Tuesday, 3 February 2026

Gitika Partington - Hiding Places - SAMAJAMA - Staci Gruber

Gitika Partington - Home / Love's a Refrain / Rocket Man.

Songwriter and choral director/arranger Gitika Partington has released thirteen albums simultaneously, and without originally setting out to, she has broken the current world record for the most albums released in one day, which as of 2025 stood at twelve. Comprising 130 original songs written and recorded over a five-year period, the project began with the idea of nine albums. Then ten. Twelve became the structure. Thirteen turned up anyway.

During the pandemic part of the process, Tom Robinson of the Tom Robinson band and BBC Radio 6 and Amazing Radio DJ described Gitika as ‘a force of nature’ for producing nine virtual choir videos with help from community filmmaker and choir member Bob Karper. Check out “video killed the radio star”! 

Gitika created the thirteen albums as part of a sustained songwriting practice rather than a commercial release cycle. Composed incrementally over the course of five years, including periods marked by significant challenges. Moments of unbelievable light were interspersed, and the weekly songwriting which felt like an anchor. The first twelve albums form a chronological musical record of time passing with a thirteenth album of songs that nearly got away- a body of work intended for wandering, reflection, and long-form listening rather than singles, algorithms, or drip-fed promotion. Lots of the songs are messages to Gitika from Gitika - stories and comments on the day she wrote them. Lots are about returning home, uncomfortable moments, little blasts of therapy, quirky moments. Pleasing no-one but herself.

This release is an artistic gesture as much as a musical one. This project emphasizes that creativity doesn't require permission or external validation. It encourages anyone making stuff to ignore self-doubt and focus on just making art for its own sake, valuing the creative process over the result. Bandcamp (HERE).




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Photo - Calli Westra
Hiding Places - Waiting.

Brooklyn-based indie rockers Hiding Places announce their debut album, The Secret to Good Living, May tour dates across the northeast USA, and release single "Waiting." The just-released single "Waiting," written by vocalist/guitarist Nicholas Byrne, is a grungy song heavy with distortion and grief. The video (also created by Byrne) juxtaposes live footage of the band alongside video of the demolition and an animated simulation of the iconic Kingda Ka rollercoaster (R.I.P.).

"Hiding Places’ first bassist, Anthony Cozzarelli, left the band in July of 2022. I wrote the chorus the day before Anthony left the band. I recalled the slow death of my uncle, and the painful anticipation that filled the interstitial space between here and gone. I wrote the verses six months later in the freezing cold on my way home from my studio in the industrial part of our neighborhood. I sang this song to my aunt years later as she was dying. We both cried," Byrne said.

The band, originally from North Carolina, caught our attention after self-releasing a trio of excellent EPs. Now a four-piece of Audrey Keelin, Henry Cutting, Nicholas Byrne, and Michael Matsakis, started as an almost tradition-like practice; meeting in rural Georgia for a week or two at a time to record and write; to open themselves up to songs that would visit and hone their technical ability to capture them. Marked by a consistently collaborative process throughout their career, Hiding Places' debut LP is their first collection recorded together in a professional recording studio. 

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SAMAJAMA - I Still Get BUTTERFLIES.

SAMAJAMA, a former global executive, lived a fast-paced and luxurious life, traveling the world and closing major deals for Fortune 500 companies. However, his true happiness always lay in coming home to his daughter and wife. The success of his career allowed him to purchase and build a beautiful horse farm and mountain home. Despite the wealth and glamour of his job, his heart was always with his family and the simple pleasures of life such as hiking, bonfires, and spending time with his beloved animals.

However, when the global epidemic hit and he went through a divorce, his life seemed to crumble around him. In a state of forced isolation, he turned to music as a form of healing. Over the years, his love for music evolved into songwriting and singing about the raw and emotive experiences of humanity. Music became his solace and lyrics became his source of healing.

Through this journey of recovery and resilience, SAMAJAMA found his way back to victory, always holding onto the belief that "music soothed him, but lyrics healed him".

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Staci Gruber - This Time Around.

The new single "This Time Around" from Boston-based singer-songwriter Staci Gruber is released this week. The rock meets Americana tune was recorded in Nashville and produced by Erik Halbig (Ty Herndon, Jamie O'Neal). Written by Staci and Michael Orland (American Idol), the track is a relatable and infectious honky-tonk anthem. Staci shares, "This Time Around is really a story of love that pulled too hard, truth that came too late, and a heart that finally listened when it mattered most". 

Staci shares, "This Time Around is really a story of love that pulled too hard, truth that came too late, and a heart that finally listened when it mattered most". 

Staci has found success performing with Dan Aykroyd and the Blues Brothers, writing an anthem for Billie Jean King, and performing at several large events with collaborator Michael Orland. Through her music and her research, Staci Gruber exemplifies the power of connection – whether through the transformative power of music or the scientific exploration of medical solutions—and reminds us all that no matter where we are, we are never truly alone. She shares, “Maybe music really can help people feel things they need to feel… I always hope that music allows people to understand someone else’s perspective – empathy in its truest sense.” 


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Monday, 2 February 2026

The Legal Matters - Victoria Staff - The Slow Day - Prophets Of Addiction

The Legal Matters - The Message.

With a new album from beloved Michigan indie pop heroes The Legal Matter announced we now have the second single from the record. “The Message,” the follow up to last month's surprise indie hit “Everybody Knows,” is out now, with a month to go before the release of the band's fourth album Lost At Sea.

Describing the process behind the writing and recording of their music we are told “We all chipped in on lyrics. Chris has a stronger voice than I do, so I wanted him to sing the chorus lead. It has a bit more punch that way. We're all super happy with the end result.” 

That sense of collaboration has defined The Legal Matters from the beginning, and while it's always given the band a power that places them among the most thrilling and original practitioners of the power pop sound, now or throughout the genre's history, it's never been more apparent than on the new album. Get “The Message,” and pack your bags for a journey that will find you Lost At Sea with The Legal Matters on what's sure to be one of the most-lauded (and loved) albums of 2026. 


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Victoria Staff - Sweet Blue Moon.

Toronto's Victoria Staff returns with "Sweet Blue Moon," a reflective, romantic single that traces a relationship from its first spark through its unraveling, and finally into the quiet space of looking back. Rather than framing love as something purely good or bad, the track lingers in the in-between and honours the rare moments that mattered, even when everything else fell apart.

The name came late in the process. "This song didn't have a title for a long time," Staff explains. "It was just 'that song without a name' that my producer Will Crann and I were making." While listening back, the phrase "Sweet Blue Moon" surfaced as a subtle twist on the familiar idiom. "This song isn't just about rare moments," she says. "It's about rare moments you enjoyed, and being happy you have them to hold onto.”

Structurally, the song mirrors the emotional arc it explores. "There really isn't any part of this song that repeats, because it's not about any one thing," Staff notes. The track unfolds in three distinct choruses, each reflecting a different phase of the same relationship. The first is rooted in confidence and possibility, written with straightforward major chords. The second shifts into collapse, moving through relative minors that intentionally create tension and unease. By the final chorus, the song returns to major chords but with variations that introduce uncertainty, echoing the unresolved nature of memory and reflection.

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The Slow Day - Antidote.

Formed in Manchester, UK, The Slow Day blends raw emotional energy with a gritty alt-rock edge, fusing soulful Americana, blues, and indie rock into a sound that’s both familiar and fiercely original.

Their debut single “The Poet” introduced a band with heart and howl, while “I Can’t Sleep” earned praise for its smoky, psychedelic intensity — described by A&R Factory as “beautifully raw.” Known for dynamic vocals, anthemic choruses, and atmospheric grit, The Slow Day quickly carved out a cult following before having to step away in 2020.

Returning in 2025, the band reconnected with the stage, starting with their sell-out comeback show at Gullivers in Manchester’s Northern Quarter, and are now poised to release new music  - starting with their new single "Antidote", set to land on 2 February 2026. 

They’ve been described and hailed by one acclaimed music journalist: “If there’s any Manchester band worth getting excited about… it’s The Slow Day with their anthemically charged sound. Their name is criminally deceptive.”


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Prophets Of Addiction - Slippin’ Away.

West Coast based glam, punk 'n' rollers Prophets Of Addiction have released the new music video for the track "Slippin’ Away" from their latest album "Face the Music" through BraveWords Records.

Speaking about the new single “Slippin’ Away” lead singer Lesli Sanders said, "This is one of the most important songs that I have ever written lyrically. This is a tribute to my dad, as I was by his side for the last year of his life every day as he battled cancer."

As for 2026 the vinyl  of “Face the Music” has just been released on German Label Night of the Vinyl Dead. (Here).


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Sunday, 1 February 2026

Deniz Simon & Canned Heat - Jim Basnight - Blue Bayou - Kimberly Dawn - Sydney Quiseng

Deniz Simon & Canned Heat - Song For A Friend.

It doesn’t happen every day that a pianist and singer, composer, producer, and singer-songwriter who lives between Zurich and Los Angeles records a song with rock legends like Canned Heat. Yet that is exactly what Deniz Simon (born 1980) has achieved. Also known as “Dee” and as "The Ambassadress Of The Sixties", she has produced the single “Song For A Friend” together with the legendary classic rock band.

And this is only the beginning: Deniz Simon has already worked with Paul Turner, Derrick McKenzie, Rob Harris, and The Jam Horns of Jamiroquai — an impressive testament to her international network and musical versatility. Even if her name may be new to some, Deniz Simon has long since secured her place in the music scene. Through collaborations with various rock and pop greats, she combines musical depth with stylistic openness in her work.

Her musical journey began early: as a child she received classical piano training, later studying jazz and contemporary music with a focus on piano and vocals. For many years, she has also worked as a music teacher and workshop leader. Deniz Simon composes original pieces for piano and voice and rearranges well-known songs in a personal, contemporary way. Her work connects musical tradition with a timeless soul, rock, and pop aesthetic — building a bridge between past and present. 


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Jim Basnight - Children of The Night / Under the Rock (Album).

“Children of The Night,” is the new single along with Jim Basnights new album “Under the Rock," which is currently out only on Bandcamp, but scheduled for release on most major digital platforms on February 3rd, 2026. "Under the Rock" will be released on CD on the Kool Kat Musik (USA) and on LP on Precedent Records (USA) on February 13th, 2026. 

“Children of The Night” is a track which will likely be released on a to-be-titled album in the works, as in Jims opinion "it is one of the best tunes cut during the recent 25 track sessions".

Jim tells us "My last single, “Get it Out” and “Days in The Sun,” was one of the most successful digital singles since I started issuing them seven years ago. It's currently on a nine-week run on the Radio Indie Alliance Top 100 (RIA), peaking at #2. It's also charted on two other notable indie charts, World Indie Music Top 100 and the Hugs Top 200 chart (currently at #101, moving up 23 spots this week).

For that single, this new single, and the next few singles, my plan is to release a track from the album, plus a non-album track to provide a window into some of the quality tracks being prepared for the next album release.



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Photo -  Luke Jin
Blue Bayou - Carousel Song.

Fresh off a festival run and two tours, Oxford based new wave chamber-pop band Blue Bayou have released their third single ‘Carousel Song’. Seemingly emerging from thin air in Spring 2023, Blue Bayou took Oxford by surprise when they hosted and sold out a string of debut performances at the Jericho Tavern, Modern Art Oxford, and The Library, developing a reputation as an exclusive, “infamous” live act (BBC) for their eclectic and confounding live performances.

A UK tour supporting Max Blansjaar and the band’s own headline appearances in London and Brighton followed, with the band consistently welcoming larger stages and crowds: in 2025, they shared a stage with Jacob Alon at Wilderness Festival and played the main stage at Love Trails and in 2024 they headlined Sunday at Riverside, after Beam Me Up. Blue Bayou are currently the in-demand support act in venues in Oxford: they’ve been main support for Brown Horse, warmed stages for European acts the Klittens, New Yorkers like the Jeanines, and locals like Danny Mellin at the O2 Academy 2.

‘Carousel Song’, produced by Chris Barker (Willie J. Healey), shimmers with the magic of mid-winter: tracking to tape, and self-producing at a home studio, Blue Bayou eschewed a clean recording in favour of the warm texture of overtones, tape hum, and rack reverb. The opening verse seemingly hosts a world of distant strings and bells, while only a parlour guitar was being played. The bass which then enters evocatively re-harmonises these understated chords. It’s as if the ground beneath you is shifting, while the violin, vibraphone, and makeshift percussion, swirl in the air above. All of this is to situate the listener in an old, familiar, world of wonder, magic, and loss.


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Kimberly Dawn - Days Go By.

Country artist and singer-songwriter Kimberly Dawn releases her version of the Keith Urban classic, "Days Go By." Kimberly Dawn is back with a pulsating, feel-good cover of Keith Urban's “Days Go By,” a track that hits the gas from the first note. Driven by rhythmic guitars that immediately catch the ear, it draws you straight into the story, and Dawn wastes no time setting the scene owning her take on Urban's fantastic lyrics: “I'm changin' lanes and talkin' on the phone / drivin' way too fast / and the interstate's jammed with gunners like me / afraid of comin' in last.”

The production perfectly captures that unmistakable feeling of freedom on a long stretch of highway. It feels like a summer drive with the windows down, elbow on the doorframe, hand surfing the breeze, as the production opens up and sweeps you into the soaring chorus. It’s a song balanced delicately between presence and nostalgia, a reminder that the “good old days” are often the ones we’re living right now. You can hear Dawn’s voice lean into the quiet truth that life’s rush can blur its brightest moments unless we’re intentional about staying grounded in them. Witty yet heartfelt, Kimberly Dawn delivers a timeless song through her own country lens: time doesn’t slow down, so it’s on us to meet it with intention.

Kimberly Dawn has established herself as a resilient force in the country music landscape, backed by deep industry ties and a commitment to advocacy. She is an active voting member of the Recording Academy (GRAMMYs), the Country Music Association (CMA), the Academy of Country Music (ACM), and the Americana Music Association. Her dedication to the craft recently earned her a nomination for Songwriter of the Year at the 2024 Texas Country Music Awards for "Cowboy's Church," as well as a Song of the Year nomination at the 2019 HMMI.

Recently named a 2025 Artist to Watch by Got Country Online, Dawn continues to elevate her profile and has been featured on CMT, Holler, CMA, and the Academy of Country Music, and more. Beyond the music, she utilizes her platform as a Music Ambassador for NAMI (National Alliance on Mental Illness), blending her artistic output with a message of wellness and resilience. With the release of "Days Go By," produced by Kent Wells, she enters the new year ready to connect with fans on a massive scale.

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Photo - Connor Truax
Sydney Quiseng - That's My Baby! (On Main Street).

Echosmith frontwoman Sydney (Sierota) Quiseng has released her new single “That’s My Baby! (On Main Street)” alongside the official announcement of her upcoming solo EP That’s My Baby!, out February 20. A testament to Quiseng’s artistic evolution, That’s My Baby! is defined by reflection, resilience, and self-discovery, and chronicles her unfiltered experiences with love, loss, and personal growth as she steps into the next chapter of her story and prepares for the arrival of her daughter.

“This song is about shamelessly loving someone out loud,” shares Quiseng on the new single. “I got married at 21 and now I’m expecting my first baby, so these lyrics celebrate both the love I found with my husband and the love I already have for my baby. It feels extra special to release this one at eight months pregnant. I hope this song makes you want to have date night this Friday, on Main Street.”

Showcasing the emotive vocals and signature storytelling that have cemented her as an indie-pop superstar and fast-rising Country/Americana singer-songwriter, That’s My Baby! draws inspiration from Quiseng’s own journey and stretches from the indie-pop stardom she found as a teenager with Echosmith all the way to falling in love with her now-husband and her journey of self-discovery as a solo artist who is building a family of her own. 

That’s My Baby! captures the wide range of emotions Quiseng has had as she’s learnt to navigate this new terrain and was recorded during her pregnancy as an honest representation of who she is today. Featuring lead single “Coffee Shop in Kyoto” as well as recent fan favorite “When a Good Thing Ends” which explores the heartache of holding on while trying to move forward when something you love is slipping away, That’s My Baby! offers listeners an unfiltered look into her heart and mind and carries forward the authenticity listeners have always connected with. 

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Saturday, 31 January 2026

Peiriant - navy june - Pam Setser feat. Pat Wiley - Louise and The Feathers - Dub Pistols & Freestylers

Photo - Mairead McHugh
Peiriant - Song in Parts.

Song in Parts is from the upcoming album Plant. A violin lament monologuing over jangly major-minor spaced out guitar. Low synth tones underpin, sub waves riding along and mirrored above by ghostly pads. Nods to Brian Eno, La Monte Young and ambient works-era Aphex Twin. Song in Parts was produced by Sam Grant and recorded at Blank Studios, Newcastle upon Tyne. It uses artwork by Amber Hiscott, a detail from her painting ‘Violette enters the world‘.

Peiriant, the Hay-on-Wye based duo of Rose Linn-Pearl (violin) and Dan Linn-Pearl (guitar) return with their third studio album; a conversation between their respective instruments textured by the addition of earthy bass frequencies, unsuspected rythms and ineffable sampled noise. The result is the fullest realisation to date of Peiriant’s creative practice: an urge to embrace fully, the freedom afforded by experimenting and improvising. from the departure point of a musical bedrock of warmth and familiarity.

Plant (which means children yn Gymraeg) is its sequel, borne out of the tensions of the concerns we all face for the future as well as the joy of living in the moment. Aspects of all the album’s 8 tracks were improvised in the studio, creating a sense of openness and space. Much of the initial ideas were cultivated in the small yet slower windows of time that exist as a creative refuge at the end of the day.


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navy june - mister.

Bold, dark and seductive, Western Australia's navy june kick 2026 with their smouldering alternative rock / indie single, 'mister'. For the unacquainted, this Boorloo/Perth-based five-piece have been building their contribution to WA's local noise since 2024, supporting the likes of Old Mervs, Great Gable, Fool Nelson, Cheeky Leash, Death By Denim, Sophian, Ruby Hoo and Devon Street. 

Blending the grit of grunge with the warmth of soul, their two previous singles have showcased a sound that channels the nostalgic energy of the 1990s while reimagining it for the present day. Now, they push and pull with the ominous 'mister'. Opening with space, phased guitar lines and a steady rhythm section set the mood as Ruby Barton-Taylor’s dulcet vocals float with clarity and confidence. Carrying a poised calm and a sense of enchantment, navy june build suspense through a biting pre-chorus.
 
When the chorus lands, that restraint gives way as a wall of overdriven guitar crashes in, while Ruby’s clean, commanding vocals cut through with power and control. Swirling, panned guitar solos fill the frame, giving 'mister' a smouldering intensity that feels deliberate and spellbinding. Felt through its grit and bite, 'mister' leans into confrontation and self-assurance, exploring what it means to speak plainly when respect is no longer offered. The song pushes through the heartbreak with defiance, allowing the honesty to cut deeper. As vocalist Ruby Barton-Taylor explains: “Mister is about being unapologetic in your opinions of someone. Being honest and raw when someone is cruel to you. It explores ideas of heartbreak while still being empowered, truthful and sexy.”


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Pam Setser feat. Pat Wiley - Mountain View Night.

Pam Setser, a talented Arkansas musician, has joined forces with singer-songwriter Pat Wiley and multi-instrumentalist Tim Crouch to bring the enchanting story of Mountain View to life in their latest release, "Mountain View Night." This heartfelt love song narrates the beauty and community spirit of Pam's hometown, capturing the folk culture and connection that defines this charming town.

Following Pat Wiley's memorable experience at the annual spring Folk Festival in Mountain View, where he was inspired by the vibrant blend of musicians and the legacy left by local legends such as Jimmy Driftwood, the song unfolds with vivid imagery. With lines that evoke blooming redbud trees and joyous gatherings, "Mountain View Night" captures the warm atmosphere and rich musical heritage of the Ozarks.

"I wanted to express the magic of Mountain View through this song," said Pat Wiley, a seasoned artist with over 50 years of experience in the industry. "Working with Pam and Tim, who both bring their own unique talents to the table, has made this recording project a truly collaborative experience."

Pam Setser, well-known in the Mountain View music scene, lends her captivating vocals to the track alongside Pat Wiley's. At the same time, Tim Crouch showcases his expertise on fiddle, guitar, mandolin, bass, and banjo. Together, they fuse their artistry to create a piece that resonates with both locals and newcomers alike.


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Louise and The Feathers - Great Gatsby.

Louise and The Feathers, are a band bringing a fresh and distinctive twist to the classic folk genre. Blending indie and rock elements with deeply heartfelt lyrics, their music connects on a raw emotional level and takes listeners on a true musical journey.

Drawing inspiration from artists such as Florence and The Machine, Paolo Nutini, Phil Collins, Hazel O’Connor, and Fleetwood Mac, Louise and The Feathers create a sound that feels both timeless and excitingly new.

“Great Gatsby” by Louise and The Feathers is a stylish, dreamy track that captures the glittering allure and underlying melancholy of Fitzgerald’s famous world. The song blends soft, atmospheric vocals with an elegant indie-pop sensibility, creating a mood that feels both romantic and bittersweet. 

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Dub Pistols & Freestylers - Give You Love featuring Belle Humble.

From the forthcoming album "Enter the Sound" - out on 6th March, is a collaborative album from the Dub Pistols and the Freestylers - long-time touring and production partners, teaming up this time for a full-length project.

The album is a sonic journey through their diverse influences, blending genres like Reggae, Ska, Hip Hop, Trip Hop, Breakbeat, and Jungle. It’s a celebration of their shared musical roots and evolution.

A taste of the new album here, featuring 3 tracks - "Back on The Circuit", "Give You Love" & "Hold Up Your Hands". Enter the Sound also features an all-star lineup of guest artists, including Johnny Osbourne, Tippa Irie, General Levy, Too Many T’s, Horseman, Belle Humble, Scarlett Quinn, Tenor Fly, MC Spyda, Persona, Harry Shotta and of course, Seanie T.


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Friday, 30 January 2026

The October Effect - Michael Lane - Romanie - Hauntees - Awful Din

The October Effect - The Missing Clue.

Formed in 2023 in Weston-super-Mare, Somerset, UK, The October Effect is the creation of both songwriter and guitarist Laurence (aka Loz) Collins, and vocalist Cath Back.  Laurence's songs blend elements of jazz and pop with a reflective, atmospheric edge - a very real 'October effect'. 

Whilst Cath Back Exceptional Vocals adds depth and nuance to the band’s understated, emotionally-driven sound. The band is completed by its latest member, Mike Gutsell (bass and backing vocals), who has been collaborating musically with Laurence since they were teenagers.

The Missing Clue – A song about that life changing moment when everything falls into place and you realise the missing piece has been added to your personal jigsaw. It might be love, the birth of a child or something else, but whatever it is you know it's going to redefine your life - forever. The October Effect’s distinctive approach — thoughtful songwriting, emotionally resonant lyrics with a subtle jazz-influenced feel.


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Michael Lane - Live Free (Album).

“Live Free” is about embracing life as it comes – with all its highs and lows. The songs revolve around love, freedom, and self-acceptance, born from honest moments and genuine self-reflection. The album serves as a reminder that freedom doesn’t mean avoiding responsibility or emotions, but staying true to yourself in every situation. It tells a story of growth, forgiveness, and finding peace with one’s own imperfections.

If there’s a modern folk/pop artist who truly knows the difficult sides of life, it’s Michael Lane. In his twenties, he was deployed as a U.S. soldier to Iraq and Afghanistan, where he witnessed many traumatic events. His previous albums were like a musical diary of these experiences – but on “Live Free,” you can clearly feel that lightness and joy have returned. The album sends a hopeful message: even crises and periods of self-reflection can bring us closer to the things that really matter.

The German-American singer became known through two Top-50 hits in the German charts, four released albums, international tours, and his single “Liberty,” which was the official song of the Four Hills Tournament 2015/2016. Several of his songs have made it onto Spotify and Apple Music editorial playlists and are featured by tastemakers such as alexrainbird Music, Indie Folk Central, Starbucks Playlists, and Double J Music. In addition to his work as a musician, Michael Lane also writes production music and produces in his secluded “Studio Waldblick.”


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Photo - Marcus Cobblyn
Romanie - Anything or Anyone.

Multi-award winning singer-songwriter Romanie returns with her brilliant new single ‘Anything or Anyone’, ahead of her forthcoming album ‘It’s Not That Funny’ which is set to follow on the 20th of February. A homage to community, ‘Anything or Anyone’ arrives as a reminder that you're never alone. Unfolding over gently plucked guitars, ‘Anything or Anyone’ is a reflection on loneliness and pushing back against the temptation to isolate yourself further. 

Sharing more, Romanie explained: “This song is a really big reminder to myself that I’m not alone, I wrote it in the midst of a really dark and lonely time - thinking I was completely alone by shutting myself out. Living on the other side of the world, choosing a career that is not straight forward - it can sometimes feel like you’re screaming into the void. 

I think the song, even though it stemmed from a sad time, is a reminder and dedication to anyone who’s ever felt lonely (all of us) and a reminder that we never are alone. Community is everything.” ‘Anything or Anyone’ is the fourth offering to be taken from Romanie's upcoming sophomore album. 

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Hauntees - All Over Again.

Helsinki-based goth garage band Hauntees has released the first single, All Over Again, from their upcoming debut album. The hypnotic, dark-toned track draws its striking elements from post-punk as well as goth and garage rock. Hauntees is a new band, but its members have previously played in groups such as Patsy Walkers, Borderline, Charm Bags, Goo-Hags and Lariots, so the roots of the Helsinki garage scene are well covered.

“We want to reach toward other worlds with our music, beyond everyday reality,” the band says. “When we write songs, we describe them to each other through places, films, and moods.” Based on feedback, Hauntees’ visual and atmospheric approach to music seems to resonate with listeners.

“It’s interesting that listeners experience our music this way too. We’ve received comments at shows that we sound like the jukebox in the Twin Peaks bar, a foggy forest path, or music that should be played on a road trip across the desert,” the band says. The band’s debut album Shadows Forming will be released on February 28 on vinyl and digital platforms.

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Awful Din - ANTI BODY (Album).

"Founding members Aaron Groom (vocals/guitar) and Kat Doniger (guitar) reference 90s emo and punk as what brought them together in a band (Saves the Day and Texas Is The Reason, specifically), and on their sophomore album ANTI BODY, the group (now joined by new members Jay Rodriguez and Don Lavis on bass and drums) take those influences and make a fresh, catchy-sounding emo-pop-punk album out of them. 

Somewhere between post-Lemonheads earnest jangle-power pop, John K. Samson storytelling, Taking Meds-style indie rock/punk, and big PUP choruses, the opening stretch of ANTI BODY is a whirlwind between the three golden pop rock songs 'GFTO My Basement,' 'Goodbye Delaware,' and 'I Will Break You.' 

"If you’ve forgotten that Awful Din are an emo band, the brake-tapping, string-laden hospital ballad 'Foot Punk' will remind you, although the quartet throw themselves into that one so fully that it just adds another layer to ANTI BODY rather than arresting any momentum (and if that one doesn’t slow Awful Din down, the sparse, slow-building 'Chaparral' certainly won’t either). 

The bass-led belter '15 Minutes of Shame' and a perfect jangly pop song called “Big’s In Paris Now” (of course) are B-side highlights, as is closing track 'We Have We Are We Will,' in which Awful Din do the 'cathartic big finish' thing as well as I’d expect them to do. It’s been a minute since I’ve heard an emo (or “emo-adjacent”, even) album that hits these notes as well as Awful Din do on ANTI BODY; it’s a welcome reminder of the power of this kind of thing." -Rosy Overdrive

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Gitika Partington - Hiding Places - SAMAJAMA - Staci Gruber

Gitika Partington - Home / Love's a Refrain / Rocket Man. Songwriter and choral director/arranger Gitika Partington has released thirte...