Midweek With: Shane Scheib - Fresh Snow - Brooklyn Doran - Alex Bent + the Emptiness - Birdtalker

Shane Scheib - Run! (Radio Version).

Background promo - Shane Scheib is an indie artist based in Nashville, Tennessee. His music expertly blurs the lines between the energy of alternative rock and the verve of indie-pop.

A creative and forward-thinking performer, Shane is known to produce music with an open heart and an open mind, bridging the gaps between clever arrangements and emotional lyrical wit. His distinctive guitar playing is also the result of lots of labour and dedication: when he was 13, Shane fell in love with the mastery and incredible ability of Stevie Ray Vaughn. He watched the bluesman's legendary live performances on video repeatedly, eventually mastering the blues and rock formula. Later, he took it to the next level as a trained jazz guitarist with a versatile mindset, incorporating influences as diverse as folk, pop and rock into his music.

Shane Scheib’s music is a lot like his humor: it’s witty, playful, and a little introspective at the same time. In his own words, “Fast Friends sounds like Bono Imagined Dragons while playing guitars that had White Stripes and Silversun Pickups; it was Fun.”

One of the most striking and endearing features of Shane's sound is definitely his ability to create songs that are challenging and diverse, yet extremely catchy and easy to relate to for a broad palette of listeners.

Shane's upcoming EP, "Fast Friends", will be released on September 13th, and it will be available through iTunes and Spotify.


First track on the new EP 'Fast Friends' the song 'Run' gives you a good idea of what's in store. Musically it leans more towards, energetic indie rock, with one or two more pop influenced moments. There are plenty of hooks and Shane has an ear for melody, that keeps everything quite accessible, without being to format driven. Overall it's a pleasing EP.

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Fresh Snow - I Can't Die.

Background - Fresh Snow, an acclaimed instrumental kraut-noise-psych rock quartet, are back with their second full-length album, ‘ONE’. Recorded with Graham Walsh, in a rural Ontario barn, ‘ONE‘ arrives less than a year after their 2015 EP ‘WON’, via Hand Drawn Dracula (Beliefs, Doomsquad, Etiquette) on September 9th, 2016.

With ‘ONE’, Fresh Snow pushes their own boundaries further than ever, creating something more confrontational, yet more accessible, than anything they’ve done before. The band describes ‘ONE’ as an album that is both structured and instinctual, made without ego or fear of alienating its listeners. Noise and texture is always prevalent, however minimalism is newly explored in places throughout the album, alongside electronic treatments, and English / French vocals.

After a split 7″ with SubPop artists Metz (2012), Fresh Snow earned critical acclaim with their 2013 debut album, ‘I’, and landed on the cover of Now Magazine, as well as being listed for the esteemed Polaris Music Prize, and making numerous year end best of lists. Brooklyn Vegan described Fresh Snow’s music as “mutant, motorik psych,” which the Toronto Star’s Ben Rayner also called “transcendental” and “overwhelming in the best sense possible.”

Fresh Snow’s inventive live shows – performances within pods or around projection screens, leading audiences from one room to another mid-show – are legend to those already in-the-know. They’ve performed alongside groups as diverse as Atlas Sound, Tim Hecker, The Pop Group and Ratking, as well as forming a one-off blisteringly loud band with Metz (FrETZ).

As Fresh Snow continue their journey through the ROYGBIV colour wheel – ‘I’ is red; ‘WON’ is orange; and ‘ONE’ is a yellow cover, the distinctive sonic elements that are the band’s trademarks continue to evolve, strengthen and feedback. ONE is filled with dissonance, stillness, intrigue and molten noise, as Fresh Snow continue to look for the beauty that is found in extremes.

Tour Dates:
Sept 10 Hamilton, ON - Supercrawl Festival
Sept 22 Toronto, ON - Ontario Place - Small World Fest 


'I Can't Die' is one of nine tracks from the 'ONE' album, and is something of a mini epic in it's own right. The album is a fascinating collection of instrumental pieces, with an almost constant theme, in that you just do not know what's gonna come next. Part experimental, the band move from kraut rock to more psychedelic moments, sometimes full on noise rock, and yet everything flows and the melodic moments are just wonderful. Highly creative and enjoyable.

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Brooklyn Doran - The Villain.

Background - The lyric video was shot entirely at the Scarborough Bluffs in Toronto and was created using a series of cinemagraphs. The video team partnered with Flixel to bring these still images to life. The video was filmed by the incredible team at Public Space Productions. "The Villain" comes from Brooklyn's new album “These Paper Wings”. Out September 9th.

“The Villain” captures the idea of regaining strength and power in a situation where I felt trapped and silenced. As women we are often taught to take full responsibility for uncomfortable situations we find ourselves in regardless of whether we have control or agency within them. When a toxic or abusive relationship breaks down- there are a lot of complicated feelings that come with it. With this song, I wanted to express all of those different angles, but most importantly I wanted to tell a story that presented strength and the ability to overcome. I am not only writing for me here; I am also writing for the startling number of women in my life who I know can relate. Through the lyric video, I wanted to showcase imagery that made me feel strong and powerful, but beautiful at the same time. - Brooklyn Doran.


'The Villain' is the second song we have featured from Brooklyn Doran in recent months and it is another engaging song from the debut 7-track album "These Paper Wings" released in September 2016. Full of melodic numbers and the beautiful vocals of Brooklyn, it's a collection of thoughtfully written material, where the attention to detail ensures seven very individual and absorbing tracks.

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Alex Bent + the Emptiness - Paper Mask '16.

Background - Alex Bent is a 22 year-old singer-songwriter from Saskatoon, Saskatchewan. The Emptiness is Bent’s musical expression. Alex Bent is the Emptiness and the Emptiness lives in him. Far from being a blank void, the Emptiness is vast, expansive, textured and nuanced. Intoxicated on emotion, earnestness, longing and poignancy, Alex Bent + the Emptiness are distinctive yet inseparable parts of a whole.

The album was written at a time where he chose to be reclusive out of fear of being hurt or humiliated. He found comfort in creating songs that took the stories he saw in his head and painted them into reality. Alex hopes others may listen and find a similar escape within these songs.


Taken from the new album "Dead, In The Water", 'Paper Mask '16' is the opening track, and as I was not sure which one to feature, it seems a good enough starting point for Beehive Candy. Alex describes his music as "Dark Piano Pop" and in those three words he pretty much sum's the new album up. Deep and sometimes emotional material, may sound like hard going, however the pop element really does lift the material up enough, through melody, a good choice of additional sounds, and a gentleness that soothes. In fact it is because of that, I find myself dipping back into the album, to enjoy a little escape of my own.

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Birdtalker - Graveclothes.

Background - Nashville alternative group Birdtalker has announced it will support The Saint Johns on tour this September. As a duo, Zack and Dani Green of Birdtalker will kick off the tour in Birmingham, AL on 9/7, and close out the shows on 9/30 in St. Louis, MO. See above for a full list of dates.

This tour follows the release of Birdtalker's debut EP, Just This, which was released on 8/19. The Wild Honey Pie premiered the EP, saying that even when the band, "...delve[s] into more uncertain and strained subject matter, they’ll still remind you to 'put what’s heavy behind' and that we 'don’t need no mournful sounds.' Simply put, you feel lighter by the end of this EP than before you began listening."

A few months after marrying, the band’s founders Zack and Dani Green began writing songs together. Neither had pursued music before, however, after finishing their first song together, each felt an electric surge and from that point on there was no turning back. Friends in Nashville began to take notice of the duo’s original tracks, and Birdtalker quickly grew into a five-piece ensemble. Just This EP reflects different themes of adulthood, touching on the evolution of the pair’s marriage, to prioritising what is most important in one’s life.

The six-song EP was recorded in Nashville at Glass Onion Recording Studio with co-producers JD Tiner (Erin Rae) and Dan Fernandez (Great Peacock). In its brief time performing together as a band, Birdtalker has had notable appearances in Nashville opening for The Strumbellas, Escondido, and Marc Scibilia.

Announcing their tour dates seems a reasonable enough excuse to feature another song from Birdtalker's new EP and this time it's 'Graveclothes'. Another reason is the fact that all six songs on the EP are just so good!

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Five Good Ones: Kizzy Crawford - Dirty Sole - Mercy - BeLL - Australia

Kizzy Crawford - Gerridae.

Background promo - Gaining BBC Radio 1 play with your debut single release is a pretty astonishing boost for anyone, but 20 year old Welsh/Bajan artist Kizzy Crawford, is not one to rest on her laurels. Her solo career began just three years ago and she is on a mission - a mixed race Welsh speaking artist proud of her background and determined to make her mark by fusing bilingual soul-folk jazz. Kizzy’s already getting national recognition for her work; in addition to airplay on Huw Stephens show on BBC Radio 1, she’s had plays on BBC 6Music, BBC Radio 4, BBC Radio 3, BBC Radio Wales, BBC Radio Cymru as well as live TV performances on S4C, Children in Need for BBC 1 and the 6 Nations advert campaign.

Not surprisingly, she was won awards too,-the 'Brwydr Y Bandiau' at the National Eisteddfod 2013 and a Welsh Singer-Songwriter competition receiving money to record her first EP 'Temporary Zone' with Amy Wadge (Ed Sheeran co-writer). Over the last three years, Kizzy has developed an increasing sophistication to her songwriting and performance, which is complimented by her soaring voice that boasts both range and charisma. Her forthcoming double A side single release showcases her writing and performance to perfection. In 2014, Kizzy signed to publishing company BDi / Bucks Music and she was then selected as a BBC Horizons 12 Artist which included the opportunity to perform a live session at BBC Maida Vale. Kizzy was also a featured artist with Gwilym Simcock for a BBC Radio 4 music programme and she was invited to perform on The Verbs ‘Young Talent’ programme for BBC Radio 3.

Kizzy is the youngest singer songwriter to have her work selected for ‘set pieces’ for the Welsh examining board (WJEC) for their A Level Music syllabus, for the year 2016/17. Her compositions will stand side by side with Gruff Rhys, Super Furry Animals and the Manic Street Preachers and will include the songs Gerridae and Jungle, which was released on August 26th 2016.

'Gerridae' demonstrates just why Kizzy Crawford has been getting noticed in the UK. The featured song reminds me in part of earlier Maria Muldaur material, not so much in the composition, but that there is a sense of playfulness, and real personality shining through. The accompanying song 'Jungle' confirms further that Kizzy does not sit in any particular genre, which is absolutely fine, especially when the music is this good!

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Dirty Sole - Owning It (feat. Nick Maurer).

Background - Dirty Sole is the dynamic indie electronic group formed in 2001, rooted from the storied & significant musical history of their hometown, Chicago. It didn’t take long to get noticed, as their first release was signed by dance music pioneers Derrick Carter & Luke Solomon for their Classic Music (UK) label. The record went on with multiple chart placements, alongside the icons of the era, Basement Jazz & Roni Size.

The duo followed with a string of releases and global hits that saw their unique blend of house, funk and techno appear on labels such as Yousef’s Carioca imprint (UK) and Phil Week’s Robsoul Recordings (FR), and leveraged their forward-thinking sound with major brands like Nike & Toyota.

The pair has since been head down in the studio at work on their latest single featuring a remix from DFA’s The Juan MacLean, and their sophomore album, FWD Motion. Still keeping their eyes and ears looking towards the sounds of the future, the new LP marks a crisp beginning, blending elements of electronic, synth pop, dance, and hip-hop with featured artists Lyrics Born, Foremost Poets, Jon Von Letscher and James Curd.


With melodic and quite powerful vocals 'Owning It' thumps along with a creative and intricate electronic background. Indeed the vocals are well up in the mix and drive the song along as much as the rhythm, all of which makes the album due in December, one to keep in mind.

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Mercy - Depth Charges.

Background - Mercy released her new single a couple of days back, “Depth Charges.” It is a love song with a submarine warfare theme. Yes, that’s right: submarine warfare. “It’s a playful song about watching and waiting to be noticed by the one you love,” explained Mercy. “That translates in the song to lurking below the waves in a submarine.”

“Depth Charges” comes on the heels of Mercy’s five-song 2016 “Mercy EP” that showcased the Brooklyn-based singer-songwriter’s beautiful, soulful voice and unique style: “I think people will enjoy ‘Depth Charges’,” said Mercy. “It’s a fun song, but with attitude too.  Folks who liked the ‘Mercy EP’ will feel right at home with this new song.”



I'm all for imagination and different ideas, and a song like 'Depth Charges' ticks those boxes. Add in some fun and for me, your on to a winner. Musically understated the song skips along with Mercy's vocals charming their way into my ears.

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BeLL - Losing My Religion.

Background - Originally from Tyler, Texas, BeLL’s career so far has consisted of writing for other artists, including Natalie Imbruglia & The Script’s Danny O’Donoghue, & having songs in the media including a Volkswagen Super Bowl commercial & TV shows like Vampire Diaries & Pretty Little Liars. Now residing in Los Angeles, she learned the ropes behind the scenes collaborating with heavy-hitter producer/songwriters like the renowned Giorgio Moroder (Daft Punk) & David Hodges (Kelly Clarkson, 5 Seconds of Summer). In the meantime, BeLL volunteered as a keys instructor at LA's Rock n' Roll Camp for Girls & at Awaken Arts, teaching songwriting to at-risk youth girls.

Known for her live shows consisting of all-female musicians, her upcoming cover of REM’s “Losing My Religion” was a collaborative effort between BeLL & AG, a female producer known for the recent haunting rendition of Ciara’s cover of “Paint it Black&r dquo; featured in Billboard & Rolling Stone. “Having an all-female crew for the music video was icing on the cake. It created a safe space for the actors to focus on the art & message behind the song and be completely raw rather than focusing on sex appeal,” BeLL recalls. The editing for the video was completed when the horrific shootings in Orlando were announced, thus prompting BeLL to decide to donate a portion of the streaming proceeds to the National Center for Victims of Crime. “The song took on a much deeper meaning then. It’s heartbreaking when people distort & use religion to justify violence & malevolent hatred.” BeLL is excited to share her interpretation of REM’s song with the world.


'Losing My Religion' is such an iconic REM song, that you have to take it in a different direction, if you are going to cover it, which thankfully is exactly what BeLL has done. It's not only a slower version, there is a more sultry vocal feel, and the music takes on a darker, marching anthem manner. Whilst it's hard not to 'hear' the original, this really is a good reworking.

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Australia - Breathe In.

Background - Sydney based 5 piece, Australia (the band, not the country) have this week announced a run of tour dates around their upcoming Bigsound appearances and in celebration of their new single ‘Breathe In’ and it’s accompanying video.

‘Breathe In’ is the most recent single to be taken from the band’s debut album ‘Portraits of People, Places and Movies’ which they released independently in early 2016. Toeing the lines between pub rock and new wave, the music of Australia is fearlessly imaginative, undeniably danceable and yes, quintessentially Australian. Front man Guy Fenech’s melancholic howls are matched by his subtle baritone croon and punctuate the pulsating synths and angular guitars.

In the spirit of their name, which conjures an echo of the 1980’s Australian pub rock scene, the band’s live show is raw and immediate, cheeky and charming – oscillating between hypnotic driving indie rock and lush cavernous synth pop while overwhelmingly characterized by a group whose genuine love for playing live (and each other) is infectious to no end. It is no surprise then that Australia have been invited to showcase at this year’s Bigsound music conference in Brisbane.


Live Dates:
Fr1 2 Sep - Moonshine, Manly
Wed 7 Sep - BIGSOUND, Brisbane
Fri 9 Sep - The Northern Hotel, Byron Bay
Sat 10 Sep - The Pier, Port Macquarie
Fri 16 Sep - The Chippendale Hotel, Sydney
Thu 22 Sep - Rad Bar, Wollongong
Thu 29 Sep - Karova Lounge, Ballarat
Fri 30 Sep - The Grace Darling Hotel, Melbourne.


'Breathe In' is the latest single from the ‘Portraits of People, Places and Movies’ album, and it typifies the quality, power and imagination this band have. It's a driving rock song, where each member of the band comes across as commited to grabbing your attention, with energy and natural, refined rock'n'roll.

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Moddi - Unsongs (Album).

Moddi - A Matter Of Habit.

Background promo - “Learning to kill is a matter of habit, the more you have done it the better you’re at it… They’re just objects and shadows, not women and men. Learning to kill is a natural thing.” It’s a lyric that carries as much weight today as it did in 2012, when the song was prohibited from play on Israeli Army radio station Galatz. Penned by author Alona Kimhi – on account of first-hand testimonies from West Bank IDF soldiers – and performed by Izhar Ashdot, ‘A Matter Of Habit’ is the latest track reworked by Norwegian singer/songwriter MODDI on forthcoming album ‘Unsongs’.

In the case of ‘A Matter Of Habit’, Galatz justified the ban saying: “we should avoid celebrating a song that demonizes our soldiers”. However, delve a little deeper and the focus shifts to wider moral perspectives.

“A Matter of Habit may have been written about a particular conflict, but it carries a universal message: that anyone can become an oppressor,” Moddi explains. “It says something bigger about not just Israel, but the entire Western World. Everyone recognises the feeling of numbness that comes from being exposed to violence and death every day. We see it in the news, we hear about it on the radio. In the end it just passes as background noise. We don’t feel empathy anymore, just a growing fear that the same thing might happen to us one day.

The album aims to uncover a collection of 12 songs that have, at one stage or another, been banned or suppressed, with the attempts to silence them as mild as an airplay ban and as brutal as a murder. ‘Unsongs’ is released Friday, September 16 via Propeller Recordings. 


I am delighted to feature another track from the soon to be released 'Unsongs' album. There is a short video documentary to accompany 'A Matter Of Habit' which is included below. Having had a chance to listen to all twelve songs on the album, I have to say this is a truly exceptional musical collection. Moddi has a distinctive and beautifully sensitive voice, and the musical arrangement behind each song is constructed with great care and detail. A collection of twelve banned protest songs is a fairly powerful thing in it's own right, the really incredible thing fo me, is how Moddi has interepted them and breathed so much new life and heart felt intensity into them. One of the best albums for me this year. Moddi has tour dates lined up across Europe, details are available here.

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Quality Not Quantity: Hawking - Ablebody

Hawking - Comfortable.

Background promo - Canadian alternative rock band Hawking have released their latest single "Comfortable". The track boasts themes of loss and fear while showcasing the group's signature intense percussion and complex vocals.

"Comfortable" is a meaningful title for the band because it's about the desire to feel comfort at the end of the day. It's about defining and finding comfort, whether that's emotionally, financially, physically, or creating your own version of feeling at peace. The song was written by lead singer Tom Vanderkam while on a plane to Los Angeles with his girlfriend Maddie Phillips, who stars as the heroine in the music video.

Vanderkam reflects on the track, "'Comfortable' is about having someone that you love and depend on ripped away from you. Whether that’s a breakup or the death/deterioration of a family member or what have you, we’ve all known that sorrow. Lyrically, the song is interesting because it can be from the perspective of either party – the person losing someone, or the person who’s becoming lost."

Hawking is a progressive alternative foursome from Vancouver, Canada. They released their Hawking EP in July 2015 and recently embarked on a 50-date tour across North America. The EP was immediately met with an onslaught of acclamatory reviews from indie tastemaker publications. The group strives to keep their songs as enigmatic as they are catchy; combining powerful, evocative vocals with melodic hooks, angular guitar riffs and a liberatingly adventurous rhythm section. As the Canadian music mavericks continue to take the scene by storm, Hawking is driven to make passionate, real, and memorable music for many years to come.


The mixture of vocals and harmonies works well on 'Comfortable', add to that the funky clear rhythm, and layered synth sounds and you have both a pleasing and punchy song.

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Ablebody - Gaucho.

Background - Ablebody is an LA-based duo comprised of identical twins Christoph and Anton Hochheim (members of The Pains Of Being Pure At Heart + The Depreciation Guild). They've been quietly releasing music under this moniker since 2013, self-releasing an EP and 7" single, crafting remixes and demoing original material as well as a myriad of covers. This week they share the single "Gaucho" .

Drawing from the raw grandeur of the 60's, the melodicism of soft 70s pop and the sophisticated side of romantic 80s synth pop, Ablebody stand suspended between decades; students of the past but far from retro fetishists. Their musical prowess is evident but the songwriting remains tastefully direct at all times, with arrangements that bend and move in surprising ways but tastefully blanket the overarching sentiment of the songs in a way that we rarely hear in this decade.

The duo have recently taken their sound from the bedroom to the studio, working with producer/engineer Kenny Gilmore (Ariel Pink's Haunted Graffiti) to craft songs with a more visceral edge than they've explored in the past. Daniel Rosenbaum (Pomar) and Jordan Sabolick (Mt. Ossa) have joined the duo to help bring the songs to life and add new dimension to the live dynamic.

Their debut full length record Adult Contemporaries will be released by Lolipop Records on October 14, 2016.

Tour Dates:
September 9 - Pomona,CA - Acerogami - with Sea Lions, Foliage
October 18 - Los Angeles, CA - Bootleg Theater [Record release show] - with Winter


'Gaucho' is the second song we have featured from Ablebody this year, and continues the dynamic and synthy sounds that are both melodic and funky. If the album maintains these standards the twins deserve to be noticed.

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Genre Wander: Tanya Gallagher - Computer Magic - Lion Sphere - Otis Redding - Lion's Den

Tanya Gallagher - Virginia.

Background bio - A little town in the Florida panhandle may be the only true home to Southern songstress Tanya Gallagher, but her music spans the country from the coastal plains of the Gulf of Mexico into the far reaches of the Pacific Northwest. Born and raised near the Florida-Alabama line, she spent her formative years along the Gulf Coast studying environmental science and working odd jobs whilst fine-tuning her song-writing skills. Her 2013 release, Oh My Love, reveals beautifully crafted melodies and thoughtful folky refrains, enough to garner the attention of both her US and Canadian peers. 

Collaborating and performing alongside fellow wordsmiths and fans, like James Adkins, Logan Vath, and James Dupre, her song-writing conveys the honesty and wisdom of a woman who is beginning to establish a musical identity all her own, yet one still rooted in the soulful folky crooners who have paved the way before her. With her voice as smooth as whiskey and an acoustic guitar, Gallagher uprooted and moved from Pensacola, Florida to Vancouver, BC in the fall of 2013 to pursue a PhD in Landscape Ecology and continue song-writing. Her latest album, Virginia, is set to be released September 30th, 2016.

The first of seven songs 'Virginia' gives a good taste of the folky and refined music Tanya Gallagher creates. Her songs tell stories and conjure up mind pictures, whilst the music and harmonies, add melody and atmosphere. Understated and yet full of feeling, it's a really fine collection of songs.

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Computer Magic - Dimensions.

Background - "Danielle Johnson, is a Catskills-born producer and recording artist who makes music as Computer Magic. She spent years as a fixture on the NYC nightlife scene as a teen DJ going by the name Danz, then dropped out of college and started making music withe her midi controller and her computer. She's particularly revered in Japan; she likes to wear NASA space suits. Since 2010 she's released a bunch of EPs and last year's debut LP Davos (Gary Numan fans get involved!) and below is the premiere of her new song, "Dimensions," lifted from her forthcoming EP Obscure But Visible. "Life is short but love is long / Take a breath and carry on," she exhales wistfully over canned beats and dancing synth lines. There's a pinch of "Yoshimi Battles the Pink Robots."

"The song 'Dimensions' was inspired by my recent time spent in upstate New York—the intense skies at night, the infinite green fields," she explains. "When you're lying on the grass in the middle of nowhere looking up at the stars, you realise how small your place is in the universe, and in turn your current problems tend to fade away if only for a moment. I suppose the lyrics are about this, the feeling I experience looking up at the stars."


'Dimensions' is a dreamy, melodic and totally catchy, synth pop song. Danielle Johnson has some very real creative talent. Why say more?

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Lion Sphere - Sisters.

Background promo - Berlin based four-piece Lion Sphere are one of the most exciting bands to come out of Germany this year. The release of debut single 'Sisters', and accompanying visuals, set the boys on a trajectory of nationwide shows and increased demand.

The band blend thumping electronic fragments with heavy hip-hop grooves, spacious guitar licks and raw, soulful vocals to create a mixture of genres which don't quite sound like anyone else, and this is what sets them apart in the German musical landscape. The music is a mesmerising fusion of dreamy melodic detail, airy synths, jazz infused drums and a satisfyingly throbbing bass presence.

Their modern and unexpected song structures are strung together by hooky melodies that range from delicate falsettos to smoky powerful vocals. Lion Sphere break with the conventions of overused pop palettes and create their own synthesis of each members unique musical and cultural background. "Sisters" is the first taste of their debut EP The Infinite You to be released in October 2016.

The soulful vocals on 'Sisters' are matched almost to perfection by the equally superb musicianship. Produced with layers of beautifully blended sounds this is one encouraging introduction for the EP.

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Otis Redding - Mr Pitiful.

Background - Stax Records and UMC, are pleased to announce the release of Otis Redding – Live At The Whisky A Go Go: The Complete Recordings. In chronological order, this six-CD collection presents the entirety of Redding’s historic performances over three nights at the famed Sunset Strip venue. The seven sets, recorded Friday, April 8th – Sunday, April 10th,1966, feature the singer’s popular songs of the time, including “Respect,” “I’ve Been Loving You Too Long” and his cover of The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Several of these recordings--all remixed and remastered from the original 4-track analog tapes--will be made available for the very first time on October 21. In fact, this collection will be the first to offer fans the chance to relive all of the sets in their entirety, including between-song banter by Redding exactly as they were performed. Rounding out the package is a poster, plus new liner notes from Los Angeles-based journalist Lynell George and box set co-producer Bill Bentley.

By the spring of 1966, 24-year-old Otis Redding was a bona-fide star on the R&B and soul radio waves. The singer was enjoying the critical and commercial success of his third studio album, Otis Blue, and was watching his singles cross over to the (typically very white) pop charts. Redding had yet to be fully embraced by a white audience, and this weekend-long gig in Hollywood, booked at a venue known more for hosting hippies, and launching bands like The Doors, The Byrds and Buffalo Springfield, was a shrewd move to introduce Redding to a new market. In fact, Redding would be the first major soul act to perform on the Whisky’s stage. In her liner notes, Lynell George adds context: “The Strip, like much of 1960s Los Angeles, had invisible but tough to permeate dividing lines...Redding began to see this three-night run as just the right spark to help him jump over all those many lines, from star to superstar, from R&B/soul to pop, from all-black rooms to arenas…” In the end, these Whisky sets (with Otis' nine-piece band) did prove to be an important step in Redding’s career, and introduced him to the emerging counter-culture of the 60s. Of the Whisky shows, The Doors' guitarist Robby Krieger said, "I remember standing right in front of the stage for the whole show. I never heard of Otis Redding before and I was amazed at the energy that he created on the stage.”  A year later, Otis would be the star act at the Monterey Pop Festival, sharing a lineup that included Jimi Hendrix and The Who. Tragically, just as his career was reaching its peak, Redding’s life would be cut short in a plane crash, in December 1967.

'Mr Pitiful' is all I have to hear, for a compulsive need to own the entire six CD collection. Otis Redding, soul master, what a tremendous experience listening to all of this is likely to be.

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Lion's Den - Scars.

Background - Stockholm based Lion's Den, including members from bands such as Wild Fangs, Holograms, Mind Traps and Martin Savage Gang, release a new single from their forthcoming debut album!

Lining up to the album the band has released singles "Nothing's Fine" and "Timetimetime" receiving great praise from blogs all over the world. "Scars" is out now and the debut album will be here on August 31st.


Tour Dates (more tba)
2 sep - Debaser Strand, Stockholm - w Föllakzoid
29 sep - Grand Öl&Mat, Malmö - w Growth
30 sep - Koloni / High Time, Göteborg - w Growth, LA Hell Gang





Uncomplicated it may be, however'Scars' has all the vital ingredients for an indie garage/pop/rock or whatever you decide it is song. Hooks galore, a lively upbeat soundtrack and vocals that add some rock'n'roll edge.

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Weekend Wonders: Almanac Mountain - Baby Baby - The Harlots - Pete Allan - Jasmine Rodgers

Almanac Mountain - Harborside.

Background Bio - Beyond being an obscure peak on the outskirts of Maine, Almanac Mountain is the moniker of conceptual bedroom prog pop impresario Chris Cote. The slight pinnacle of a namesake is indicative of the band’s emphasis on the mundane, simple and modest aspects of life which Cote finds more spiritually liberating than the spectacular, big and awe-inspiring.

Based on the New Hampshire Seacoast, which happens to be the country’s smallest coastline, Almanac Mountain has cultivated a unique sound which merges Cote’s pop and classical instincts. It is one part ELO, one part Magnetic Fields and one part Franz Schubert. The band began releasing material in 2010 with the When In Nature EP and followed with the debut full length So Many Seas later that year. Their sophomore LP Almanac Mountain Is In Like With You was released in September of 2014 and was supported by a series of shows all over New England.

While Almanac Mountain’s live show consists of a full band, Cote usually records the material by himself with the guidance of Brian James, a friend and trusted confidant who occasionally plays parts, and who always masters the finished music. While the subject matter has varied from the specific to the universal, the themes of Chris’ work are rooted in a form of secular humanism; centering on the admiration for the natural world and the aversion to egotism.

The newest album, Cryptoseismology, which literally means the study of hidden or secret quakes, was recorded during the worst winter in recent New England memory where the walkways and roads were surrounded by trenches of snow for months. “The cold never let up” Cote reflects. “It had such an impact on me I felt like I was escaping into the worlds I was creating in the songs.” The storms’ effect contributed to the often creeped out sense of isolation and paranoia found on the kaleidoscopic album. A discomforting vibe that was tempered by Cote’s sarcastic optimism. “I ultimately feel we have a kind of power within us...” Cote notes. “To walk past all the weirdness and insanity and find grace.”


The eleventh and final track on the 'Cryptoseismology' album, the song  'Harborside' is just a hint of what's in store on this fabulous album. It's sometimes pop, other times more prog, and then of course there are folk influences and the odd pretty experimental piece. The best description I can come up with overall is, think of a modern day Kevin Ayres, but more focused - wonderful stuff!

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Baby Baby - Hang In There.

Background - The fine southern gentlemen of Baby Baby have been performing since late 2009. Started by singer/guitarist/raconteur Fontez Brooks and drummer Grant Wallace, the band now features Colin “CowCow” Boddy and Hsiang Ming “New Guy” Wen. Straight out of Carrollton, GA.

The band has graced the stages of  Made In America, Riotfest and Afropunk, as well as losing all their money on condoms and beer during The Warped Tour. Searching to define their music, the only description is “Fun Rock” – a mélange of Indie, English and Swedish Punk, Bayou Rock, Vaudeville and Carnival. If Tony Robbins put on a Hawaiian shirt and a pair of swimshorts, downed a bottle of bourbon, listened to nothing but Blink 182 and GG Allin for 24 hours and then decided to deliver a musical motivational speech, pick up your girlfriend and steal your cab this is what it would sound like. On fire.

It is not meant to be taken seriously. It is supposed to put a large grin on your face and if you do decide a mosh pit is in order, they request that you act with decorum and class. It’s preferable that they heckle you rather than the other way round.

We feature 'Hang In There' as the band get ready to release their third album titled 'Semifamous' (September 16th). The final song on the album is called 'Exhausted' and might be autobiographical, as this band don't slow down, they just deliver great rambunctious rock'n'roll and are seemingly loving every minute of it. Fun Rock is the genre, Baby Baby are the band.

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The Harlots - Umma Gumma.

Background - The Harlots are a six-piece rock, pop and soul outfit from Melbourne that have spent the last half a decade filling dance floors across Australia. Blending overdriven guitars, dreamy keyboards and a tight-as-fuck rhythm section that grabs you by the lapels and un-tucks your shirt, the band is known for honest, story-telling lyrics that always hit close to home.

The band’s EPs, The Harlots (2011) and Course Tunes; Parts 1 and 2 (2013) have been met with much critical acclaim, leading to a string of sellout Melbourne shows, international supports (The Charlatans, Surfer Blood, The Commitments) and festival appearances (Kennedy’s Creek, Queenscliff, Gum Ball, Hills Are Alive, Cherry Rock and Festival of the Sun). ‘Umma Gumma’ was recorded by Richard Bowers (drummer/engineer for Magic Bones) at Soundpark studios in Northcote, Melbourne. The track was recorded live and onto to reel to reel tape, giving song a more raw and honest sound.

The band says on the creation of the track, “In the weeks before we wrote it, we’d been working on a few quieter, more complicated tracks that were taking ages to come together. We decided to put them aside for a bit and work on something else and when Umma Gumma was brought to the table, I think we must have channelled our frustration somehow because we ended up smashing out a far more aggressive, fun, upbeat version than what was intended. Only took a rehearsal or two as well. It was originally called ‘Heartbreaker' but because of the complete lack of diction in the chorus line, “I’m gonna leave ya,” we decided ‘Umma Gumma' was appropriate. “

‘Umma Gumma' is about when you know a relationship isn’t working and you’ve got to get out of it but you haven’t done it yet, like you’re preparing for it. The fast, frenetic nature of the song, when put with the lyrics gives it a kind of desperate feel. The band has a national tour in October/November to coincide with the release of their debut album. “Umma Gumma” by The Harlots will be released 1st of September 2016.


'Umma Gumma' slams into gear and with dynamic anxious vocals, we are away. The hooks and melody are in the chorus, manic rock precedes all of this, and half way through it all comes together, in a masterful and powerful manner, a superb piece of rock'n'roll.

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Pete Allan - Lost & Found.

Background - Pete Allan to launch new EP 'Ripples' and single 'Lost and Found'. Sometimes you can just tell the artists that grew up on the coast. Their music and their lyrics all seem to reflect the smoothness of the sea breeze, or the relaxed pace of coastal life, transporting the listener from wherever they are to wherever they would rather be. This capability is the heart and soul of Pete Allan's latest EP 'Ripples'. A native of the Sunshine Coast hub of Noosa, Pete's blend of effortlessly cool vocals and hypnotic, swaying rhythms are the musical epitome of the paradise he grew up in.

Following on from this year's early taster and widespread radio gem 'Treading Water', new single 'Lost and Found' highlights Pete's gifted trademark storytelling while set to a tune fit for every upcoming Spring and Summer playlist. Produced/engineered by Elliot Heinrich at Heliport Studios and mastered by Brian Lucey at 301 Studios, the Ripples EP is a leap forward in full band sonics without adding any unnecessary weight to Pete's feather-light musical agility.

Perfectly described by Sea FM for his “smooth Sunday arvo feel”, Pete Allan's music matches his lifestyle – a blend of coastal warmth and down-to-earth honesty. This meeting of music and ocean is not a new thing for Pete (who has seen several of his songs end up on surf films) but it has in recent years taken a very literal twist. As seen in Pete's Summertime clip, he has taken to riding guitars like they are bodyboards, gaining the attention of GoPro and Inertia surf magazine as well as delighting the internet. Pete Allan, it would seem, is the embodiment of an entirely new definition of surf music.

But it is his work on-shore, as an artist, that defines him. Capturing one of the most beloved aspects of Australian life, Pete creates music that represents the vastness of coastal culture on a continent girt by sea. 'Ripples' will see Pete Allan continue to win over new fans all around the country. 'Ripples' featuring the single 'Lost and Found' is out Friday September 9 on CD and via all good digital retailers

Ripples EP Launch - Saturday September 10 @ Solbar, Maroochydore, w/Doolie, Jason Daniels.


'Lost & Found' is the first of six on the new EP and also the single. It's a predominately upbeat collection of songs, the attention to detail in the music and production ensure Pete Allan's appealing vocals are given the right level of accompaniment. Engaging lyrics and melodic vibes, makes for a good collection of songs.

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Jasmine Rodgers - Follow You.

Background - ‘Follow You’ is about retelling the age old tragedy of separation, Jasmine says farewell but not goodbye to an erstwhile lover whose divergent path in life she feels she can no longer follow. It’s an intensely bittersweet dramatisation of the end of a relationship.

Jasmine Rodgers’ debut solo album Blood Red Sun channels her gift of narrative storytelling into eleven concise songs that explore the emotional hinterland behind all of our thoughts and deeds. It’s a folk album where, like Joanna Newsom, Rodgers’ assumes a variety of different masks. Whether it’s the bawdy lover amusing herself with lascivious fantasies as she watches her lover sleep, or the mystic bard piping songs about the transformative power of music itself, Rodgers’ natural gift for poesy and her depth of feeling stand front and centre in a beautifully rendered debut LP. 


Live Dates:
September 10, 2016, Nottingham, UK, New Art Exchange
October 15, 2016, Leeds, UK, Leeds First Direct Arena (Bad Company)
October 17, 2016, Cardiff, UK, Cardiff Motorpoint Arena (Bad Company)
October 19, 2016, Nottingham, UK, Nottingham Motorpoint Arena (Bad Company)
October 21, 2016, Birmingham. Birmingham Genting Arena (Bad Company)
November 24, 2016, London, UK, Olympic Studios Music Room


'Follow You' is the second song we have featured by Jasmine Rodgers, and having now listened to the album it sits well amongst many fine tracks. There is so much quality both in the lyrics, the music and the production. It's folk music by definition, however the variety between the songs is notable. I really hope this album gets noticed, it deserves to.

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Six Of The Best: Katie Buxton - Brother Moses - Khompa - Lizzy Rose - Angela McCluskey - The Second Howl

Katie Buxton - You Flew.

Background promo - Indie-Folk Singer/Songwriter Katie Buxton releases heartfelt new single 'You Flew'. Katie Buxton is an indie folk singer/songwriter originally from Philadelphia, Pennsylvania and based out of Nashville, Tennessee. At age twelve, Katie picked up the guitar and wrote her first song, and since then has had experience with bands and songwriting in multiple genres. In 2012, she was chosen as a finalist in the Sing for the Trees Songwriting Contest with her song “The World Moves By”. In the summer of 2013, Katie attended the Berklee Five Week Performance Program where she was a finalist in the Songwriting Showcase and received mentorship from Melissa Ferrick and Sally Taylor, daughter of James Taylor.

After moving to Nashville to attend Belmont University as a songwriting major, Katie was invited to join Bear House Writers Management and was one of eight to play in the ASCAP Writers Showcase in the fall of 2015. Adding to her songwriting accomplishments, she was later chosen as a finalist in the 2016 American Songwriting Awards with her song "Painted Hearts".

Katie’s debut EP “From Songbirds” was released in March of 2016. Her new single "You Flew" was recorded and mixed by Sal Oliveri and mastered by Luke Gilfeather. As for the meaning of the song, Katie explains "The song is about caring deeply for someone who is not ready to love or be loved and runs out of fear, and focuses especially on the process of learning to let go". "You Flew" is now available on Soundcloud, Itunes and all streaming services.


'You Flew' is a tender indie folk song from singer songwriter Katie Buxton. The vocals and harmonies are sweet, and accompanied by atmospheric and intricately layered music, that blends so well with Katie's voice.

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Brother Moses - Time To Leave.

Background - Fayetteville, Arkansas indie rock band Brother Moses will release their sophomore EP Legends on August 26th via Missing Piece Records.

Of their song "Time to Leave" they say, It’s kind of my love-hate letter to my home state," James Lockhart explains of "Time to Leave." "Sometimes I get really frustrated with the current dividing issues in Arkansas, things that I feel like we should’ve gotten over a long time ago. But it felt good to just kind of vent about it, and this song had to be the most fun to make in the studio. Our buddy Cody Carpenter laid down some top-notch bongos in the instrumental, and John-Lewis and Moses really get to show off on guitar on this one."

Recorded in LA and produced by Raymond Richards (Local Natives, Avid Dancer, Ferraby Lionheart), Legends marks Brother Moses' followup to 2015's Thank You For All Your Patience EP.

Brother Moses began in 2014 when James Lockhart and Moses Gomez came together while studying at The University of Arkansas. Their debut EP was praised by Independent Clauses, w​ho said, “the lyrics are memorable, the melodies are tight, and the instrumental work is solid, but the overall mood of the piece is its greatest takeaway.” In the spring of 2015, the band teamed up with now full-time members Matthew Heckmann (bass) and John-Lewis Anderson (guitar,keys) to record their sophomore EP.


First you have the vocal impact (and with style) before the band kick in and take the song up a notch. 'Time To Leave' has an original indie rock sound. At first I thought it was a little quirky, however as the song develops you realise what a talented bunch Brother Moses are. Great song.

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Khompa - Nettle Empire.

Background - With a Release date of Friday, September 2nd 2016, we have the new record from Stearica frontman Davide Compagnoni going by the name of Khompa. 

The whole album is played live on drums through an adventurous mix of drumming, electronics and cutting edge drum triggering technology.

Pretty special record this, not only has Davide shared the stage with bands such as Girls Against Boys, Acid Mothers Temple, NoMeansNo, Dälek, Damo Suzuki and Coliseum, but the album also features guest appearances from the likes of Taigen Kawabe of Bo Ningen and Davide Tomat from the experimental electronic pop band Niagara. 


Khompa is a unique audiovisual live act whose main elements are: a drummer, a conventional drum kit, 4 drum triggers, a laptop and a stepsequencer. Each drum controls a virtual musical instrument (synthesizers, samplers, etc.) within Ableton Live music software that, in combination with a custom stepsequencer (developed with MaxforLive app), allows Davide to perform real melodies/electronic orchestration without the use of any backing track, loops or click track. 100% live. Khompa's live show will also be enhanced by an innovative custom lightning set that will be controlled by the same triggers used for the music.

'Nettle Empire' is one of eight impressive tracks on the September 2nd album release. It's a powerful collection of music and the live video below, gives a real flavour of whats in store. Highly creative music from a really talented individual, and well worth checking out.

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Lizzy Rose - Walk The Walk (You're A Whore).

Background - Lizzy Rose announced her upcoming album Crocodile Tears a few days back. "Seeing Lizzy Rose play a show is always a magical delight.  Her catalogue is worth digging into.  Miss Rose fronted Denver weirdo indie-pop outfit Vitamins before touring with the Flaming Lips, singing on their Dark Side of the Moon tour.  Now settled into her captivating solo project, the songwriter sings in her hauntingly beautiful falsetto lilt over melancholy piano and guitar soundscapes, creating startlingly tender and gorgeously crafted dreamlike songs."  - The Stranger, Seattle

Her new album, "Crocodile Tears" takes you on a journey through many different musical realms, from driving rock and roll anthems, to carnivalesque, operatic Shakespearean waltzes...to intimate love songs and everything in between.  The one thing that remains constant throughout is a peaceful feeling, like you've been here before.  A feeling of home.  There is a honesty and clarity in Lizzy Rose's voice and composition that is truly healing.

Lizzy Rose is a captivating performer and should not be missed.  She has an aura that welcomes and includes audiences in her journey.  Her voice grabs at the soul and conveys a message of love and acceptance to the listener.  Her songs and lyrics are both catchy and deeply spiritual.  There is hope for humanity pouring out of every lyric and from the darkness of some of her more personal songs that address the struggles of this world, there is the hidden light of redemption exploding out!

Tour Dates:
09/09 - Walla Walla, WA - Three Rivers Winery
09/10 - Boise, ID - Boise Hive
09/13 - Denver, CO - Lost Lake
09/16 - Felton, CA - Don Quixote's
09/23 - Olympia, WA - Le Voyeur
10/08 - Seattle, WA - Columbia City Theatre.


The song 'Walk The Walk (You're A Whore)' is more indie rock, than pop, it's also a pretty powerful piece. Lizzy's vocals sore above the guitar lead soundtrack, adding to the already present melody. There is a level of commitment and passion that suggests the forthcoming album 'Crocodile Tears' might well be quite something.

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Angela McCluskey - Lets Get Lost.

Background - "Lets Get Lost" is the second official single from 'The Roxy Sessions'. The Roxy Sessions by chart topping vocalist Angela McCluskey will be released on September 9th via Bernadette Records. 

The second single to be released from the collection, "Lets Get Lost," just premiered. Recently, Angela was heard on the Big Gigantic smash hit "The Little Things," with Telepopmusik on several cuts including the worldwide #1 hit "Breathe," and now the featured vocalist behind those massive hits and more is stepping into the light with her new album The Roxy Sessions. 

On this project Angela shares songwriting duties with her producer and collaborator Kiran Shahani (Bitter:sweet, Supreme Beings of Leisure). Leading up to the September 9th album release Angela will be ‘Artist in Residence’ at The Roxy Hotel in NYC.

Having listened to both singles now I reckon that 'The Roxy Sessions' may well prove to be a pretty special treat. If the song 'Lets Get Lost' doesn't get you in the mood for dancing, I'm not sure what will, and that's from someone with an appalling sense of rhythm and two left feet! Seriously this is a fabulous tune, enjoy!

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The Second Howl - Hundred Dollar Bills.

Background - The Second Howl blends pop melodies with dark and moody textures, delivered through frenetic live performances that have earned them critical acclaim across the country. Currently, The LA-based punk rock band have their debut release “You Fit In” available worldwide on all major streaming platforms and digital retailers. Additionally, The Second Howl will release the uproarious single “Hundred Dollar Bills” this summer, the track infused with the fire of screaming guitars and Jeanne’s flawless ferocity. Following the release of the single, the band will tour later this year, where the the band’s live punk energy will radiate most strongly.

The Second Howl is an alternative rock band based in Los Angeles. Founded in 2013 by singer Natasha Jeanne (formerly JD Natasha, three time Latin Grammy nominee) and guitarist/ multi-instrumentalist Alex Darren, The Second Howl blends pop melodies with dark and moody textures. Their frenetic live performances have earned them critical acclaim across the country. The Second Howl will release their blistering new single “Hundred Dollar Bills” this Summer, with an accompanying video. A tour in support of the release is in the works for later this year. The Second Howl’s debut release, You Fit In, is now available worldwide on all major streaming platforms and digital retailers.


With a blast of edgy rock'n'roll mixed with melody, pace and passion, 'Hundred Dollar Bills' is one thumping piece of no nonsense music. Why say more...

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Kynlie - So Called Friend

Kynlie - So Called Friend.

Background bio - Raised in Nashville, Tennessee, Kynlie grew up surrounded by talented songwriters and eclectic musical influences. She began exploring the world of songwriting at an early age through the music of Carole King, James Taylor, and other classic writers. 

By the age of thirteen, she had begun to accompany her writing with piano and guitar. Throughout her high school years, Kynlie used her advantage of being based in "Music City" to explore working in various studios and performing live at venues around town. She released her debut album at the age of sixteen and continued to release her original music throughout her teens.

After graduating from high school in Nashville, Kynlie attended the prestigious Berklee College of Music in Boston before returning to Nashville to pursue her music career. Soon after returning, Kynlie signed her first publishing deal with Sony/ATV. All of Kynlie's released music is available for download on iTunes and streaming on Spotify. Her Soundcloud features acoustic performances of songs and unreleased material.


We are delighted to be premiering the brand new music video for Kynie's wonderful single 'So Called Friend'. The song is also one of five inventive and well crafted tracks on the forthcoming Steps EP. The EP really does showcase Kynlie as a very creative and talented singer-songwriter. I guess broadly it's a collection of energised pop ballads with hints of the Nashville environment. Overall there is a pleasing level of maturity within the lyrics, and some very real feel good moments. Highly recommended. You can find a whole lot more on her website HERE.


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Five On Wednesday: The Rival - Catch Prichard - Swaai Boys - Magic Trick - Unity Floors

The Rival - My Own Devices.

Background promo - The Rival Unveils New Single; Announces EP. Nashville alt-rock duo The Rival has unveiled the first single, "My Own Devices," from its upcoming EP, Sands. "My Own Devices" was premiered by Substream Magazine which says the track is a, "...massive new jam..." and that Sands, "...offers huge indie rock anthems, catchy choruses, and softer, elegant moments strewn throughout. We can tell you confidently that it’s a release you’ll want to visit repeatedly this fall."

"My Own Devices" will be commercially released and available at all digital outlets on August 26. The Sands EP is slated for release on October 7.

The band wrote the track from the perspective of a, "...family member that has been through hell with their partner and it’s been difficult to watch. We wrote ‘My Own Devices’ by putting ourselves in their shoes, imagining what it must feel like to try and fix what is broken and get back to that sense of home. Musically, we wanted to pay tribute to some of the great ’90s albums we grew up with, from Jeff Buckley to Weezer, and experiment with a sound that felt like home to us."

Sands is the second in a trilogy of EP’s The Rival is releasing in 2016 and 2017. The first EP, Waves, featured an electronic, synth-heavy, sound that reflected an upbeat summer vibe. On Sands, the duo showcases some of the most raw and intense tracks Phillip LaRue and Allen Salmon have arranged together. Since forming in 2012, The Rival has seen incredible TV/Film success with its songs used in everything from Apple’s iPhone 5 launch, to commercials for Target, Nike, Sony, Microsoft, and ESPN. Individually, Phillip and Allen have numerous songwriting credits including Phillip’s #1 country hit “Whiskey In My Water” performed by Tyler Farr, plus Allen Salmon’s credits as a producer, mixer, and writer which includes collaborations with MuteMath, Fleurie, Katie Herzig, and Neulore among others.  


It's not to surprising that an alt-rock duo will come across powerfully, there is usually far more distinction between the instruments for starters.  'My Own Devices' has that power, however you can add in melody an attention grabbing chorus and emotion within this song. The Sands EP sounds very promising.

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Catch Prichard - Eskota.

Background - Steeped in Americana, and with a voice that simultaneously conjures Anohni and Leonard Cohen, Catch Prichard is the work of Sawyer Gebauer. He spent several nomadic years living all over Europe and touring in support of his previous project Brittsommar, including stints in Sweden and a dilapidated warehouse in Berlin, before returning back to the US to work on the Eskota EP.

The entirety of the Eskota EP was laid down in one week within the walls of an abandoned grocery store… when he and engineer Brad K. Dollar first arrived, the building was overrun with wasps, and rattlesnake skins littered the floorboards. In time, the space was reclaimed, night fell, and recording began. Sawyer set out to record a collection of sweet and simple songs that exalt narrative as much as they do melody.

The result is Eskota, a five song EP resting somewhere between languid folk and forlorn country, with Sawyer’s weighty baritone gliding over pedal steel and Moog like an oil slick on water. Eskota, like all of Sawyer's work, is a testament to change, but it is change that can be found closer to home.


Beyond the delicate folk/country acoustic music, the first thing that grabbed my attention on this song are the deep and graceful vocals of Sawyer Gebauer. 'Eskota' is one of five Root's type songs and all of them in my opinion, absolutely demand you stop what your doing and listen. That a musician in a genre such as folk or country can continue to surprise or even amaze is quite something, I reckon Catch Prichard has just done that.

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Swaai Boys - Dana Of Dendur.

Background - Swaai Boys are proud to announce the newest crumbling desert pop single off their upcoming collection of songs Hot Sand! Dana Of Dendur is based on a love story from Swaai Boys' percussionist Helmut's youth. The Temple of Dendur is an intact Egyptian temple housed in the Sackler Wing of the Metropolitan Museum of Art, where a high school girlfriend of Helmut's had a summer internship. Her name was Dana. Helmut said she was tasked with categorising hundreds of shabtis in the galleries near the temple -- Egyptian Blue funerary figures -- which was apparently very boring and lonely.

The Swaai Boys were having a few mai tais at the museum's roof garden one summer afternoon when Helmut told his fellow Swaai Boys about the affair -- Helmut would meet Dana at the end of her shift, they would cut the lines, sneak into the temple, throw pennies in the water, and make out under the palms.

Often staying until the museum closed, Helmut and Dana would wander the wing looking at Queen Nefertiti's jewelry and crumbling pharaoh sarcophagus's. At one point, Dana said she knew hieroglyphs, and tried to decipher the insanely long Book of the Dead papyrus which lines a corridor there. They were in paradise, but was all too good to be true. They drifted apart after the summer, and Dana left a fond hole in Helmut's heart. A few weeks later Helmut ran into Dana at an opening at the Hemingway Gallery on 55th Street. She was quite cold and aloof to him. Her wealthy, stuffy parents had never liked Helmut, and she seemed to have grown into the mold.

Swaai Boys 'Dana Of Dendur' is about foiled young love -- how funny and sad it can be watching people grow up and change, sometimes in such a short amount of time. Especially astute in the shadow of a 2000-year old temple preserved immaculately under stippled glass that mimics its original Nubian lighting.


'Dana Of Dendur' is three minutes of bliss. If the story line above doesn't get you, the song should do. The band are members of the renowned Explorers Club, and if their explorations create songs like this, then keep on exploring and charming us please!

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Magic Trick - Forest Of Kates.

Background - Magic Trick shares two new tracks from new LP. And it’s a wide variety of shapes you’ll find on this album. Take this less as a conscious display of versatility (although it does demonstrate Cohen & Co.’s ability to shape-shift) and more as a result of the freewheeling, haphazard recording environment described above. A ghostly choir of female voices open the album like a seance. And the spirit they conjure proceeds to flit about over the course of the ensuing ten tracks, animating various stylistic forms, from the baroque pop of “Forest of Kates” to the icy post-punk of “I Held the Ring.” There’s the air-tight R&B groove of “Startling Chimes,” the krauty “Purest Thing,” a jammy side-to-side trot that moves “First Thought” along, taking a detour into country before culminating in a glorious Grateful Dead indebted coda. But throughout, it’s Tim’s lyrics that are pushed to the front of the mix. This album is a display of solid songwriting – collectively fleshed out, but from Tim’s composition book, and with Tim’s lyrics about family and about himself. These songs are the sound of his friends helping him suss through the conflicts of his new dual existence as father and musician, between old self and new.

Magic Trick’s 2013 offering, River of Souls, opens with Cohen asking, “Should we live from the mirrors other side?” Maybe, what you have here on Other Man’s Blues is an attempt to do just that. You can hear that his scope is widening, is being forced to widen by his circumstance. These songs are full of empathy. They reckon with notions of sacrifice and devotion, acknowledge the “winds of desire” and admit that “musings come from below” like a force of nature. Our protagonist is mid-transformation or maybe even pre-transformation. He is able to “regard his gruesome self” only because he is becoming a new man. Both sides are present. Which is the Other Man? Who is Tim Cohen? What is this magic he is trying pull off? Is it a trick? Or true sorcery? Either way, he must evolve.


'Forest Of Kates' is our second song feature for Magic Trick from the forthcoming album and it's another really fine song. Full of melody, exquisite harmonies and beautiful vibes, it compares well with the other track release First Thought which you can also check out Here. The album is eagerly awaited.

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Unity Floors - Give and Take.

Background - Mates for a decade Gus Hunt and Henry Gosling have made themselves a strong part of Sydney’s DIY scene as Unity Floors. Their ability to create such a racket performing modestly on guitar and drums, has gained them respect in the scene and make them welcome regulars stages across Australia.

Their commentary of the banal happenings as twenty something’s comes naturally to the pair, their music like a noisy catch-up between old mates. Having never lended their talents to other bands, Unity Floors’ sound has natural fluidity, delivered fast with genuine familiarity and honesty. Their unique set up and ability to create vastly accessible, skuzzy garage tunes has gained them a loyal fanbase over the years.

Their debut LP, Exotic Goldfish Blues (Popfrenzy Records 2013) received great commendation from press and radio and even, surprisingly a feature in The Inbetweeners Two film with their hit single “Nice Fit”. In 2016, the Sydney favourites returned to the studio to record their new album with producer Nick Franklin. Life Admin is the result and once again it showcases the boys’ ability to belt out one great honest and crappy tune after another. 'Life Admin' is released on Friday 23rd September on Popfrenzy Records.

Live Dates:
Saturday 8th October 2016 - Brisbane Hotel, Hobart TAS 
Saturday 22nd October 2016 - Old Bar, Melbourne VIC 
Friday 28th October 2016 - Chippendale Hotel, Sydney NSW


Another powerful duo Unity Floors song 'Give and Take' has a back to basics feel to it, cutting out everything but guitar, drums and vocals and creating some very decent indie rock. It's highly likable as is the video.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...