Genre Mix: David Trull - Daniel Trakell - Dear Thieves - Broadway Sounds - Hunter As a Horse

David Trull - Beautiful World.

Background bio - Back in his high school days, with one faithful roadie and one faithful Fender amp in tow, David Trull was a regular feature at the Roadhouse in Webster Groves, MO. Every Tuesday, the Roadhouse Bar and Grill would have local blues hero Alvin Jett onstage to lead a jam session. David headed to the Roadhouse, rain or shine, for three years’ worth of Tuesdays. On that stage, David struck his musical roots in the soil of the blues. His great loves at that time were The Allman Brothers and The Derek Trucks Band; he was known to laugh in rapture at the grinding, throaty “breathing” of Derek Trucks’ guitar.

Years later, at college, David found a different kind of treasure: he discovered The Milk Carton Kids. Their blend of eclectic, punchy song‐writing and limpid melodies inspired him to write music more restrained, music more focused on lyrical power. He began by covering several of his favourites at an open mic night in the spring of 2013, where his rendition of “Michigan” was received with a standing‐o. Along with two friends, David formed a musical trio called Bourbon & Bitters. (By all accounts, he was the ‘bitters’ in the relationship.) This act was the vehicle for him to try his hand at song‐writing, and he wrote and performed over a dozen songs over the remainder of the semester, touring through Southern California in support of these new compositions. Upon graduation, he scraped up enough cash between graduation gifts and tips from local gigs and recorded his debut EP Sowing Season, which later became a popular add at CMJ stations. Those songs are about beginnings, David says, which seemed like a proper theme for his first effort.

David, now home in his native St. Louis, is no longer at the beginning of things. He has completed his first full length album, Coin Toss inspired by and composed during his hiking of the Camino de Santiago, an ancient pilgrimage route across France and Spain. He’s tasted some of life, and it’s a broad world, with many beautiful things in it; but at the same time, much is fragile and out of reach. The sweet certainties of childhood, which are so celebrated in Sowing Season, are harder to hold onto the further you go into the world we’ve inherited. The pain of losing those footholds will be on full display in his new album‐ but that shouldn’t surprise any of David’s devoted listeners. For a man with his feet in the blues, writing about loss, heartache, and the humour of it all is nothing less than second nature.

The full length album 'Coin Toss' (out June 3) is a pleasing collection of songs, of which the featured track 'Beautiful World' is pretty representative. With a predominately acoustic feel, if you like something a little more gentle and laid back, the quality of song writing and performance, makes this an attractive option.

--------------------------------------------------------------------------------------------------------------------------

Daniel Trakell - Wasted Light.

Background promo - Daniel Trakell has spent the better part of the last decade writing and recording several albums and touring Australia and the world with Melbourne groups Fire Underground and Dancing Heals. As both bands came to an end, finding himself with an ever-growing collection of home demos and no outlet, Trakell went in to Abbotsford studio The Aviary to record his debut solo record with friend and talented producer/Gotye percussionist Joshua Barber.

First track off the forthcoming six-track EP is Wasted Light, which has already received glowing reviews and featured in mixtapes on such desirable blogs as I Heard A Whisper, Me And All My Friends, Being Blogged and The Revue, to name a few.  The Beatles-esque tune also received instant spins on Triple J, with the network’s Music Director and presenter Richard Kingsmill giving it four stars on Unearthed, while Home & Hosed host, Dom Alessio said, “It’s like Elliott Smith on a magical mystery tour.”

Daniel was recently announced as one of six winners of Triple J Unearthed's 2016 NIDA competition, selected to have a music video for another track from the EP produced by NIDA's finest filmmaking students.

Wasted Light features Joshua Barber on bass and drums, Nicholas Lam on guitar, strings by Jonathan Dreyfus and Nick Pietsch on trombone.  
Says Daniel, “Wasted Light was the last track I wrote for the EP, the demo was very much a straightforward piano and vocals song. When I brought it to Josh we felt it should have an extended outro, he laid down 2 sets of drum takes which gave us the Beatles-y direction and we built the rest over that.”

'Wasted Light' really does have a Beatles musical feel to it. Vocals are delicate and refreshing whilst the background music gradually builds into something quite special. The production is very good, as is the song.

--------------------------------------------------------------------------------------------------------------------------

Dear Thieves - My Street.

Background promo - Dear Thieves are a hard hitting alternative indie two piece, hailing from Melbourne, Victoria. The band consists of Joel Hansen and Jesse Jones, who down sized from a four piece indie rock band in Brisbane, to take their business south of the Queensland border in 2013. Since then they have been prolifically fine tuning the two piece sound, to bring a unique and melodic change to the two piece outfit.

Their last self-titled EP, released in 2014 was described as “glistening indie rock, with a charged romanticism” and set the tone for their upcoming single “My Street”. The new single was recorded at Melbourne’s very own Head Gap Studios, and at the helm was head engineer, Neil Thompson. The song itself is about big nights and there big repercussions, drawn from artist experience.

With their high energy live shows, which leave no muscle dormant and no stone unturned, the boys are ready to take Dear Thieves to bigger, and much louder pastures.

Dear Thieves crank the music up with 'My Street' a blistering rock'n'roll piece. With the powerful sound that rock duo's can create, the pair deliver a well crafted song that strikes a good balance between noise and detail. 'My Street will be released 20th of May 2016.

--------------------------------------------------------------------------------------------------------------------------

Broadway Sounds - Exclusive Love / Digital Influence.

Background promo With an impressive following in their native Australia, afro-infused electro-funk pioneers Broadway Sounds will finally be bringing their effervescent retro fun to the rest of the world, with an EP release scheduled ahead of some UK festival appearances this summer. The "Exclusive Love/Digital Influence" EP release will drop on 20th May via 100 Billion Wires and features the brand new title track.

Today the band are thrilled to share the new video for the track, alongside the news that they will be playing Glastonbury Festival on Saturday 25th June. Meeting at the intersection of afro rock, boogie funk, township jive, afro funk, kwela jazz, soca, RnB, folk and soul, Broadway Sounds are a new breed of psych-pop that push the boundaries and make it work.

100 Billion Wires is a new London based independent label project set up as a labour of love by 3 friends to support exciting new left field music from the grass roots. Drawing on their collective experience of working in labels, live and music publishing, across acts ranging from Young Fathers, ho99o9, Lee 'Scratch' Perry, Peanut Butter Wolf to The Fall, Shabazz Palaces, Metronomy & The Streets - eclectic tastes are reflected in the label's approach to releasing new music from emerging artists.

Broadway Sounds will play the following live dates this summer, with more to be announced shortly:

25th June - Glastonbury Festival, Somerset UK
15th July - Beatherder Festival, Lancashire UK
23rd July - Hootenanny, London UK
24th July - Secret Garden Party, Cambridgeshire UK

'Exclusive Love / Digital Influence' is a mixture of classic funky sounds with a more modern electro twist and even the odd Kraftwerk moment. It's fun and ticks a whole lot of boxes for me.


--------------------------------------------------------------------------------------------------------------------------

Hunter As a Horse - Fallen Leaves.

Background promo - A haunting, psychedelic synth-infused journey filled with stories of wolves, spirits and a first kiss shared in the woods, "The Two Magics”, is a powerful debut EP from Hunter As a Horse. The sound is distinctly their own - a surprisingly comfortable blend of folk, disco and pop with dark cinematic leanings.

Co-produced by Ewan Pearson, the release is the result of a year-long self-imposed exile from London to rural Italy. The band, Paul Gala on synths and machines and Mia van Wyk on vocals and guitar, moved south to “channel the gods of dark cinematic Italo disco” where they built a studio in an old farmhouse in Tuscany, previously owned by the local sorcerer “il terzo occhio” (he who has the third eye), and began writing and honing their sound in earnest.

The band cite influences as diverse as Nina Simone, Jimi Hendrix, Lali Puna and Johnny Cash, “anything arpeggiated” and of course are heavily influenced by Italo and the sounds of the 80s.

I am so, so impressed by the debut EP 'The Two Magics'. Featured song 'Fallen Leaves' is one of five mini masterpieces, as Hunter As A Horse develop intensely beautiful music. 

--------------------------------------------------------------------------------------------------------------------------

Friday &: The Phantom Sound - The Redhill Valleys - Vague - Bencoolen - Manon Meurt

The Phantom Sound - Crushing.

Background promo - The Phantom Sound recall the best of the 70’s & 80’s with contributions from the Punk & New Wave hall of fame in the powerhouse of a single: “Crushing” out May 16th 2016. The band’s powerful sound and brooding vocals of songwriter Marisa Schlussel has seen the likes of BBC and Amazing radio jump on board the good ship Phantom.

“Crushing” the standout track from the band’s special edition release of debut album “The Phantom Sound”, begins with a truly defiant swagger befitting of the punk ethos. With the unstoppable momentum of an out-of-control steam locomotive, the track leads to its iconic chorus that would be at home at both grimy rock clubs and major summer festivals.

Following her dream of working with the very artists that inspire her, Schlussel sought out the legends of the late 70’s and 80’s Punk & New Wave movement, aspiring to make sure that they loved her music. As it turn’s out, they didn’t need much convincing with Ken Stringfellow (The Posies, R.E.M.) on producer duties, legendary drummer Clem Burke (Blondie) picking up the sticks and Pierre DeReeder (Rily Kiley) all keen to contribute to what has fast become an album dripping in era-defining talent, featuring icons from the past and future.

Marisa falls into the future icon bracket, set to follow in the footsteps of Punk Rock royalty. The powerful self-titled album bulges at the seams with huge, power punk rock influenced tunes grabbing the attention of the likes of BBC Introducing London with multiple spins from supporter Gary Crowley and Amazing Radio after winning the top voted song on Charlie Ashcroft’s Audition Show for “Get to Me”. The colossal album has also seen plays on Sirius XM Radio and Genya Ravan's show on Little Steven's Underground Garage Channel.

The strength of their sound has seen the band from London receive plaudits as far as Canada and the U.S. with radio success and an invite to play Canadian Music Week 2016, representing the UK in Toronto citing influences ranging from David Bowie, Roxy Music, Blondie and The Romones.

UK Dates:
19/05         Brighton           The Great Escape
23/06         Maidstone        Earl’s    
25/06         London            The Garage

'Crushing' has all the attitude of a punk laden rock'n'roll song. Vocals have that menacing edge and the band just play guitar driven rock, with the swagger a song like this needs.

--------------------------------------------------------------------------------------------------------------------------

The Redhill Valleys - Wrong Way Turns Out Right.

Background from the band - We formed as The Redhill Valleys in the fall of 2014. Today, we're sharing our single and stream of our debut album. The self titled record is out today!

The three of us had worked and collaborated together in various situations over the years, but when we got together for the first time, it clicked. We found common ground in our writing and playing styles due to our shared love of Rock and Roll, Folk, vintage R&B, and classic Country. Before long we had twelve songs written that were eclectic, but still sounded like they belonged together.  We crafted this record, our debut, for a year in the recording studio. We wanted to straddle the line of getting it just right, but without it sounding stale or mechanical.

Wrong Way Turns Out Right is a special song to us. It's one of the earliest songs that was written for our record, and set the tone for many that followed. More significantly, it's the song that was the initial vehicle for us to find our collective voice. We knew we wanted to write songs with an emphasis on harmonies and this was the first song our voices really melded together - when we felt that we had something special. - Redhill Valleys (Cheslea, Danielle & Tim).

This has been a good week for albums and The Redhill Valleys debut is definitely one of them. That they have spent time on the album is born out by the quality and craft of every song. The mixture of musical styles each member brings to the band, comes together and leaves us with a selection of great music, the featured track being no exception!

--------------------------------------------------------------------------------------------------------------------------

Vague - Vacation.

Background promo - Vienna five-piece, Vague have dropped their first UK single and video Vacation, through Siluh Records.

The five young guys from Austria produce sounds with heavy distortion, reminding of alternative indie scenes of the 80sand 90s on both sides of the Atlantic. They describe their music as often: blurry, melancholic, clever, combining indie ethics with traditional songwriting.

Vacation is a brilliant slice of indie pop, showcasing the band's innate ability to pen a hook, which compliments the voice of the lead singer. Reminiscing of a by gone time, the guitar driven song is moving, nostalgic and effortlessly cool.

Vague have released their first EP titled 'Tempdays' last year and 2016 sees them release their debut full length: 'In The Meantime'. Vacation is the the first release off the album, released via Siluh Records.

The press release references the retro feel of the 80/90's indie scene that comes across with the song 'Vacation'. A reasonable point of view, I would add that had it been released way back then, it would have been up with some of the best songs. It's a fine song, one that is as welcome in 2016 as any time past.

--------------------------------------------------------------------------------------------------------------------------

Bencoolen - In Color.

Background promo - After months of rehearsals and shows, Bencoolen is gearing up to release their highly-anticipated new album, In Color, out Summer 2016. The 6-song record will feature the full spectrum of the band’s sound; from a gentle ballad, a reggae rock song, and heavier, “maximalist” rock. Recently the group has just launched the title track from the record, "In Color," which you can listen to and post, above.

Bencoolen was able to raise more than $6000 for the record, and has made a recent push to travel to new cities and universities to share their music. The band's sound, either recorded or live, will definitely touch Bencoolen listeners. Whether you are the lonely bartender on a Wednesday somewhere in New Jersey, or a rowdy fraternity house playing air guitars with us and singing songs you hadn’t yet heard; you have all of our energy. The hours of practice and of travel have garnered accolades from features in USA Today College, to opening for Cold War Kids, and more.

The first single, “In Color,” is simply a story about growing up. We are all born with creativity and color inside us, but as we learn, that beauty gets lost. When the bartender asks him, “What’s your name, what’re you in here for?,” The man simply says, “I’m the wind blowing through and I used to live in color” without identity or purpose for himself. As he drinks he wanders the bar, he looks at the beautiful pictures on the seemingly ordinary bartender’s walls. He then watches him work, content with where he is, and what he has done. That opportunity for self-reflection helps the man find inspiration to live beyond paying bills and doing the “right” thing to essentially find himself again.

Featured song 'In Color' has a distinct reggae feel to it, and some high quality musicianship accompanying the suitably adapted vocals. It's one of those songs that starts out well and just keeps on getting better!


--------------------------------------------------------------------------------------------------------------------------

Manon Meurt - To Forget.

Background promo - Upstart Canadian imprint Label Obscura is proud to announce the vinyl reissue of the debut EP by Czech Republic shoegaze/ noise pop quartet Manon Meurt, making it available in North America for the first time.

These quickly rising shoegaze stars have played alongside The Raveonettes, The Ecstasy of Saint Teresa, LSD and the Search for God, and My Bloody Valentine. During the sound check for the latter, while Kevin Shields was still in the locker room, MBV’s sound engineer actually complained that Manon Meurt were playing too loud.

Manon Meurt is Vojtech Pejša (guitar, vocals), Káta Elznicová (vocals, guitar), Jirí Bendl (drums) and Jana Karlíková (bass guitar, giggler). They hail from the small Czech town of Rakovnik, located just outside of the capital, Prague. Inspired by the British shoegaze movement of the early 90s, bands such as My Bloody Valentine, Lush, Ride and Slowdive have clearly helped shape the band’s sound.

Originally self-released on vinyl in their native country in autumn 2014, this self-titled 6-track 12-inch record sold out shortly after its initial release and now fetches upwards of $50 USD via Discogs. This debut album shows the band in a number of different musical moods, from the rollicking opener “To Forget” to the dreamy atmospherics of both “‘94” and “Until You Can” and the show-stopping B-side closer “Blue Bird”, nicely bringing the album to a close and foreshadowing what lies ahead for this exciting new band.

Label Obscura, as a website and record label, was created with the goal of shining a light on some of their favorite labels, bands, and albums from the past and present, with a focus on indie rock that never got a vinyl release or is currently out of print.  This reissue will be limited to 200 copies on white vinyl in North America, and will be available through the label’s website and via select independent record retailers. All copies come packaged with a high quality plastic inner sleeve and a digital download card. It is also available digitally via the label's Bandcamp.

The song may have been around for a year plus, however the vinyl release should prove popular and remind us of the quality of the bands music. Shoegaze that morphs into dream pop, whatever the genre 'To Forget' captures the more powerful side of the band and makes for a great introduction.


--------------------------------------------------------------------------------------------------------------------------

Suzerain - Identity (New Album - May 27th)

Suzerain - Always (Radio Mix).

Background promo - We live in a world that is rapidly changing around and within us. Each day is a time capsule: a snapshot of who and where we are at that precise moment. Perspective is key, but by nature human consciousness isn’t built to process experiences in such a manner. People can struggle to get a helicopter view when they’re stuck in the eye of the storm that is life. It’s a concept which London noise merchants Suzerain have been exploring with second album 'Identity' – their very own dystopian nightmare born from the winds of change.

“We made this album across two years,” reveals singer Thomas Pether. “So it took a while to break into something we wanted it to be. Identity is something that is difficult to grasp on a day-to-day basis, it can change but isn’t always obvious. For us, this album feels like our identity at the moment.”

“We wanted to strip away as much as possible,” continues guitarist Rich Summer. “It sounds like a cliché but the more we removed, the more it sounded like us. We have a tendency to try everything we can and see what sticks, but this time once we found the heart of the music, we stripped everything down to that one little nugget that was the identity of the track, in a way.”

Enlisting the talents of respected producer Steve Lyon (Depeche Mode, The Cure, Siouxsie Sioux), the electro rock outfit strived to create something truly exciting, something brand new, something so very now that its process pushed their artistic vision to its very limits. As the pieces slowly fitted into place, so did the understanding that identity is the invisible carpet beneath our feet: a journey of self-discovery, and how the results of such naked introspection place us in equilibrium with the other forces of life.

“It’s not a concept album by any stretch,” says Thomas. “But it certainly does have elements of that. Our track 'I Know You So Well' came from how we can be seen through our digital footprint in the world, and 'Hide Yourself' is about opening up to other people by not hiding yourself, by just being you. Which to be honest is something we all want to do! So there were many things that crossed over in actually defining ourselves on this record.”

“We recorded so many songs that didn’t make the album,” continues Rich. “We decided that if anything sounded like another band could have done it, we didn’t want to include it. The music had to be something that could only be done by us. And embracing that side of us was both a blessing and a curse! But the result is that anyone listening to this record would have to grab a whole group of genres to figure out where we belong.”

Suzerain release their new album 'Identity' on May 27th. The featured song 'Always' gives a good indication of the brooding sound the band create. They are adventurous and the album does not sit comfortably in any particular genre. As a result we are treated to a mixture of indie rock songs, instrumental tracks, and softer imaginative pieces. It's hard to think of any specific band to reference them against, as they test out so many different ideas. This for me is one really fine album, the band are extremely capable, vocals are seemingly customised to each song, and we have a group of people who are not trying to follow a specific format that stifles their imagination.

--------------------------------------------------------------------------------------------------------------------------

Wednesday Rock Blast: The Lost Poets - This Party

The Lost Poets - Insubordia Pt. II.

Background bio - The Lost Poets - a mysterious dark impact from Sweden. Their faces are unknown and covered by a tar like substance. Wearing top hats and suits. Even though strange and dark, the music is full of beautiful melodies, positive elements and unique vocals.

The Lost Poets originates from Stockholm, Sweden. Their only release is an EP from 2014 "Insubordia", and the single "Mouth". Both received raving reviews internationally and in a very short time they have become hugely sought after.They are to be included in Dolph Lundgrens forthcoming feature film "Without YouI'm Nothing" and they opened for "Volto" (Tool drummer Danny Carey's band) at the infamous Viper Room on Sunset Boulevard merely weeks after arriving to Los Angeles. The Lost Poets are also currently working on the short film "Tales from Insubordia" and the children's book (!) "The Lost Poets".

The Lost Poets are a two-man extravaganza who brings the listener to another world. Through their mysterious appearances they express all emotions between everything and nothing. Truly beautiful, gritty raw and immensely powerful.

The ten track album has been out for a couple of months, but only came my way this week and is to good to pass by on. With a distinct & powerful earthy rock sound and a flare for creative songs, The Lost Poets are one potent band. Shades of early Pearl Jam through to even David Bowie, however that said they are more than capable of original pieces. Like the featured track, then you will love the album.


--------------------------------------------------------------------------------------------------------------------------

This Party - Taste.

Background promo - A chance encounter at a Smiths tribute gig in early 2015 led to the formation of Brighton's This Party, a band that fuse sharp bass lines with infectious melodic hooks. Charismatic front man Matt is as well known for his energetic on-stage performances as he is for his strong vocals.

New single 'Taste' is two and half minutes of guitar driven indie rock. A clear statement of intent from a band that have very quickly established themselves as one of the UK's most exciting prospects. The single is the first release to come from the band's own record label Moscow Lets Go.

Produced by Junk Scientist (The Rakes, Larrikin Love), This Party's debut single 'Movie Nights' was picked up by BBC Introducing South and featured by BBC 6 Music's Steve Lamacq throughout Autumn 2015. 'Movie Nights' was selected by Gigslutz as their 'Track of the day' and featured by BBC Introducing South's Melita Dennett as a tip for 2016.

'Taste' is a two and a half minute blast, of classic British indie rock. Musically it's as tight as anything and the highly charged vocals add to this mini feast, of guitar driven rock.

--------------------------------------------------------------------------------------------------------------------------

Tuesday Mix: Lauren April - The fin. - Wendy James

Lauren April - Picture On The Wall.

Background promo - At the forefront of the bustling Country Music scene in the UK, Lauren April launches herself to the top of the most promising new artist’s lists with the remarkable debut single “Picture On The Wall”, released Monday 16th May 2016.

“Picture On The Wall” comes from a very personal place, showcasing April’s unique ability to connect with audiences through her vivid storytelling and prolific song writing. The debut single resonates with emotive, relatable stories of the lessons learned in love and with tension building musicianship that oozes with modern flair.

Lauren was discovered after astounding audiences with her souring vocals and her ability to connect at open-mic nights in her home town of Nottingham. Word soon spread leading to spins from BBC Introducing, nationwide airplay across all regional BBC Radio stations on Mark Forrest’s evening show and Nottingham Trent University Radio becoming keen supporters of the 20-year-old singer and self-taught guitarist.

Tipped to be the next big name in UK Country Music and her debut EP out later this year, Lauren April takes to the road in May and June supporting The Sons Of Pitches, winners of BBC2 TV’s ‘The Naked Choir’:

11/05 Rhyl, Pavilion Theatre    Supporting The Sons Of Pitches
19/05 Newbury, Arlington Arts Centre    Supporting The Sons Of Pitches
20/05 Brighton, The Great Escape
28/05 Morecambe, The Platform    Supporting The Sons Of Pitches
02/06 Southport , Atkinson Theatre Supporting The Sons Of Pitches
17/06 Deal Astor, Community Theatre Supporting The Sons Of Pitches

Although 'Picture On The Wall' is described as country music, I would suggest it's broader than that, and will appeal to a wider audience beyond pure country fans. However you categorise it, this is a really good song and Lauren's vocals are just right for the part.


--------------------------------------------------------------------------------------------------------------------------

The fin. - Through The Deep.

Background promo - About ‘Through The Deep’ There’s a theme running through the beauteous new EP by The fin. that permeates more than just the song titles. Oceanic imagery features heavily in Yuto Uchino’s lyrics, as references to ship, shore and submersion loom large. The singer articulates these tales of impermanence and transition to a shimmering, sophisticated indie art-pop backing that will be familiar to fin. fans, even though there’s a greater electronic influence to this EP, as synths carry more of the weight, melodically and rhythmically. 

About The fin. “At the end of the day, we just want to be seen as borderless.” Yuto Uchino. Hailing from the vibrant Japanese port city of Kobe, The fin. are a reputed and singular attraction in their homeland due to their stylish Europhile blend of synth-pop, chillwave and dream-pop, complete with English lyrics addressing universal themes of everyday uncertainties. Often referenced alongside the likes of Beach House, Phoenix, Metronomy and M83, the quartet have, since forming in 2012, performed before thousands of rapturous fans at major Japanese festivals including Fuji Rock, Rising Sun and Viva La Rock. Not content with such acclaim in one country alone, Yuto Uchino (vocals and synths), Ryosuke Odagaki (guitar), Takayasu Taguchi (bass) and Kaoru Nakazawa (drums) set their sights worldwide and in 2015 embarked on a major tour of the US, which included a performance at SXSW, before making their first forays into Britain with a handful of dazzling shows in support of their debut UK EP, ‘Night Time’. Their much-anticipated return to these shores this spring comes in the wake of a second British release and a growing recognition that there’s an act of rare, sophisticated beauty creating a big noise in the East. It’s time to turn your gaze to The fin.  

April 27 Tokyo,JP - Studio Coast (The Last Shadow Puppets support)
May 13 London, UK - The Finsbury
14 Southampton, UK - The Alex
15 London, UK - Old Queens Head
19 Reading, UK - The Purple Turtle
21 Brighton, UK - The Great Escape
26 London, UK - Tooting Tram & Social
27 Portsmouth, UK - The Edge of The Wedge

We featured The fin back in November of last year. The new five song EP is so good the least I can do, is mention it. The beautiful title track 'Through The Deep' is incredibly catchy and the understated indie feel and vocal harmonies are pretty special.

--------------------------------------------------------------------------------------------------------------------------

Wendy James - Indigent Blues.

Background promo - Originally from London, now a resident of NYC, Wendy James wrote her latest album ’The Price Of The Ticket’ in its entirety, with the exception of two inspired cover choices, 'It's Alright Ma' by Bob Dylan and 'You're So Great' by Fred 'Sonic' Smith. Recorded in her adopted city, 'The Price of the Ticket' is available on vinyl, CD and via digital download. The record reached No.13 in the Official UK Indie album chart and No.15 in the Official UK Vinyl album chart. It is presented with arresting and beautiful artwork by Kym Ellery and Roze Hooij.

From the album comes a double A side single that showcases Wendy's Garage Rock and Roll credentials perfectly. 'Indigent Blues' is an infectiously upbeat song that Wendy wrote to evoke English 60s Pop. She says "I wanted to create a carefree, suburban London sound, a distinctly English feel, inspired by the movie Georgy Girl and it’s theme tune by The Seekers. There was a period in the late fifties to sixties, where theatre, music, playwriting, and politics, all came together. There was a great sense of optimism but also naivety in young English people. I’m not talking about the hipsters on Carnaby Street but slightly more removed, where they were just wearing their mini skirts for the first time. A tremendous sense of optimism."

'Bad Intentions and a Bit of Cruelty' is bursting with New Wave energy, attitude and raw Rock and Roll. The video, filmed in Paris sees Wendy walking through the city as dawn breaks, champagne bottle in hand, the very embodiment of Art Rock.

Wendy James has spent her entire adult life in the public eye, her musical evolution recorded in a huge body of work, both through her first band Transvision Vamp and as a solo artist. An icon born of the late eighties and early nineties pop punk scene, Wendy's talent, style and attitude led Miley Cyrus to proclaim that Wendy was her original pin-up; whilst Wendy's principles as an uncompromising artist, songwriter and musician have led to an alignment with her own musical inspiration Patti Smith. Indeed this album sees her working with Lenny Kaye of The Patti Smith Group together with Glen Matlock of the Sex Pistols and James Sclavunos of Nick Cave and the Bad Seeds. The album's cover versions feature Iggy & The Stooges' James Williamson on guitar/bass and Steve Mackay on Baritone Sax. Wendy James has achieved what few can or have: longevity and a forward motion trajectory in New Wave Garage Rock.

Live Dates:
Thursday 19th May - Brooklyn Bowl, London
Thursday 26th May - The Fleece, Bristol
Friday 27th May - Mello Festival, Throckmorton Airfield,Worcester
Saturday 28th May - Kasbah, Coventry
Sunday 29th May - Darwen Live, Town Hall, Darwen
Wednesday 1st June - The Venue, Derby
Saturday 4th June - Esquires, Bedford

The double A side single is a reminder of just how talented Wendy James remains. The featured song 'Indigent Blues' really does capture a carefree sixties feel, with real pop sensibilities. The other song 'Bad Intentions and a Bit of Cruelty' has Wendy's trademark post punk or new wave credentials. All in all these are two fine songs from a very good album.


--------------------------------------------------------------------------------------------------------------------------

Monday Music: Bonnie Prince Billy - Chief Ghoul - Carly Jamison

Bonnie Prince Billy - Most People.

Background - The first track from the 'Refugee' compilation album has surfaced. 'Most People' is the contribution from Bonnie 'Prince Billy. 

Featuring Richard Dawson, Bonnie ‘Prince’ Billy, Linda Thompson, Alasdair Roberts, Ricky Ross, BMX Bandits and many more, the 'Refugee' album is a united effort from some of folk’s most esteemed and cult figures, who’ve contributed an original or unreleased song each to the ‘Refugee’ project.

‘Refugee’ (out digitally on June 3rd through Brainfog) is a highly significant collaborative recording project which reflects, through song, the issue of the refugee crisis in its many forms, from Syria and beyond. It’s been curated by Scottish folk artist Robin Adams, who called on his close friends and musical colleagues from around the world to contribute to the project.

Each track is an unreleased original song, with contributions from the likes of the above artists. All proceeds go to the MOAS organisation (Migrant Offshore Aid Station) who’ve saved more than 13,000 lives since 2013 in the Mediterranean Sea. Read more on them at www.moas.eu.

The first song from the 'Refugee' compilation is this superb acoustic piece from Bonnie Prince Billy. Gentle and understated, something this artist excels at, the song 'Most People' is touching and provoking. With this legitimate cause in mind, I'm sure the collection of musicians involved will deliver equally fine songs.


--------------------------------------------------------------------------------------------------------------------------

Chief Ghoul - Let Me In.

Background promo - Blues rock outfit, Chief Ghoul, announces the release of their latest album, Damned, their fourth release to date and Lee Miles’ solo follow up to III. Chief Ghoul is Lee Miles (guitar, vocals, songwriter), Chase Coryell (bass) and Justin Brown (drums). The band started as the brainchild of Miles, who began his career in song writing as a solo artist under the name Chief Ghoul. Seeking to expand the project’s sound, Miles recruited Coryell and Brown.  premiered their latest single for “Roll Baby Roll, Kill Baby Kill” on Diffuser.fm, with Lee Miles saying, “This song is my ode to the exploitation films of the ’60s and ’70s. They were gratuitous and they were awesome. Not too many movies get made like that anymore and I actually think that’s a good thing.” The Revue said, “Whether he’s telling stories about individuals on land or sea, Miles has established himself as a songwriter to watch. For that matter, he’s not just a musician, but a storyteller.”

Hailing from Louisville Kentucky, Lee Miles moved to Chicago at 21. “Chicago is a gritty city and I mixed that sound with Louisville and ended up with a good merge of the two. I wrote about things that I was going through and there has never been a different feeling for me across my albums.” The band is now based back in Miles’ home in Louisville , where Chief Ghoul’s latest installment, Damned, was written - don’t miss it!

'Let Me In' has a haunting feel to it (sorry could not resist). Actually I guess it's a bluesy lament, set just right as a predominately acoustic piece, with Lee Miles vocals so naturally gifted for this type of music.

--------------------------------------------------------------------------------------------------------------------------

Carly Jamison - Dynamo.

Background promo - Anyone who thinks that rock music is dead has not been following the stream of new singles that have been emerging from songwriter and recording artist Carly Jamison over the past 6 months. First there was the "The Devil's Trying To Bring Me Down" which graced Halloween party playlists world-wide. Then there was "Christmas May Have To Be Postponed", a brand new original Christmas song inspired by vintage rock and roll that reached #1 on the Hypem Twitter Music Chart. "100 Goals" ushered in the new year with high intensity blues rock to super-charge New Year's goals and resolutions. Now, just in time for tornado season, she has announced the release of "Dynamo", an exciting brand new rock and roll song.

Carly States - "It's a totally autobiographical song. There are several people in my life who have told me that when I visit it's like a tornado or hurricane hits, so I thought that would be a fun subject for a song! Plus, I just started hearing it playing in my head one day so it really just wanted to write itself."

The single was produced by Tres Sasser who also produced her previous singles. He said, "We were inspired by 80's guitar riffs and mixed them with stacked Prince-like vocals that are instantly memorable. The song moves and hops seamlessly through the 80's, 90's, and 2016 and takes the idea of a sing along solo to a new height. Chris Tench's guitar work really complements the subject matter and seals the deal musically."

It was recorded at The Sound Shelter in Franklin, TN. Players on the track include Chris Tench on guitars, Tres Sasser on bass, Elton Charles on drums, and Mike Webb on keyboards. It was engineered by Brett Ryan Stewart and mixed by Joe Costa (known for his work with Ben Folds, Ke$ha, and Brad Paisley) at The Sound Shelter. It was mastered by Pete Lyman at Infrasonic Mastering (known for his work with Jason Isbell, Courtney Love, Fall Out Boy, Sturgill Simpson, and others.)

There's something of a retro feel to 'Dynamo'. It's pretty much a no nonsense rock'n'roll piece, with Carly's vocals driving the song forward as much as the drums and bass. Add in a little classic rock guitar and you have one fine song.

--------------------------------------------------------------------------------------------------------------------------

Genre Wander: Corbu - Allie & Ivy - Helix Pulsar

Corbu - Polygon Forest.

Background promo - New York neo-psyche band Corbu are streaming ‘Polygon Forest’, the first track from their forthcoming debut album. With its choral harmonies and tribal drumming over shimmering, glacial synths ‘Polygon Forest’ is a glorious and uplifting trip, taken from their album Crayon Soul, out 5th August 2016 via 3 Beat (EU) & Big Picnic (US).

Recorded and produced by the band, Crayon Soul was mixed by Dave Fridmann (The Flaming Lips, Tame Impala, MGMT). A vivid exploration inspired in part by vocalist and multi-instrumentalist Jonathan Graves’ lucid dreams, Crayon Soul is a truly realised vision. “It’s a journey through a series of “gates”, or events that you pass through with the narrator,” says Graves of the album. “At each event, you change and shift into a new part of the story.”

Extremely visual, Corbu create captivating, kaleidoscopic visuals to accompany their music. Encouraging listeners to paint their own path through Corbu’s world, Crayon Soul includes a colouring book, as well as artwork inspired by each of the twelve songs.

Crayon Soul follows two acclaimed EPs, We Are Sound and Everything You Imagine Is Real, which garnered praise from the likes of NYLON, Stereogum, The Guardian, NME and more, as well as capturing the attention of Jessie Ware, who personally requested the band to remix her song ‘You & I (Forever)’. 

The album is a feast of ideas and thoughts captured musically with considerable imagination. 'Polygon Forest' is just one dimension of an epic album, that explores differing musical styles. First time around the listener can't be to certain just how the next song will develop, giving a sense of journey and discovery. That said, there is a constant overall feel to the album, in part due to Jonathan Graves vocal skills. It's a refreshing listen, no wonder that the attention is already there.
 
--------------------------------------------------------------------------------------------------------------------------

Allie & Ivy - Get Hi.

Background - About "Get Hi" “'Get Hi' is about my housemate’s battle with cocaine addiction,” Allie explains. “He absolutely loved to party and lived only for the weekend but his substance abuse had seen him get into thousands of dollars in debt, which put a massive strain on his relationship. He was constantly beating himself up about it, saying he was going to give up the party lifestyle and pay back the money he owed, but as soon as the weekend rolled around he’d get so excited and be up to his old tricks again. He just couldn’t resist the temptation.” - Allie

Bio: Allie & Ivy is indie electropop singer-songwriter Aleisha (Allie) Conlay, from the sunny northern beaches of Sydney, Australia. Writing songs since the age of 11 and picking up the guitar at 14, Allie was schooled in music at a very young age by her father, a guitarist and record collector from London with a passion for 60s music.

Having developed a deep infatuation with The Beatles at age 11, Allie had dreams to one day front an all-girl rock band called The Ladybeetles but unfortunately never managed to find her Paul, George or Ringo. Not one to let that get in the way of her plans, Allie conjured up alter ego Ivy, giving her the comradeship, confidence and support a real band couldn’t.

Allie & Ivy’s fresh sound and penchant for catchy hooks and infectious melodies have gained accolades both in Australia and internationally. With new songs scheduled for release throughout 2016 and a debut EP underway the year is already shaping up to be a busy and exciting one for Allie & Ivy.

Well there is always some room for unashamed pure pop when it's this good. As with any good indie pop piece, it's awash with hooks and upbeat all the way, sometimes that's more than enough.


--------------------------------------------------------------------------------------------------------------------------

Helix Pulsar - Rapture.

Background promo - France's electro rock synthpop outfit Helix Pulsar has announced they will soon release their debut LP 'Beyond the Wall', a 12-track debut EP that was produced by Britain’s Creative Music Studios, which is based in Brentwood. ‘Rapture’ is the lead single from this album.

Most often likened to The Danse Society and Clan of Xymox, they count Depeche Mode, The Cure, Archive, Mesh, IAMX and Muse among their key influences. They also seem to draw inspiration from such themes as sexuality and the addictiveness therein. “This song is about how it feels to surrender to the burning desire of one’s lover… a perfect blend of sensuality and wild instincts as well,” says Estelle Flaujat.

In early 2014, Olivier Rennesson (formerly of Shiny Darkness) joined forces with Estelle Flaujat, who had, until then been involved in gospel and jazz. They united over a shared love of synthpop and electropop and founded Helix Pulsar. Both educated in classical music (piano for Olivier, piano / violin for Estelle), they compose their music as absolute electro synthphonies - note by note, pulse by pulse. After relocating from Nantes to Lille (northern France), they chose to add a rock dimension to their synth pop vibes and welcomed guitarist Steve Boudoux, and their sound came to adopt the sense of pulsating electro rock waves, with contrasting yet engaging rhythms and distinctive harmonies.

"We’ve been crafting this album over these past 2 years composing with our busy private lives. This album is grounded in our personal history, helping us to expel our inner wounds from the past but also celebrating our love and life together," explains Olivier Rennesson. 'Beyond The Wall' will be released on May 6.

The semi-industrial and hypnotic beat makes a perfect background for the duo's vocals. There are a few name checks in the promo and they make sense, however there is a unique and quite addictive feel to this song, that leaves me keen to hear more.
 
--------------------------------------------------------------------------------------------------------------------------

Quality Not Quantity: The Insatiables - Stillwater Giants - ISLES - The Broadcasts

The Insatiables - I Know My Scars.

Background promo - Perth based indie-popsters The Insatiables are gearing up for the May 9 release of their second EP 'Impatient Creatures', with a live launch May 22 at everyone's favourite watering hole The Rosemount Hotel.

Spearheaded by lead single 'I Know My Scars', the six track EP was recorded at Underground Studios with resident producers Mark McEwan and Brody Simpson. 'Impatient Creatures' treads the alternative path, not shy of a trumpet melody or a cinematic sub effect, ultimately providing an expansive landscape. The moodier tracks could sit on a shelf with artists like Lana Del Ray and London Grammar where cyclical guitar and piano riffs swirl around a commanding vocal line.

Following on from their debut 'Let Go of Limbo', which quickly saw the group play the 2013 WAMi Saturday Spectacular showcase, The Insatiables are now armed with an inviting 2016 release that is both lyrically and musically passionate.

'I Know My Scars' is the second of six really good songs on the forthcoming EP. The band have a distinctive indie pop sound that runs through the collection, plenty of melody and well crafted material.

--------------------------------------------------------------------------------------------------------------------------

Stillwater Giants - Montage.

Background bio - Gearing up for the imminent release of their debut album, lovable Perth scamps Stillwater Giants announce the release of 'Montage', the second single from the upcoming LP.

Brotherhood. It’s a word thrown around often, but for Stillwater Giants, it’s now gospel.  These days, two years can seem like a lifetime between new releases. For this Perth four piece it was a necessary hiatus that’s helped to turn them from boys to men, both within their song writing and the mateship that hard times bring. After originally being Unearthed by triple j in 2012 to play the Groovin' the Moofestival, this group of young guns from Margaret River began their steam rolling journey across the country. Swiftly finding themselves warming up the stage for the likes of The Delta Riggs, Birds of Tokyo, Stonefield, Ball Park Music, British India, The Rubens and Regurgitator, they also clocked festival time at Future Music, Parklife, Southbound, St Kilda Festival,as well as heading to US taste maker festival CMJ. The lads were even given the unique pleasure of being the first ever band to perform at the brand new Perth Arena when it opened.

With an intention to head back into the studio for a quick six month follow up to their hugely successful single and EP ‘Fly Under the Radar’, things went slightly awry as they sometimes do. This once cheeky group of musos - who were famous for their happy-go-lucky attitudes and not taking life too seriously -turned. Internal conflicts ensued, university degree debts went up and personal differences almost drove the band apart. Then, something amazing happened. They began recording. The decision to record all parts to their new album live at RADA Studios with Matt Gio (Birds of Tokyo, Katy Steele, San Cisco) presented a chance to bond but also to write new material, together. Inspired by the rawness and evidence of mistakes heard by other artists who recorded live such as Eddy Current Suppression Ring and Parquet Courts, they began.

Continuing to write helped pull the band back from a period of stagnation and the results are stunning. With their fun-loving attitudes back in-tact and a polished new live show,complete with equally polished Dad jokes,this certified party band are finally ready to unleash the very first Stillwater Giants full-length to the world. Long live the Stillwater Giants wolf pack.

Indie rock song 'Montage' is one catchy piece. The band have kept things simple and concentrated on making a foot stomping number, with vocals and harmonies providing as much melody as the perfectly timed chord changes.

--------------------------------------------------------------------------------------------------------------------------

ISLES - The First Act.

Background promo - London-based ISLES are set to release their new single The First Act.


The indie-pop quartet is made up of Goldsmith students: Amber, Luke, Miles and Oliver - a 75% Northern group of friends who now reside in South London.

Taking references from bands such as Orange Juice, Neil Young and REM, the band manage to perfectly blend art school sensitivities with an alternative, bluesy sound. The band spent most of 2015 writing and touring across the UK. Bury Me is their first track of their double A –side single Bury Me / The First Act which will be unleashed on line over the coming month.

Bury Me, the first track to be released, is a soulful song with rugged, dreamy vibes. The melancholy female lead-vocals work perfectly in tune with upbeat guitars, ambient drums and backing vocals from fellow band mates.

Despite being described as indie pop in the press release, ISLES could slip into a number of genres quite comfortably. As regards 'The First Act' vocals are dreamy and delightful, and the music is bright and breezy, almost hinting that summers on it's way. Looking forward to hearing more.

--------------------------------------------------------------------------------------------------------------------------

The Broadcasts - This Is Life.

Background promo - The Broadcasts are a four piece Alt Rock/Acoustic band who are based just outside of Cardiff, South Wales. Previously signed to indie label Right Recordings, the band released a double A side single recorded by legendary producer Stuart Epps (Oasis, Elton John) before leaving their label to pursue an alternative path.

Since forming in 2012 The Broadcasts have played at the BBC Club, London in front of music industry professionals, supported bands like Press To Meco, Dead! and Owen Paul in Cardiff as well as sharing the bill with BBC Radio 1 DJ Huw Stephens at Newport Student Union. The boys recorded their debut nine track album in May 2015 at the beautifully scenic Mwnci Studios in Pembrokeshire, embarking on their first UK Tour shortly afterwards. Adam Walton of BBC Radio Wales' Introducing Show, described their music as "Heart on your sleeve, gritty Rock" and that's exactly what to expect from this storming eponymous debut album.

The album is released digitally on June 3rd and will be available on CD from June 17th.

One of nine songs on the new album, 'This Is Life' gives a good flavour of the alt rock side of the album, with super tight musicianship and gutsy vocals. There are some more acoustic based songs that add to the whole in a very positive way,  indeed the band seem quite happy to explore different ideas. It's creative without being pretentious, and there is plenty of good old feisty rock'n'roll.

--------------------------------------------------------------------------------------------------------------------------

Four For Friday: Kid Cupid - The Aves - Winter1982 - AM

Kid Cupid - Siren.

Background promo - After joining forces only a year ago and already being compared to huge acts including London Grammar and Young Galaxy, the London-based indie-electro quartet Kid Cupid are definitely ones to watch in 2016.

Their upcoming new single Siren is the perfect introduction to what’s yet to come. Filled with backing harmonies highlighting the importance of the lyrics and topped with Laura’s incredible vocal delivery instantly draws comparisons to Chvrches’ Lauren Mayberry.

Produced by the band themselves, the track ticks all the right boxes from start to finish. It consist of attention-grabbing lyrics, flowing real-world analogies as well as plenty of space for the listener’s diy interpretation. Their clever use of a broader range of instruments such as the snare drums to add the captivating rolling and additional tribal drum patterns resemble the likes of Jungle as well as Bastille’s hit Pompeii. Siren is the lead track taken from their forth-coming EP, and it will be available for sale and download everywhere 3rd June 2016. 

There's a couple of comparisons in the promo above, both have some credibility. Kid Cupid are not however clones, and a reasonably distinct and attractive sound emerges with the song 'Siren'. With a solid beat and rich background vocals, Laura glides above and hints at what is still to come from the bands eagerly awaited EP.

--------------------------------------------------------------------------------------------------------------------------

The Aves - We Were Young.

Background promo - Adelaide's favourite garage kids The Aves have lifted a new single 'We Were Young', a definite highlight from their cracking debut album 'Good News'. Vocalist/guitarist Lucy Campbell says of the track, "For a long time this one was called 'Complicated Chords', because the structure took so long for us to get – the chorus never repeats itself. In the studio we faffed about with it for a long time just to get that rhythm right. The guitar solo had nine takes and Thomas’ hands blistered so much he had to stick them in methylated spirits between takes. Lyrically We Were Young takes cues from Bruce Springsteen, it’s a nostalgic, bitter sweet call back to when I was a teenager. In a lot of ways The Aves have grown up together and this song epitomises all of that energy for me."

With three impressive EP's, a Big Day Out slot thanks to triple j and a stack of touring under their belts that includes Canada's NXNE Festival, New York's River Rocks and Brisbane's Bigsound, The Aves have become known for their high energy live shows, infectious pop-smarts and tongue in cheek lyrics. Initially taking cues from a varied range of the greats like Talking Heads, Elvis Costello, The Kinks and Yeah Yeah Yeahs, 'Good News' is an album that's both energetic and textured - an ode to Adelaide, Hollywood and suburban dreams. 'Good News' is out now through all good digital retailers via Firestarter Distribution and via the band on CD.

How time flies, it was just over five months ago that we featured The Aves for the first time and after a few positive words finished with "more please", so thank you! If anything the band have an even stronger song with 'We Were Young', which besides being extremely catchy, demonstrates a more developed sound, all of which makes the album a must have.


--------------------------------------------------------------------------------------------------------------------------

Winter1982 - Friend.

Background bio - Winter 1982 are Phil Barber (vocals, guitar) and Luke Phillips (piano, bass) from Birmingham. Trampled by their increasingly grey and relentless nine to five existence, they wanted to make music that spoke about their existence, sometimes beautiful, other times desperate and depressing, both knew their experiences could be drawn upon to create haunting alternative folk...  

Phil says "I have always written music, making little acoustic songs and recording them, very roughly. We are a duo so once I have something I like I send it to Luke. If he likes it too we work on it together, building in piano, bass, drums etc. We like songs....or maybe are just compelled to write songs....about life, love, hurt, doubt, mistrust. Basically what it is to be flawed human beings fumbling through life. I think everyone is continuously falling in and out of love, feeling great, hurt, happy, depressed, haunted and we are all trying to deal with that - sometimes privately -  the songs tend to be about those very human experiences. I've always loved soulful music that can be as dark as it is beautiful."

The duo, who have drawn comparisons to Ray Lamontagne and Ben Howard, have had support from both Amazing Radio and BBC Introducing.

Winter1982 are releasing 'Worry' on the 13th May, it's a beautiful song that unfortunately, I cannot feature here at the moment. Having been so impressed by the track, I pretty much wanted to share something, and the song 'Friend' makes for an excellent substitute. The duo create an expansive sound, laden with well crafted music and vocals, and creative song writing.

--------------------------------------------------------------------------------------------------------------------------

AM - Precious Life.

Background promo - "Precious Life", produced with drummer Joey Waronker (Beck, Yeasayer, Atoms For Peace), is the new single from Los Angeles songwriter AM, with the album of the same name following on May 20. Returning from an ultra prolific period with electro-soul partner Shawn Lee (Shawn Lee’s Ping Pong Orchestra), AM summons a dreamy sound on his new solo outing. With Waronker behind the drums and the board and with AM doing just about everything else on synths, bass, and guitar, the two carefully craft a record that is honest and emotional, yet swings and pulses.

When Joey's name was mentioned as a possible producer I thought 'how crazy would it be to work with one of my favourite drummers'...his work on Beck's "Mutations" and "Sea Change" were a huge influence and still remain some of the best drumming on record to date.  The first day we hooked up we banged out "The World Will Go On Without You", the last track on the record.  It was so effortless and fluent...with me on the bass and Joey on drums...I think we had the whole track done by the end of the day.  I think we both new then we had to make a record together."

The first single "Precious Life" delivers a bare, soulful guitar driven track rotating the question, “Who are you, with your precious life?” which openly critiques social class hierarchies of this time. Music made for the headphones...the big ones that is. Album available in stores on May 20, 2016 on Limited Edition blue vinyl and CD.

This is a really fine song. 'Precious Life' has a classic soul feel to it, and has been produced with care and attention. Musically it's crisp and precise with enough funk and feeling to complement the dreamy soulful vocals, the album sounds very promising.

--------------------------------------------------------------------------------------------------------------------------

Thursday Double Play: Jack Berry - Stone Cold Fox

Jack Berry - Coal.

Background bio - Originally from Reno, Nevada, Berry created his first album for a school project while studying in Los Angeles. After performing along the West Coast in a duo, Berry decided that he was meant for a career in music and relocated to Nashville. After several months of sleeping on a couch and working to catch the attention of the local press, Berry’s “ample supply of good hooks and riffs” (Nashville Scene) eventually gained the praise of critics throughout Nashville and beyond, earning him spots at well- known festivals, including North by Northeast in Toronto, New York City’s CMJ Music Marathon and SXSW’s Red Gorilla Festival.

Since then, Berry has logged dozens of shows from Nashville to New York City. He most recently appeared at No Country For New Nashville’s December showcase in 2015 and earned the runner-up spot in Hard Rock Rising’s Battle of the Bands. Mean Machine is poised to serve as Jack Berry’s breakthrough record, so be sure to stay tuned to the Reno-native’s every move! The new single, "Coal," is from his forthcoming LP, Mean Machine, out May 13th.

The mix of Alt rock and blues is a really good background for Jack Berry's naturally potent vocals. 'Coal' is a bruising rocker of a song with vocals and band delivering a concerted piece of in your face music. The music and harmonies are a mighty powerhouse, and Jack is the vital messenger.

--------------------------------------------------------------------------------------------------------------------------

Stone Cold Fox - Firing Squad.

Background promo - The best kind of road trips are the ones that are spontaneous. You know where you want to go, you have a final destination in mind - you just don’t necessarily know how you’re going to get there. But that’s ok, because it’s all about the journey, right? Brooklyn-based four piece, Stone Cold Fox want to take a road trip with you- they’ll get you to where you want to go, you just gotta let them take the wheel, because in the end whatever will be, will be. And the soundtrack? Their forthcoming EP, Tunnel Vision.

Tunnel Vision is a stunning contradiction- a collection of journeys made up of distorted dance synths that bleed with a rock-heavy heart. Written, recorded and produced over a period of two years, the sound of Tunnel Vision resembles a mindset that is anything but narrow minded- instead, it’s a collection of tracks that skew in every which way, that ultimately steer back to it’s original course to create a wistful, cohesive sound. “Tracks started as total rock songs, then turned into chilled electro songs, eventually finding its way somewhere comfortably in the middle,” explains guitarist and vocalist Kevin. “They find middle ground with a rock core and a dancey pulse,” he adds. So, imagine a world where John Lennon is rose from the dead and conceived a love child with The Strokes while listening to LCD Soundsystem and Beat Connection - that’s the kind of world that Tunnel Vision creates.

A spacey dreamy guitar driven indie song topped with delightful vocals is how I would describe 'Firing Squad'. Sometimes that's enough, Stone Cold Fox add their little twist and it becomes more than enough.

--------------------------------------------------------------------------------------------------------------------------

50 Foot Wave - Bath White.

50 Foot Wave - Bath White.

What The Promo Says: This LA-based power trio formed in 2003 by Kristin Hersh and Bernard Georges of Throwing Muses (with Rob Ahlers on drums), was named after the lowest note audible to human ears. The band was intended as an outlet for the noise/math rock pieces that didn't fit the aesthetic of Throwing Muses or Kristin Hersh's solo work. They are known for pioneering the name-your-own-price movement.

The band works with Creative Commons licensing to allow film makers and other artists to use their songs without incurring costs or copyright infringement. Though their records are available for purchase on CD and vinyl, 50 Foot Wave gives away its music free for download and encourages all forms of music sharing. As their records state: "Share This Music - burn it for friends, burn it for enemies - Use It" All those involved with the band donate their time to make this possible. Their most successful and influential release, 2009's Power + Light, is thirty minutes of non-stop music, a barrage of free-form sound that found the band challenging its own complex song structure. 

This year's Bath White is their sixth release. Again, they've chosen to work with Los Angeles producer Mudrock, best known for his work with Godsmack. As Mudrock states, "These are the best musicians I've ever worked with, easily the most facile...they're pros and they're good people. 50FootWave is why I do what I do."

Kristin Hersh on the track "Bath White"
"Swimming in Laguna salt water, coming clean, laughing with the kids, etc., I looked down and saw a pretty big (I wanna say enormous, but I’m not gonna) shark, between my toes and the sand. California will do this to you sometimes; catch your breath between spoiling you and inflicting unspoiled on you. It shrinks you to your appropriate size, an un-mattering. Sharks are the matter that matters in that sun-sparkled world. It’s their ocean, not yours.

Anyway, smart people already know that, but I paddled away, pale and embarrassed. And still, pale and embarrassed, I wander an ocean that isn’t mine. Not a lot of choice, really. Maybe something new is on the other side, but I guess none of us’ll know for sure until we finish piling up the new that keeps getting pitched our way here. Ducking or gathering, depending. New can be hard, but together we move forward, backward and in circles, nudged by these suggestions:
1. Don’t hurt each other. If you can’t help, do nothing.
2. And try not to fall for impure when purity is waiting: a rotten apple can’t feed you, a shadow is'nt a person.
3. When the glare of fluorescent human-ness obscures the light of humanity, let it wake you up a little, help sort out your noisy addictions.

One Bath White butterfly is the oldest pinned entomological specimen, the others fly up and over the Himalayas. I’m not making a judgement call here, just saying. Cuz it doesn’t get any better than high on the ground, in my opinion. We don’t get any better than that. Clumsily, sweetly, we surf the sharks’ ocean, fly the butterflies’ sky, but grounded is pretty great. And it’s the only greatness that’s really asked of us."

The title track and the first of six powerful songs 'Bath White' introduces us to a collection of material that is rich in ideas and sounds. There is a raw, pure rock feel throughout, totally unpretentious, at one level the band are seemingly just getting thoughts and feelings out of their system.  That said, on occasions 50 Foot Wave become more musically intricate and vocally more sensitive, however the underlying passion and belief never goes away. Overall this is a massive blast of fresh dynamic rock'n'roll, with a lot of spark.


--------------------------------------------------------------------------------------------------------------------------

Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...