Peter Frampton - Record Plant 1975

It is worth going over the history regarding this Peter Frampton recording.

The show was was performed at San Francisco's Record Plant studios on the 24th March 1975 without any audience which does give a 'session' feel to the material. It was originally broadcast on KSAN-FM's Live From The Record Plant concert series in 1975.

Peter Frampton had little commercial success with his early albums. This changed with Frampton's breakthrough best-selling live album, Frampton Comes Alive!, in 1976. As a result bootleg versions of the KSAN show began to appear.

A limited edition CD release was remastered from the original master tapes by Suha Gur in 2004. Peter Frampton himself was  involved in the project and 5000 copies were made. These often change hands for in excess of $100 (USA).

Source: KSAN radio broadcast.

Sound Quality: Very good stereo mp3@192kbps.

Genre: Rock.

Set: Full Set.

Set List:

01 - Introduction 0:21
02 - Wind Of Change 2:59
03 - Baby, I Love Your Way 4:43
04 - Baby (Something's Happening) 4:43
05 - Day's Dawning 3:40
06 - Lines On My Face 6:26
07 - Doobie Wah 4:54
08 - It's A Plain Shame 3:40
09 - I Wanna Go To The Sun 6:34
10 - (I'll Give You) Money 5:21
11 - Do You Feel Like We Do - Outro 12:46

Website: Official site HERE.

Link in comments - Reloaded July 2015 - Not to our knowledge commercially available.

2010FM March Mega Finale (Four).

The last round up of new music for March and there is plenty of diverse music, that hopefully will have something that appeals to your ears. I really do intend to fly through this addition so in no order at all here we go...

Starting with the wonderful My Education who have a new album coming out on the 27th April 2010 called 'Sunrise'.

Word is, it is absolutely their best album to date and really shows the band expanding their compositional talents.Well having listened to the track featured below I will personally be after more from them, the musicianship and atmospheric build are spot on for me.

Listen:
'Oars'



Website: Official.
 Previous Release: Bad Vibrations.
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Keepaway are from Brooklyn and signed to Lefse Records and have an EP coming out on the 18th May 2010 entitled 'Baby Style'.

A vibrant sounding indie band that have a stand out sound in the crowded indie market place, There is enough thats unique about their musical styles, and of course there are influences but hey I just love the song featured below.

Listen:
'Yellow Wings'



Website: MySpace
Buy: Baby Style.
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The Delta Mirror have received some positive attention from the likes of Pitchfork and Stereogum, and for good reason. There is something a little haunting and distant about their sound that strikes a chord for me.

Their debut album 'Machines That Listen' was released a couple of weeks ago. Craig Gordon and David Bolt started out as a hip hop two piece in the late 90's and have been writing music in some form ever since. With the addition of Karrie K on bass, their sound has progressed to an ambient mix of shoegazy guitar and gothic vocals, but their production has held onto the same boom bap button pushing they started with.

Listen:
'He was worse than the needle he gave you'



Website: MySpace

Buy: Machines That Listen.
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Whilst on the theme of distant and haunting music Tape Deck Mountain released 'Ghost' back in January of this year.

There is most definately atmosphere and warmth within the sound they create and musically they discribe themselves as a mixture of  Indie / Gospel / Acousmatic and Tape music. This is one of those bands that are hard to pidgeon hole in anyone genre, whilst their musical structure is solid and consistent they seem to creep off in different directions within any one song, anyway we say well worth checking out.

Listen:
'Ghost Colony'



Website: MySpace.
Buy: Ghost.
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The Brazierlights In The Window are a Danish band that for some obscure reason remind me a little of Amon Duul II but dont ask me to explain why.

The Brazierlights In The Window are one of the most interesting bands in the Danish underground scene (I am told), because they do not sound like an ordinary Danish Indie Rock act. One of the most interesting things about TBITW is the age of Anton Rank and Perry MacLeod Jensen which are both just 18 years old. I have to say their music is mature sounding and very creative and I sincerely look forward to hearing more from them.

Listen:
'The Strawberry Took To Many Drugs'



Website. MySpace.
Buy: KM Records.
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Playing a sold out show in LA sharing a stage with Memory Tapes is a feat many bands would give anything for. When your band was just formed around the begining of January, this feat is amazing.

This is the beginnings of Dazzle Ships, a duo consisting of Tyler Haran and Hatii De Leon. They wanted to make music that sounded like David Bowie, Brian Eno, and Cocteau Twins among others; they try to make “experimental pop music”.

The young pair have a phobia of doing the same song twice so they try to radically shift roles and techniques while writing a song. More Please!!! (oh and if your still trying to work out where you have heard the name before its OMD).

Listen:
'Least Resistance'



Website: MySpace.
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The Vicious Guns are a Toronto-based electro-rock band that is making waves on an international level with their sleek, edgy sound. The Vicious Guns, featuring Jennie Vicious (formerly of  Tuuli and The Von Bondies), Richie Vicious (formerly of The Scourge of the Sea) and new bassist Alana de Vee. They are one to watch this year and have been on the receiving end of some upbeat reviews.

"The Vicious Guns are everything a band should be; cleverly written lyrics, infectious dance beats, cheeky vocals, and an onstage/offstage compatibility that is so charismatic you can't take your eyes (and ears) off of them." – Dead Sexy Magazine

"This duo carves out sleek garage-rock buzz that leans heavily towards The Jesus & Mary Chain, including elements of Joy Division and New Order. Sassy bassist/vocalist Jennifer captures unwavering attention, while Richard is the obvious driving force on guitar, perfectly complimenting her blissed-out vocals. With a dress-code that crosses into BRMC territory, The Vicious Guns rekindles that Creation Records spirit to crisp perfection." – Lonely Vagabond
 



Website: MySpace.
Buy: EP.

B-52's - Montego Bay Jamaica 1982

You may have noticed that Beehive Candy owes something to the B-52's with our picture of Kate Pierson complete with 'Beehive' hairstyle residing alongside our 'music sharing policy'.

Therefore it's about time we gave them some coverage musically and this is a solid performance from the band back in 1982.

The band were taking part in the Jamaica world music festival and this concert was performed at The Bob Marley Performing Arts Centre in Montego Bay on the 25th November 1982.

The recording starts with the first song fading in and I am not sure if this was the first song of the performance, however it is likely as they were one of many acts on that night, and the running time seems about right.

Source: Soundboard.

Sound Quality: Very good stereo mp3@192kbps.

Genre: New Wave, post-punk, pop, surf-pop, dance rock.

Set: Full Set.

Set List:

01 - Party Out of Bounds (2:30)
02 - Give Me Back My Man (5:54)
03 - Planet Claire (3:55)
04 - Throw That Beat In The Garbage Can (3:56)
05 - Lava (4:10)
06 - Mesopotamia (4:18)
07 - 6060-842 (3:34)
08 - 52 Girls (3:11)
09 - Dance This Mess Around (4:18)
10 - Rock Lobster (5:11)
11 - Private Idaho (3:14)
12 - outro goodbye and announcer (1:51)

Website: Official HERE.

Comments:

The band stick close to the studio versions of material in this concert which is quite challenging as the arrangements are quite intricate despite the catchy nature of their music. There is some wonderful passion in 'give me back my man' and and if I am not mistaken they took advantage of a horn section here and there.

New file link in comments below - Re-uploaded 2012 (Stealth project).

Billie Holiday - Storyville Radio Tapes 1951

This is Billie Holiday live at the Storyville Club, Boston, Massachusetts, USA. The shows were recorded during a residency at the club in 1951 and broadcast the same year.

Despite some research I am still uncertain if the dates cited (29th October to 1st November) refer to the actual show dates or radio broadcast dates.

This is sourced from the more complete original radio tapes. Some of the tracks were digitally remastered and officially released on CD (see Amazon link below).

Songs are repeated as the radio broadcasts most certainly covered different sessions and nights.

Source: Radio Tapes (Pre Broadcast).

Sound Quality: Good mono mp3@160kbps.


Genre: Jazz Vocal, Jazz, Blues.

Set: Selected for Radio from residency at Storyville Club.

Set List:

1. You're Driving Me Crazy
2. Lover Come Back To Me
3. Ain't Nobody's Bizz-ness If I Do
4. He's Funny That Way
5. Billie's Blues
6. Miss Brown To You
7. Detour Ahead
8. Strange Fruit
9. Ain't Nobody's Bizz-ness If I Do
10. All Of Me
11. I Love You, Porgy
12. Miss Brown To You
13. Billie's Blues
14. Lover Man
15. Them There Eyes
16. My Man
17. I Cover The Waterfront
18. Crazy He Calls Me
19. Lover Come Back To Me

Links: The Official site of 'Lady Day' HERE. Wikipedia HERE.

Band Line Up:

Stan Getz (tenor sax)
Buster Harding (piano)
John Fields (bass)
Marquis Foster (drums)
Billie Holliday (vocals)

Comments:

Quoting from 'CD Universe' regarding the Storyville gigs 'By the early '50s, Billie Holiday's tone and timbre were already markedly different from her light, sensitive approach of the '40s. Deeper, richer, and more heavily stylized, her delivery here is gorgeously drowsy, an aesthetic heightened by the intimate setting and feel of the live nightclub to the point where both Lady and the combo border on the seductive consistency of molasses'.

Reloaded 29/May/2015 - download link in comments.

The Quarrymen - 1957 to 1960 (Part One).

This is another selection of material from The Quarrymen dating back to 1957.

Some of this material is a duplication on the first Quarryman bootleg featured on Beehive Candy, however this is from an alternative CD source and the sound quality is much cleaner.

With the amount of interest generated by John Lennon's first band (joined by Paul McCartney & George Harrison along the way) it is not surprising that many versions of the same material have surfaced down the years. The obvious historical nature of the recordings continues to fascinate fans over four decades on.

This is the first of three features and inevitably the sound quality is average (but quite listenable) and their will be some more duplication of material.

Art work from the CD boots is included in the download files.

Source: Live, studio and home (reel tapes).

Sound Quality: Very Listenable mono mp3@variable bit rates.

Genre: Skiffle, Rock & Roll.

Set: Various home & live recordings.

Recording List:

July 6th 1957.

1. Putting on the Style

Spring - Summer 1958.

2. That'll Be The Day
3. In Spite Of Danger

April - May 1960.

4. I'll Always Be In Love With You
5. Matchbox (?)
6. Somedays (?)
7. I Dont Need No Cigarette Boy (?)
8. One After 909
9. One After 909
10. Cayenne
11. Hallelujah - I Love Her So
12. Johnny Johnny
13. Hello Little Girl
14. Thas Whwen Your Heartaches Begin
15. Well Darling (?)
16. You'll Be Mine
17. The World Is Waiting For The Sunrise
18. I'll Follow The Sun
19. You Must Write Everyday (?)
20. Movin' N' Groovin' - Ramrod
21. Wild Cat
22. Wild Cat
23. Turn The Bitches Off (?)
24. An Important Number (?)

Links: Wikipedia Quarryman History HERE.

Comments:

Better quality versions of tracks two and three are also included on the official Beatles album Anthology One.

Reloaded - 25/May/2015 - download link in comments.

Television - This Case Is Closed 1978

This is Television live at The Bottom Line Club in New York back on the 29th July 1978.

This concert has been circulated as 'The First Farewell' and 'This Case Is Closed' both suggesting and confirming the historical nature of this gig, as it was indeed the final live concert of Television until 1992.

At the time it was of course unknown if the band would perform or record again. The source of this recording is from the linage that led to 'This Case Is Closed' which suffers a little in the early stage from level adjustments, but is compensated by perhaps one of the best live recordings of the classic song Marquee Moon ever captured.

Source: Soundboard.

Sound Quality: Very Good (some audio level adjustments noticeable on second track), mp3@320kbps.

Genre: Punk Rock, New Wave.

Set: Full Set.

Set List:

1.Fire Engine
2. Glory
3. Grip of Love
4. Foxhole
5. The Dream's Dream
6. Ain't That Nothin'
7. Friction
8. Prove It
9. Marquee Moon
10. Kingdom Come
11. Satisfaction

Website: The Wonder.

Comments:

The original bootleg version was circulated on Colosseum Records, No. 97-C-016, released 1997.

Download link in comments below or click on the picture.

2010FM March Mega Catch Up (Three).

A backlog of music to go through has focused my mind somewhat, and I have to say as I set about another batch today, I was all set up to be remorseless with the delete key.

Trouble is one of the first bands I checked out was Codeine Velvet Club who have absolutely delighted me, I just love their music, and if you are in 'skip through mode' please at least give these folk a listen!

They have raised the bar for this edition so perhaps a few others failed to get a look in as a result however as you will notice plenty of other pretty good tunes have also surfaced.

As regards Codeine Velvet Club the new musical project from The Fratellis’ Jon Lawler (AKA Jon Fratelli) and singer - songwriter Lou Hickey, they release their self-titled U.S. debut April 6th on Dangerbird Records. The album is available for digital purchase now.

The collaboration began when Jon Lawler, taking a break from whirlwind touring and recording with The Fratellis, teamed up with Lou Hickey to work on a track – the jazz-noir, big-band duet titled “Vanity Kills” – for her record. The song inspired the duo to embark on a full-fledged project together. The resulting album features an elegant orchestral score written by Mick Cooke of Belle & Sebastian, backing vocals by the Gospel Truth Choir and strings parts recorded by renowned classical musicians, including legendary trumpeter Derek Watkins.

The group celebrates Jon Lawler and Lou Hickey’s shared love of ’60s boy-girl duets, dramatic orchestral pop and dark postwar Hollywood and Las Vegas romanticism. Lawler drew inspiration for the album’s dark energy and vampish edge from his time spent in Hollywood. He described his vision for Codeine Velvet Club’s album as sounding like ‘60s soundtrack composer (and James Bond theme-tune creator) John Barry “playing with a rock ‘n roll band.”

Listen:
'Hollywood'



Website: Official, MySpace.
Buy MP3: Codeine Velvet Club
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Flugente, the solo project for former The Blam front man Jerry Adler, has just released his second album 'Flugente 2'.

This is stripped down and raw where the musical focus is on unadorned Americana, a captivating blend of folk, alt-country, and pop. If you like anyone from Bob Dylan to Lucinda Williams I think there might be a place in your music collection for this guy.

Continuing the narrative that traces a path from Woodie Guthrie through modern day artists such as The Felice Brothers, Flugente is a testament to just how far American acoustic music has come as we enter the second decade of the 21st Century. With strikingly poetic lyrics, captivating, almost whispered harmonies, and twanging finger picked guitar, I have to say I think this guy deserves a lot of attention.

Listen:
'People Come From All Around' and 'It's Not Just the Summer that's Ending'.



Website: MySpace.
Buy MP3: Flugente 2
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It's my opinion that bands and artists coming out of Canada over the last decade have gained a much larger amount of recognition and following thanks to the web and music sites however at the end of the day the fundamental bottom line has to be the quality of the music and the heartbeat of the act.

Dropping out of college to pursue his rock and roll dreams, lead singer Ben Fox collaborated with old friends and new friends to create the brooding sound and style of Toronto's Dinosaur Bones.

With Ben Fox on vocals, Branko Scekic on bass, Dave Wickland on keys, Lucas Fredette on drums, and Joel Clifton on guitar, the Canadian group transformed their unpolished music into a sound filled with haunting synth layers, powerful rhythm, and contemplative lyrics. Playing alongside artists like Crystal Antlers, Malajube, Hey Rosetta!, Arkells, Born Ruffians, and more, Dinosaur Bones quickly impressed audiences by their melancholic, yet ambitious show. After gaining praise and attention from Canada’s top media outlets, including Toronto’s 102.1 The Edge, the group collaborated with producer Jon Drew (Tokyo Police Club, Arkells) and Giant Studios to record their debut full-length.

These indie rockers recently played Billboard’s SXSW showcase at the Billboard Bungalow.

Listen:
'Ice Hotels and Royalty'.



Website: MySpace.
Buy: Dinosaur Bones
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Warner Music Group's Independent Label Group have formed a partnership with Trans Records, Chris Walla of Death Cab For Cutie's new label.

Chris Walla's first signing is The Lonely Forest. Based in the small town of Anacortes, WA, The Lonely Forest have taken the northwest by storm behind their independently released album We Sing The Body Electric!.

The band's shows in and around the Seattle and Portland areas have built a strong fan base culminating with sold out shows at Seattle's Showbox Theatre last year and a coveted slot at the northwest's premiere festival this May, Sasquatch.

The Lonely Forest - John Van Deusen (Vox/Guitar/Piano), Braydn Krueger (Percussion), Eric Sturgeon (Bass), Tony Ruland (Guitar) - is set to record their debut album for Trans with Chris Walla at studios in Los Angeles, San Francisco and Portland throughout April and May with the album slated for a late summer or early autumn release.

Beehive Candy got all excited when the band were selected for KEXP's 'Song Of The Day' feature, which just happens also to be featured here for your pleasure.

Listen:
'We Sing In Time'



Website: MySpace.
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The following are just to good to miss out on, so in no particular order and forgive me for some copying from press releases as I try and get up to date, here are a few outstanding acts to check out.

Borrowed Eyes are a band that truly must be seen live to fully grasp the depths of their sound. Their soulful outlaw folk-fused bluesy southern rock amalgamation is easier heard than described, and the band puts on a hell of a show to say the least.

Led by the charismatic front man Danny Wood (formerly of …And You Will Know us by the Trail of Dead), Borrowed Eyes plays a blend of Americana, folk, and roots music with the intensity of a punk or metal band, and their passion for their style is apparent during the energetic jamming sections. Their sound is highly conceptual with a distinct vibe and theme, but stylistically never overthrows their music and its all around fun, soulful, and powerful breed of pure rock and roll.

Listen:
'Slaves'



Website: MySpace.
Buy MP3: Some Demons You Can Share With Others
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Beehive Candy receive an email and all it tells us is....

My name is Rich Jacques.
I have band called Right The Stars.
We were recently heard on One Tree Hill.
We'll soon be heard in the new Brooke Shields and Brendan Frasier movie called Furry Vengeance. and...of course...I have a new record...

It just happens to be extremely good

Listen:
'We Got It All'


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This remix of Neon Indian's "Mind, Drips" comes from Chattanooga's Summer Dregs. Summer Dregs is the result of Carl Cadwell collaborating with musicians of greater talent to make better music than any of the contributors could alone. On their new record From Gold to Green it manifests itself as delicious, dark, semi-sweet electro-pop for fans of Passion Pit, Dntel/Postal Service, and the aforementioned Neon Indian.

Tour plans for later this year are underway for Summer Dregs, and Neon Indian can be caught pretty much anywhere music is played including SXSW, Bonnaroo, and Sasquatch to name just a few.

Listen:
'Mind Drips'



Website: Summerdregs, Neon Indian.
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Finally Jordon Corey sent Beehive Candy a nice little message a couple of weeks back, we quote:

Hi Beehive Candy,

I recently had the opportunity to make some music with talented producers (Brandon Howard) and writers (Stacy Barthe) in the industry and was wondering what you, and or your audience thought of it. I just released my first single "Truth" and I will be releasing 5 new songs in the coming months.

Check out Jordon Corey's website with 'Truth' available to stream HERE. It's a really good song, and I hope we hear much more from her in the future.

Pink Floyd - Meddler (London) 1971

This is Pink Floyd recorded live on the 30th September, 1971, at the BBC’s Paris Theatre, in London UK. Recorded for the John Peel Show, part of the concert was subsequently broadcast on the 12th of October 1971 on BBC Radio One.

This was the first time two songs from the then new album Meddle were performed for the BBC (Echoes & One of These Days), and Nick Mason's vocal debut in the band is characteristically commented on by host John Peel.

The version of 'Meddle' is quite funky and raw in a good kinda way. 'Fat Old Sun' is transformed into something quite special in this performance.

A number of CD boots have been circulated down the years including both through 'Swinging Pig' & 'Harvested 'Records'.

The Harvested version is complete and is probably the best boot version (from which this is sourced) and was put together from the sources below to become the full concert again.

Source: BBC Rock Hour transcription disc (show #214) / Westwood One CD / 2nd Generation WNEW recording.

Sound Quality: Very good stereo mp3@160kbps.

Genre: Progressive rock, Psychedelic rock.

Set: Full Set.

Set List:

01. Fat Old Sun
02. One Of These Days
03. Echoes
04. Embryo
05. Blues

Website: Official.

Comments:

The John Peel Show was only 55 minutes long. “Embryo” and “Blues” were never broadcast originally in the UK. They were only aired on WNEW-FM, New York City, USA sometime in 1971.

This WNEW portion was broadcast only once, unfortunately, and features the station’s call sign (“This is WNEW…”) in the middle of Embryo. As a result of this all earlier versions of Embryo in circulation either have a rough (or very smooth) edit, or contain the call sign. The 1971 show are rebroadcast nearly every year in the USA on the “King Biscuit Flour Hour.” However, it is a combination version of the two shows and is incomplete.

Download link in comments below or click on the picture.

Sisters Of Mercy - Trans Europe Excess 1985

This is a soundboard recording of the Sisters Of Mercy recorded live at Kolingsborg, Stockholm, Sweden, back on the 17th May 1985, and subsequently released through semi official (or at least loop hole in international law specialist label) KTS Records.

There are a number of recordings from various gigs from the Trans Europe Excess tour in circulation, this one is possibly the most popular as the sound quality does the band justice, and KTS were pretty good at getting hold of soundboard & stereo FM material.

In terms of performance and considering the stresses and strains on the band at this time the performance is spot on, seemingly warming up after the first two or three songs.

Source: Soundboard

Sound Quality: Very good stereo mp3@320kbps.

Genre: Rock, Goth Rock.

Set: Edited Set (not far off full gig).

Set List:

01. First And Last And Always
02. Body And Soul
03. Marian
04. No Time To Cry
05. Possession
06. Walk Away
07. Emma
08. Amphetamine Logic
09. A Rock And A Hard Place
10. Floorshow
11. Alice
12. Gimme Shelter
13. Ghostrider

Website: Official.

Comments:

This is another KTS (Kiss The Stone - KTS-068) silver CD bootleg that as previously mentioned were released through 'loop holes' in local Italian laws for a few years. As always with KTS releases the sound quality is very good, however as most of the KTS releases were on a single CD the concert is edited to around 60 plus minutes.

Download link in comments below or click on the picture.

2010FM March Mega Catch Up (Two).

You can accuse me of blatant promotion when it comes to Seasick Steve, in fact I will insist that anyone not already in the know, check him out immediately and hereby order all fans without a copy of his latest album (Man From Another Time) to purchase a copy right now! (OK hopefully you get the point..).

Born in Oakland, CA, Seasick Steve ran away from home at age of 13. He spent his adolescence living rough, grabbing work where an underage labourer could find it. By 16, he was busking and starting to become the musician that close to fifty years later emerged as Seasick Steve. Through this journey, his feet took him through Europe, back to the U.S., and then ultimately back overseas.

While living in the Pacific-Northwest, he opened a small studio in Olympia producing albums for acts as diverse as Bikini Kill and Modest Mouse, and found some success in the Washington music scene. In 2001, at the insistence of his wife, he returned to Oslo with his three sons (he has five children). In 2003, he recorded his first album under the moniker Seasick Steve, titled Cheap; which began to establish a foothold in the UK for him.

With momentum in hand, devastation struck when in 2004 he suffered a heart attack. While home and finding a way of life he could sustain post-heart attack, his wife pressed him to start recording on his 4-track. Those sessions would become the 2006 release, Dog House Music; which was independently released on the Bronzerat label (200,000+ copies sold). His follow up album, I Started Out With Nothin’ And I Still Got Most Of It Left, found Seasick Steve landing his first platinum album and critical success overseas.

Focusing on a “live” analogue sound, the new album, Man From Another Time was produced, written, recorded and engineered by Seasick Steve, with the assistance of engineer Roy Williams.

Listen:
'Diddley Bo'



Website: Official and MySpace.
Buy: (Amazon UK)Man From Another Time.

The U.S. release of Seasick Steve’s Man From Another Time is through Ryko on March 30th, 2010.

The Black Atlantic are from Groningen (The Netherlands), They are an acoustic pop quartet, formed around singer-songwriter and former Shai Hulud front man, Geert van der Velde.

The band’s folk influenced sound is reminiscent of Bon Iver or Sigur Rós. The band pairs lush, dreamy melodies with softly layered vocal harmonies and minimal percussion.

Exuding formidable intimacy and heartfelt urgency, the Black Atlantic are (according to their promo) contenders to be one of the biggest surprises of 2010. I would not be surprised if this happens, put quite simply, I find their music both soothing and moving, as much as I have given Seasick Steve an unashamed plug I heartily recommend giving this band a listen.

AOL Spinner described their sound as “ethereal and evocative”, while Slam Magazine called it “bright and refreshing”, and Drive Wayferer Drive hailed it as “lovely without being precious, ambitious without being alienating”.

Listen:
'Heirloom'



Website: Official. MySpace.
Buy (mp3): Reverence for Fallen Trees

The Black Atlantic are heading out to Austin, TX to perform at the 2010 South by Southwest Music Festival (SXSW) this week. This will mark their maiden trip to SXSW After their five-day stint at SXSW, the band will embark upon a spring tour of the US, making stops at major cities including New York and Chicago.

OK I am going to blast through a few other artist that have come the Beehive way in recent weeks and who have made us look up and take notice!

Zachary "Ulysses Campbell" Wilson is a product of the DIY generation and proud of it. He records primarily on an 8 track, edits with freeware, and plays shows whenever a party is happening. Sometimes there may be two other guys playing with him, sometimes it’s just Ulysses Campbell solo - but it’s always high energy; which in itself mirrors the frantic style of Ulysses Campbell. While maintaining basic pop instincts, Ulysses whirls through an ever changing thrash of electro, drum n bass, 8-bit, dub step, and all around ill beats.

Standout track "Dinosaur Hunting" begins with a bit of a Mt. Eerie/Microphones feel, and about halfway through the beat drops in true Ulysses style. The song was written mere hours before his departure on his six month journey in South Africa; his mood well captured in the vocals and musical progression.

Listen:
'Dinosaur Hunting'


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Recently nominated for Ireland's Choice Music Prize, Belfast's And So I Watch You From Afar are heading across the pond for SXSW as part of their huge Euro/American tour.

They cut their teeth touring around Europe for an incredible 170 shows in 2009 alone, including the Pukkelpop Festival in Belgium and the Novarock Festival in Austria. The year also saw the release of their debut full length and EP in Europe with upcoming street dates yet to be determined in the US. For fans of Explosions in the Sky this will be the band to watch.

Listen:
'The Voiceless'



Website: MySpace.
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FlyinFisch, the new project of modern-day-renaissance-man Adrian Fischer, is set to release its self-titled debut album on March 19th. With each song representing a unique exploration into the experiences and cultural influences that have formed his musical identity, Fischer’s new album is a sonic journey that should not be missed. With tour dates throughout February to support the upcoming release, Adrian is pleased to be hitting the road again, and introducing his material to new audiences.

If you try to pinpoint where Adrian has been the last ten years, you’ll notice that he hasn’t stayed in one place for very long. Having lived everywhere from Venezuela to New York City, and many places in between, Adrian Fischer’s story is one of travel, exploration, and evolution. The resulting musical sound is as difficult to characterize as Adrian is – influenced by the tones and sounds of each place he has lived, his style is a blend of classical, reggae, pop, and afro-Caribbean influences, with each element representing a snapshot in his decade-long journey.

In FlyinFisch’s debut album, Adrian has brilliantly fused his influences into one solid and united offering. While still clearly referencing the cultures and sounds that inform his music, Adrian has now moved a step further, developing a sound that is uniquely his own. With an interest in the natural world linking many of the songs together, and a desire to promote what Adrian calls “positive consciousness” providing the album’s context, FlyinFisch’s first offering is meant to be enjoyed by audiences of all ages and cultures, who will hopefully be brought together by Adrian’s message of unity and love.

Listen:
'Blueberry Oats'



Website: MySpace.
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San Diego's Tropical Depression (Jordan Thomas and Joe Campesino) have played in a variety of bands together before deciding to form their current indie electronic two-piece, but are already on their third album release in four years. Their sound has been described as "grunge, electronic, nu-gaze, and a hint of 90s emo" by The FMLY.

Their band consists of a twelve string guitar, bass, electronics and vocals. "As multi-instrumentalists we both usually come to the table with ideas," says Thomas, "and follow the songs wherever they go. The single best thing about being in a two piece band is direct one-on-one collaboration." Tropical Depression has just released the album Years On Years (November 2009), which was recorded and produced by Pall Jenkins (The Black Heart Procession, Three Mile Pilot).

Listen:
'Walls'



Website: MySpace.

Elton John - Hammersmith Odeon 1973

This is Elton John live in concert at West London's Hammersmith Odeon back on the 22nd December 1973.

Despite suffering from a heavy cold, Elton John clearly wanted to give this concert his best effort, the results are self evident, both the band and Elton were clearly up for the gig, possibly spurred on by national coverage on BBC radio in the UK.

Looking at the set list not far from four decades on, I remain surprised at the amount of career defining material he had already produced at this stage. As boots go this is better quality, both in terms of audio and performance than a lot of officially released live albums from the early 1970's.

Source: PRE-FM from BBC transcription reels.

Sound Quality: Very good stereo mp3@192kbps.

Genre: Rock and contemporary pop.

Set: Full Set (almost).

Set List:

CD 1:
01 - Intro - Funeral For A Friend - Love Lies Bleeding
02 - Candle In The Wind
03 - Hercules
04 - Rocket Man
05 - Bennie And The Jets
06 - Daniel
07 - This Song Has No Title
08 - Honky Cat

CD 2:
01 - Goodbye Yellow Brick Road
02 - The Ballad Of Danny Bailey
03 - Elderberry Wine
04 - I've Seen That Movie Too
05 - All The Young Girls Love Alice
06 - Crocodile Rock
07 - Your Song
08 - Saturday Night's Alright For Fighting

Comments:

From Wikipedia: The pop album Don't Shoot Me I'm Only the Piano Player came out at the start of 1973, and produced the hits "Crocodile Rock" and "Daniel"; the former became his first U.S. number one hit. (Ironically this, like his other famous 1970s solo hits, would be popular in his native land but never top the UK Singles Chart; this achievement would have to wait two decades.)

Both the album and "Crocodile Rock" were the first album and single, respectively on the consolidated MCA Records label in the USA, replacing MCA's other labels including Uni.

Goodbye Yellow Brick Road gained instant critical acclaim and topped the chart on both sides of the Atlantic, remaining at Number One for two months. It also temporarily established John as a glam rock star. It contained the Number One hit "Bennie and the Jets", along with the popular and praised "Goodbye Yellow Brick Road", "Candle in the Wind", "Saturday Night's Alright for Fighting", "Funeral For A Friend/Love Lies Bleeding" and "Grey Seal" (originally recorded and released in 1970 as the B-side to the UK-only single, "Rock and Roll Madonna").

Reloaded - 29/May/2015 - download link in comments.

2010FM March Mega Catch Up (One).

Right then and down to business! Loads of great new songs have come our way whilst we have been limited to how often we could update Beehive Candy, so this is an attempt to start catching up. To avoid missing any of the songs that have grabbed our ears, this will be a rapid run through that hopefully has something to appeal to your ears as well!

Friday Mileʼs new release, Good Luck Studio, reveals a truly accessible pop album built on ravishing guy-girl harmonies, contagious melodies, and a vocal chemistry that few artists today can deliver. Reminiscent of The Magic Numbers and Rilo Kiley, these playfully romantic alt-country tunes are seriously worth checking out if the above mentioned acts appeal to you. Seriously good music.

Listen:
'Lives Of Strangers'



Website & Buy: Friday Mile.
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From Portland, Oregon’s famously burgeoning indie music culture, Hello Morning isn’t hoping to mesh perfectly into the scene.

While the Northwest is overflowing with plenty of folk, experimental, electro-pop, and other brilliant (and sometimes accidental) oddities, Hello Morning has developed a big, fresh sound, complete with big drums, cascading guitars and anthemic choruses.

Their debut EP is something more akin to stadium rockers Muse, & Keane, and at times, maybe a little closer to the aesthetics of early U2 and The Editors. OK enough name dropping I love this EP and really hope this band can provide us with a full album in the not to distant future.

Listen:
'Come Home'



Website & Buy: Hello Morning.
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When bands get in touch with Beehive Candy direct I am afraid that more often than not they don't make it to getting featured.

I do feel sorry, but we have to like the material, otherwise we are not being true to our standards. That said I take my (virtual) hat off and applaud the often notable enthusiasm and desire that so many have.

I Am Three
sent me a fairly minimal email and a copy of their album. I have copied this from their web site - I Am Three are a British band formed in 2008. Their live set up is made up of multi-instrumentalist Irving on double bass and vocals and Hughes on guitar, vocals, cider bottle and rollies. They have gigged in hundreds of locations throughout Europe from Manchester to Milan and are set to tour the fringe of Russia in 2010.

Dubbed the Northern version of Withnail and I, their music is often described as cult alt-folk rock-emo-rap-blues by those who wish to describe it. Their on stage persona ranges from side-splittingly funny to wistful as a mournful parting in the rain. They are actually a great listen and lets hope they can get noticed some more this year.

Listen:
'Heaven Help'



Website: I Am Three.
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Right then I am copying this from their promo because it actually seem pretty spot on.

With a sound so unique that it deserves its own genre name, Oslo’s Pirate Love takes Scandinavian indie rock to a whole new level. Black Vodoun Space Blues is not only the title of the band’s latest release, but is also the most fitting genre name for Pirate Love’s raw, mind-bending sound.

Signed to Kong Tiki Records, Pirate Love takes its cues not only from 60’s garage punk, rockabilly, and goth, but is also equal parts sex, drugs, and violence. Their signature sound is most reminiscent of Jesus and The Mary Chain, The Cramps, and The Horrors. Well the band are playing SXSW this year along with other US dates this month, and if high energy madness is your thing these guys do the business!

Listen (LOUD):
'Shake It'.

Website: MySpace.
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We will calm things down just a little now. Jersey-based band Like Trains & Taxis is gearing up to self-release their debut full-length album on April 6th, “Tales From A Revolving Door”. Following the D.I.Y. ethos of the New Brunswick, NJ music scene where they formed and developed, Like Trains & Taxis will be releasing the album on their own label, as they did their last two EPs.

Like Trains & Taxis combines a modern indie sensibility with traditional notions of songwriting, and a sound that evokes both the soul of Stevie Wonder and the off-beat nuanced approach of artists like Ben Folds or Fiona Apple.

With a voice that captivates, and piano arrangements that perfectly support the poetic nature of the music, Like Trains & Taxis possesses a level of originality, intelligence, and an ability to move the listener that is rare in today’s music – Metromix NJ recently praised the band, declaring “The EP sounds like what the world would still be listening to had Stevie Wonder not gone all adult contemporary on us a few years back or, to put it in other terms, like a much more soulful version of Spoon.” With so much music in the Beehive In Box at present, artists of this calibre always stand out from the crowd.

Listen:
'Their Eyes Were Watching God'



Website: Official, MySpace.
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Shameless copying and pasting from the promo for our final feature in this edition of Beehive Candy's 2010FM series. That's not a problem because this guy has both the pedigree and the music!

A former member of bands like The Ruby Suns (Sub Pop), The Brunettes and The Reduction Agents as well as a touring member of Okkervil River, Lawrence Arabia – the savant-like songwriting alter ego of James Milne -- is shedding his sideman status and stepping alone into the bright light of the U.S. music scene with Chant Darling. The album is his first full-length on Bella Union, the UK-based label credited with discovering hallmark influencers Fleet Foxes, Midlake, Beach House and Explosions in the Sky among others.

Already receiving four-star reviews from UK tastemakers like Mojo and Uncut, Chant Darling melds irreverent lyrics with West Coast melodies and lush harmonies, playing like a modern take on the work of classic popsmiths like Jonathan Richman, John Lennon and Brian Wilson. Hewn in large part from James’ gradual relocation to London and recorded over 18 months in a studio in Stockholm, three flats in London, a garden shed in Port Chalmers, a car club in Wellington and a studio in Auckland, Chant Darling signals the emergence of a weighty new voice straight from the new pop frontier of the southern hemisphere.

Lawrence will be touring the United States this spring, beginning at SXSW in late March.

Listen:
'Applepie Bed'



Website: Bella Union Records.

Bumper Catch Up featuring: Rubblebucket - Mollie Elizabeth - Lilly Hiatt - The Kearns Family - WILDES and St Francis Hotel - Lucette - Caroline Strickland - Mon Rayon - Lala Salama

Keeping the comments a little shorter so we can cram a few more songs in than usual, this is our first bumper catch up of some really fine r...