victoire-winning albums. He has also remixed / worked with Fever Ray, Nitin Sahwney and Gaggle, and brings an experimental pop sensibility to the album. Where Hawk To The Hunting Gone was heavily vocal, with lots of vocal looping - inspired by the likes of Camille, Bobby Mcferrin, Meredith Monk and tUnE-yArDs – KELD is more expansive. With a wider palate of sounds including drums, ‘cello, vibraphone, trumpet, found sounds and field recordings, it’s an album that not only draws from innovative contemporary folk artists including Lisa Knapp (who features here on “The Weeper”), Sam Lee and The Unthanks, but also by music outside the folk sphere: everything from minimalist composer Steve Reich to PJ Harvey, traditional Central African Pygmy music and Julia Holter. The brilliant poet Robin Robertson also appears. WEBSITE, FACEBOOK.
'Breathe In Breathe Out' for me is one of those songs that grow on you step by step. Not that it took that long, by the time the track had reached the end it was down to be featured. Creative and just a tiny bit experimental, it's also subtly catchy and hard to resist another listen.
------------------------------------------------------------------------------------------------------------------------
Em Joy - The Feast.
Background - “I just can’t sing if I don’t have sunshine in my soul” - Em Joy. Behind the feel good vibes and cute voice, Em Joy’s music is a deep reflection of her colourful and sometimes chaotic life, having been in exile from Zimbabwe as a child, this joyful soul has seen the world through many different perspectives and has come out the other side with an important message for all of us.
Em Joy sounds like a mix between Colbie Caillat, Missy Higgins and Passenger with a dash of quirky Norah Jones along with some lighthearted but thoughtful musings similar to Jack Johnson. The music ranges from leaving you feeling happy and lighthearted to contemplating the deeper questions of life and love. It’s altogether ‘human’ - earnest, honest, vulnerable and true. Em Joy has shared the stage supporting many acts such as The Waifs, Matt McHugh and has been lucky enough to work with other artists such as Billy Otto and written and recorded music for Sony EMI. Her music has been featured in many advertisements and she has also had her voice featured on various TV shows including The Mustangs now showing in Australia.
“The Wanderings” is Em Joy’s latest 8 track album recorded in Perth, Western Australia at O2 studios at the culmination of her year travelling Australia in a custom made van. The album deals with many aspects of love, life and the wild dynamics of travel (due out on the 30th March 2018).
Em Joy was born in Zimbabwe, Africa. She grew up on a farm, riding elephants and learning about the wild African wilderness from a young age. Em Joy was known for whistling happy tunes from a young age her family often joked that her constant whistling might be due to her eating bird seed. She grew up listening to classical music and only when the family was forced to leave their farm due to political issues in Zimbabwe did she start listening to more contemporary music. Her musical career really started when she met a producer from Australia, Billy Otto, who heard her songs and suggested she should record them. Soon after her music was featured in TV advertisements around Australia. WEBSITE, FACEBOOK.
If you enjoy 'The Feast' then I am certain the other seven tracks on 'The Wanderings' will not disappoint, in fact lets turn that around to a positive, they are gorgeous and will delight you. Em Joy's sensitive and melodic singer-songwriter material is captivating and just so pleasing...
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Gris-de-Lin - Archie and The Bunkers - Tremends
Gris-de-Lin - Muhammad Ali.
Background - Gris about the song: "Inspired by a true story – a patient escaped from a local hospital and broke into my old flat overnight, leaving behind a pile of clothes and a nametag that read ‘Muhammad Ali’. This got me thinking about incarceration, whether physical or mental, and the idea that ‘whatever you do to me I will still have freedom of thought’."
Gris-de-Lin is a singer/songwriter and multi-instrumentalist from Dorset. Her music is a heady mix of post-rock, blues and alt-folk peppered with warped electronics. Her debut album, Sprung, comes out on BB*Island in April 2018. The album was recorded in a nursery school and saw her playing virtually all of the instruments herself — from guitars and synths to drums and saxophone. Working with producer/engineer Chris Hamilton (Torres/Kite Base), she also drafted in Rob Ellis (PJ Harvey/Anna Calvi) to play drums on several tracks. Alongside her solo projects, Gris-de-Lin has worked with a number of other artists, including Jim Sclavunos (Nick Cave and the Bad Seeds), Joe Gideon, The Duke Spirit, Tunng and Gemma Ray.
“Gris-de-Lin blends alt-rock, folk, world rhythms, skronky jazz and glitchy esoterica into a beguiling whole on her debut album, balancing strong melody with consistently inventive sonic texture. 8/10.” Graeme Thomson, Uncut Magazine. FACEBOOK.
It's two years and a few days since we featured Gris-de-Lin. I was pretty certain we had, however time flies and I didn't realise just how long ago it was. Anyhow 'Muhammad Ali' was/is more than worth the wait for a second share, as we are treated to some robust post rock of sorts, that cries out for attention, and attention I am most happy to provide, ahead of her much anticipated debut album.
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Archie and The Bunkers - Laura.
Background - Archie and The Bunkers share their new single "Laura,"Songs From The Lodge Out 4/20 on Dirty Water Records. Cleveland's Archie and The Bunkers -- made up of brothers Emmett and Cullen O’Connor -- play "hi-fi organ punk," drawing influence from jazz organ greats like Jimmy Smith and Richard “Groove” Holmes and punk icons like The Stooges and The Screamers.
Since forming in 2013, the duo has shared stages with everyone from Iggy Pop, The Sonics, and Echo and the Bunnymen to Black Lips and Thee Oh Sees, and they've released music on Norton Records, In The Red, and Jack White's Third Man Records.
The band will release their sophomore LP, Songs From The Lodge, on April 20th via Dirty Water Records. Today, they share lead single "Laura," which features Cullen’s whirring, over driven organ wailing above the driving beat of Emmett’s four-piece drum kit. WEBSITE.
I am so enjoying Archie and The Bunkers a duo who never cease to delight with their raw energised and stupendous musical assault. 'Laura' is our third song feature and once again the power, speed and sheer vibrancy is here in abundance!
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Tremends - Hands On The Wheel.
Background - "Hands On The Wheel" is the latest effort by the Miami rockers. The single is now available through Gummdrops Records.
The track is a gentle, piano based song, distancing itself in style from the normal Tremends sound of indie/brit rock. The vocals and piano are performed in their majority by Alejo Rozas (drums), with band members Juan Rozas and Alex Posada providing more of a backing role. The end result is a beautiful and relaxing track to enjoy on a Miami evening.
The video accompanying the track sees the return of double exposures and starts off with footage of the Florida Tri-Rail to then move on to Alejo singing and playing the guitar and piano. The colors of the video are soft and relaxing like the track itself, and remind one of sunset.
"After some time apart anticipation grows,driving back all night towards the dawn of a haunting en counter becomes poetry.Are they coming home to fall in on their arms again? Or is it only the craving of a hopeful dream? Love may be gold but sometimes distance brings despair." - Alejo Rosas. FACEBOOK.
'Hands On The Wheel' is a gently paced song, that is smoothly melodic and full of gorgeous vibes. The piano, vocals and remaining musical parts are perfectly in sync as the tracks restful nature spills out.
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Background - Gris about the song: "Inspired by a true story – a patient escaped from a local hospital and broke into my old flat overnight, leaving behind a pile of clothes and a nametag that read ‘Muhammad Ali’. This got me thinking about incarceration, whether physical or mental, and the idea that ‘whatever you do to me I will still have freedom of thought’."
Gris-de-Lin is a singer/songwriter and multi-instrumentalist from Dorset. Her music is a heady mix of post-rock, blues and alt-folk peppered with warped electronics. Her debut album, Sprung, comes out on BB*Island in April 2018. The album was recorded in a nursery school and saw her playing virtually all of the instruments herself — from guitars and synths to drums and saxophone. Working with producer/engineer Chris Hamilton (Torres/Kite Base), she also drafted in Rob Ellis (PJ Harvey/Anna Calvi) to play drums on several tracks. Alongside her solo projects, Gris-de-Lin has worked with a number of other artists, including Jim Sclavunos (Nick Cave and the Bad Seeds), Joe Gideon, The Duke Spirit, Tunng and Gemma Ray.
“Gris-de-Lin blends alt-rock, folk, world rhythms, skronky jazz and glitchy esoterica into a beguiling whole on her debut album, balancing strong melody with consistently inventive sonic texture. 8/10.” Graeme Thomson, Uncut Magazine. FACEBOOK.
It's two years and a few days since we featured Gris-de-Lin. I was pretty certain we had, however time flies and I didn't realise just how long ago it was. Anyhow 'Muhammad Ali' was/is more than worth the wait for a second share, as we are treated to some robust post rock of sorts, that cries out for attention, and attention I am most happy to provide, ahead of her much anticipated debut album.
-------------------------------------------------------------------------------------------------------------------------
Archie and The Bunkers - Laura.
Background - Archie and The Bunkers share their new single "Laura,"Songs From The Lodge Out 4/20 on Dirty Water Records. Cleveland's Archie and The Bunkers -- made up of brothers Emmett and Cullen O’Connor -- play "hi-fi organ punk," drawing influence from jazz organ greats like Jimmy Smith and Richard “Groove” Holmes and punk icons like The Stooges and The Screamers.
Since forming in 2013, the duo has shared stages with everyone from Iggy Pop, The Sonics, and Echo and the Bunnymen to Black Lips and Thee Oh Sees, and they've released music on Norton Records, In The Red, and Jack White's Third Man Records.
The band will release their sophomore LP, Songs From The Lodge, on April 20th via Dirty Water Records. Today, they share lead single "Laura," which features Cullen’s whirring, over driven organ wailing above the driving beat of Emmett’s four-piece drum kit. WEBSITE.
I am so enjoying Archie and The Bunkers a duo who never cease to delight with their raw energised and stupendous musical assault. 'Laura' is our third song feature and once again the power, speed and sheer vibrancy is here in abundance!
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Tremends - Hands On The Wheel.
Background - "Hands On The Wheel" is the latest effort by the Miami rockers. The single is now available through Gummdrops Records.
The track is a gentle, piano based song, distancing itself in style from the normal Tremends sound of indie/brit rock. The vocals and piano are performed in their majority by Alejo Rozas (drums), with band members Juan Rozas and Alex Posada providing more of a backing role. The end result is a beautiful and relaxing track to enjoy on a Miami evening.
The video accompanying the track sees the return of double exposures and starts off with footage of the Florida Tri-Rail to then move on to Alejo singing and playing the guitar and piano. The colors of the video are soft and relaxing like the track itself, and remind one of sunset.
"After some time apart anticipation grows,driving back all night towards the dawn of a haunting en counter becomes poetry.Are they coming home to fall in on their arms again? Or is it only the craving of a hopeful dream? Love may be gold but sometimes distance brings despair." - Alejo Rosas. FACEBOOK.
'Hands On The Wheel' is a gently paced song, that is smoothly melodic and full of gorgeous vibes. The piano, vocals and remaining musical parts are perfectly in sync as the tracks restful nature spills out.
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Trampled By Turtles - Chakra Efendi - Willie Breeding - Scratch
Trampled By Turtles - The Middle.
Background - The much-adored Minnesota sextet, Trampled By Turtles have shared their new single, ‘The Middle’, the second to be taken from their forthcoming album Life Is Good On The Open Road, due for release via Thirty Tigers on June 1, 2018 - you can listen to the new single here. After an indefinite hiatus, the band are returning with their first new album in four years following in the wake of previous Billboard-charting records which have included three No.1s on the Bluegrass and Folk charts.
Life Is Good On The Open Road is the welcome return that the group’s legions of passionate fans have been waiting for. Led by the songwriting of lead singer Dave Simonett, the new songs touch on key elements from the entire spectrum of Trampled By Turtles’ body of work, while creating something that sounds fresh and invigorated. Simonett, and bandmates Erik Berry, Ryan Young, Dave Carroll, Tim Saxhaug and Eamonn McLain reunited at a cabin in the Minnesota woods to see if the special chemistry they once shared still existed. It did not take long for the magic to reveal itself with an invigorated sense of purpose and the result shines brightly on Life Is Good On The Open Road.
After 15 years of recording and performing high-energy live shows, Trampled By Turtles have built a large and loyal fanbase that fill venues in their home of the US and here in the UK. As well as touring with the likes of Hiss Gold Messenger and Deer Tick, Trampled By Turtles have performed at festivals including Bonnaroo, Coachella and Lollapalooza, and performed twice on the David Letterman show. WEBSITE, FACEBOOK.
Trampled By Turtles have a developed and beautifully crafted maturity to their music as is demonstrated ably by 'The Middle'. The bands musical competence is gorgeous and the vocals are a perfect match for the bands take on roots music, mixing Bluegrass, folk and with this track even a hint of country rock. Foot stomping and catchy as anything, this track is like a magnet pulling us towards the June album release.
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Chakra Efendi - Waste of Space.
Background - Having already amassed a dedicated following in far-reaching corners of the internet, prolific 18-year-old wunderkind Chakra Efendi shares his first official release, 'Waste of Space'. Attracting streams of 100K+ on a series of demos on SoundCloud, Chakra Efendi's uniquely forthcoming, noise-tinged brand of lo-fi pop has been steadily connecting with pockets of fans around the globe. Coming to further attention last year with a collaborative track with Memo Boy, 'Insomniac', the Brisbane based artist's characteristic sullen-yet-uplifting soundscape meets heavy-lidded lyricism in this debut, 'Waste of Space'.
"I wrote ‘Waste of Space’ during a part of my life that I was experiencing dissociation for the first time. I was completely oblivious and uneducated as to what it was that I was feeling", Chakra Efendi explains. A seldom acknowledged topic often disregarded as a symptom of approaching adulthood, the track traces "a very confusing time where my world was a constant blur of artificial people and scenarios that seemed as if they had been written as the plot for a bad sitcom."
Chakra Efendi expands to a four-piece live, consisting of Marli Smales (bass), Thomas Hobbs (guitar) and Fin Marx (drums) and in their short existence, the band have supported the likes of GUM, Crywank, Good Boy, I Know Leopard, These New South Whales and featured on bills for Gizzfest, Mountain Goat Valley Crawl and Against The Grain festivals. If a debut single wasn't exciting enough news for the young Brisbane artist, he can now add a manager to his team, in the form of Mucho Bravado's own Aisling Kissane. Garnering a reputation as a must-see live act and with more music on the way, 2018 will witness the burgeoning sonic coming-of-age of Chakra Efendi. FACEBOOK, TWITTER.
'Waste of Space' has a vibrant musical backdrop that complement Chakra Efendi's vocals as he sings his lines in an almost casual manner. Collectively the song flows with gentle hooks everywhere, and a level of interpretation that is natural and beguiling, another artist to keep an ear out for.
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Willie Breeding - Ride On.
Background - Nashville based newcomer Willie Breeding will release his debut album ‘Big Sky’ later this summer. The melodies are rich and wavy, complementing the lyrics born from a life torn between their years in New York City, and their generations in Nashville.
Following the release of ‘Prague Spring’ from it at the end of 2017 (a lonesome ballad featuring guest vocals from Caitlin Rose), now comes next single ‘Ride On’. “It’s a song making fun of myself” Willie explains. "When I first moved to Nashville, I used to go out and often when I would walk into the bar, I would walk straight through it and out the back door.
It wasn’t a conscious thing, I almost wouldn’t even remember being in the bar. Then I would have no idea where to go or what to do. Living in New York, I always loved going out by myself. Did it for years. Nashville seemed very different. So I wanted the music to sound huge, and I had this big riff. Seemed appropriate for a song making fun of myself." FACEBOOK.
A somewhat dramatic rhythm is soon joined by some wonderfully wailing guitars as 'Ride On' gets underway. The vocals are rich and enticing on this genre defying indie something song, it's addictive and demands far more attention than just a couple of listens.
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Scratch - Newer Things / Soak.
Background - Scratch is a rock band based in New York and Perth combining diverse musical influences and comprising of Ruzbeh Irani and Avinash Lalwani.
Living thousands of miles apart hasn't stopped band mates and childhood friends, Ruz and Avi, from pursuing their dreams of making music together.
Scratch's debut album is set for release in 2018, and the duo are excited to share their creation with the world. WEBSITE, FACEBOOK.
Whilst we don't have much information on Scratch we do have two fine tracks from the band to enjoy. 'Newer Things' quietly gets underway with an understated musical arrangement and some intriguing and pleasing vocals, before eventually upping the power and developing the music into something more rocky. 'Soak' is more of a fully energised rocker from the opening chords and something of a mini epic as the piece unfolds. Pretty good to say the least, for a duo with an ocean to separate them.
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Background - The much-adored Minnesota sextet, Trampled By Turtles have shared their new single, ‘The Middle’, the second to be taken from their forthcoming album Life Is Good On The Open Road, due for release via Thirty Tigers on June 1, 2018 - you can listen to the new single here. After an indefinite hiatus, the band are returning with their first new album in four years following in the wake of previous Billboard-charting records which have included three No.1s on the Bluegrass and Folk charts.
Life Is Good On The Open Road is the welcome return that the group’s legions of passionate fans have been waiting for. Led by the songwriting of lead singer Dave Simonett, the new songs touch on key elements from the entire spectrum of Trampled By Turtles’ body of work, while creating something that sounds fresh and invigorated. Simonett, and bandmates Erik Berry, Ryan Young, Dave Carroll, Tim Saxhaug and Eamonn McLain reunited at a cabin in the Minnesota woods to see if the special chemistry they once shared still existed. It did not take long for the magic to reveal itself with an invigorated sense of purpose and the result shines brightly on Life Is Good On The Open Road.
After 15 years of recording and performing high-energy live shows, Trampled By Turtles have built a large and loyal fanbase that fill venues in their home of the US and here in the UK. As well as touring with the likes of Hiss Gold Messenger and Deer Tick, Trampled By Turtles have performed at festivals including Bonnaroo, Coachella and Lollapalooza, and performed twice on the David Letterman show. WEBSITE, FACEBOOK.
Trampled By Turtles have a developed and beautifully crafted maturity to their music as is demonstrated ably by 'The Middle'. The bands musical competence is gorgeous and the vocals are a perfect match for the bands take on roots music, mixing Bluegrass, folk and with this track even a hint of country rock. Foot stomping and catchy as anything, this track is like a magnet pulling us towards the June album release.
------------------------------------------------------------------------------------------------------------------------
Chakra Efendi - Waste of Space.
Background - Having already amassed a dedicated following in far-reaching corners of the internet, prolific 18-year-old wunderkind Chakra Efendi shares his first official release, 'Waste of Space'. Attracting streams of 100K+ on a series of demos on SoundCloud, Chakra Efendi's uniquely forthcoming, noise-tinged brand of lo-fi pop has been steadily connecting with pockets of fans around the globe. Coming to further attention last year with a collaborative track with Memo Boy, 'Insomniac', the Brisbane based artist's characteristic sullen-yet-uplifting soundscape meets heavy-lidded lyricism in this debut, 'Waste of Space'.
"I wrote ‘Waste of Space’ during a part of my life that I was experiencing dissociation for the first time. I was completely oblivious and uneducated as to what it was that I was feeling", Chakra Efendi explains. A seldom acknowledged topic often disregarded as a symptom of approaching adulthood, the track traces "a very confusing time where my world was a constant blur of artificial people and scenarios that seemed as if they had been written as the plot for a bad sitcom."
Chakra Efendi expands to a four-piece live, consisting of Marli Smales (bass), Thomas Hobbs (guitar) and Fin Marx (drums) and in their short existence, the band have supported the likes of GUM, Crywank, Good Boy, I Know Leopard, These New South Whales and featured on bills for Gizzfest, Mountain Goat Valley Crawl and Against The Grain festivals. If a debut single wasn't exciting enough news for the young Brisbane artist, he can now add a manager to his team, in the form of Mucho Bravado's own Aisling Kissane. Garnering a reputation as a must-see live act and with more music on the way, 2018 will witness the burgeoning sonic coming-of-age of Chakra Efendi. FACEBOOK, TWITTER.
'Waste of Space' has a vibrant musical backdrop that complement Chakra Efendi's vocals as he sings his lines in an almost casual manner. Collectively the song flows with gentle hooks everywhere, and a level of interpretation that is natural and beguiling, another artist to keep an ear out for.
--------------------------------------------------------------------------------------------------------------------------
Willie Breeding - Ride On.
Background - Nashville based newcomer Willie Breeding will release his debut album ‘Big Sky’ later this summer. The melodies are rich and wavy, complementing the lyrics born from a life torn between their years in New York City, and their generations in Nashville.
Following the release of ‘Prague Spring’ from it at the end of 2017 (a lonesome ballad featuring guest vocals from Caitlin Rose), now comes next single ‘Ride On’. “It’s a song making fun of myself” Willie explains. "When I first moved to Nashville, I used to go out and often when I would walk into the bar, I would walk straight through it and out the back door.
It wasn’t a conscious thing, I almost wouldn’t even remember being in the bar. Then I would have no idea where to go or what to do. Living in New York, I always loved going out by myself. Did it for years. Nashville seemed very different. So I wanted the music to sound huge, and I had this big riff. Seemed appropriate for a song making fun of myself." FACEBOOK.
A somewhat dramatic rhythm is soon joined by some wonderfully wailing guitars as 'Ride On' gets underway. The vocals are rich and enticing on this genre defying indie something song, it's addictive and demands far more attention than just a couple of listens.
--------------------------------------------------------------------------------------------------------------------------
Scratch - Newer Things / Soak.
Background - Scratch is a rock band based in New York and Perth combining diverse musical influences and comprising of Ruzbeh Irani and Avinash Lalwani.
Living thousands of miles apart hasn't stopped band mates and childhood friends, Ruz and Avi, from pursuing their dreams of making music together.
Scratch's debut album is set for release in 2018, and the duo are excited to share their creation with the world. WEBSITE, FACEBOOK.
Whilst we don't have much information on Scratch we do have two fine tracks from the band to enjoy. 'Newer Things' quietly gets underway with an understated musical arrangement and some intriguing and pleasing vocals, before eventually upping the power and developing the music into something more rocky. 'Soak' is more of a fully energised rocker from the opening chords and something of a mini epic as the piece unfolds. Pretty good to say the least, for a duo with an ocean to separate them.
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Ruby Vidor - Diamond Thug - Basement Revolver
Ruby Vidor - Ten Days.
Background - Ruby Vidor, is a 19-year old Melbourne based singer-songwriter releasing her debut independent single, 10 Days. 10 Days is a song about the pain and heartache when time conspires against a relationship. It’s melancholy and gentle vocal underlies the heartbreak that weaves through the captivating melody.
The lyric starts with a question - can the relationship survive? As the songs builds it reaches the conclusion that the relationship has come to a natural end.
“I wrote this song whilst studying in New York. Relationships start with such promise and yet often the timing is just not right” stated Ruby Vidor. As a songwriter, Ruby loves to tell stories that are inspired by real life experiences. She has a passion to tell a story that connects her with her audience. The folk vibe and love of storytelling is inspired by her greatest musical influences, Missy Higgins, Joni Mitchel and Birdy. Her musical style ranges from Pop, to Indie and even a little bit of country.
‘10 Days’ was recorded independently in 2018, mixed by Andrew Kerridge. The music and lyrics were written by Ruby Vidor in 2017. FACEBOOK.
Upcoming Show: 3rd April - Holy Moly Bar, Hawthorn, Victoria.
'Ten Days' is a sensitive modern folk song. Ruby Vidor's vocals are personal, melodic and refined, add in the beautifully structured musical arrangement and it's impossible to ignore the track or the artist.
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Diamond Thug - Sapphire.
Background - In 2016 the South African band, Diamond Thug, recorded their debut EP with the help of Dave Minehan (The Replacements) and released it to waves of support, Indie Shuffle calling it ‘…a joy to listen to’. After significant support on a double platinum selling collaboration, Diamond Thug have introduced their music internationally with singles ‘Eclipsed’, 'Cosmic Dreamer' and 'Sweet Return' which have garnered fast increasing support. 'Choo Choo' is available via Phonofile.
Since their formation, Diamond Thug have continually evolved, always striving to create a unique sound that’s stay true to their perspective. Their music glides through dream-pop, skittish, off-kilter electronica & psychedelic-rock, creating cosmic-influenced ethereal soundscapes, which swirl below Chantel’s haunting, yet beautiful melodies.
The pursuit of an authentic & honest sound has earned the band various honours in international competitions such as Culture Collide’s pick to perform at SXSW 2017, as well as Converse’s Music Global Takeover and the attention of Grammy Award winner Darryl Torr, who had this to say about the band: "When listening to Diamond Thug, you are taken on a journey. It’s the effortless vocals, supported by a solid band, that tips you over the edge & pulls you through into their world. It’s rare to find a voice that can execute such interesting melodies so effortlessly as well as a band that leaves space for the vocals to shine, yet are able to maintain musical integrity." WEBSITE, FACEBOOK.
We featured Diamond Thug a couple of times in 2017 and so the new song 'Sapphire' was of real interest. The bands creative style of alt rock is centred around some smooth melodic vocals and harmonies, there is something of a fresh Americana feel to the song, along with some deep digging hooks.
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Basement Revolver - Lake Steel Oil.
Background - Ontario trio Basement Revolver have re-released their critically acclaimed self-titled debut EP in a limited run of vinyl pressings via Label Obscura. Formed in the honest grit of Hamilton, ON, the band has seen a quick and notable ascent into the spotlight with their unique brand of 90’s infused indie-rock. Basement Revolver has been able to formulate a captivating and refined hypnotic aural experience typically found with those who are well beyond their years. Rarely captured in first works, the band exhibits this maturity and ensures promising future releases.
“Lake, Steel, Oil is song that kind of grows and progresses with me moving through life. It starts out with me and my sister as kids watching the northern lights on Manatoulin Island. As a young adult, I moved to Hamilton while my sister moved to Alberta as a newlywed. The song turns to reflect on Hamilton – this city that I have come to love and to call home. It is a reminder that our lives are short, so we shouldn’t waste it. So I guess that those are all things that we tried to show in this video – how as a band we all have our separate lives but we all find a home (in some form or another) in Hamilton. It is what brought us together as a band.”
Before the release of their debut, Basement Revolver was already opening for accomplished acts such as Dave Monks (Tokyo Police Club) and others. Sensing something special between the band, six months into the project they seized the opportunity to record with local studio, TAPE (Memoryhouse, The Dirty Nil, Single Mothers). Together with Adam Bentley and Jordan Mitchell they began to sculpt and carve out their signature atmospheric sound. Gaining momentum, they soon decided on releasing their debut single, “Johnny”, which encountered an unstoppable wave of support with grassroots endorsements from sites such as The FADER, DIY, Indie Shuffle, CBC, Exclaim! Magazine, and numerous others.
Basement Revolver’s self-titled debut proved to be a success eventually being released via Memphis Industries’ UK sub-label Fear Of Missing Out. The band continued this momentum with the release of their follow up EP Agatha in 2017 which received overwhelming support from fans and critics both old and new. FACEBOOK, WEBSITE.
I have to admit to being a real fan of Basement Revolver ever since I first heard their song 'Johnny' back in 2016 and 'Lake Steel Oil' is our fifth feature for the band. The recent vinyl re-issue of their first EP alongside this new music video is good reason for another chance to showcase the band, whose enchanting & timeless music deserves far wider attention.
------------------------------------------------------------------------------------------------------------------------
Background - Ruby Vidor, is a 19-year old Melbourne based singer-songwriter releasing her debut independent single, 10 Days. 10 Days is a song about the pain and heartache when time conspires against a relationship. It’s melancholy and gentle vocal underlies the heartbreak that weaves through the captivating melody.
The lyric starts with a question - can the relationship survive? As the songs builds it reaches the conclusion that the relationship has come to a natural end.
“I wrote this song whilst studying in New York. Relationships start with such promise and yet often the timing is just not right” stated Ruby Vidor. As a songwriter, Ruby loves to tell stories that are inspired by real life experiences. She has a passion to tell a story that connects her with her audience. The folk vibe and love of storytelling is inspired by her greatest musical influences, Missy Higgins, Joni Mitchel and Birdy. Her musical style ranges from Pop, to Indie and even a little bit of country.
‘10 Days’ was recorded independently in 2018, mixed by Andrew Kerridge. The music and lyrics were written by Ruby Vidor in 2017. FACEBOOK.
Upcoming Show: 3rd April - Holy Moly Bar, Hawthorn, Victoria.
'Ten Days' is a sensitive modern folk song. Ruby Vidor's vocals are personal, melodic and refined, add in the beautifully structured musical arrangement and it's impossible to ignore the track or the artist.
--------------------------------------------------------------------------------------------------------------------------
Diamond Thug - Sapphire.
Background - In 2016 the South African band, Diamond Thug, recorded their debut EP with the help of Dave Minehan (The Replacements) and released it to waves of support, Indie Shuffle calling it ‘…a joy to listen to’. After significant support on a double platinum selling collaboration, Diamond Thug have introduced their music internationally with singles ‘Eclipsed’, 'Cosmic Dreamer' and 'Sweet Return' which have garnered fast increasing support. 'Choo Choo' is available via Phonofile.
Since their formation, Diamond Thug have continually evolved, always striving to create a unique sound that’s stay true to their perspective. Their music glides through dream-pop, skittish, off-kilter electronica & psychedelic-rock, creating cosmic-influenced ethereal soundscapes, which swirl below Chantel’s haunting, yet beautiful melodies.
The pursuit of an authentic & honest sound has earned the band various honours in international competitions such as Culture Collide’s pick to perform at SXSW 2017, as well as Converse’s Music Global Takeover and the attention of Grammy Award winner Darryl Torr, who had this to say about the band: "When listening to Diamond Thug, you are taken on a journey. It’s the effortless vocals, supported by a solid band, that tips you over the edge & pulls you through into their world. It’s rare to find a voice that can execute such interesting melodies so effortlessly as well as a band that leaves space for the vocals to shine, yet are able to maintain musical integrity." WEBSITE, FACEBOOK.
We featured Diamond Thug a couple of times in 2017 and so the new song 'Sapphire' was of real interest. The bands creative style of alt rock is centred around some smooth melodic vocals and harmonies, there is something of a fresh Americana feel to the song, along with some deep digging hooks.
--------------------------------------------------------------------------------------------------------------------------
Basement Revolver - Lake Steel Oil.
Background - Ontario trio Basement Revolver have re-released their critically acclaimed self-titled debut EP in a limited run of vinyl pressings via Label Obscura. Formed in the honest grit of Hamilton, ON, the band has seen a quick and notable ascent into the spotlight with their unique brand of 90’s infused indie-rock. Basement Revolver has been able to formulate a captivating and refined hypnotic aural experience typically found with those who are well beyond their years. Rarely captured in first works, the band exhibits this maturity and ensures promising future releases.
“Lake, Steel, Oil is song that kind of grows and progresses with me moving through life. It starts out with me and my sister as kids watching the northern lights on Manatoulin Island. As a young adult, I moved to Hamilton while my sister moved to Alberta as a newlywed. The song turns to reflect on Hamilton – this city that I have come to love and to call home. It is a reminder that our lives are short, so we shouldn’t waste it. So I guess that those are all things that we tried to show in this video – how as a band we all have our separate lives but we all find a home (in some form or another) in Hamilton. It is what brought us together as a band.”
Before the release of their debut, Basement Revolver was already opening for accomplished acts such as Dave Monks (Tokyo Police Club) and others. Sensing something special between the band, six months into the project they seized the opportunity to record with local studio, TAPE (Memoryhouse, The Dirty Nil, Single Mothers). Together with Adam Bentley and Jordan Mitchell they began to sculpt and carve out their signature atmospheric sound. Gaining momentum, they soon decided on releasing their debut single, “Johnny”, which encountered an unstoppable wave of support with grassroots endorsements from sites such as The FADER, DIY, Indie Shuffle, CBC, Exclaim! Magazine, and numerous others.
Basement Revolver’s self-titled debut proved to be a success eventually being released via Memphis Industries’ UK sub-label Fear Of Missing Out. The band continued this momentum with the release of their follow up EP Agatha in 2017 which received overwhelming support from fans and critics both old and new. FACEBOOK, WEBSITE.
I have to admit to being a real fan of Basement Revolver ever since I first heard their song 'Johnny' back in 2016 and 'Lake Steel Oil' is our fifth feature for the band. The recent vinyl re-issue of their first EP alongside this new music video is good reason for another chance to showcase the band, whose enchanting & timeless music deserves far wider attention.
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Annabel Allum - Bryde - Drinks - Dead Man's Knee - Birdpeople
Annabel Allum - Rascal.
Background - Guildford-based Annabel Allum shares boisterous new single Rascal, her second offering of the year following acclaimed January release Beat The Birds and critically successful 2017 EP All That For What. Loaded with pulsating hooks and the enigmatic singer-songwriter’s tenacious vocals, Allum oozes charisma and once more showcases her ability to marry folk-style storytelling with snarling fuzzy indie.
“Rascal pinpoints a phase in time when it felt like no matter what I was doing, it wouldn’t be right”. Allum says, “Trying to look after myself, the people close to me, the people around me, and never finding a balance in any of it. I would either give too much or nothing at all. I still do that. It’s quite a sad song. Self-scrutiny, really. I guess I’m just still learning that it’s okay to not be able to please everything all the time”.
Alongside the striking sonic aesthetic of her music, her original look and self-styling has led to endorsements from Bastian Classics, Cheap Monday and various other indie clothing brands. Liam Corneloues on bass and Emma Hiley on drums complete Annabel’s trusty band, prepped to deliver raucous sets throughout the festival circuit in the UK and Europe this summer.
Rascal was produced by Adrian Hall (Goldfrapp, Du Blonde, Anna Calvi) and was released by London indie label Killing Moon Records on yesterday. WEBSITE, FACEBOOK.
We shared 'Beat the Birds' by Annabel Allum back in January and now we have 'Rascal'. Once again we have an expansive rock backdrop pulsating with power, whilst her vocals are more than equal to the soundtracks potent challenge as they melodically soar above.
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Bryde - Peace.
Background - With debut LP Like An Island a month away from release, Bryde ups the ante on new single ‘Peace’. With her masterly understanding of dynamics and counterpoint, alongside her unbridled lyricism, ‘Peace' sees Bryde at her most amplified. Throughout her career Bryde has tackled challenging subject matter, exploring the curious relationship between vulnerability and empowerment with a psychological nuance and honesty that pegs her as a truly distinct new voice on the international indie circuit.
Mixed by Catherine Marks (Wolf Alice, PJ Harvey and St Vincent), and mastered by Mandy Parnell, it's a record of catharsis which gives a voice to bad times and exorcises old demons. Her cagey verses morph into expansive choruses as Bryde expertly plays around with the contrasts between loud/quiet and soft/heavy.
Bryde says of the track; “Peace is about the warm glow of two drinks and real connection with another person. It's about the end of anger and the settling calm after a storm. Being able to be entirely yourself and still be liked. I had to make it the loudest track on the album because if something's not a little subversive.”
Like An Island is scheduled for release on the 13th of April via Bryde’s own label Seahorse Music. Bryde founded it to publish records by like-minded women and help make them more visible in a male-dominated industry. This record is the culmination of all of Bryde’s experience with her craft so far, and support for it is also rapidly ramping up, with NPR recognising Bryde's voice as “equally stunning and chilling.”
Bryde will set off on her biggest UK, IRE and EU tour so far. It’s a sprawling 29 date stretch in April and May that will see her peddling her inimitable brand of incisive lyricism and raucous rock and roll to her widest audience yet. There is little doubt, whether on wax or on stage, that this year is a pivotal one in her career so far. ‘Peace’ is out now with Like An Island to follow 13th of April on Seahorse Music. WEBSITE, TWITTER.
And it's our second feature this year for Bryde and the new single 'Peace'. It's another fine taste of what's to come with the debut album just weeks away, this time we have a feisty rocker, which makes a good companion for Bryde's melodic and lively vocals.
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Drinks - Real Outside.
Background - Cate Le Bon and Tim Presley (White Fence) have teamed up for a second album as Drinks. The new album, Hippo Lite, will be released on Drag City worldwide on April 20, 2018. Drinks began in 2015 with the release of their debut LP, Hermits on Holiday on Presley’s own Birth Records.
“A month spent in an old mill in the under belly of France.
River swimming thrice a day.
Hot nights soundtracked by the rattle of randy frogs. Scorpion fear. In the sheets, on the face.
Hours of bird watching – no phone service. No wifi. 3 DVDs; Jurassic Park 1, 2 & 3.
Violin practice. Bread scoffing.
Early morning coffee drinking before the sun was too hot to do anything but snooze in the thick walled house. Music in the afternoon after a dip in the river and a cold beer on the square.
An album made for each other by one another with no hands, eyes or ears piercing the bubble other than that of dear friend Stephen Black who kept note of it all.”
– Cate Le Bon
“In a town, so very still and quiet.
A month in St. Hippolyte Du Fort, South France.
Where completely all of their brave young men vanished forever from the death machine of the first world war.
At one time left with only women and young girls.
Only relics of time standing still.
All the deceased names of men chiseled under a stone angel, that watches over the town square.
We set up a recording unit in an old stone mill turned house and began to write and record with the attention of tree trimmers or gardeners.
It got so hot we had to swim in a local river near by just to be able to think, then back to our home to make sounds and songs. Any sounds we could think of or wanted.
We used night sounds, night insects and used frogs as instruments. Did you know frogs have saxophones in their throats?
This is a broken music. a crumble. It’s the music of the building we called home for a month. We’ve never made & recorded music in such a simple living environment.
With all the ease, and air we needed. We were in a town 8 miles over from Robert Crumb’s hidden residence.
We lived in a mysterious place.
We had a flock of bats over for dinner many nights. No internet, or a phone to look to.
We had a beautiful big stone house, a river, and from time to time a lovely elderly yet young-hearted couple who would visit.
It was the opposite of what a typical recording experience usually is for any of us.
We tried to capture all of this and put it on record.”
– Tim Presley.
Recorded by Stephen Black (Sweet Baboo), Drums by “JT” John Thomas (Cate Le Bon/Islet) & mixed in Los Angeles by Samur Khouja at Seahorse Sound. All songs and lyrics by Cate Le Bon & Tim Presley. BANDCAMP.
Cate Le Bon and Tim Presley under the guise of Drinks have come up with an exceptional album as is only partially witnessed through the featured song 'Real Outside'. It as "out there" as anything I have heard in a long time, quirky, avant-garde, refreshing and highly original, it's also very moreish, in fact it's an album I find myself returning to out of continued intrigue as much as delight.
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Dead Man's Knee - Pleasure.
Background - A paradigm shift in popular culture put the heady rock and roll excesses of the late twentieth century (sex and drugs) into the hands of contemporary commercial hip hop. ‘Pleasure’ is Dead Man’s Knee’s no-holds barred hard rock debut single that lyrically sets out to explore the shame prevalent in rock and roll over its hedonistic past.
There’s a freewheeling sense of experimental progression akin to Funkadelic, and a contemporary hard rock edge like QOTSA at their most Led Zeppelin, but frontman Del’s vocal approach recalls the rootsy body singing of Chuck Berry and Little Richard. It all combines to make a fearsome three minute head banger that’ll have you shaking out on to the streets, bopping to your nearest dive bar to break every new years resolution you thought you were serious about.
Dead Man’s Knee are a group from London who come from a background of blues, rock and roll, gospel and soul. Comprised of Del on guitar and vocals, Angelos on guitar, George on bass and Leonn on drums, the group have already earned their stripes playing as session musicians on the pop and soul circuit while also coming together (sans Angelos) as a rhythmic core for Jodie Abacus. Del and Leonn grew up in London from the same church community while Angelos and George both came from Greece.
The group formed in 2015 with Leonn replacing their old drummer in late 2016. As their fearsome debut single ‘Pleasure’ demonstrates, the four-piece have an electrifying chemistry, reanimating the bones of vital and exciting hard rock while lyrically questioning the dogma of the long-faded rock and roll lifestyle. This is modern rock stripped of the pretence. It’s not packaging and selling you a hedonistic dream, it’s offering a nuanced critique on the role of pleasure in our lives. Sometimes it’s healthy to step out the zone and wild out. FACEBOOK, TWITTER.
'Pleasure' explodes into action as a full on straight down the line rocker. The vocals are pure rock & roll, potent, determined and commanding as the band turn out some super charged riffs, Dead Mans Knee are on fire and burning bright!
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Birdpeople - The Monument.
Background - Birdpeople are not your regular pop outfit. Points of departure include Walter Benjamin, the Hyperobject, Reza Negarestani, Hayao Miyazaki, Andrej Tarkovskij, God, Fritz Lang, Robert Wiene, Alejandro Jodorowsky; a volatile love-hate relationship with contemporary art music; the zombie-like doggedness of plant life: viriditas vs. the smooth face of the everyday; Capitalism, the gender system, downfall and ruins; family and the impossibility of breaking free; affinity, camaraderie, loss, grief, decay; having the rug pulled out from under you; living like a shadow of yourself; the way back or out of here; nerves; dead capital and living labour; architecture and anti-techture. It’s a post-apocalyptic salvage-op in anticipation of the Collapse.
The members’ former project fell apart due to a sense of diminishing urgency. Guitar music seemed patriarchal beyond redemption, and in a fit of desperation they bought a semi-modular MS-20. None of them knew the first thing about analogue synthesis, but that was precisely the point. They projected old sci-fi flicks onto the wall of their rehearsal space, recording improvised music directly to a portable cassette recorder. Work on an EP soon began under the supervision of producer Magnus “Existensminimum” Monn, who shared the band’s musical claustrophobia. The songs resisted violently: writer’s block, homemade instruments, derelict vintage synths, sonorous metal scraps fashioned into a tree.
“We wanted to build a utopia out of all this riff raff, and somehow this became our way of making music feel like it mattered again. Using hardware synths makes played parts irrevocable, it limits and hinders – a paradoxical deliverance. There were times when we couldn’t communicate except through the sounds we made; sometimes we were like a harmonious hive mind.”
The nom de guerre Birdpeople was solemnly adapted after work on the EP was concluded. It’s meant to convey the impression of a family, or, rather, a cult. That was what the trio felt they had become during the process. Birds, ever present in the band’s lyrics, became their spirit animals. “We wanted to address the ambivalence of this wondrous-yet-harrowing imprisonment of being human. Nevertheless, music seemed to offer some way out of the compulsory nature of human-being. Bird-being thus became a metaphor for a kind of cyborgs-to-be, for the potentiality of being more than human – possessing wings, talons and beak, being able to observe the world from above.” Birdpeople are Amanda Blomqvist, Cecilia Wickström and Jakob Lavonius. Magnus “Existensminimum” Monn is their producer and next of kin. FACEBOOK.
A swift flowing beat introduces 'The Monument' that soon upgrades into something notable as the vocals and layers of sound develop. Rhythmic, creative and something of a musical journey at just short of seven minutes, Birdpeople keep you guessing and reward you with some beguiling twists along the way.
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Background - Guildford-based Annabel Allum shares boisterous new single Rascal, her second offering of the year following acclaimed January release Beat The Birds and critically successful 2017 EP All That For What. Loaded with pulsating hooks and the enigmatic singer-songwriter’s tenacious vocals, Allum oozes charisma and once more showcases her ability to marry folk-style storytelling with snarling fuzzy indie.
“Rascal pinpoints a phase in time when it felt like no matter what I was doing, it wouldn’t be right”. Allum says, “Trying to look after myself, the people close to me, the people around me, and never finding a balance in any of it. I would either give too much or nothing at all. I still do that. It’s quite a sad song. Self-scrutiny, really. I guess I’m just still learning that it’s okay to not be able to please everything all the time”.
Alongside the striking sonic aesthetic of her music, her original look and self-styling has led to endorsements from Bastian Classics, Cheap Monday and various other indie clothing brands. Liam Corneloues on bass and Emma Hiley on drums complete Annabel’s trusty band, prepped to deliver raucous sets throughout the festival circuit in the UK and Europe this summer.
Rascal was produced by Adrian Hall (Goldfrapp, Du Blonde, Anna Calvi) and was released by London indie label Killing Moon Records on yesterday. WEBSITE, FACEBOOK.
We shared 'Beat the Birds' by Annabel Allum back in January and now we have 'Rascal'. Once again we have an expansive rock backdrop pulsating with power, whilst her vocals are more than equal to the soundtracks potent challenge as they melodically soar above.
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Bryde - Peace.
Background - With debut LP Like An Island a month away from release, Bryde ups the ante on new single ‘Peace’. With her masterly understanding of dynamics and counterpoint, alongside her unbridled lyricism, ‘Peace' sees Bryde at her most amplified. Throughout her career Bryde has tackled challenging subject matter, exploring the curious relationship between vulnerability and empowerment with a psychological nuance and honesty that pegs her as a truly distinct new voice on the international indie circuit.
Mixed by Catherine Marks (Wolf Alice, PJ Harvey and St Vincent), and mastered by Mandy Parnell, it's a record of catharsis which gives a voice to bad times and exorcises old demons. Her cagey verses morph into expansive choruses as Bryde expertly plays around with the contrasts between loud/quiet and soft/heavy.
Bryde says of the track; “Peace is about the warm glow of two drinks and real connection with another person. It's about the end of anger and the settling calm after a storm. Being able to be entirely yourself and still be liked. I had to make it the loudest track on the album because if something's not a little subversive.”
Like An Island is scheduled for release on the 13th of April via Bryde’s own label Seahorse Music. Bryde founded it to publish records by like-minded women and help make them more visible in a male-dominated industry. This record is the culmination of all of Bryde’s experience with her craft so far, and support for it is also rapidly ramping up, with NPR recognising Bryde's voice as “equally stunning and chilling.”
Bryde will set off on her biggest UK, IRE and EU tour so far. It’s a sprawling 29 date stretch in April and May that will see her peddling her inimitable brand of incisive lyricism and raucous rock and roll to her widest audience yet. There is little doubt, whether on wax or on stage, that this year is a pivotal one in her career so far. ‘Peace’ is out now with Like An Island to follow 13th of April on Seahorse Music. WEBSITE, TWITTER.
And it's our second feature this year for Bryde and the new single 'Peace'. It's another fine taste of what's to come with the debut album just weeks away, this time we have a feisty rocker, which makes a good companion for Bryde's melodic and lively vocals.
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Drinks - Real Outside.
Background - Cate Le Bon and Tim Presley (White Fence) have teamed up for a second album as Drinks. The new album, Hippo Lite, will be released on Drag City worldwide on April 20, 2018. Drinks began in 2015 with the release of their debut LP, Hermits on Holiday on Presley’s own Birth Records.
“A month spent in an old mill in the under belly of France.
River swimming thrice a day.
Hot nights soundtracked by the rattle of randy frogs. Scorpion fear. In the sheets, on the face.
Hours of bird watching – no phone service. No wifi. 3 DVDs; Jurassic Park 1, 2 & 3.
Violin practice. Bread scoffing.
Early morning coffee drinking before the sun was too hot to do anything but snooze in the thick walled house. Music in the afternoon after a dip in the river and a cold beer on the square.
An album made for each other by one another with no hands, eyes or ears piercing the bubble other than that of dear friend Stephen Black who kept note of it all.”
– Cate Le Bon
“In a town, so very still and quiet.
A month in St. Hippolyte Du Fort, South France.
Where completely all of their brave young men vanished forever from the death machine of the first world war.
At one time left with only women and young girls.
Only relics of time standing still.
All the deceased names of men chiseled under a stone angel, that watches over the town square.
We set up a recording unit in an old stone mill turned house and began to write and record with the attention of tree trimmers or gardeners.
It got so hot we had to swim in a local river near by just to be able to think, then back to our home to make sounds and songs. Any sounds we could think of or wanted.
We used night sounds, night insects and used frogs as instruments. Did you know frogs have saxophones in their throats?
This is a broken music. a crumble. It’s the music of the building we called home for a month. We’ve never made & recorded music in such a simple living environment.
With all the ease, and air we needed. We were in a town 8 miles over from Robert Crumb’s hidden residence.
We lived in a mysterious place.
We had a flock of bats over for dinner many nights. No internet, or a phone to look to.
We had a beautiful big stone house, a river, and from time to time a lovely elderly yet young-hearted couple who would visit.
It was the opposite of what a typical recording experience usually is for any of us.
We tried to capture all of this and put it on record.”
– Tim Presley.
Recorded by Stephen Black (Sweet Baboo), Drums by “JT” John Thomas (Cate Le Bon/Islet) & mixed in Los Angeles by Samur Khouja at Seahorse Sound. All songs and lyrics by Cate Le Bon & Tim Presley. BANDCAMP.
Cate Le Bon and Tim Presley under the guise of Drinks have come up with an exceptional album as is only partially witnessed through the featured song 'Real Outside'. It as "out there" as anything I have heard in a long time, quirky, avant-garde, refreshing and highly original, it's also very moreish, in fact it's an album I find myself returning to out of continued intrigue as much as delight.
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Dead Man's Knee - Pleasure.
Background - A paradigm shift in popular culture put the heady rock and roll excesses of the late twentieth century (sex and drugs) into the hands of contemporary commercial hip hop. ‘Pleasure’ is Dead Man’s Knee’s no-holds barred hard rock debut single that lyrically sets out to explore the shame prevalent in rock and roll over its hedonistic past.
There’s a freewheeling sense of experimental progression akin to Funkadelic, and a contemporary hard rock edge like QOTSA at their most Led Zeppelin, but frontman Del’s vocal approach recalls the rootsy body singing of Chuck Berry and Little Richard. It all combines to make a fearsome three minute head banger that’ll have you shaking out on to the streets, bopping to your nearest dive bar to break every new years resolution you thought you were serious about.
Dead Man’s Knee are a group from London who come from a background of blues, rock and roll, gospel and soul. Comprised of Del on guitar and vocals, Angelos on guitar, George on bass and Leonn on drums, the group have already earned their stripes playing as session musicians on the pop and soul circuit while also coming together (sans Angelos) as a rhythmic core for Jodie Abacus. Del and Leonn grew up in London from the same church community while Angelos and George both came from Greece.
The group formed in 2015 with Leonn replacing their old drummer in late 2016. As their fearsome debut single ‘Pleasure’ demonstrates, the four-piece have an electrifying chemistry, reanimating the bones of vital and exciting hard rock while lyrically questioning the dogma of the long-faded rock and roll lifestyle. This is modern rock stripped of the pretence. It’s not packaging and selling you a hedonistic dream, it’s offering a nuanced critique on the role of pleasure in our lives. Sometimes it’s healthy to step out the zone and wild out. FACEBOOK, TWITTER.
'Pleasure' explodes into action as a full on straight down the line rocker. The vocals are pure rock & roll, potent, determined and commanding as the band turn out some super charged riffs, Dead Mans Knee are on fire and burning bright!
--------------------------------------------------------------------------------------------------------------------------
Birdpeople - The Monument.
Background - Birdpeople are not your regular pop outfit. Points of departure include Walter Benjamin, the Hyperobject, Reza Negarestani, Hayao Miyazaki, Andrej Tarkovskij, God, Fritz Lang, Robert Wiene, Alejandro Jodorowsky; a volatile love-hate relationship with contemporary art music; the zombie-like doggedness of plant life: viriditas vs. the smooth face of the everyday; Capitalism, the gender system, downfall and ruins; family and the impossibility of breaking free; affinity, camaraderie, loss, grief, decay; having the rug pulled out from under you; living like a shadow of yourself; the way back or out of here; nerves; dead capital and living labour; architecture and anti-techture. It’s a post-apocalyptic salvage-op in anticipation of the Collapse.
The members’ former project fell apart due to a sense of diminishing urgency. Guitar music seemed patriarchal beyond redemption, and in a fit of desperation they bought a semi-modular MS-20. None of them knew the first thing about analogue synthesis, but that was precisely the point. They projected old sci-fi flicks onto the wall of their rehearsal space, recording improvised music directly to a portable cassette recorder. Work on an EP soon began under the supervision of producer Magnus “Existensminimum” Monn, who shared the band’s musical claustrophobia. The songs resisted violently: writer’s block, homemade instruments, derelict vintage synths, sonorous metal scraps fashioned into a tree.
“We wanted to build a utopia out of all this riff raff, and somehow this became our way of making music feel like it mattered again. Using hardware synths makes played parts irrevocable, it limits and hinders – a paradoxical deliverance. There were times when we couldn’t communicate except through the sounds we made; sometimes we were like a harmonious hive mind.”
The nom de guerre Birdpeople was solemnly adapted after work on the EP was concluded. It’s meant to convey the impression of a family, or, rather, a cult. That was what the trio felt they had become during the process. Birds, ever present in the band’s lyrics, became their spirit animals. “We wanted to address the ambivalence of this wondrous-yet-harrowing imprisonment of being human. Nevertheless, music seemed to offer some way out of the compulsory nature of human-being. Bird-being thus became a metaphor for a kind of cyborgs-to-be, for the potentiality of being more than human – possessing wings, talons and beak, being able to observe the world from above.” Birdpeople are Amanda Blomqvist, Cecilia Wickström and Jakob Lavonius. Magnus “Existensminimum” Monn is their producer and next of kin. FACEBOOK.
A swift flowing beat introduces 'The Monument' that soon upgrades into something notable as the vocals and layers of sound develop. Rhythmic, creative and something of a musical journey at just short of seven minutes, Birdpeople keep you guessing and reward you with some beguiling twists along the way.
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GRDNS - The Division Men - Preoccupations
GRDNS - Juniper.
Background - Psych-rockers GRDNS share latest effort Juniper, the second cut from their upcoming EP out later this year. Emerging from the largely forgotten and multi-cultural northern city of Bradford, the indie quartet burst onto the scene in February with woozy, off-kilter rock number Night Dance before heading out on the road with Husky Loops and whenyoung, drawing widespread acclaim in the process.
Discussing the release, frontman Jacob Lyons stated: "Juniper takes influence from both the modern and vintage surf sounds with a prog/alt section at the end but doesn't particularly sound like either. It was the first song we got together as a full band and the lyrics frequently reference the colour blue and a few of its colour palette relatives. The meaning of the song is open to interpretation, like all the rest will be".
GRDNS' own blend of psychedelia, heavily influenced by Tame Impala and Humbug-era Arctic Monkeys, has already landed them support slots with acts including Stereo Honey, Sea Girls and The Pale White and they'll be playing their debut London show in May before an appearance at Live At Leeds. FACEBOOK, TWITTER.
Live Dates:
02 May – Sebright Arms, London
05 May – Live At Leeds Festival.
We shared 'Night Dance' from the band just over a month ago describing that track as having "a delectable psychedelic feel." The new song 'Juniper' is more alt rock in nature, with GRDNS comfortably demonstrating that they can explore differing styles whilst retaining an armoury of hooks that makes their music so engaging. It has to be said, the EP is eagerly awaited.
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The Division Men - Heaven Knows Why.
Background - "Niños Del Sol" is the 3rd album by The Division Men from Austin, Texas. The album was recorded over a period of two and a half years while touring and living in Texas. Five of the ten songs have been rerecorded. These songs have come off the first LIVE album titled "Live at Clap of Thunder." By revisiting the older songs, the band was able to open itself up to experimentation and collaboration.
The Division Men's named was derived from the idea of artists collaborating from all over the world despite their locations. J. Spencer and wife Caroline continued to actively write and perform together under the already established name.
Caroline was born in San Antonio, Texas. She spent her childhood surrounded by music. Caroline is the granddaughter to the master craftsman, Don Martin Macias, known for his handcrafted bajo sextos. Proud of the craft of her grandfather, she made an effort early on to make music an active part of her life by first experimenting with school band & later picking up the bass guitar. From 2007 until 2012, she played bass guitar for Tito & Tarantula. J. Spencer Portillo was born in Los Angeles, California but was raised in El Paso, Texas. His El Paso roots offer a huge influence on the lyrics which frequently present atmospheric portraits of love, life in a border town and death.
The new album was recorded at their in-home studio in Austin, Texas. The Division Men has a distinctive sound that has been described as dark, romantic, ethereal and haunting. The Division Men will be actively touring and promoting their new album "Niños Del Sol" from August to December 2018. WEBSITE.
From the opening moments the musical production signals quality and depth as 'Heaven Knows Why' quickly unfolds. That's hardly surprising considering the calibre of those who have worked on the new album, beyond quality however there is heart and passion in abundance. I'm not sure what genre to try and fit this song into, lets just say it's unavoidably addictive.
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Preoccupations - Disarray.
Background - Preoccupations are days away from unleashing their latest creation New Material, out this Friday on Flemish Eye in Canada (Jagjaguwar in the rest of the world). Now the band are following with a third single and a stunning new video directed by Ruff Mercy. The video for “Disarray” was shot at Saunton Sands in North Devon in the UK and features Matt Flegel, the band’s songwriter, vocalist and bass player.
Matt says, "When I was writing "Disarray", it started off with an image of a mother combing her daughters hair that came into my mind, I liked the metaphor of splitting the braids and combing through the tangles, and wrote the rest of the lyrics around that image. This song sat untouched for close to 6 months as a recording with just bass and drums before we came back to it and wrote and recorded the guitar line while out of our minds one night in the early AM."
Director Ruff Mercy noted, "For me the word Disarray conjures up images of a mind unravelling in a chaotic way. I wanted to physically show that inner turmoil without having to have Matt or an actor run around with a painted face looking distressed so to cut up and distort and draw over Matt’s image felt like an interesting way to show this."
Preoccupations are preparing for their next world tour which kicks off next month with shows in Toronto (The Garrison, April 13, and a Horseshoe Tavern on April 14) and then Montreal (Theatre Plaza, April 16). The 4-piece will then tour the North America with dates in Winnipeg, Edmonton, two in Calgary and Vancouver on May 9th, before continuing on an extensive tour of the UK and Europe. WEBSITE, FACEBOOK.
Preoccupations are getting plenty of attention with 'Disarray' having 20 thousand plus views before I can even embed it here. Dreamy indie pop/rock with just a hint of bands like The Psychedelic Furs, this is one gorgeous song from a band who are clearly on something of a well earned roll right now.
-------------------------------------------------------------------------------------------------------------------------
Background - Psych-rockers GRDNS share latest effort Juniper, the second cut from their upcoming EP out later this year. Emerging from the largely forgotten and multi-cultural northern city of Bradford, the indie quartet burst onto the scene in February with woozy, off-kilter rock number Night Dance before heading out on the road with Husky Loops and whenyoung, drawing widespread acclaim in the process.
Discussing the release, frontman Jacob Lyons stated: "Juniper takes influence from both the modern and vintage surf sounds with a prog/alt section at the end but doesn't particularly sound like either. It was the first song we got together as a full band and the lyrics frequently reference the colour blue and a few of its colour palette relatives. The meaning of the song is open to interpretation, like all the rest will be".
GRDNS' own blend of psychedelia, heavily influenced by Tame Impala and Humbug-era Arctic Monkeys, has already landed them support slots with acts including Stereo Honey, Sea Girls and The Pale White and they'll be playing their debut London show in May before an appearance at Live At Leeds. FACEBOOK, TWITTER.
Live Dates:
02 May – Sebright Arms, London
05 May – Live At Leeds Festival.
We shared 'Night Dance' from the band just over a month ago describing that track as having "a delectable psychedelic feel." The new song 'Juniper' is more alt rock in nature, with GRDNS comfortably demonstrating that they can explore differing styles whilst retaining an armoury of hooks that makes their music so engaging. It has to be said, the EP is eagerly awaited.
--------------------------------------------------------------------------------------------------------------------------
The Division Men - Heaven Knows Why.
Background - "Niños Del Sol" is the 3rd album by The Division Men from Austin, Texas. The album was recorded over a period of two and a half years while touring and living in Texas. Five of the ten songs have been rerecorded. These songs have come off the first LIVE album titled "Live at Clap of Thunder." By revisiting the older songs, the band was able to open itself up to experimentation and collaboration.
The Division Men's named was derived from the idea of artists collaborating from all over the world despite their locations. J. Spencer and wife Caroline continued to actively write and perform together under the already established name.
Caroline was born in San Antonio, Texas. She spent her childhood surrounded by music. Caroline is the granddaughter to the master craftsman, Don Martin Macias, known for his handcrafted bajo sextos. Proud of the craft of her grandfather, she made an effort early on to make music an active part of her life by first experimenting with school band & later picking up the bass guitar. From 2007 until 2012, she played bass guitar for Tito & Tarantula. J. Spencer Portillo was born in Los Angeles, California but was raised in El Paso, Texas. His El Paso roots offer a huge influence on the lyrics which frequently present atmospheric portraits of love, life in a border town and death.
The new album was recorded at their in-home studio in Austin, Texas. The Division Men has a distinctive sound that has been described as dark, romantic, ethereal and haunting. The Division Men will be actively touring and promoting their new album "Niños Del Sol" from August to December 2018. WEBSITE.
From the opening moments the musical production signals quality and depth as 'Heaven Knows Why' quickly unfolds. That's hardly surprising considering the calibre of those who have worked on the new album, beyond quality however there is heart and passion in abundance. I'm not sure what genre to try and fit this song into, lets just say it's unavoidably addictive.
-------------------------------------------------------------------------------------------------------------------------
Preoccupations - Disarray.
Background - Preoccupations are days away from unleashing their latest creation New Material, out this Friday on Flemish Eye in Canada (Jagjaguwar in the rest of the world). Now the band are following with a third single and a stunning new video directed by Ruff Mercy. The video for “Disarray” was shot at Saunton Sands in North Devon in the UK and features Matt Flegel, the band’s songwriter, vocalist and bass player.
Matt says, "When I was writing "Disarray", it started off with an image of a mother combing her daughters hair that came into my mind, I liked the metaphor of splitting the braids and combing through the tangles, and wrote the rest of the lyrics around that image. This song sat untouched for close to 6 months as a recording with just bass and drums before we came back to it and wrote and recorded the guitar line while out of our minds one night in the early AM."
Director Ruff Mercy noted, "For me the word Disarray conjures up images of a mind unravelling in a chaotic way. I wanted to physically show that inner turmoil without having to have Matt or an actor run around with a painted face looking distressed so to cut up and distort and draw over Matt’s image felt like an interesting way to show this."
Preoccupations are preparing for their next world tour which kicks off next month with shows in Toronto (The Garrison, April 13, and a Horseshoe Tavern on April 14) and then Montreal (Theatre Plaza, April 16). The 4-piece will then tour the North America with dates in Winnipeg, Edmonton, two in Calgary and Vancouver on May 9th, before continuing on an extensive tour of the UK and Europe. WEBSITE, FACEBOOK.
Preoccupations are getting plenty of attention with 'Disarray' having 20 thousand plus views before I can even embed it here. Dreamy indie pop/rock with just a hint of bands like The Psychedelic Furs, this is one gorgeous song from a band who are clearly on something of a well earned roll right now.
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MAWD - Atlantic Machine - Krantz - Ganser
MAWD - Dark Room.
Background - MAWD is the moniker of California musician and songwriter Madeline Matthews. Her stunning compositions fuse rock’n’roll, folk/blues and pop. The soulful, textured timbre of MAWD is diverse and ranges anywhere from a breathy and sultry folk/blues vibe, to a powerful Janis Joplin-esque/Karen O. belt.
Her vocals perfectly imprint upon the sonic foundation laid by quivering electric guitar, haunting harmonies, classic acoustic folk rhythms, south western inspired Americana bass lines, and full percussion. MAWD is a true musician playing the piano, guitar, ukulele, bass, accordion and some banjo as well.
MAWD’s upcoming single ‘Dark Room’, profiles the feeling of isolation that so many of today’s use experience today. “I felt like I was going crazy, sitting in my dark dingy dorm room, struggling with the longing for a comforting feeling, trying to fit in, feeling like a stranger in my skin, and discovering a new dark part of my mind”, reveals MAWD. ‘Dark Room’ is an explosion of soulful husky vocals, over gritty guitars and powerful driving rhythms. MAWD has been compared to the likes of Elle King, Janis Joplin and Alabama Shakes.
Her debut self titled EP is produced by Roger Gisborne of Los Angeles based record label Sound x3 and Josiah Mezzaschi (Rilo Kiley, Kate Nash, The Jesus and The Mary Chain) and mastered by Brian Lucey (The Black Keys, Beck, The Kills). MAWD has headlined sold out shows across the globe and will be performing at SXSW this spring. ‘Dark Room’ is currently available worldwide. FACEBOOK, TWITTER.
The vocals have some fine and natural blues vibes to them on 'Dark Room' a soulful rocker that has both passion and plenty of "play me again" hooks, it's natural and desirable.
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Atlantic Machine - Automatic.
Background - London duo Atlantic Machine have released thier debut single Automatic (16th March) followed by the album Mosquito on 18th May. Atlantic Machine are Producer and Grammy award winning Engineer Jim Lowe (Stereophonics, The Dandy Warhols, The Charlatans) and Vocalist and Guitarist Tiffany Page, who first met in the studio before forming their own musical partnership.
The pairing sees the baritone voice of Jim mixed with Tiffany’s raspy tones to create a unique new wave sound. Debut single Automatic is a dark electro-pop track that builds with synths and strings to a powerful and emotive chorus. The band say;
“It’s about how we all do things automatically through our life. It can be how we automatically love someone or love someone despite being treated badly. It can be how we automatically carry on doing the daily grind. It is abstract enough to make it your own interpretation…"
Recorded in London at Jim’s home studio and Rak Studios, forthcoming album Mosquito includes collaborations with String Arranger and Cellist Laura Anstee, who has performed with Bjork, Kanye West, Adele, Jay Z and Florence & The Machine and Drummer Jamie Morrison (Stereophonics, The Noisettes). WEBSITE, TWITTER.
Atlantic Machine gradually increase the power on 'Automatic' where a seductive vocal duet is backed by an increasingly layered sound-scape, where mystery abounds.
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Krantz - Until We Meet Again / Run Away.
Background - Nashville-based, alt/psych-rock band, Krantz, drop new lyric video, "Run Away From Me” and single "Until We Meet Again" from their upcoming EP, The Pennock Tapes, due out April 27. The single is an anthem dedicated to feeling stuck in a rut and disheartened by living in the shadows and realizing how nothing is going to change unless one takes a chance.
With a retro style and influence from the golden age of rock and roll, but with a modern touch, Jeffrey Krantz and his band bring a psychedelic/pop/rock edge equipped with an in-your face attitude.
Influenced by his drummer father and the Beatles, he embraced music as an expressive medium at the early age of 12, and developed himself as a musician, songwriter and artist. Leaving his home state of Iowa, traveling the world, touring over 200 days per year with the “Effects” and opening for bands such as the Kings of Leon, Shinedown, Foreigner and the Toadies, Jeffrey made the decision to “live the dream” and eventually landed in Nashville.
Recognizing the world was in dire need of some melodic rock he continued to write, record and eventually self-produced his own self-titled album. Krantz hit the studio between tapings of MTV’s music competition, “American Supergroup” where he eventually became a finalist in the competition.
A entwinement of provocative lyrics and no-holds rock and roll, Krantz sees his music as a balanced combination of frantic ecstasy and introspective depths. Alternating between crazy antics, a dash of face paint, and a meaningful look within, Krantz feels that his music is the perfect blend of his extroverted personality. Drawing from his influences of The Beatles, Weezer, and T-Rex, Krantz looks for meaning and purpose within his rock N Roll sound. WEBSITE, FACEBOOK.
'Until We Meet Again' opens with some classic riffs and a gorgeous guitar sound whilst the vocals are refined and easy on the ear. With 'Run Away' we have more gorgeous rock vibes and once again the melodic hooks are there in abundance. The band clearly have a knack for catchy unpretentious rock songs, that's plenty enough for me!
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Ganser - Avoidance.
Background - “Avoidance” is the second new single and music video that the Chicago post-punk band Ganser has shared from their forthcoming debut album Odd Talk (out 4/20 via No Trend Records). “Avoidance” is a sharp pain of miscommunication, the exhaustion of trying to be understood by someone you love but your language is all wrong. Ultimately, the effort is pointless. Nadia Garofalo's voice rises and falls with synth washes over driving bass and drums, while Charlie Landsman's guitar punctuates with sharp flourishes. In the video, cars race in a sparse desert landscape towards an unknown end.
Throughout Odd Talk, Ganser’s amorphous sound takes on the form of their comedically grim, absurdist subject matter. Exercising both introverted melody and extroverted noise, the band finds meaning through echolalic shouts and murmurs. Garofalo shouts and barks with an acerbic edge, while Alicia Gaines' vocals soothe and swell. Mumbled, spit out, Ganser explores communication breakdown from beginning to end... seeking meaning in mess, they sort through syllables and signals to find the right words. “Avoidance” follows the album’s first critically-acclaimed first single “PSY OPS” (buy/stream), which came out last month.
After the bands’ headlining record release show @ Glitter Creeps’ party at the Empty Bottle on 4/16, the band will also be heading out on tour in support of Odd Talk (all dates below). They’ll be performing a string of shows with Bloody Knives before heading venturing out on their own in the Southeast. WEBSITE, TWITTER.
Ganser Tour Dates:
3/28 - Chicago, IL - Beat Kitchen (w/ Shopping, Tyvek)
4/16 - Chicago, IL - Empty Bottle (Record Release Show)
4/25 - Detroit, MI - Outer Limits Lounge %
4/26 - Pittsburgh, PA - Howlers %
4/27 - Brooklyn, NY - Alphaville %
4/28 - Philadelphia, PA - Mothership %
4/29 - Providence, RI - Alchemy %
5/01 - Brooklyn, NY - St. Vitus
5/02 - Baltimore, MD - Sidebar
5/03 - Richmond, VA - Flora
5/04 - Raleigh, NC - Slim's
5/05 - Atlanta, GA - 529
5/06 - Memphis, TN - Bar DKDC
% - with Bloody Knives
It is just four weeks since we shared the first single (Psy Ops) from Ganser, 'Avoidance' makes for a very welcome follow up. The music video is retro (just love those classic cars), the song a potent rocker packed with determination and emotion, expect plenty more on the forthcoming album, it's going to be worth the wait.
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Background - MAWD is the moniker of California musician and songwriter Madeline Matthews. Her stunning compositions fuse rock’n’roll, folk/blues and pop. The soulful, textured timbre of MAWD is diverse and ranges anywhere from a breathy and sultry folk/blues vibe, to a powerful Janis Joplin-esque/Karen O. belt.
Her vocals perfectly imprint upon the sonic foundation laid by quivering electric guitar, haunting harmonies, classic acoustic folk rhythms, south western inspired Americana bass lines, and full percussion. MAWD is a true musician playing the piano, guitar, ukulele, bass, accordion and some banjo as well.
MAWD’s upcoming single ‘Dark Room’, profiles the feeling of isolation that so many of today’s use experience today. “I felt like I was going crazy, sitting in my dark dingy dorm room, struggling with the longing for a comforting feeling, trying to fit in, feeling like a stranger in my skin, and discovering a new dark part of my mind”, reveals MAWD. ‘Dark Room’ is an explosion of soulful husky vocals, over gritty guitars and powerful driving rhythms. MAWD has been compared to the likes of Elle King, Janis Joplin and Alabama Shakes.
Her debut self titled EP is produced by Roger Gisborne of Los Angeles based record label Sound x3 and Josiah Mezzaschi (Rilo Kiley, Kate Nash, The Jesus and The Mary Chain) and mastered by Brian Lucey (The Black Keys, Beck, The Kills). MAWD has headlined sold out shows across the globe and will be performing at SXSW this spring. ‘Dark Room’ is currently available worldwide. FACEBOOK, TWITTER.
The vocals have some fine and natural blues vibes to them on 'Dark Room' a soulful rocker that has both passion and plenty of "play me again" hooks, it's natural and desirable.
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Atlantic Machine - Automatic.
Background - London duo Atlantic Machine have released thier debut single Automatic (16th March) followed by the album Mosquito on 18th May. Atlantic Machine are Producer and Grammy award winning Engineer Jim Lowe (Stereophonics, The Dandy Warhols, The Charlatans) and Vocalist and Guitarist Tiffany Page, who first met in the studio before forming their own musical partnership.
The pairing sees the baritone voice of Jim mixed with Tiffany’s raspy tones to create a unique new wave sound. Debut single Automatic is a dark electro-pop track that builds with synths and strings to a powerful and emotive chorus. The band say;
“It’s about how we all do things automatically through our life. It can be how we automatically love someone or love someone despite being treated badly. It can be how we automatically carry on doing the daily grind. It is abstract enough to make it your own interpretation…"
Recorded in London at Jim’s home studio and Rak Studios, forthcoming album Mosquito includes collaborations with String Arranger and Cellist Laura Anstee, who has performed with Bjork, Kanye West, Adele, Jay Z and Florence & The Machine and Drummer Jamie Morrison (Stereophonics, The Noisettes). WEBSITE, TWITTER.
Atlantic Machine gradually increase the power on 'Automatic' where a seductive vocal duet is backed by an increasingly layered sound-scape, where mystery abounds.
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Krantz - Until We Meet Again / Run Away.
Background - Nashville-based, alt/psych-rock band, Krantz, drop new lyric video, "Run Away From Me” and single "Until We Meet Again" from their upcoming EP, The Pennock Tapes, due out April 27. The single is an anthem dedicated to feeling stuck in a rut and disheartened by living in the shadows and realizing how nothing is going to change unless one takes a chance.
With a retro style and influence from the golden age of rock and roll, but with a modern touch, Jeffrey Krantz and his band bring a psychedelic/pop/rock edge equipped with an in-your face attitude.
Influenced by his drummer father and the Beatles, he embraced music as an expressive medium at the early age of 12, and developed himself as a musician, songwriter and artist. Leaving his home state of Iowa, traveling the world, touring over 200 days per year with the “Effects” and opening for bands such as the Kings of Leon, Shinedown, Foreigner and the Toadies, Jeffrey made the decision to “live the dream” and eventually landed in Nashville.
Recognizing the world was in dire need of some melodic rock he continued to write, record and eventually self-produced his own self-titled album. Krantz hit the studio between tapings of MTV’s music competition, “American Supergroup” where he eventually became a finalist in the competition.
A entwinement of provocative lyrics and no-holds rock and roll, Krantz sees his music as a balanced combination of frantic ecstasy and introspective depths. Alternating between crazy antics, a dash of face paint, and a meaningful look within, Krantz feels that his music is the perfect blend of his extroverted personality. Drawing from his influences of The Beatles, Weezer, and T-Rex, Krantz looks for meaning and purpose within his rock N Roll sound. WEBSITE, FACEBOOK.
'Until We Meet Again' opens with some classic riffs and a gorgeous guitar sound whilst the vocals are refined and easy on the ear. With 'Run Away' we have more gorgeous rock vibes and once again the melodic hooks are there in abundance. The band clearly have a knack for catchy unpretentious rock songs, that's plenty enough for me!
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Ganser - Avoidance.
Background - “Avoidance” is the second new single and music video that the Chicago post-punk band Ganser has shared from their forthcoming debut album Odd Talk (out 4/20 via No Trend Records). “Avoidance” is a sharp pain of miscommunication, the exhaustion of trying to be understood by someone you love but your language is all wrong. Ultimately, the effort is pointless. Nadia Garofalo's voice rises and falls with synth washes over driving bass and drums, while Charlie Landsman's guitar punctuates with sharp flourishes. In the video, cars race in a sparse desert landscape towards an unknown end.
Throughout Odd Talk, Ganser’s amorphous sound takes on the form of their comedically grim, absurdist subject matter. Exercising both introverted melody and extroverted noise, the band finds meaning through echolalic shouts and murmurs. Garofalo shouts and barks with an acerbic edge, while Alicia Gaines' vocals soothe and swell. Mumbled, spit out, Ganser explores communication breakdown from beginning to end... seeking meaning in mess, they sort through syllables and signals to find the right words. “Avoidance” follows the album’s first critically-acclaimed first single “PSY OPS” (buy/stream), which came out last month.
After the bands’ headlining record release show @ Glitter Creeps’ party at the Empty Bottle on 4/16, the band will also be heading out on tour in support of Odd Talk (all dates below). They’ll be performing a string of shows with Bloody Knives before heading venturing out on their own in the Southeast. WEBSITE, TWITTER.
Ganser Tour Dates:
3/28 - Chicago, IL - Beat Kitchen (w/ Shopping, Tyvek)
4/16 - Chicago, IL - Empty Bottle (Record Release Show)
4/25 - Detroit, MI - Outer Limits Lounge %
4/26 - Pittsburgh, PA - Howlers %
4/27 - Brooklyn, NY - Alphaville %
4/28 - Philadelphia, PA - Mothership %
4/29 - Providence, RI - Alchemy %
5/01 - Brooklyn, NY - St. Vitus
5/02 - Baltimore, MD - Sidebar
5/03 - Richmond, VA - Flora
5/04 - Raleigh, NC - Slim's
5/05 - Atlanta, GA - 529
5/06 - Memphis, TN - Bar DKDC
% - with Bloody Knives
It is just four weeks since we shared the first single (Psy Ops) from Ganser, 'Avoidance' makes for a very welcome follow up. The music video is retro (just love those classic cars), the song a potent rocker packed with determination and emotion, expect plenty more on the forthcoming album, it's going to be worth the wait.
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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama
Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...