The Veldt - 'The Shocking Fuzz of Your Electric Fur' - Mixtape EP

The Veldt - Sanctified.

Background - Identical twins Daniel and Danny Chavis may originally hail from Raleigh/ Chapel Hill, North Carolina, but they have been East Village residents for the past 28 years. They are also co-founders of the ground breaking band The Veldt, who lifted their band’s name from a Ray Bradbury science fiction story. Musically reared in the church and juke-joints of their native southern state, the twins have been performing since they were children, listening to music that included gospel, Motown and Pink Floyd. They now make music, together with bassist/programmer Hayato Nakao, returning to their roots with the release of The Shocking Fuzz of Your Electric Fur: The Drake Equation Mixtape EP.  The album releases on April 8 and to celebrate, the band is doing a whirlwind tour of Central Canada (see tour dates below)

The first single is the emotionally wrought Sanctified, a ballad that perfectly captures the lush sound of Danny’s screeching guitars and decibel-breaking distortion, along with Daniel’s soulful wail and Hayato Nakao’s deep bass grooves and guitar feedback, the track serves as the perfect re-introduction to this dynamic band. The title The Shocking Fuzz of Your Electric Fur was borrowed from an E.E. Cummings poem. Its raging sound was influenced equally by the emotional soul of Marvin Gaye, free jazz warriors Sun Ra and Pharaoh Sanders, various Drake hip-hop tracks, and their own fertile electric imagination. 

In their early days, the Chavis brothers making a name for themselves playing throughout the south at a time when fellow southerners REM and Superchunk were securing major label deals. As more black rock bands (Living Colour, 24/7 Spyz) began selling records and gigging throughout the world, The Veldt was courted by various labels, including IRS Records and Capitol. 

Initially signed to Capitol Records in 1989, The Veldt embarked on a musical journey that changed their lives. Soon, they were in the studio with dream-gaze guru Robin Guthrie working on their initial recordings, playing American concert halls with Cocteau Twins and The Jesus and Mary Chain, and recording Marigolds with Linco ln Fong (Moose).

The Veldt were a sensation from the start as they became a part of a movement of innovators who came of musical age at a time when rhythmic rebels were reflective, gritty and wild. Their sound inspired future generations of alternative artists, including TV On the Radio. 

Although The Veldt had signed to two major labels after leaving Mercury Records in 1995, the brothers decided to remain indie and self-released their 2008 album White Music for Black People. “The major labels were always trying to get us to change our sound, our look or both,” Daniel laughs. “But, we had no interest in being the next Lenny Kravitz or Tony! Toni! Toné! Unfortunately, not everyone shared our vision. We weren’t trying to be rock stars, we just want to play our music and pay our rent.” 

Apart from Robin Guthrie and A.R. Kane, who produced 'And It's You' from this EP, they have collaborated with TV On The Radio, Mos Def and Lady Miss Kier (Deee-Lite), and have shared the stage with My Bloody Valentine, The Pixies, Echo & The Bunnymen, Cocteau Twins, My Bloody Valentine, Manic Street Preachers, The Jesus and Mary Chain, Oasis, Living Colour and TV on the Radio, among others.

They eventually changed their name back to The Veldt. The Shocking Fuzz of Your Electric Fur serves to mark the band's re-emergence and will be followed by another full album of material on their Resurrection Hymns LP later this year (via Sona BLAST! Records). Indeed, for these veteran musicians and passionate noise technicians, this newest EP marks a new beginning. The Shocking Fuzz of Your Electric Fur will be released via UK label Leonard Skully Records on April 8, 2016.

Live April Dates:

04/01 London, ON - CHRW 94.9 FM In-Session
04/01 London, ON - 765 Old East Bar & Grill
04/02 London, ON - CHRW Saturday Morning with Howie Zowie
04/03 Toronto, ON - Silver Dollar Room
04/06 Peterborough, ON - Red Dog Tavern
04/07 Montreal, QC - Barfly
04/08 Ottawa, ON - Zaphod's Ottawa
04/11 Raleigh/Chapel Hill, NC - Cat's Cradle
05/06 Philadelphia - Union Transfer (with Brian Jonestown Massacre) 
05/07 Boston - Paradise Rock Club (with Brian Jonestown Massacre) 
05/09 New York City - Webster Hall (with Brian Jonestown Massacre).

The single and the first of five tracks on the new EP, 'Sanctified' reinforces the pedigree of The Veldt. It's one of five songs that are distinctive, appealing and give understanding to how and why they have shared stages live, with so many notable acts. 'Sanctified' typifies the quality and musical style across the new EP and raises expectations, of what is to follow later in the year. Within their genre and dynamic interpretations, The Veldt are a band who have it 'in bucket loads'.

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Singers & Songs: Maria Usbeck - Silver Pools - Ofelia K

Maria Usbeck - Moai Y Yo.

Background promo - Maria Usbeck (former front woman of Selebrities) today announces her debut solo LP and shares lead single, "Moai Y Yo."

The album "Amparo", to be released May 27 via Labrador in Europe and Cascine in the US, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn.

Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek of Chairlift who has also produced Beyoncé and engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic colour on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

So my native language is English and sadly my grasp of Spanish is extremely lacking. That music can transcend languages is reinforced for me with this wonderful song. Musically it is superb & Maria's voice becomes another instrument for me, and a wonderful one, at that. She could be singing the local bus timetable for all I know, however one thing I am clear on this is going to get quite few more plays by me.

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Silver Pools - Leap Year.

Background promo - Silver Pools is an ambient-pop entity led by Toronto based mandolinist, songwriter & producer Todd Macdonald. Following the disintegration of the baroque pop group The Winks in 2010, Macdonald went back to school, studied jazz composition & performance while continuing his work as a sound engineer and producer.

Recorded over a four year period in studios and bedrooms between Montréal and Toronto, Memoirs of An Oblong Sphere features contributions musicians from both cities. The lushly orchestrated album explores rich, harmonic and sonic textural combinations through blending analogue synthesisers with horns and woodwinds and mandolins melting into warped classical vinyl samples. This process of layering multiple musical performances was in part inspired by techniques he learned from the production team of John Collins & David Carswell. They produced The Winks' 2008 album Birthday Party as well as The New Pornographers' Twin Cinema, an album which Macdonald played mandolin on.

The lyrics for Leap Year are taken from the correspondence between Macdonald and Vancouver writer Shmuel Marmorstein. The two have been writing songs & stories together since they were high school students in the 90s. Memoirs of An Oblong Sphere will be out on cassette April 22, 2016 via UR Audiovisual.

Silver Pools Tour Dates:
Thursday April 14th: Guelph @ The Golden Bus - Silver Pools, The Blue Funz, M. Mucci
Friday April 15th: Toronto @ Secret Venue - Silver Pools, The Blue Funz & Still Monk
Saturday April 16th: Kitchener @ Open Sesame - Silver Pools, the Blue Funz, Eiyn Sof
Sunday April 17th: Hamilton @ Baltimore House - Silver Pools, The Blue Funz, Blunt Chunks & ZONES
Thursday April 21st: Toronto @ Handlebar (For Frequencies) *Memoirs of An Oblong Sphere album release - Silver Pools, Anzola, Ajage No Anne & "Valkyrie... is about to Die!"

Saturday April 23rd: Montreal @ La Plante - Silver Pools, Syngja, Man Meets Bear & Dromia

'Leap Year' is my introduction to Silver Pools and it's a really fine song. Todd Macdonald's vocals are pretty special in my opinion, and he knows how to find just the right musical accompaniment and balance so that both vocals and music really shine. An excellent taster for the now highly anticipated album on my part.

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Ofelia K - Cinco.

Background promo - The 'Plastic Flower' EP featuring “White T-Shirt”, "As A Bell," "Gone" and "Hawk Fly Tiger Run" reintroduced Ofelia K.’s voice to the world - compelling songs worn down to perfection that balance wistful maturity with a certain earnest and eternally young expression.  Not quite pop, not quite anything else, the young singer-songwriter showcased her beautiful symmetry with her music somewhere between an unrepressed journal entry, a comforting arm around the shoulder and her smoky, shimmering glare, her eyes so knowingly staring into you. With spins from Annie Mac at BBC Radio 1, over 1.8 million Spotify plays, and features on multiple NBC television shows, the world heard her starry eyed songs and asked for oh-so-many more.

With her upcoming single release, "Cinco," this LA songstress once again sets her sights on capturing the public’s heart with her tunes. As Ofelia herself mentions, "I was embracing the freedom to get loose and play, and I think that energy that comes through in the songs."  And with Ofelia K, you know that freedom can only result in pure musical bliss.  With every single on the ‘Plastic Flower’ EP reaching top 5 on Hypem, and  Zane Lowe premiering, her forthcoming EP is guaranteed to leave your ears enraptured.

This is a beautiful piece of sparkly indie pop. Bright and uplifting the vocals skip and hop across the equally upbeat soundtrack. That her music is already popular is clear by the statistics above, it's so very, very pleasing.

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Quality Not Quantity: Polyenso - Jenny Broke The Window - Old Sault

Polyenso - 17 New Years.

Background promo - Building off of 2013’s cult-acclaimed “One Big Particular Loop,” Polyenso — Alex Schultz, Brennan Taulbee, and Denny Agosto — has spent the past two years working extensively with producer Jason Pennock. Evolving their particular flavor of indie-rock to include elements of hip-hop, neo-soul, and experimental electronics, they pull influences from acts such as Flying Lotus, The Roots, Bright Eyes, and Bjork, half-jokingly referring to their medley as “urban indie progressive.”

Possessing an unrestricted vision for the musical quality in all things, the band operates like sound designers, pairing synthesisers, pianos and guitars with organic noise and everyday objects like spatulas, wooden bowls and packing peanuts. Polyenso’s visionary production is equalled by the freshly unlocked vocal dynamics of Taulbee and Schultz. Led by Taulbee’s soothing and provocative melodies, Schultz is tagged in to bring the sexy back on harmonies, occasionally leading himself.

Releasing their first new tracks in 2014, “17 New Years” and “Moona Festival” provide listeners with a taste of the depth and scope of the band's ever-expanding sound. The upcoming album, Pure In The Plastic, serves as a challenge to music as a whole, proving that there is room left for originality in the popular. Carrying forward their intrinsically spiritualistic character, from start to finish, their music captures listeners in a moment of transcendence, feeling as much a part of the future as it does the present.

The soon to be released album 'Pure In The Plastic' is an adventurous and exciting work. The band may have a core sound however they are not afraid to explore different styles and genres. '17 New Years' is the first of ten songs on the album. It provides some insight into what's to come, but with so mush richness and variety, expect to be spoilt, with a lot more.

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Jenny Broke The Window - Airport Love.

Background promo - Jenny Broke The Window deftly evoke that lump-in-your-throat feeling we all get when waving goodbye to a loved one at the gate in their new single 'Airport Love', produced by Tony Buchen (Bluejuice, The Preatures, Andy Bull).

Swelling, wistful, and atmospheric, the song's rhythm echoes the beat of a heart that's had just about enough. Hushed vocals are juxtaposed over bubbling synths, strings and cruchy guitar riffs that add just the right amount of drama. 'Airport Love' is the perfect catalyst for your moment of 20/20 hindsight clarity - just keep the tissues handy when it hits.

The Sydney quartet's forthcoming EP has two radio hits under its belt already - 'Skinny Dip' and 'Black Skeleton', the latter of which was the #43 most played track on triple j in 2015. The band themselves are no strangers to notoreity, having shared the stage with the likes of Sticky Fingers, Bluejuice, The Fratellis, Gang of Youths,  Harts and Kingswood. With a string of tour dates now announced, Jenny Broke The Window are poised to break free from the pack and straight into hearts across the country.

Sat Apr 09 - Moonshine, Manly
Fri May 06 - Newtown Social Club, Sydney
Sat May 14 - Penny Black, Melbourne.

The opening heartbeat rhythm slowly morphs into a very catchy song, with vocals leading the way and the music steadily building. It's a really well produced song allowing all the key elements to shine through, as the hooks work there way under your skin.

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Old Sault - Ghost.

Background promo - A darling display of maturity, a plea from a lonely bedroom. Debut single from Old Sault, 'Ghost', is awash with contemplation. Accompanied by an expertly shot music video (here) featuring a rabbit, a victim and his bullies, 'Ghost' is a heartbreaking reminder of how life's moments can return to the mind in an instant.

Currently a bandless band from the Gold Coast, Old Sault is more the moniker for singer, songwriter and guitarist Angie Farr. Produced by the ARIA-winning Govinda Doyle (Angus & Julia Stone), 'Ghost' is but a snippet of the work the two have been working on together, with another single just around the corner and a debut EP not far behind it. Pricking the ears of triple j and taste makers already, Old Sault is a raconteur, ready to realise her place on the national music stage.

Sometimes when I'm trying to describe a song all I really want to say is "This is a really good song" and just leave it at that. Maybe I should, but that always seem a little unfair considering the work that goes into so much of the music we feature here. Anyway, this really is a good song... oh just play it!


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Monday Double: Used Cassettes - Clare Maguire

Used Cassettes - Ducati.

Background promo - Sunburnt, half-dazed and several piers down from the fluoride tide of the Korean Wave, Used Cassettes are a stomp-and-stagger rock band based in Seoul. Rock n Rills due May 6th on Magic Strawberry Sound.

Used Cassettes' tunes are served straight up like the Stones', though maybe a bit sandier, and waterlogged by an unlikely drift of far-flung currents. The group may have met not far from Gangnam, but they hail from South Africa, Canada, and Detroit.

Over the past couple years they've broken Korea's rock Top 40, become the first gang of foreigners to ever sign with a top-tier local label, torn it up on the Asian festival circuit, and - inevitably? - starred in a comic book series read by millions. They wanted to make sure they sun-baked their sound nice and crisp before taking it back home. Listening back on their new LP Rock n Rills, they feel pretty good about that.

'Ducati' is a marvellous piece of rock music, with all the writing sensibilities of a Stones record and the loose swagger and attitude of The Black Crowes. However it's more than that. The band have a very fresh, natural sound, that in reality is cleverly refined, so that all instruments and vocals are very clear in the mix. As introductions to a band go, this one ticks all the boxes.

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Clare Maguire - Elizabeth Taylor.

Background promo - Clare Maguire listens to all sorts of artists these days; they have only one thing in common. "They are true to themselves," she says. This, more than any genre or sound or era, is all that matters to the 27-year-old singer-songwriter right now. "It's a certain attitude that I'm really drawn to," she explains, "and it really doesn't matter what music it is, and it doesn't matter who the person is. That's the inspiration for me."

This much is clear in Maguire's new music. After a moment away from the spotlight, the Brummie chanteuse is back in full force - still with that amazing, swooping, haunting voice, but with more raw, fragile vulnerability. Clare wrote the majority of this album at home on her piano, with her sausage dogs, on a diet of pizza and cups of tea, listening to everything from Rihanna to Johnny Cash, "If it sounds a bit rough around the edges, it's fine," she reasons, "because that's who I am."

She posted a series of songs online herself over the past year to high praise from the likes of Pitchfork, Fader and Rookie. These beautifully fragile tracks also caught the attention of Christopher Bailey, head designer at Burberry, who invited Clare to perform at multiple runway shows across the world, a creative relationship which continues to flourish.

Now Clare is poised and ready to release her brand new album, Stranger Things Have Happened, with brand new single, "Elizabeth Taylor", the first song to be heard from the album.

A true artist and musician, Clare wrote the entire album herself and was heavily involved with the studio recording process, drafting in modern British greats like pianist Sam Beste (best known for his work with Amy Winehouse) and producer Blue May (Kindness, Robyn, Kano and more). Stranger Things Have Happened will be released on EMI Records on May 27th.

'Elizabeth Taylor' is a sultry, beautiful song. Clare sings as if each word comes from the heart and the music almost struggles to keep up with her commitment to the song, that said - both vocals and musical soundtrack are quite stunning and really compliment each other.

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Alternative Take: A Dead Forest Index - Red Sleeping Beauty - United Sounds of Joy

A Dead Forest Index - Myth Retraced.

Background promo - A Dead Forest Index has shared the second cut from their debut album In All That Drifts From Summit Down, out April 29th on Sargent House. “Myth Retraced” features guitar contributions from Gemma Thompson of Savages, resulting in a song that is both intense and beautiful.

Landscapes both seen and felt, real and imagined, lie at the heart of In All That Drifts From Summit Down, the vast debut full-length release from nomadic duo A Dead Forest Index. Comprised of brothers Adam Sherry (vocals/guitar) and Sam Sherry (drums/piano), the group crafts ethereal and intensely intimate compositions that defy trends and labelling, instead shaping an aural experience as organic as it is unpredictable. Forsaking instrumental complexity in favour of richly dense vocals and an otherwise minimal palette, the band evokes heaviness with the atmosphere they create rather than through blunt force. Teaming-up with Sargent House on the heels of a recent European tour supporting label mate Chelsea Wolfe, A Dead Forest Index are poised to introduce their sound to a global audience in 2016.

A Dead Forest Index was initially the solo project of Adam Sherry, begun in 2008. By 2010, it had evolved into a collaboration, with Sam Sherry supplying percussive depth to his brother’s distinctively hymnal approach to vocals, itself characterised by cyclical harmonies and experiments with drone. Untethered by place (or, for that matter, era), they’ve spent the past few years developing their sound, touring extensively between 2012-2014, and issuing the EPs “Antique” and “Cast of Lines” in the process. The latter was released by Jehnny Beth of Savages’ Pop Noire label, a precursor to the collaborative Savages/A Dead Forest Index composition and performance titled “In What I’m Seeing; the Sun” for the Barbican’s Station to Station Festival in 2015.

In All That Drifts From Summit Down, their debut album, is a testimony to the sublime divinity of nature and the cold reality of time’s passage. Unfolding over 13 tracks, the album imagines natural phenomena as poetic metaphor for the human condition, the lyrics evoking stone, cold air, unyielding emptiness and erosion, while the enveloping warmth of Adam Sherry’s layered, choral vocals makes for an intriguing contrast.

We featured the band in early February, however, I just love this second song from the forthcoming album and could not resist giving them another share. The band are touring the USA from late April right through to June. Gemma Thompson's additional guitar contribution to this song adds just that little something extra, to a band who musically, already have a lot going for them.

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Red Sleeping Beauty - Mi Amor.

Background bio - 2016 is a big year for Swedish indie pop legends Red Sleeping Beauty (named after a song by 80’s Marxist band McCarthy). They’ve not only done their first live appearance in 20 years time, they will - more importantly - release their first album in 19 years time! Labrador released a first single called "Mi Amor" on March 25.

Red Sleeping Beauty formed in Stockholm in 1989 by singer Kristina Borg, singer/guitarist Niklas Angergård (Acid House Kings), guitarist Mikael Matsson (The Shermans), and bassist Carl-Johan Näsström. They made a huge impact on the international indiepop scene with two fantastic albums and a series of singles and EPs. Their first release was in 1992 with EP Pop Sounds (Marsh Marigold), followed by four 7"s all on different pop labels (Somersault, Motorway, Grimsey, and Sunday) before returning to Marsh-Marigold for the first full length Bedroom. They then signed to the legendary Siesta Records to release their fifth single Sick & Tired, their second album Soundtrack, and a compilation of singles.

Red Sleeping Beauty have always been fans of drum machines and vintage synthesiser. On ”Kristina” they’ve cultivated their love for electronic instruments and made up strict rules for the recordings: they only use analogue synthesisers and allow themselves to trim them with one acoustic guitar per song. The result is a heartfelt mix of memorable pop melodies and timeless electronica.

On ”Kristina” Red Sleeping Beauty is a duo consisting of vocalist Niklas Angergård and Mikael Matsson with help from Kristina Borg on vocals on four songs. The album title is a tribute to her.
- She’s had a tough struggle with cancer but things are looking brighter now. We expect her back as a full time member on the next album, the band states. ”Kristina” is the band’s first album in 19 year’s time. But that doesn’t mean the members have been disconnected from making music all these years. Niklas has released numerous albums with Acid House Kings on Labrador while Mikael Matsson has released several albums with both The Charade and The Shermans on Skipping Stones Records and Shelflife.

The return is by no means a temporary one. Red Sleeping Beauty is back for good. The writing and recording process has never been more inspiring and ”Kristina” is about ten times better than anything we’ve done in the past. You’ve only just seen the beginning of Red Sleeping Beauty 2.0, says singer Niklas Angergård.

'Mi Amor' has deep rich synth's that mix beautifully with the acoustic guitar and drums. Add to that the lush vocals and gentle melodies and you have a really good timeless piece of music. It bodes well for the album due out quite soon.

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United Sounds of Joy - The Sun That Hides A Darker Star.

Background promo - United Sounds of Joy is a new London, UK-based collaboration between Michael J. Sheehy and former Dream City Film Club band mate Alex Vald. Their self-titled debut album is released in North America on April 1st 2016 on Bronze Rat Records on CD/LP/digital formats, having recently been released in Europe to much critical acclaim.

Almost two decades removed from each other’s musical energies, Vald and Sheehy have reunited to craft some heart-rending, mind-bending music. Coming on like Joe Meek and Goldfrapp entangled in some ancient machinery, the first listen track 'The Sun That Hides A Darker Star' is a magnificent, shimmering sound that the BBC’s Lauren Laverne described as: “If David Cronenberg directed a spaghetti western, we reckon it would feel a little like this.”

"Don't call it a reunion" insists Michael J Sheehy "…we're not even a band in the traditional fashion". Dream City Film Club were signed to Beggars Banquet within a year of forming in 1995, released an album and recorded two Peel sessions before Vald was unceremoniously kicked out. "Alex was dismissed because he was the only decent human being in the band", says Sheehy, "we were intent on dismantling the band from the off, everyone was pulling in different directions, each with his own very particular variety of personality disorder, drug abuse or mental illness, and if all that stuff hadn't of got us then I'm sure we would have buckled beneath the weight of our very lofty pretencions."

Featuring contributions from Fiona Brice (Midlake, John Grant, Placebo) and Gemma Ray, the album is full of alluring, devious pop noir, the songs immersed in an eerie, crepuscular pool of fuzzy, warmly welcoming psychedelics. United Sounds of Joy traverse a road to a new and rewarding gothic chanson.  The beautiful cover is by Russian artist Aleksandra Laika.

The album was released in the UK a short while back, with just one sold out release show. It's a refined and absorbing collection of songs, of which the featured track gives some idea of what to expect. The songs are consistently pleasing, ideas are imaginative and everything has the feel of delicate and careful construction, with the bands hearts close to the end piece.

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Genres Mixed: Palumbo and the Funk - Broen - The Loom

Palumbo and the Funk - Get It Right.

Background words - Boasting a line up from around the world Palumbo and the Funk have been regulars on the London scene with audiences loving their Rock/Funk vibe. BBC Introducing have been early champions along with Gary Crowley who described them as "a musical powerhouse".

Palumbo and the Funk  got a kick start in with their award winning self produced EP, Rock The Funk which won the Jazz/Funk/Fusion Category at the Independent Music Awards (IMAS) in 2014.

The title of their debut album “All The Rage We Are”, is a take on the famous jazz tune “All the things you are” and encapsulates a “funk rock sound” but the genre becomes more “rock with horns” with each track. Musically, it’s groove with sonic depth and you find more hooks each time you hear the tunes.Lyrically, there’s a story to tell in each song.

“All The Rage We Are”was 2 years in the making and features 10 instruments - Drums, bass, keys, guitar, tenor sax, alto sax, trumpet, 1 X lead vocal, 2 X BVs and was produced by Dion Palumbo and Alex Fletcher with input also from the renowned Richie Stevens (Boy George, Joss Stone, Gorillaz, George Clinton).
'
I missed this band last year when they released their album 'All The Rage We Are' however it's such a great listen that giving them a belated mention only seems fair. Featured track 'Get It Right' typifies the excellent music this band generates both in the studio and in their natural live environment. This is swaggering funk rock from the  London based funk rock collective formed in 2011 by guitarist, front man and Australian singer songwriter Dion "Blindman Jumbo" Palumbo.

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Broen - No, My God.

Background promo - It’s the dark side of ladies night – the heels, the dresses and alcohol-fuelled messes. Norwegian quintet Broen glam it up on latest offering ‘No, My God’, with vocalist Marianna Røe pondering post-club frivolities: “We bumping round like a party of T-Rexes, wearing tiny little freaky dresses”.

Beneath the track’s gleaming exterior lies a somewhat existential brood: “It’s about ignoring your problems, and drinking, partying and instagramming your problems away,” Røe explains. “And then getting lost in who's right, who's wrong and all the different voices that argue Which God could or should help… ‘No, MY God’.” The track captures Broen’s genre-clashing, gloriously indeterminate charm, serving a synth-illating instalment of Britpop, hip-hop and West African rhythms. Stream/embed ‘No, My God’ below...

‘No, My God’ is taken from the band’s forthcoming debut EP ‘Yoga’, released May 6th via London-based singles club 0E0E. The four-track EP includes acclaimed singles of last year ‘Iris’ and ‘Boy’ – earning the collective praise of The Guardian, Consequence of Sound, KEXP and BBC Radio 6 Music’s Lauren Laverne.

'No, My God' has a quirky marching beat around which swirl both instruments, vocals and melodic harmonies. The song disappears into some kind of hip hop spell, then the craziness resumes. It's fascinating and quite addictive.

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The Loom - 01 Fire Makes.

Background bio - The Loom – a band from Brooklyn that has been called a “Next Big Thing” by the New York Times, “Best of What’s Next” by Paste Magazine, and a “World Café Next” band by WXPN – will release their second album Here in the Deadlights on April 22nd via Crossbill/Stereocilia.

However, Here in the Deadlights is not the record they set out to make upon returning from touring their debut album in mid-2012 (they made that album too, but more on that later). Instead, Deadlights both reflects and was made in the midst of the extremely difficult time that unfolded for band leader John Fanning upon their return: a life upending split from his longtime partner and best friend of fourteen years, the nearly lost mind and period of psychic and existential searching that followed, and the heavy lifting of rebuilding it all out of that collapse.

These circumstances, combined with the band’s collective and long-percolating obsessions with repetition, groove, atmosphere, and dissonance, honed across several hundred shows throughout the US and Canada and as far away as Poland, informed the shape of the new record.

Deadlights was recorded with producer Kevin McMahon (Titus Andronicus, Real Estate) at Marcata Recording in upstate New York, and finds them digging more and more heavily into these inspirations, stacking organs on top of organs and undergirding endless tangles of words with noisy guitars, set against horns run through delay pedals, all while maintaining the spirit and craft that led Daytrotter to write that The Loom “makes us believe that they’re the fathers and mothers of our cold and jagged memories, those that may or may not even be our memories for they feel so distant.”

Driven by psych-influenced guitars, songs like “I Am Not Young” and “Fire Makes” push towards connection and against the incessant passing of time, while “Ten Thousand Tiny Field Mice” is the repetitive, bracing sound of a mind unraveling (complete with manic saxophone breakdown from Phantom Family Halo’s David Lackner, who plays on “Fire Makes” as well).

There is a considerable amount to discover within the forthcoming album. Across nine tracks the band dig deep with ideas and passion, resulting in something that is clearly quite special to them, and as importantly, for the listener. Vocally superb and musically inventive, the album reflects the circumstances of John Fanning to the point where his emotions are shared, almost on a one to one basis. In the days of singles, EP's and on-line streaming, The Loom remind us that whole albums remain a musical journey of art in there own right.


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Quality Not Quantity: ARMS - The Heroic Enthusiasts - Hein Cooper

ARMS - Keep It Light.

Background promo - ARMS and Paper Garden Records have teamed up yet again to release the project's second full-length album, Patterns, which is set to be released worldwide in late May. With influences stemming from David Bowie and German rock band, Neu!, Todd Goldstein says the song 'Keep It Light' is "an open letter to the voices in my head that delight in telling me to tone it down, to rein it in, to not frighten or disturb anyone with my behaviours or feelings."

ARMS' Patterns takes the cinematic mood pieces and coy lyricism of previous ARMS records—the noisy, homespun Kids Aflame (2008) and its widescreen sequel Summer Skills (2011)—and cranks the volume: The melodies leap from the speakers, the sound is crackling and urgent. The songs on Patterns are as keenly aware of their place in the continuum of wry, melancholic songwriters (the Cohens, Merritts, Wainwrights, and Stipes that Goldstein likes to cite) as they are willing to twist those conventions into off, intriguing new shapes.

The landscape has changed dramatically since Todd’s mid-2000s stint playing guitar in New York cult heroes Harlem Shakes—guitar-forward, songwriterly indie pop has returned to its niche roots; it’s a contracting field. But rather than closing up shop, Goldstein and his now-10-year-old ARMS project respond to that revelation with their most eclectic, emotionally generous album yet. Patterns is the sound of a songwriter with nothing left to prove, displaying a hard-won lyrical compassion and a sureness of craft born from a lifetime of listening, playing and drinking deep of the music he loves.

The chunky powerful opening riffs lead into equally potent vocals. Add the soaring guitar that occasionally drops in and a relentless beat and the result is pretty special.


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The Heroic Enthusiasts - Falling of the Drop (We are One).

Biography - Back in the 16th century, the Catholic friar and astronomer/philosopher Giordano Bruno gazed up at the stars enraptured by the poetry he saw in the elliptical patterns playing out in the sky. For Bruno, math, science, art, and romance were all one and the same ­­ a perspective that resonated so much James Tabbi and Tom Ferrara that they chose to name their band after Bruno's epic work Gli Eroici Furori -- literally "On the Heroic Passion" but commonly known as "The Heroic Enthusiasts." Much as they did for Bruno, numbers for this band function as a window into matters of the heart.

Both math majors and music lovers of Sicilian descent, Ferrara and Tabbi understand that form derives its beauty from a dance between precision and an intangible quality that can't be quantified. Yes, they write songs that stick in your memory and make you want to sing them out loud. But they also add discreet touches of sophistication, leaving a note out of a chord, for example, so that your ear strains to hear it and then introducing contrast by adding the note they've been implying all along. The way their guitar lines mesh together brings to mind the approach of master weavers and designers as much as it does musicianship in the conventional sense.

Numbers and emotion may not seem related, but when you listen to the band's new EP Memory Wheel, you'll hear why the connection makes sense. Or maybe you'll just hum or dance along instead. And that's okay too. These guys wouldn't have it any other way.

The band's new EP 'Memory Wheel', comprises of four really powerful songs. It's hard to pick one out as the best, however as 'Falling of the Drop' is the only one I can share, at least that problem is easily solved. Lyrically intelligent and musically full of hooks, this really is a mathematically sound EP.

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Hein Cooper - Overflow.

Background promo - Australian singer-songwriter Hein Cooper dropped new track 'Overflow' this week ahead of debut album The Art of Escape release on April 1.  

Overflow is "a celebration of two bodies coming together in the physical world and transforming into something more spiritual rather than physical. It’s slightly non-sensical and drifts through imagery to capture the imagination rather than reality" explains Cooper.

His debut album The Art of Escape, due out April 1, 2016 via Indica Records (Phantogram, Half Moon Run) is now available for pre-order via iTunes.  The much anticipated recording was produced in Montreal by Marcus Paquin (Local Natives, Arcade Fire, The National) whom Cooper praises for his involvement: "It was a really collaborative process, he had a lot of great ideas that built the songs up in a way that got the ideas out of my head and into the record." Not afraid to mesh acoustic with electronic and equally proficient in both lush and stripped back moments, the album is an accomplished start for the young artist who embraces light and shade in equal measure. The title track "The Art and Escape" and "Rusty" are both immediately available upon purchase.

The last twelve months saw Hein Cooper collect some pretty amazing achievements:  two singles on triple j, spins on the BBC, a slot at Falls Festival, record deals across three continents, the best part of a year crossing the globe playing festivals from the UK and Europe to Canada, and opening slots with James Bay, Sophie Hunger & Half Moon Run.

There is a sparkly feel to the music as the song commences, that is well suited to Hein Coopers vocals. Bright, lively and well produced 'Overflow' is a good song that can't but raise interest in his debut album, due in a week.

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Thursday Three: The Blessed Isles - The High Learys - Animalia

The Blessed Isles - Caroline.

Background promo - They say good things come to those who wait, and in the case of Brooklyn’s The Blessed Isles, the adage bears out. After five years of recording in studios across four states, the band stands poised to inject a much-needed dose of substance into the shoegaze bloodstream with their debut LP, Straining Hard Against the Strength of Night. Not satisfied to merely recreate the genre’s trademark textures, vocalist and guitarist Aaron Closson (The Hourly Radio) and multi-instrumentalist Nolan Thies (N?TIONS) put a premium on songcraft, fashioning melodies that seamlessly reinforce the tell tale shoegaze soundscape. At their core, these are finely wrought pop songs that would shine in any genre, but are fully realised in the gossamer intricacies and stentorian pulse of Straining.

Lead track “Caroline” encapsulates everything distinctive about the resurgent genre, featuring a tidal wave of guitars that propels the chorus into the stratosphere. In contrast, “Chase Away the Sun” is a study in measured restraint, conjuring a desolate terrain of heartache before breaking into a lush and expansive refrain. The record manoeuvres deftly between aggressive figuration's and cathartic release, a tension that compliments Closson’s plaintive vocals and evocative lyrics.

Completed while Closson finished graduate studies at Yale and between Thies’ busy tour schedule, Straining manages to sound effortless and fresh, making an essential contribution to Saint Marie Records’ already impressive roster. This is a record for anyone who is susceptible to the charms of sonic dreamscapes but who is unwilling to sacrifice the fundamentals of songwriting that connect listeners to the music they love. It’s sure to become a mainstay in the genre for years to come.

The Blessed Isles "Straining Hard Against the Strength of Night" (Saint Marie Records), Release Date: May 20th, 2016.

The forthcoming album is a collection of ten songs and kicks off with the featured track 'Caroline'. The song gives a good feel for what is a very breezy and refreshing album, not necessarily two words I would normally associate with Shoegaze orientated music. Indeed the album drifts in differing directions from the core style, with indie rock along the lines of New Order being one reasonable reference point. As a whole this is a pleasingly good collection of songs, that are, coherently and tightly delivered.


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The High Learys - Cabinet.

Background promo - The High Learys are a four piece inspired rock band from Perth, Western Australia consisting of Jamie Turner (lead vocals/bass), Michael Nutt (keys/vocals), Matt Williams (guitar) and Mitchell J Benson (drums). Forming in 2011, they have released one album, and a number of singles. In 2013 the band went over to Europe to play shows in Germany, France, Italy, Spain and England. In August 2014 the band went back into Poons Head Studios to record their next single “Clear My Mind” with producer Rob Grant. It was then released on 7" vinyl through Soundflat Records in late October. Shortly after it's release the single was used in both a Bose Headphones and Sportscraft commercial.

During November and December 2014 the band embarked on a second European tour, playing shows in Germany, Spain and England. Their single “Clear My Mind” charted at no. 1 in the AMRAP charts in 2014. the band have released multiple records and have two European Tours under their belt, 2016 finds them causing quite a stir overseas as well as on their home soil.

The making of new single, “Cabinet”, was the first time the band had ventured into recording entirely by themselves. Produced and engineered by the band’s keyboard player Mike Nutt and recorded over the summer of early 2015 at various houses and studios. The finishing touches where added at Blackbird Studios with Dave Parkin. “We’d been talking for a while about recording ourselves so we decided to knuckle down and give it go. We found that doing it this way gave us a lot more creative control in our recording process and enabled us to take our time with tracking to make sure it was exactly how we all wanted it to sound,” says the band.

“Cabinet” explores the insecurities of a young mind. Someone who feels lost in their ways, but at the same time shares the burdens of adolescents with their other half. Look out for national touring from The High Learys later in 2016!

Upcoming Shows:
Sunday 27th March - Babushka **Single Launch**
Saturday 21st May - Mojo’s Bar

'Cabinet' is a catchy song, with distinctive vocals and a really good musical soundtrack. Somehow the band manage to sound both very modern and fresh, whilst I'm certain I am also hearing a sixties vibe throughout the piece. Whatever... it's a great song!

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Animalia - Face On.

Biography - Animalia is a dark electronic artist based in Toronto, Canada, producing high-energy shows with live drums. Her music sways with the use of thumping beats and astral synths. Her quirky voice belts out haunting melodies, while she takes up the stage with her aggressively intimate performance.

Jill Krasnicki started performing music as a bassist at the age of 17 in her hometown of Tasmania, Australia. For 10 years, she played various venues and festivals and toured around Australia, Ireland and parts of Europe, eventually landing in Toronto, in 2009.

At the start of 2012, Animalia was born as a dark folk acoustic act and saw the release of her DIY first EP “To the Waking, the Shaking and the Volatile”. Her second EP “A Wave to Wash the World Away”, incorporated beats and by the start of 2014, Animalia had left her guitar-based songs behind and had become a fully electronic act.

Her debut album “Mouth Full of Teeth”, was released in June 2014 and was featured in NOW Magazine, Noisey and Exclaim!, charting at number 3 on the national college electronic charts.

Animalia will release her second album “(dissonance)” in early 2016 with the singles “Little Earth” and “Paradise” coming shortly before. In 2015 she performed CMW, NXNE, SummerWorks and POP Montreal among other shows in and around the Toronto and Montreal area.

And to quote Animalia - The world seems to toy with your emotions, picking you up and then dropping you back down just as quickly. 'Face On' plays with the idea of being in an actual relationship with the world – the world being the collective of life and it’s events – and in a moment of hopelessness I ask it how and why can it be so cruel and yet, how can I remain so deeply in love with it at the same time.

One of eight songs on 'Dissonance' the song 'Face On' helps the listener anticipate what to expect from the album. Both vocals and music are highly distinct in nature, with each song so very well crafted with extreme attention to detail. It's music as art, without self indulgence, but with considerable passion and intent. I have to say, as 'dark electronic' artists go, Animalia really does shine a light (oops), this is one of those albums that I can't help but want to play again (& again).

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Genre Wander: Meredith - Day Of The Dead - Vanessa Forero - Tuff Slang

Meredith - How Could You Believe That.

Background promo - Brisbane indiefolk/pop chanteuse Meredith is making her return to the scene in the form of sinister synth-laden slow burner 'How Could You Believe That'.

The single is a twinkling yet unsettling exploration of how a toxic relationship can affect not only the sufferer themselves, but also those closest to them. 

Meredith's aptitude for catchy, opulent production earned her high praise when her debut single 'Jumpin Beds' was released in 2014. Her most recent single 'Levels' has amassed 200k+ plays on Spotify - making into the UK viral 50 - was played on triple j, and the pastel-tinged accompanying clip was added to rotation on rage. All this attention led to a bevy of enviable support slots with artists such as Machine Age, Avaberee, Timberworlf & The Once (CAN) - and she'll be supporting San Cisco at their upcoming sold out Brisbane show.

With an EP release looming large on the horizon, a new video on the way for 'How Could You Believe That', and a brand new live show with a deeper focus on electronica, you'd absolutely better believe that Meredith is destined for incredible things.

Cool, calm and sultry 'How Could You Believe That' builds and develops, with both emotive vocals and synth's in what is, a fine electronic pop song. It's moody with 'late night' vibes and emotional power.

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Day Of The Dead - Heartbreak Island.

Background promo - Day Of The Dead is an instrumental 3-piece band that formed in 2005. Taking the haunting tremolo sounds of vintage spy movies, and the twisted feel of spaghetti western soundtracks, Day Of The Dead infuse modern energy into a Frankenstein monster of surf-guitar fury. These guys sound straight out of a Tarantino film not yet seen.

The band was formed by Ben Frichot, the creative force behind instrumental hard case outfit, Storytime. Frichot is a WAM! “Guitar Player of the Year” winner and has been creating instrumental guitar music for over 20 years. During his career he has featured on numerous surf movie soundtracks for Billabong, Rip Curl and Rusty, and performed with artists such as Dick Dale, The Cruel Sea, Suicidal Tendencies, The Fireballs, The Mark of Cain, Midnight Oil and many others.

In 2006 The Dead released their debut album, Killer Sounds From the Midnight Highway. They followed up in 2008 with Kill or be Killed their strongest work to date. This album was engineered by Adam Spark from Birds of Tokyo and features guest violinist Alex Archer from The Kill Devil Hills.

In 2010 the band recorded and released Damned if You Do a 5 track EP, and featured on a string of tours with artists including The Living End, Green Day, Shihad, Motorhead, Calexico, and Briand Setzer’s Rockabilly Riot.

Since then, DOTD have released two new sets of tunes in early 2016, the first being 5 tracks recorded and proceeded by Shihad legend, Tom Larkin at his Studios in the City, Melbourne. “Dead If You Don’t” is a more aggressive take on the surf garage genre and features some amazing tones and cinema*c overtures.

The latest release is "Heartbreak Island" EP. This release truly captures the band at their absolute best and is the most “epic” sound scape the band have produced to date. This release includes a title track written by Frichot and guest vocalist, West Coast Rockabilly legend, Caleb Merry. "Heartbreak Island" EP by Day Of The Dead will be released 8th of April 2016.

'Heartbreak Island' is one of five tracks on what is a really addictive EP. With nods in many directions from Dick Dale to The Shadows, this is a wonderfully hook laden collection of mini musical masterpieces. That the band are talented is an understatement!


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Vanessa Forero - Heaven Knows.

Background promo - British/Colombian singer-songwriter Vanessa Forero is set to release her self-produced EP on March 28th, a collection of 5 songs which came from a place best described by the EP title 'From The Uproar'. Forero is a skilled multi-instrumentalist as well as a producer, composer, arranger and vocalist. After being selected in 2015 by Brit Award Singer-Songwriter Beth Orton to write and perform at her UK show, Forero decided to become her own artist and record her own songs in her distinctive Indie/Folk style with Latino influences.

For her debut EP, Forero recorded and played a lot of native Latin instruments herself, and even sings the evocative bonus track 'Anhela' in Spanish. Her sound is a reminder of her roots and has been greatly inspired by her time spent in Colombia. Forero was first introduced to a whole new music scene whilst filming National Geographic's feature documentary 'Woman Raised by Monkeys', a film based on the bestselling book on her mother's extraordinary life 'The Girl With No Name', a book that she co-wrote herself.

Vanessa Forero has recently revealed the underwater-themed video for her new single 'Same Boat'. This new track is guaranteed to plant a smile across your face and have you hum in no time. So do not hesitate to embark on a journey across the choppy seas to get to know Vanessa's unique world.

The first of five songs from the EP (From The Uproar) the featured track 'Heaven Knows' is indicative of the quality and intelligence that underscores a beautiful folk orientated collection of music. The songs blend different genres around the core folk roots, nothing is over done and as a result we are left with a sincere collection of melodic and delightful numbers.

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Tuff Slang - Nothing All The Time.

Background words from the band - The mission starting Tuff Slang was to create a hook driven rock band that walks the line between southern twang, rhythm & soul. Our first single is rolling out today, it's called 'Nothing All The Time'...

Nothing All The Time is the first track that we wrote during our earliest rehearsals. It made us realize the sound that we were chasing together and paved the way for each song written after. High energy, and a chorus that catches your attention while paying tribute to our influences.
We've all come from different bands (Secret Colours, Dirty Rotten Sunshine, A Lull) and knew that this effort had to combine something that we each hold close in terms of influence. We drafted up song after song until we hit the mark on what it was that captured each of our personalities in the music.

Our hope with Tuff Slang is that we never see the need to sugar coat what we do. We'd much prefer to let the infectious rock that we create speak for itself.

It's meant for getting those hips shakin' and whistling along with. And we hope that's what you find yourself doing! - (Aaron Vincel, Cody Messick and Justin Frederick).

There is a meaty, punchy feel to the song as it opens. It feels unpretentious, something I would expect from a band desiring to have some 'southern twang' in their sound. It has to be played loud for full effect, however the effect is good and your ears are worth it....

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American Music Club - Live At Canes 2005 (IA).

From the Internet Archive this is American Music Club (AMC) Live at Canes, Mission Beach (San Diego), CA, on the 18th November 2005. AMC were opening for Spoon and this was the last show of the tour. As one commentator put it - AMC opening for Spoon? That ain't right. And it sounds like some of those Spooners weren't bothering to hide their disdain, as evidenced by Mr. Eitzel's comment after the first song, "You don't have to like it; I don't care." Despite the audience, this is a great set with lots of stuff from AMC's then new album, including a high-energy performance of "Home."

A little about AMC - Their 1985 debut, The Restless Stranger, is widely considered as the first slowcore release, establishing the band as major pioneers of slowcore and an early influence on post-rock. It was later followed by 1987's Engine which saw record producer Tom Mallon as a full-time member. American Music Club earned a solid cult following on the strength of 1988's California. Their next LP, 1989's United Kingdom, appeared only in the nation which lent the record its name and consisted of new material, some of which was recorded live at the Hotel Utah in San Francisco.

In 1991 American Music Club emerged with the record that is widely considered their masterpiece, Everclear. Critical acclaim attracted the attention of several major labels. Rolling Stone called it the Album of the Year and named Eitzel Songwriter of the Year for 1991. Eventually, AMC now consisting of Eitzel, Vudi, Pearson, multi-instrumentalist Bruce Kaphan and drummer Tim Mooney signed with Reprise in the US and Virgin throughout the rest of the world.

The band reformed in 2004 with this gig forming part of the process of the band re-establishing themselves.

Recording Details: Source AT831 > SP-SPSC-1 batt. box (w/ bass rolloff set @ 107 Hz) > Nomad Jukebox 3 (wav @ 44.1k) Lineage NJ3 > USB > Sound Forge 6.0 > WAV > FLAC (flac front end, compression level 6)

Sound Quality: High quality audience.

Set List:

Intro
Why Won't You Stay
Home
Heart & Soul
Only Love Can Set You Free
Another Morning
Outside This Bar
If I Had A Hammer
Challenger
Patriot's Heart
Sick Of Food.

Comments: This recording is available for download on the Internet Archive in FLAC, MP3 and OGG VORBIS formats HERE.

Band Official Website: HERE.

Stream Below:


A Good Four More: Twin Haus - Street Chant - Verge Collection - San Mei

Twin Haus - I Used To Think.

Background words - Recently signed to Brisbane indie label, Bedlam Records, Twin Haus now look to their fourth successful national run this April, bringing an energetic and mesmerising live show to stages around Australia.

The band’s diverse brand of psychedelic and ambient rock has recently seen them perform in support of acts such as; Tonstartssbandht (USA), Viet Cong (CAN), Dune Rats, Millions, Gang of Youths, Tijuana Cartel and The Medics, to name a few.

2015 saw them headline Brisbane’s renowned Psych Night, perform at Port Macquarie’s Festival of the Sun, as well their most recent single ‘I Used to Think’ premiered on Rolling Stone Australia which continues to receive attention nation-wide from the likes of Triple J, FBi, Triple R, PBS Melbourne and 4ZZZ.

The band’s awaited follow up EP ‘Nothing Lavish' recorded by Steve Kempnich and produced by ARIA award-winning producer Tim G Carr, is scheduled for full release March 2016.

One of four songs on the EP 'I Used To Think' has also gained a lot of attention as a single. The band drift across genres and styles that loosely can be described as Psych orientated. The featured song gives a glimpse of the diversity in sound and also the potential of this band. I will leave you to decide on any comparisons, however the creativity alone deserves full credit, as does the beauty in their sounds.

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Street Chant - Insides.

Background promo - In a post-internet era of short attention spans and jarring sonic changeability, the consistent tone and content of Auckland three-piece Street Chant is as refreshing as their songs are unsettling. Following a half-decade that’s seen them tour internationally in support of bands as acclaimed as The Lemonheads, The Dead Weather and The 3Ds, as well as multiple trips to SXSW, CMJ and Big Sound, the very-long- awaited release of second full-length Hauora on iconic New Zealand indie Flying Nun finds the band picking up where their lauded, New Zealand Music Award-winning debut Means (2010, Arch Hill) left off.

Set to be released on 1 April 2016, Hauora is a compact, energised and complex set of songs plumbing the intriguing depths of the Urban New Zealand Condition in the early 21st century. From the Saturday night booze binges of Sink to the petty shared-house bleakness of Pedestrian Support League, the album explores in sardonic humour and hook-laden melodies the highs and woes of creative life in Auckland City.

Street Chant’s Hauora is to be released 1st April 2016 on Flying Nun. The band are on tour in New Zealand through April and have more international dates planned for later 2016. 

'Insides' is the new single from the soon to be released 'Hauora'. The album has eleven songs of which the single shows off the punkier side of the band. There is more depth to the album, but also plenty of high energy, in your face numbers. Lively and incredibly pleasing, if you like the single, grab the album.

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Verge Collection - Class Of '09.

Background promo - "Wasn't high school hard?" Verge Collection tackle spoilt brats, the transition from adolescence to adulthood and the class divide in new single 'Class of 09'.

Following their quintessentially Aussie debut 'Our Place' - which received heavy airplay on triple j and became somewhat of a suburban summer anthem - these gents from Perth have earnt plenty of mates for their matter-of-fact lyrics and dole-wave sound.

2016 is already looking massive for Verge Collection, with some big shows on the horizon including festival slots at Groovin' The Moo and RTR FM's In The Pines, plus upcoming supports with Cold War Kids, Skeggs and plenty more soon to be announced.

'Class of 09' is the new single from the band's forthcoming debut EP Open Plan Living, scheduled for release mid-year along with national touring to follow. In the meantime, Perth & Sydneysiders can get on board the hype train for a handful of April shows.

Live Dates:
Apr 07 - Marlborough Hotel, Sydney w/ special guests
Apr 08 - World Bar, Sydney w/ special guests
Apr 09 - Captain Cook Hotel, Sydney w/ Pat Chow
Apr 13 - Mojos, Fremantle w/ Skegss
Apr 14 - 459 Bar, Perth w/ Skegss
Apr 23 - The Bird, Perth w/ Hip Priest
Apr 24 - RTR FM In The Pines, University of WA
May 07 - Groovin' The Moo, Bunbury

The newly released single 'Class Of' '09' has plenty of indie folk & rock vibes to it. Delivery is superb, there is an informal and relaxed feel and melodic hooks that dig right in!


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San Mei - Revel.

Background promo - Gold Coast based artist San Mei is set to release her new single 'Revel' April 22nd.

2014 and 2015 saw San Mei (Emily Hamilton) garner both international and local praise with her debut singles 'Wars' and 'Brighter' from taste makers NME, Indie Shuffle and Nylon Magazine tipping her as an artist to watch.

San Mei returns with 'Revel' produced by Emily and Sean Cook, (Babaganouj, Jungle Giants), and mastered by Ben Feggans (Rüfüs, Ngairre, Willow Beats, The Kite String Tangle and Dustin Tebbutt) showcasing her lush melodies, and progression beyond the bedroom and into the studio. Revel evokes the progressive-pop of Little Dragon and Ladyhawke with the guitar saunter of Mac De Marco.

'Revel' has layers of beautiful music and dreamy vocals. Atmospheric and melodic, it demonstrates just how good pop music still can be.

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Saturday Double: Joana Serrat - Jon Meadows

Joana Serrat - Tug Of War.

Background promo - Talking about Tug Of War Serrat says; "Tug of War is a song that talks about the people of my generation that once followed all the paths we were told to walk. We did obey, believing in what we've been told. At the end of this road we were supposed to find the good life and all that we end up seeing is a death land. We are going to be the first generation that won't surpass our parents."

Cross The Verge, just as its name promises, shows us another side of Joana Serrat, who so enchanted audiences on her 2014 album Dear Great Canyon. On Cross The Verge, her third album, Joana lays bare all the cracks, inconsistencies and fears that come with life, with the album revealing itself to be an especially beautiful tribute to the acknowledgement of loss and the acceptance of the uncertain.

To record this album, Joana Serrat travelled from her home in Vic, near Barcelona, to Montreal, Canada to team up with producer Howard Bilerman (Arcade Fire, The Barr Brothers) in his analogue studio, The Hotel2Tango. In the recording process Joana was joined by the likes of Gavin Gardiner (The Wooden Sky), Aaron Goldstein (Daniel Romano, City & Colour, Cowboy Junkies) and the acclaimed Canadian auto harpist and vocalist Basia Bulat. Elsewhere, Neil Halstead (Slowdive, Mojave 3) and Ryan Boldt (The Deep Dark Woods) joined Joana in two duets from two different approaches; the shimmering pop of Cloudy Heart and the wrought Americana of Black Lake.

Howard Bilerman’s approach results in Cross The Verge feeling like a natural progression and a show of real maturity. Her ability to never waste a lyric or syllable where something need be said and never miss an opportunity to breathe life into a song’s darker corners, illustrates her creative growth. Cross The Verge is a beguiling collection of songs that move with great ease between the precious evanescence of Lonely Heart Reverb, Oh, Winter Come or Flags, and the vigorous guitar sound that predominates in Desert Valley, Tug of War, and the moving Black Lake. There’s elegance in the trotting Americana rhythms of Saskatoon (Break of Dawn), I Follow You, Child and the crystalline Cloudy Heart.

This year sees a return to Primavera Sound Festival for Joana, with the festival’s El Segell del Primavera label releasing the album in Spain. Loose were quick to sign her up for the rest of the world, thereby providing Joana with her dream home for her unique talents.

'Tug Of War' opens with a rich musical texture, ideal for Joana's absorbing vocals. The songs fairly brutal message is delivered with warmth, and a sense of need to get the point over. It also suggests we are in for a real treat with her third album.

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Jon Meadows - Mojo Rising.

Background promo - From the home of innovative pop music - Nub Music - comes the New EP from self taught, Indie Rocker Jon Meadows – ‘Hymns’. Fresh from achieving a top ten album in 2015 award, Jon Meadows bridges the gap between albums with an EP of biblical proportions; 'Hymns' explodes with the anthem '1234' and reignites track after track. Standout track Mojo Rising has the grit and hard edged sound expected from Meadows whilst 'Mirror Sidewalk' shows a songwriting craft is being mastered. 

Jon Meadows released his debut album 'Escape' on Nub Country Records on the back of the success of the raw and powerfully melodic single ‘Days Like These’. Voted on of the Top 10 Albums of 2015 by the renowned reviewer Mike Koehler; From the Kasabian sounding 'Pirates and Cowgirls' to the typically Liverpudlian sounding 'Break Me In Again' and the epic ‘Velvet Sky’, this album leaves you with hooks and melodies that you will be humming day after day.

Drawing inspiration from Kurt Cobain and Elliot Smith to Josh Homme and Lee Mavers, Jon effortlessly blends styles together to complete an entertaining and promising debut. Jon has been playing guitar since the age of 15 and decided at the age of 30 to start writing songs. 3 years later he has a catalogue of over 50 songs, receiving airplay on a multitude of radio shows.  Totally self taught on the guitar, drums and bass, Jon has a passion for creating soundtracks to people’s lives and memories.

This is one feisty EP. 'Mojo Rising' typifies the raw potent power that makes every track demand some attention. It's indie rock with a 'hard edge' to borrow the expression in the promo above. The other four tracks on the EP are no less passionate, albeit one called 'Mirror Sidewalk' allows you to catch your breath and suggests that Jon has a lot more to his musical creativity.

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Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...