Claire Helm - Moving Into Tucson - Gwenno - Hannah Rose Platt

Claire Helm - Ghost.

Fusing pop and soft rock into hauntingly beautiful but pulsing melodies and lush musicianship, Ghost is a searing track all about the person who comes into your life like a game show host, showing you all of the best parts of themselves, and then when you pull back the curtain to look for the truth and the real person, you discover the smoke and mirrors that lie that behind the facade....and that in reality there is nothing there...like a ghost. Written by Mark Sykes and Claire Helm and produced by Steve Dutton with mastering from the highly respected studios of Carl Rosamond at RSS Music and Media.

This track features a veritable Huddersfield super group of superb, well established local musicians of the highest calibre. With polymath Steve Dutton from the mod legends The Killermeters on drumming, engineering, producing, cinematography and photography duties, local rock god Roger Kinder from one of West Yorkshire’s leading live bands Razorbach on lead guitar, the badass bass from Mark Sykes of Champagne Supernova, and the exceptional singer/songwriter and exemplary musican Nick Ryder on additional guitars and keys.

Ghost also features the stunning acoustic guitar of the late Boo Sutcliffe, and this fact is heartbreakingly significant as it is the last track that Boo was able to play on shortly before brain surgery led to him losing his renowned dexterity in his arm and hand. It was purely incidental that the track was called Ghost, as his playing is very much alive and in glorious technicolour on this powerful track, and will forever be.

Claire Helm · Ghost

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Moving Into Tucson - Are You Ready.

Moving Into Tucson, the indie pop rock band known for their evocative storytelling and unforgettable melodies, returns with Are You Ready, a shimmering Britpop anthem for our times. Infused with the optimism and energy of the genre's golden era, this track is a call to action wrapped in an irresistibly catchy tune.

The song’s lyrics, driven by heartfelt imagery and a universal message, evoke childhood innocence and the urgent need for unity. With lines like, “Are you ready to build up a world of love / To build up a world of peace” the track challenges listeners to step up and create a better future. The nostalgic verses, painted with sunny playground memories and riverside conversations, are a poignant reminder of what’s at stake.

Anchored by the chorus’s soaring harmonies and upbeat rhythm, Are You Ready is not just a song, it’s an anthem of hope. The band’s Britpop influences shine through in every driving chord and uplifting refrain, making it impossible not to sing along.

Are You Ready is more than a rallying cry; it’s a feel-good reminder that change starts with all of us. So, turn up the volume, let the music inspire you, and join Moving Into Tucson in building a world worth dreaming about.

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Photo - Clare Marie Bailey

Gwenno - Dancing On Volcanoes.

Gwenno today announces her new album Utopia due out July 11 via Heavenly Recordings. The album is the follow-up to her hugely acclaimed third album Tresor which was nominated for the Mercury Music Prize in 2022. To accompany the announcement Gwenno has shared lead single “Dancing On Volcanoes” together with a stylish B&W video shot in Las Vegas. Over a backing track that swirls, drives and punches like a motorik-fuelled version of The Smiths, Gwenno looks back on dancefloors that no longer exist, to the act of dancing as catharsis and the magic of losing oneself until 5am in a strange and beautiful new environment. It’s the perfect return of one of the UK's most creative and driven musicians.

Commenting on the track Gwenno says: “Jarvis Cocker dancing alone on stage, surrounded by dry ice, perfectly conveying the loss of our congregational dancing and drinking in small venues with a slight swing of the hip and flick of a hand... dancing 'til 5am at Le Mandela restaurant in Grangetown, Cardiff... the Pet Shop Boys' perfectly aimed observations on modern life... the spirit of Johnny Marr on guitar, his echoes of the Celtic sea passed down through the generations... the need to dance as a cathartic act... it's all here - Dancing on Volcanoes!"

43 years into her life, Gwenno Saunders has been many people. The disaffected Cardiff schoolgirl; the teenage Las Vegas dancer; the singer in indie pop group The Pipettes. There was a turn in a Bollywood film, a nightclub tour, a stint cleaning floors in an East London pub. Long before she would become an acclaimed solo songwriter in both Welsh and Cornish, a winner of the Welsh Music Prize, a nominee for the Mercury, a Bard of the Cornish Gorsedh, there were the days of Nevada, London, Brighton; of Irish dancing, techno clubs, messiness and chaos.

Utopia, Saunders’ fourth solo album, is an extraordinary exploration of all of these selves. If the singer regards her first three solo records — 2014’s Y Dydd Olaf, 2018’s Le Kov and 2022’s Tresor as “childhood records”, rooted in her upbringing, her parents, her formative identity, then Utopia captures a time of self-determination and experimentation. These are songs of discovery, of the years between being someone’s daughter and becoming someone’s wife and someone’s mother. They range from floor-fillers to piano ballads, via contributions from Cate Le Bon and H. Hawkline, and encompass William Blake, a favorite Edrica Huws poem, and the Number 73 bus. It is her finest work to date.

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Hannah Rose Platt - Young Men Need Their Wives.

While staying true to the themes of medicine and misogyny at the heart of her conceptual album, "Young Men Need Their Wives" is drawn from a much more personal well of influence. Ultimately pressured by multiple therapists and medical professionals to stay in an abusive relationship during a particularly challenging chapter of her life, this fierce track channels the chaotic, disorienting emotions she felt during that time.

As Hannah explains: “I wrote "Young Men Need Their Wives" as a fierce declaration that we are all worthy of love that is kind, genuine, and healthy—free from manipulation. Many of the lyrics are drawn directly from the harmful and dangerous advice I was given verbatim by therapists and medical professionals. This song is not just about reclaiming my own voice; it’s also about empowering anyone who has ever felt pressured to stay in toxic situations. It serves as a reminder that we deserve love that lifts us up, and we should never settle for being collateral damage in someone else’s journey of self-discovery.”

With lyrics that cut right to the bone and a score that blends the raw energy of Sonic Youth's distorted guitars with the soulful, catchy, yet vulnerable sound of The Shirelles; "Young Men Need Their Wives" shakes to the core with its rebellious spirit and defiant message.

A standout moment of her next album ‘Fragile Creatures’, this song is an assertion of independence and strength that turns a painful experience into a powerful call for self-worth and self-liberation. The track will feature on the record alongside previous singles ‘Curious Mixtures’ and ‘The Edinburgh Seven’.

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Annie Stokes - Blue Foundation - Sister Sadie - Daphne Blue Underworld

Annie Stokes - Ghostwriter (Album).

After hustling in the Washington, DC music scene for a decade, Annie Stokes arrived at the end of 2023 with a calm clarity: she was ready to write the type of album she’d always dreamed of. She and her husband and songwriting partner, Will Berger, holed themselves up in a cabin by the Shenandoah River for a weekend in December and sketched out the bones of what would become “Ghostwriter.” Built around themes of grief, belonging, and permanence, the album also visits topics of gender dymanics and double standards, the lingering ache for validation from past friends and lovers, reclaiming boundaries in the digital age, and the intense, alchemical friendship young women experience in their twenties.

“Ghostwriter” began to take form under the creative helm of producer and co-writer Austin Bello, who collaborated on 2023’s “Wild Rose” EP. Stokes leaned more on her banjo as a rhythm instrument, while Berger used the bass to push the melodic narrative of the songs. Marty Garfield, who joins Stokes on stage as part of her live line-up, added fiddle, alternating between highland-esque dirges and Appalachian licks. Before recording each song, the players loosely discussed the genre and sound they were attempting to create, while ultimately agreeing that the songs needed to take their own shape. The result is a collection of dark-hued, modern Americana music firmly rooted in folk songwriting tradition.

While recording this album in the spring and summer of 2024, Stokes also independently toured the East Coast, began hosting songwriter showcases in her hometown of Leesburg, VA, and parented her two young daughters. She loves that the grit and fatigue of being a working artist and millennial parent shine through in these songs. Americana and folk music is many things, but it’s ultimately defined by its connection to the earth and the everyday people who inhabit it. With “Ghostwriter”, Stokes hopes to crystallize and honor some of the sacred, ordinary experiences of everyday living.

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Blue Foundation - Ecstacy In Space.

Blue Foundation are proud to announce the release of, ‘Ecstasy in Space’, the third single from their forthcoming new album ‘Close to the Knife’, which is set for release on April 18th. Recorded in 2024 and written by Tobias Wilner, this dreamy, shoegazey track takes listeners on a sonic journey through ethereal soundscapes and pulsating rhythms, capturing the essence of liberation and desire. The track also introduces a new member to the Blue Foundation lineup, Nina Dahlgaard Larsen, who provides vocals on this song.

‘Ecstasy in Space’ is a fuzzy and delicious snowball of pure dream pop that calls you to surrender to the moment. The track tells you to hold on tight and glide with grace and reminds you that true ecstasy comes from the freedom of choice and the strength to surrender. On the single, Tobias Wilner said, "I wanted to capture my feeling of floating high on feelings". His words echo in the refrain, "Wish you were mine".

The music video for "Ecstasy In Space" is a dreamy journey into the energy and emotion of a group of young people in Copenhagen. Shot with an artistic and cinematic aesthetic, the video follows them as they venture into the night on their way to an underground warehouse party. The music video, directed by Hannah Bertram, is a visual poem – hypnotic, raw and nostalgic.

Founded in 2000 by Danish singer, multi-instrumentalist, and producer Tobias Wilner, the group was inspired by Mark E. Smith's method of forming a band (The Fall), with Wilner recruiting a rotating lineup of traditional musicians over the years to fuel creativity. Since 2010, the core members of the band have been Tobias Wilner and Bo Rande, working between Crown Heights, Brooklyn, and Copenhagen, Denmark.

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Photo by Allister Ann.

Sister Sadie - Let the Circle Be Broken.

In a mostly male genre still known as much for its reticence about contemporary subjects as for its powerful harmonies and virtuosic picking, bluegrass music’s Sister Sadie have stood out ever since the all-female group’s founding more than a dozen years ago. 

Now, with the release of “Let The Circle Be Broken,” the International Bluegrass Music Association (IBMA) award-winning, GRAMMY-nominated ensemble is breaking new ground with a somber yet uplifting exorcism of the generational trauma of domestic abuse.

“Dani Flowers, Erin Enderlin and myself wrote ‘Let the Circle Be Broken’ right after my Dad passed away,” says the group’s co-founder, fiddler Deanie Richardson. “He was an abusive man who verbally, emotionally and sexually abused me for most of my 18 years living at home with him. When I confronted him as an adult, he said that it had been done to him as a child. This song is about that generational trauma and abuse that keeps getting passed down. The continuing of that trauma and abuse stops with me. It doesn’t go any further.”

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Photo Loren Ipsum

Daphne Blue Underworld - Fake It Make It.

"Fake It Make It" is the newest single from Boston-based alt-pop mad scientist Daphne Blue Underworld (aka. Loren Ipsum).

"Fake It Make It" is the second single from Daphne Blue Underworld's forthcoming album, Memory Palace. Trading the frantic electronic drive of previous single "Kicking and Screaming" for wistful guitar pop a la Camera Obscura or Belle and Sebastian, Daphne Blue Underworld’s "Fake It Make It" may sound gentle, but loses none of the potent lyrical venom of its predecessor.

The song’s chiming guitar chords and plaintive vocal melodies may evoke nostalgia, but serve as a spoonful of sugar for DBU principal Ipsum's bitter ruminations on integrity and authenticity. The music may harken back to a simpler time of homespun indie rock that lived and died by short-run 7” singles and self-Xeroxed zines, but the message is bang up to the minute and all-too-relevant in a world where reality is being obfuscated more than ever before.

The forthcoming Memory Palace is DBU’s forthcoming mid-fi masterpiece—an evocative collection of songs that take the form of aural daydreams bathed in a nostalgic VHS glow. Flipping stylistic channels between the guitar-dominated heyday of MTV’s 120 Minutes and the warm synthesized landscapes of PBS’s Nova, Memory Palace explores themes of personal authenticity, courage in the face of change, and the tenuous escapism of a complex inner life.

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Jæd - Virgins - Course

Photo - Alexis Vokos

Jæd - The Sting.

London based Irish-Puerto Rican musician Jæd (pronounced: jade) yesterday shared a new video for 'The Sting' a highlight from her recently released debut album 'I Loved The Gauntlet And There Was No Other Way' - out now digitally and on 12" heavyweight vinyl via Irish label Delphi.

On its release at the tail end of 2024, Jæd's debut album ‘I Loved The Gauntlet And There Was No Other Way’ received notable support from Mary Anne Hobbs on BBC 6 Music, Paste Magazine, The Forty-Five, The Line of Best Fit, Nialler9, Rough Trade, Hard of Hearing, Hot Press & more, praising the project's freewheeling guitars, jagged drum patterns and spiralling vocal runs, with comparisons to the work of Fiona Apple, Anna Calvi and Nadine Shah.

Once seen live, Jæd is hard to forget. In her hands, the guitar is choked at the neck, tamed and mastered like a wild animal to yield a particular tone, while her voice – an instrument all of its own – is capable of incredible tenderness one moment, before taking on shades of desperation and defiance the next.

Speaking more about her song 'The Sting', Jæd said: "The Sting is about the transformative power of jealousy when worked with for insight into our hidden and sometimes surprising desires. The initial pain of jealousy like a sting, when given space with patience and some meditation, is actually a storehouse of energy and can provide an impetus to initiate change."

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Virgins - blooms.

Following the success of their critically acclaimed debut album ‘Nothing Hurt and Everything Was Beautiful’, Belfast-based shoegaze risers Virgins return with the intoxicating new single 'blooms' (April 3rd via Blowtorch Records). The track sees the band further evolve their sound, pushing into darker, more dynamic territories, whilst retaining the euphoric textures that have defined their rise in the shoegaze scene to date.

Produced by Simon Francis (The Japanese House, Kylie Minogue, Ellie Goulding) and mastered by Slowdive’s Simon Scott, 'blooms' is a cinematic and stylistic swirl of reverb-drenched guitars, tight drums, grounding bass and cascading fuzz, culminating in a cathartic explosion of sound. Shimmering verses burst into swirling choruses as the siren vocals soar above the atmospherics of the instrumentation.

Speaking on the track, songwriter and guitarist Michael describes 'blooms' as: “the band redefining our sound while delving to new emotional depths. A sonic exploration of tension and release, accented by reverse delays and glide guitar. Lyrically, it’s explores themes of reflection and self-confidence..”

Virgins have rapidly become one of Ireland’s most promising alternative acts. Their 2022 EP ‘Transmit a Little Heaven’ sold out its vinyl pressing, and their debut album ‘Nothing Hurt and Everything Was Beautiful’ garnered praise across major press and radio, solidifying the band as ones to watch. The band’s dynamic live performances have cemented their reputation, with sold-out headline shows at GazeFest, appearances at Stendhal Festival and Other Voices Wales, as well as UK and Irish tours supporting artists including Bleach Lab, BDRMM, New Pagans, Sign Crushes Motorist.

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Course - Feeling Alive.

Chicago-based synth/pop group Course has released their new single “Feeling Alive” off their upcoming album Hue Mirror, due out April 25th. Their third full-length offering, Hue Mirror marks their most raw, vulnerable, and poignant collection of songs to date, written by singer, songwriter, and multi-instrumentalist Jessica Robbins in the wake of a traumatic, life-altering diagnosis. On “Feeling Alive,” she acknowledges the personal challenges ahead, but enjoys the small victories of the present, allowing herself to bask in the relief of a pain-free day. Under The Radar featured the track and raved "Although much of the album explores the thorny and emotionally laden experience of living with chronic illness, 'Feeling Alive' offers a welcome detour into serene folk balladry. Robbins’ vocals settle atop glassy synths and swaying acoustic guitar as her melodies sprawl outwards, stretching dreamily as though she is waking from a restful sleep to greet a new day.”

"I wrote this song a few months after my diagnosis when I had come to terms with everything, for the most part, and was feeling better,” said Robbins. “I started to work out, lift weights, and walk more. I was feeling more like myself. This is probably the most hopeful song on the album. It touches on how it takes time in the morning to feel like myself and bring all the stiffness down in my back, 'can the day awake?' And then when it does, I feel alive again and can forget about this horrible disease for the day."

“Feeling Alive” follows the release of the album’s title track “Hue Mirror,” a song that captures a moment of whirlwind confusion, fear, and shock. Magnet Magazine spoke with Robbins and featured the track along with an early peek at the album, raving “it’s her most sonically expansive, emotionally unfettered set of songs to date.”

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Abbey Lane - Wakey Wakey Rise & Shine - The Bats - Steven Troch Band

Abbey Lane - Baby Steps

Drink in Abbey Lane's signature smooth indie blend in her single ‘Baby Steps’, an ode to the small wins and small joys, released this week.

In her first release of 2025, Abbey Lane showcases the talent she’s nurtured through her 13 years of experience with music, once again standing out as someone who pours her heart into every song. In her time, Abbey Lane has accomplished a great deal, collaborating with writers such as Yung Bleu and Tenille Arts and recently performing at Old Bar Beach Festival (Surftrash, Kim Churchill), Rockhampton River Festival (Eskimo Joe), Never Had So Much Fun (supporting Ula and Eluera) and so much more.

Her 2024 debut EP release drew in praise from all corners, with the track 'Darling' winning Best Folk Song of The Year at the ASA Awards, 2025 is sure to bring great things too.

‘Baby Steps’ is a daydream, perfectly embodying Abbey Lane’s ephemeral style. Dreamy indie romance guitar, with echoing effects that make this track flow like a lazy river. Abbey’s vocals stand out as something purely magical, possessing the gentle lure of a siren’s song.  The earnest quality of this track makes it feel reassuring, a comforting mid-afternoon ray of sunshine, something the lyrics exacerbate.

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Wakey Wakey Rise & Shine - Rear Meat (EP).

A year after their debut EP, A Good Way to Get Yourself Killed, Bristol's Wakey Wakey Rise & Shine return on April 4th with their sophomore effort Rear Meat.

Blending the irreverent spirit of Devo, The B-52s, and Talking Heads with their distinctive fusion of new-wave and post-punk sensibilities, the quintet’s latest offering marks a significant sonic evolution. Pulsating  with dark rhythms and gritty textures, they collectively push into heavier, more adventurous terrain. "Rear Meat is probably our heaviest set of songs stylistically and represents a significant shift from our previous output," explains synthist/vocalist Harri Elliott. "We've gradually become a bit heavier the longer we have been a band."

The EP's four tracks dive into darker territory while maintaining the band's signature humour. From the genre-blending 'There's Less Trouble When You Stay At Home' to the powerful awakening of 'Skyrats,' each song offers fresh perspectives. The EP's standout focus track 'Armadillo' arrives wrapped in swirling synthesisers and mind-bending effects, inspired by an unsettling dream. "Armadillo is about a dream that Smudge had where a business tycoon would steal from everyone he could which made Smudge super scared but then he woke up and realised it was all a dream." explains drummer Seamus, "The inspiration for this song came from Smudge having that dream, and then we as the band wanted to recreate the different notions of sleep we experience such as REM, waking up from a nightmare, the notion of falling asleep and not being able to get to sleep in a musical sense."

Across this compact but potent collection, Wakey Wakey Rise & Shine plunge into a cathartic space where anxiety and mistrust dance with playful irreverence. Recorded primarily by bassist Duncan and guitarist Cameron in the basement of Bristol's iconic venue The Louisiana, the band took an unconventional approach to production. "One of the main creative processes to this EP is that we recorded the drums without a click/metronome," Seamus notes. "Nowadays that is not standard practice, but I really wanted to capture a flowing energy because when you play to a click sometimes that flow gets lost."

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Photo - Richard Langston

The Bats - Loline.

Look out, it’s The Bats! These New Zealand indie rock royals have had their heads down recording new music and are now ready to share the first offering; ‘Loline’. The new single strikes a very distinctive and familiar chord that exists in the fuzzy-loving hearts of fans all round the world. We can’t wait to see what else this line-up of over 40 years has in store for us this year.

‘Loline’ was recorded at Chicks Studio in Port Chalmers by Flying Nun legend, Tex Houston, with extra keyboards from Ryan Fisherman. The gorgeous music video featuring recent concert footage was directed, shot and produced by Martin Sagadin, ably assisted by Jack Freeman and Lucy Lallemant – and all with the support of New Zealand on Air.

The Bats are Robert Scott, Kaye Woodward, Paul Kean and Malcolm Grant, the much-loved indie rock band from Aotearoa. Since their inception in Christchurch in 1982, The Bats’ music has earned a devoted following around the world, and they remain one of New Zealand’s most cherished and enduring exports. Their music is a perfect blend of bittersweet beauty and deceptive simplicity, and the band has a phenomenal ability to create melodies that linger long after the record has stopped spinning.

Throughout their 40 plus years of existence, and now with album number 11 in the pipeline, The Bats have stayed true to their roots, creating timeless music that continues to resonate with fans old and new.

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Steven Troch Band - God Pulls The Strings.

Steven Troch Band have just released their new single "The Dawning". The song exudes a mystical border town atmosphere and asks the question whether our fate is predetermined. The narrator of this song narrows his scope, to concisely find an answer. This single announces Steven Troch Band's fourth studio album. ‘The Dawning’ which will be released on April 25, 2025 on CD, vinyl and digital services worldwide.

Frontman Steven Troch got “contaminated” by Rhythm & Blues in his late teens. Over the years he has turned into a very fine harmonica player with an extra dose of originality, an accomplished vocalist and clever songwriter.

In 2016 Steven surrounded himself with a very talented & experienced bunch of musicians and the Steven Troch Band was born. Matt T Mahony is carrying the torch high, keeping one eye on tradition while pushing forward into newer areas.  Miss Liesbeth Sprangers keeps a steady pace on her powerhouse bass and drummer Dennis de Gier loves to groove and brews up a wide  variety of rock-solid rhythms like no other.

In their music you will hear the mean menace of modern day life, the sweaty rhythms of the city, the blue notes of days gone by and lyrics that will paint a smile on your face. They are always walking a tightrope between High-Octane Swing, mellow Afterhours Blues and vintage feel-good R&B. Steven Troch Band is a solid four piece band that plays rough-edged contemporary Rhythm & Blues with soul-baring conviction. Without any doubt " Steven Troch Band " is one of the finest bands playing some of the best contemporary and vintage style blues you will hear in Europe today.

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